If you are looking for a perfect VHS or R0 DVD copy of the film
contact me.
Cast | Crew |
Articles | Book vs. Film | Books |
Classic Lines | Deceased |
Explanatory Note | Foreign Titles |
Formats | Notes |
Pictures | The Prisoner of Zenda |
Quotes | Synopsis - Official |
My Summary | My Review
| Taglines |
Together Before | Together Again
Character | Actor |
Captain Harry Flashman/Prince Carl Gustaf | Malcolm McDowell |
Rudi Von Starnberg | Alan Bates |
Lola Montez | Florinda Bolkan |
Otto von Bismarck | Oliver Reed |
De Gautet | Tom Bell |
Sapten | Joss Ackland |
Eric Hansen | Christopher Cazenove |
John Gully, M.P. | Henry Cooper |
Kraftstein | Lionel Jeffries |
Mr. Greig, lawyer | Alastair Sim |
Headmaster | Michael Hordern |
Duchess Irma | Britt Ekland |
Josef | Richard Pearson |
Alan Howland | |
Police Constable | Bob Hoskins |
Detchard | Richard Hurndall |
Arthur Brough | |
Baroness Pechman | Elizabeth Larner |
Lady at Duel | Margaret Courtenay |
Speedicut | Stuart Rayner |
Grundwig | Leon Greene |
The Mayor | David Jason |
Lord Chamberlain | Noel Johnson |
Fireman | Ben Aris |
Helga | Rula Lenska |
Police Inspector | Bob Peck |
English General | John Stuart |
Lieutenant | Frank Grimes |
Tom Brown | Paul Burton |
1st Girl | Tessa Dahl |
2nd Girl | Claire Russell |
Lucy | Kubi Chaza |
Policeman | David Stern |
Barmaid | Meg Davis |
Master | Roger Hammond |
Old Rouse | Roy Kinnear |
Directed by Richard Lester
Screenplay based on his novel - George MacDonald Fraser
Produced by Denis O'Dell and David V. Picker
Photographed by Geoffrey Unsworth, B.S.C.
Production Designer - Terence Marsh
Music Adapted and Directed by Ken Thorne
Original music © MCMLXXV Twentieth Century Music Corporation Limited
All rights reserved
Production Manager - Barrie Melrose
Costume Designer - Alan Barrett
2nd unit Photography - Paul Wilson
Camera Operator - Peter MacDonald
Art Director - Alan Tomkins
German Production Manager - Hubert Fröhlich
Assistant Directors - Vincent Winter, Dusty Symonds
Assistant to Mr. Lester - Pepe Lopez Rodero
Fight Director - William Hobbs
Stunt Arranger - Richard Graydon
Sound Recordists - Gerry Humphreys, Simon Kaye
Sound editors - Don Sharpe, Paul Smith
Continuity - Ann Skinner
Production Secretary - Vicki Deason
Casting Director - Mary Selway
Make-up - Paul Rabiger
Hairdresser - Colin Jamison
Unit Publicist - Gordon Arnell
Stills Photographer - Keith Hamshere
Property Master - Eddie Fowlie
Special Effects - John Richardson
Property Buyer - John Lanzer
Set Dresser - Peter Howitt
Construction Manager - Peter Dukelow
Gaffer - Maurice Gillett
Production Services by Topaz Production Company
Color by Technicolor
Prints by De Luxe
Filmed with Panavision Equipment
Copyright © MCMLXXV Zeeuwse Maatschappij N.V.
All Rights Reserved
All characters and events in this film are fictitious.
Any similarity to actual events or persons living or
dead is purely coincidental
Filmed on location in Germany, and at
Twickenham Film Studios, London, England
Released by Twentieth Century-Fox Film Corporation
Flash man
Telegraph Group Limited 4/16/06
As the notorious Victorian soldier and unrepentant cad
limbers up for his latest adventure, his creator George MacDonald Fraser tells
Saul David why the 19th century had the most interesting wars. Fraser, a former
journalist who in the 1960s hit on the brilliant idea of hijacking the fictional
character of Flashman from Thomas Hughes's bestselling Tom Brown's Schooldays
(1857). In the foreword to his latest book, Flashman on the March, set during
the Abyssinian Campaign of 1868. That was a war, he writes pointedly, that
"served no politician's vanity or interest. It went without messianic
rhetoric. There were no false excuses, no deceits, no cover-ups or lies, just a
decent resolve to do a government's first duty: to protect its people, whatever
the cost."
Fraser is making a rare public appearance at the Bath
Literary Festival and I've arranged to meet him at his hotel. I'm nervous. He's
my literary hero, and if I hadn't read his Flashman novels as a boy I probably
wouldn't have become a historian. I certainly wouldn't have written four books
on the wars of the Victorian period. But admiring an author is one thing,
getting to know him quite another.
We don't get off to the smoothest start. I'm on time but
Fraser himself has only just arrived, thanks to a delayed flight from the Isle
of Man (where he has been in tax exile since the early 1970s), and needs an hour
to freshen up. He reappears to the minute, smart in a blazer and open-necked
shirt, with a wide friendly face and a hearty laugh.
He still retains his Scottish lilt, and looks incredibly well
for his 80 years. As well he might. Flashman on the March, the 12th installment
in the adventures of the notorious Victorian soldier-cad, has sold more
hardbacks than any of its predecessors. Fraser says his publishers did a
"terrific job" and thinks the high sales might have something to do
with the two books - Flashman at the Charge and Flash for Freedom - that he
recently adapted for Radio 4.
The book is a welcome return to form, with Flashman as
unrepentantly caddish as ever during his perilous mission into deepest Abyssinia
to rescue Britons held hostage by mad King Theodore. En route he grapples (in
both senses of the word) with "leather-clad nymphs" and "warriors
who decorate their lances with the courting-tackle of their enemies". He
only narrowly keeps his own courting-tackle.
No scene better illustrates his ruthless sense of
self-preservation than when, suspended over a waterfall, he sacrifices his
Abyssinian lover to save his own skin. "Better one should go than two, and
greater love hath no man than this, that he lay down someone else's life for his
own."
Given the huge popularity of the Flashman novels, it seems
odd that only one, Royal Flash (a send-up of Anthony Hope's The Prisoner of
Zenda), has been made into a film. Fraser is, after all, an experienced
screenwriter whose credits include The Three Musketeers (1973), the James Bond
film Octopussy (1983) and the aforementioned Royal Flash (1975), starring
Malcolm McDowell. That expertise, it seems, is part of the problem. "I will
not let anyone else have control of the script," he explains, "and
that simply does not happen in Hollywood."
There's also another reason, he thinks, for the dearth of
Flashman films: no suitable British actor. I suggest Daniel Day-Lewis. He's not
entirely convinced. "He's probably getting on a bit," he says
(Day-Lewis is 48), before conceding: "He's probably the best around. I was
very impressed with his Gangs of New York."
At his festival talk that evening he is more taken with the
idea. "Someone suggested today that Daniel Day-Lewis might make a Flashman
- and on reflection I think he would. He's bbig, he's got presence and he's got
style." Fraser's all-time favorite for the role, however, is Errol Flynn.
"It wasn't just his looks and his style. He had that shifty quality."
Fraser read Tom Brown's Schooldays as a boy and immediately
saw the drunk bully Flashman as the unacknowledged "star" of the book.
Tiring of journalism in the mid-1960s (he was assistant editor of the Glasgow
Herald), he decided to use Hughes's creation as the anti-hero in his own
Victorian adventure story.
The timing was perfect. Flashman is expelled from Rugby at
about the same time that Queen Victoria comes to the throne and the ill-fated
First Afghan War begins. Hence, the first book, Flashman (1969), is set in
Afghanistan, with our cowardly hero emerging from the disastrous Retreat from
Kabul with his reputation enhanced.
Does Fraser share any traits with his fictional creation, an
inveterate womanizer who, more by luck than judgment, always ends up smelling of
roses? "No - but I do share his general philosophy. I'm rather a cynic, I
suppose. I do not believe in the niceness of humanity."
Yet even Flashman is not all bad and seems to have a genuine
affection for many of his lovers. "Yes," agrees Fraser, "he falls
for a lot of them - temporarily at any rate. He really loves Elspeth [his wife],
there's no question about it. But the thing about Flashman's women, and I think
this is what appeals to female readers, is that they invariably get the better
of him."
There's no better example of this than the diabolical revenge
that the ex-slave Cleonie takes on Flashman for callously selling her to the
Apaches almost 30 years earlier. She lures him into Indian country and arranges
his kidnap by Sioux braves. He survives of course, but only just, and not
without suffering a partial scalping at the Battle of the Little Bighorn.
Fraser chose to write about the Victorian era because, in his
view, its wars are the most interesting. "The Empire is at its height and
no other country has got that kind of background, that century of adventure and
glamour. I'm always asked why I haven't written about the American Civil War.
One reason is that, by comparison, it's deadly dull."
He is an unashamed fan of the British Empire, and is
delighted that revisionist historians such as Niall Ferguson (and myself) now
feel able to write about it in a more objective way. "With all its faults,
it's just about the best thing that's happened to an undeserving world. If
there's an idea of fair play and honest government and what is democracy today,
then it's because of Britain."
It would have been a "good thing", he adds, if the
Empire hadn't ended when it did. Fraser was in Bangalore training to be an
officer in 1946, the year before Indian independence, and remembers that the
"great majority" of Indian cadets were keen for the British to stay
"because they knew that under the Raj they would get a fair shake in the
army". But the Labour government was determined to "get rid of
India", rushed independence and "two million people died".
In a recent poll of prominent historians, Fraser was voted
the historical novelist most likely to get it right. So exhaustively researched
are the Flashman novels that when the first one appeared in 1969 almost a third
of American reviewers, academics among them, were taken in by Fraser's conceit
that the story was based on a newly discovered manuscript.
"One guy said it was the most extraordinary discovery
since the Boswell Papers," he laughs. "And he was a professor of
either history or English." As recently as three years ago he received a
letter from an American PhD student asking to see the Flashman Papers.
"People want to believe it, that's the thing."
Yet Fraser is adamant that historical novelists should never
tamper with the facts. Of the many real-life people who have appeared in the
Flashman novels - from Disraeli to Queen Victoria, General Sir Colin Campbell to
Lola Montez - he has taken liberties with only two: the Prussian statesman Otto
von Bismarck ("but he was such a swine anyway that I figured that was all
right") and Count Nicholas Ignatieff, the "gotch-eyed" Russian
secret agent who tries repeatedly to murder Flashman.
"I made him an arch-villain," says Fraser. "He
wasn't. But he was a hard man." The trick, he says, is to be true to the
spirit of the person. Which is why, in Flashman and the Great Game, he includes
an editorial footnote questioning Flashman's claim that he slept with the
otherwise "respectable" Rani of Jhansi, the Indian Joan of Arc.
He admits to the odd clanger, such as Flashman referring to
the "worst mess" he's been in since the battle of Chilianwalla in the
Sikh wars. It took an American reader to point out that on the day of the battle
- January 13, 1849 - Flashman was evading sssllave-owners on the Mississippi river.
"It was very careless of me," admits Fraser, "but I can blame
that on Flashman. Poor old fool meant Isandlwana, but his memory was
fading."
So why, given his obvious love of historical research, has he
written only one work of conventional history, a book about the Border Reivers
called Steel Bonnets? He says, "Writing straight history isn't as much fun…I
tend to see the funny side of things."
His novels can indeed be extremely funny; in Flashman at the
Charge (1973), when our hero catches Lord Cardigan in his wife Elspeth's
bedroom: "Halfway between the foot of the door and the bed stood the 7th
Earl of Cardigan. His elegant Cherrypicker pants were about his knees, and the
front tail of his shirt was clutched up before him in both hands. He was in the
act of advancing towards my wife, and from the expression on his face - which
was that of a starving, apoplectic glutton faced with a crackling roast - and
from other visible signs, his intention was not simply to compare
birthmarks."
Fraser tends not to read today's historians, preferring the
narrative élan of 19th-century practitioners such as Alexander Kinglake and Sir
John Kaye. His favorite novelists are Walter Scott ("I've just finished The
Betrothed") and Rafael Sabatini (whose Captain Blood, published in 1922,
"made me realize that history was one helluva story"). What about his
contemporaries? "I don't read modern novelists, apart from my daughter [Caro
Fraser]." Not even Patrick O'Brian? "I'm a Hornblower man, so I don't
know whether I'd like O'Brian or not."
Fraser dedicates most of his books to his wife Kath, who
encouraged him not to give up when the original Flashman was rejected by
"at least a dozen publishers". I think back to the late 1990s when,
despairing of my ability to make a living as a historian, I had a go at writing
a historical novel with Flashman's nephew as the central character. My agent
read the first two chapters and told me not to give up the day job.
I relate the above to Fraser, who is quick to point out that
Flashman was an only child and had no nephews. What about a son? "Yes, but
he became a bishop." Damn, just as well the book was never published. But
if it had been, would Fraser have minded? His reply is non-committal. "Lots
of people have said they'd like to do this, they'd like to do that with Flashman.
My agent has just warned them off."
Sounds ominous. So what does he think about the breach of
copyright action that Michael Baigent and Richard Leigh, authors of The Holy
Blood and the Holy Grail, are bringing against the British publishers of Dan
Brown's The Da Vinci Code? "They've got to lose that case," he says.
"If they win it's going to make writing historical fiction very difficult.
Anyway, as I understand it, there's no copyright in ideas."
He also thinks it's "very difficult not to
plagiarize" and has had some close shaves himself. Like the time he
discovered that a P C Wren book called Worth Wile, published in 1937, had a
scene in which the hero is "held in a dungeon by a nasty Russian with a
split eye". Fraser wrote just such a scene in Flashman and the Great Game
(1975) before he was even aware of the Wren book. He got the idea for the
Russian Ignatieff's split eye from a boy at his school with an eye that was half
blue, half brown. "Would Wren, had he still been alive, have believed that
this was just coincidence?" he wonders. "But it was."
'Flashman on the March' by George MacDonald Fraser is
published by HarperCollins
This section explains what is different in the book.
The main difference is the book starts out being narrated by Flashman while he’s in his 80s looking back. He is proud
to admit he lied, cheated and stole his way through life. He also had an exiled Scottish wife, Elspeth, whom he learned
was cheating on him when he was off in the Afghan war. Since she had all the money there was nothing he could do but
sleep around himself and pretend they were still a couple. Much is told about his friend Speedicut also from Tom
Brown’s Schooldays, but in the movie he is barely even a background character. In the club Flash gambles a bit, loses
and says he’s gambled all over the world and it was the worst there before he goes upstairs with the tarts. He also
explains how it was against the law to search for gaming halls, so cops had to have proof or else they could get sued
and that’s why they were able to hide the games. In the movie they hide everything, but in the book he says they were
caught sleeping. They hide in a room and trick young guy into thinking they’ll cover for him in the upstairs unused
part of the building. Instead they lead the police to him which allows them to escape. They climb out the back and
watch the police raid the place with a crowd. But the youth they tricked recognizes them and points them out to the
police and they take off. The police give chase and Flashman’s leg gives out from when he broke in the war and Speed
stays back and fights the cops so Flash can get away. He hides in the carriage and here Lola is introduced as Miss
Elizabeth Rosanna James. The policeman introduces himself as Cpl Webster. Flash insults Otto as they drive away and
that’s when he dooms himself. When they get back to her place he is even more graphic in her biting, scratching
lovemaking. It isn’t until later in the night after their second time that she uses the hairbrush. She is also married
and was living in India where her husband is stationed and finds London so boring.
Flashman just leaves Lola, there is no scene with her onstage where the curtain falls, there is no duel and she is not
an actress. She is a singer. A month later he meets Otto again, but there is no boxing match that night. They all eat
dinner together and Otto dominates the conversation and looks down on people so Flashman hates him. Otto is humorless,
serious, arrogant and they laugh at him for not knowing Flashman’s Afghanistan story. Flashman’s only real skills are
he is able to ride any horse and learn any language easily. Otto insults Flash’s linguistics and challenges him to a
steeplechase, which he can’t back down from. They race on horseback to a nearby church and Otto cuts him off by doing
a suicidal leap over a hedge at the last second to win and Flash cowardly backs down. A week later is the boxing match.
Jack Gully has been retired for 30 years and Otto insults him. So Flashman instigates him into fighting and Otto says
he can’t because Jack is too old. Flashman tells him to use a saber then. Jack doesn’t want to fight and hasn’t since he retired 30 years ago, but is bribed by a man who’ll sell him a champion horse. Horses are Jack’s weakness. Percival is upset they insulted his guest Otto. In the first round Jack just blocks some punches. In the second round Jack bloodies Otto’s nose by accident and Otto tackles him. Jack says that’s enough then Otto insults him by saying Jack called it off, he would keep going. Otto sucker punches Jack and Jack knocks him down again and again leaving him battered and bloody, but Otto refuses to relent. Jack is ashamed. Flash is thrilled plus it was a rare treat to be able to say you saw Jack fight in person.
Months later Flash is bored and no longer considered the hero, his time of fame has passed. He runs into Lola again
and doesn’t recognize her as she is using her real name and pretending to be a Spanish dancer. He wants to expose her
as a fraud so he goes to a lord that she turned down. He has to sneak in to meet him and the lord is not impressed
with Flash and will deny ever seeing him. The lord goes to a performance of The Barber of Seville opera and Flashman
tags along, but isn’t to be seen with the lord. She dances between the acts and the crowd loves her. After the third
act the lord starts to boo her and denounce her as an imposter and the crowd goes nuts. She is run out of London in
disgrace.
He’s knocked out and wakes up in jail facing many charges, but no charges are given to him at first. If he goes to the ambassador it will be a public scandal so he’s blackmailed into going with Rudi as a pawn. It is a three day train ride to Berlin. Rudi is younger than Flashman. After the train it’s three more days by coach in the snow.
Otto shoots rats for fun in the castle. He explains the Schlesiwg-Holstein states problem to him – Denmark and Germany argue over control of those states. Carl is bald which Flashman isn’t happy about shaving his head. He protests he is already married. They’ll make the switch while Carl is hunting and at the end let Flash go with 10,000 pounds reward. There is a debate whether he will actually paid and Flash wants 15,000 but he doesn’t get it. He gets drunk, goes to bed and weeps. The first day they shave his head. Otto says de Gautet can cut his face as revenge for Gully inside a gym, not outside like the film. After the second cut Flash stabs him and is attacked. He has to stay in bed for days to heal and makes no escape attempts. He spends a month in study learning German, Danish and all aspects of Carl’s life and mannerisms. So much so they are still a part of his life 50 years later. He started to think he really was Carl and Otto felt it. Otto traveled to Berlin because he was in parliament and had a wife there. Flash got bored with no women ever around. Otto worried the scars were too fresh and he’s to stay at night in Strackenz first which three days journey. Flash prepares himself by getting drunk.
On the trip they stop referring to him as highness, they stop at a hut and Flash carries his pistols for protection even though he’s not supposed to. Rudi is jealous and wishes he could be Carl, Flash would love to trade with him. The real Carl is staying with Count von Tarlenheim and Flash is brought in and has to strip naked and wait. Rudi salutes the size of his manhood and leaves. Detchard finally arrives and Carl’s Doctor, Ostred arrives and is completely fooled by Flashman at first. He says the only giveaway are the scars are too fresh and they have to touch them up. He feels good that he was able to fool the doctor and gets comfortable really fast with all the finer things left for Carl and thinks about stealing some items for later. He’s also really horny, having not been with a woman for months. He sends for a chambermaid to turn down the bed and one arrives and they have a raucous sexual encounter.
He gets drunk on the affection of being a prince and how he’s treated like a god. The next day he leaves and all along his coach route people come out to wave to him. More and more people do so when they finally arrive in Strackenz. The constable gets in with him to give him the tour and the keys to the city. He raises his sword as the defender of the city and the crowd roars it’s approval. He then rides in to the town hall on horseback to more adulation and his presented a crest. Then he has to sign a decree to free all the prisoners which is tradition. He panics because he never practiced forging Carl’s signature. He refuses to sign making sure no dangerous criminals are released first and promises to sign in a day or two. Some are disappointed, some think he is wise. Then a crippled orphan presents him a peach. Not knowing what to do he picks him up on the table and invited the boy to share the peach with him. The boy laughs and cries over it and Flash says it’s the only time in his life he’s ever been ashamed, though he’s not sure why. He then unwillingly has to go to a school and hear the best children speak. He’s bored so he picks out the kid that reminds him most of himself and has him talk and it goes badly to his delight.
In the palace he is amazed at the beauty of the duchess. After meeting they go to a banquet where Flash pigs out and drinks too much. He feels she hates him and would be killed if he was caught. Adolf Schwerin pulls him aside and tells him how young he duchess is to be careful with her.
After the wedding they are covered in the crown jewels and Flash dreams of stealing them. They exit the church and ride in a coach where the masses surround them wanting to cheer and touch them. Then a man who is possibly Karl Marx climbs above the crowd to denounce them before he can be arrested. Flash is interested in the brawl, but can’t see it. Irma is furious and embarrassed about the whole situation. Flash doesn’t care. When his old friend Erik arrives he messes up by saying it is a springing surprise, not as funny as the line in the film. Rudi was prepared to shoot him as an assassin. Later Rudi inquires about the jewels like he wants to steal them. Where they go for their honeymoon is the royal hunting lodge. On the way Rudi flirts with a redhead in the carriage. Irma is mad about everything and hardly speaks to Flash. At the lodge Irma and her assistants go upstairs and Flash, Rudi and the men eat and drink up downstairs having a loud party.
Lola’s duel with the baroness
Carl with hair
de Gautet cuts Flashy’s face, in the film it’s Otto.
The oil bag he wears to bulk him up
All of Flashy’s escape attempts, the snuffbox, billiards.
Flashy with a monocle
The dance when Flashy meets Irma
Train dedication ceremony
Otto in the presentation line at the wedding
Irma’s frigid positions in bed the first time.
The boar hunt
The fight on the bridge after the hunt
Flashy was to have papers saying he’s a German agent
The Flashman Papers series in order of publishing.
# | Title | Year | Setting |
1 | Flashman | 1969 | 1839-42: Anglo-Afghan War |
2 | Royal Flash | 1970 | 1842-3, 47-8: Revolutions of 1848 |
3 | Flash for Freedom! | 1971 | 1848-9: Underground Railroad |
4 | Flashman at the Charge | 1973 | 1854-5: Crimean War |
5 | Flashman in the Great Game | 1975 | 1856-8: Indian Mutiny |
6 | Flashman's Lady | 1977 | 1842-5 |
7 | Flashman and the Redskins | 1982 | 1849-50 / 1875-76 |
8 | Flashman and the Dragon | 1986 | 1860: Taiping Rebellion |
9 | Flashman and the Mountain of Light | 1991 | 1845-6: First Sikh War |
10 | Flashman and the Angel of the Lord | 1996 | 1858-9: Harper's Ferry Raid |
11 | Flashman and the Tiger | 1999 | 1877-94 |
12 | Flashman on the March | 2006 | 1868: Invasion of Abyssinia |
Flashman has a cameo in Fraser's novel Mr. American (1970)
"It's as crooked as a Russian regiment."
"Two things happen when I'm alone with a woman - she either
screams or sleeps with me, sometimes both."
"It's not the weapon, but the man behind it that counts."
"She is a passionate female, she'll be tearing my trousers off in a
moment."
"Never drink while a man is down, he might get up."
5/28/78 - Arthur Brough
5/2/99 - Oliver Reed of a heart attack while filming Gladiator
12/28/03 - Alan Bates of cancer
10/4/06 - Tom Bell
1/3/08 - George MacDonald Fraser
By Margalit Fox 1/3/08
George MacDonald Fraser, a British writer whose popular
novels about the arch-rogue Harry Flashman followed their hero as he galloped,
swashbuckled, drank and womanized his way through many of the signal events of
the 19th century, died Wednesday on the Isle of Man. He was 82 and had made his
home there in recent years. The cause was cancer, said Vivienne Schuster, his
British literary agent.
The son of Scottish parents, George MacDonald Fraser was born
on April 2, 1925, in Carlisle, England, near the Scottish border. His boyhood
reading, like that of nearly every British boy of his generation, included
"Tom Brown's School Days." In World War II, Fraser served in India and
Burma with the Border Regiment. His memoir of the war in Burma, "Quartered
Safe Out Here" (Harvill), was published in 1993. After leaving the
military, Fraser embarked on a journalism career, working for newspapers in
England, Canada and Scotland. He eventually became the assistant editor of The
Glasgow Herald and, in the 1960s, was briefly its editor.
Tiring of newspaper work, Fraser decided, as he later said in
interviews, to "write my way out" with an original Victorian novel. In
a flash, he remembered Flashman, and the first book tumbled out in the evenings
after work. "In all, it took 90 hours, no advance plotting, no revisions,
just tea and toast and cigarettes at the kitchen table," he said in an
interview quoted in the reference work "Authors and Artists for Young
Adults." For his work, Fraser received many honors, among them the Order of
the British Empire in 1999.
France - Le Froussard Heroique
Germany -
Royal Flah
It has never been released in the US on any format.
VHS - 1982 PAL - OP
Book Dedication: For Kath, again and for: Ronald Coleman, Douglas Fairbanks, jr.; Errol Flynn, Basil Rathbone, Louis Hayward, Tyrone Power and the rest of them
Based on the second volume of The Flashman Papers which is loosely based on The Prisoner of Zenda. Though portrayed historically, the book is fiction.
Rated PG, 101 min
There are still from more risqué scenes that were most likely cut for the PG rating.
Aspect ratio 1.66 : 1 - Spherical
Filmed in Germany in Rohrbach, Rhineland-Palatinate and Würzburg, Bavaria.
Premiered in New York City 10/10/75
Flashman lived from May 5, 1822 to 1915
Coincidence - Oliver Reed's birthday is 2/13, Florinda's is 2/15, Alan Bates's 2/17.
There are several Flashman fan clubs around the world such as The Flashman Society.
Film
Opening shot of Flashman
Flashman
speaking with a massive Union Jack behind him
Flashman
speaking - side view
Opening
Title
Flashman 'battling' the Arabs
Flashman at christening
Halfway stage for Flashmans' transformation into Carl Magnus
The point of no
return for Flashman
Lola runs the
gauntlet
Memorabilia
UK Paperback Movie Tie-in Front
UK Paperback Movie Tie-in Back
Lobby
Card #4 - Flashman confronted by Rudi at gunpoint
1982
PAL VHS Cover
Original Movie Poster
Magazine Ad
Films and Filming Cover May 1975
Whether Flashman's real-life experiences in Germany provided Anthony Hope with the basis of his famous romance, The Prisoner of Zenda, is a matter which readers must decide for themselves. Flashman is quite definite in the text in two places - especially where he refers to "Hawkins", which was Hope's real name. There is certainly some similarity in events, and names like Lauengram, Kraftstein, Detchard, de Gautet, Bersonin, and Tarlenheim are common to both stories, Flashman's "Major Sapten" is literary twin brother to Hope's "Colonel Sapt", and no amateur of romantic fiction will fail to identify Rudi von Starnberg with the Count of Hentzau
Here is an exclusive quote from Malcolm on the death of Alan Bates:
"I am devastated. Alan was the nicest man I have ever worked with and I
really loved him."
"It was probably as good a film as could have been made from his story." - Richard Lester
Q: How was it? Had you had previous fencing training?
MM: No. Good God, no. But you know when they say to an actor, "Can you ride?" You always say, yes, of course. "Can you fence?" Absolutely. Whatever they say, you can do it and then, hey, how difficult can it be? And so you learn it. It was a lot of fun doing that. I got to work with Alan Bates. Oliver Reed in one of his more sober periods, which was fun. He was a very good actor actually, Oliver Reed. A few really good people in it. And I enjoyed it. I enjoyed working with the director (Richard Lester). Of course, he used to bemoan the fact that he'd only be remembered as the man who directed The Beatles. (Laughs.) Which I always thought was kind of a funny comment. But it's true, probably. - Reel.com 9/99
An amusing, fast moving swashbuckler that follows the further
adventures of devious Victorian coward Harry Flashman (the bully from Tom
Brown's Schooldays) who triumphs as a captain in the 11th Hussars, enjoys more
tender success with a German duchess and courtesan Lola Montez and then finds
himself involved in a 'Prisoner of Zenda' type escape in Bavaria where he has to
impersonate a Crown Prince.
Full of slapstick humor, bawdy dialogue and dashing swordplay
and adapted from the best-selling novels of Goerge MacDonald Fraiser; Malcolm
McDowell is Flashman; Alan Bates, Oliver Reed, Florinda Bolkan and Britt Ekland
head the supporting cast.
Captain Harry Flashman speaks before a massive Union Jack
flag to an academy graduation at his alma mater, Rugby School, as Pomp and Circumstance plays. He says to them
to be true, clean and pure and the last thing he has to tell them is to play up and play the game, honor your
queen and country, mind what your masters tell you, listen to your heart, keeps
your minds and bodies clean. Then you can be a proper English gentlemen. He is a
simple soldier (the crowd disagrees) and if you follow these rules you can say
you tried to do your duty with a clear conscience and your master will find it's
good enough for him. Everyone stands and applauds. Then the headmaster speaks
saying he never heard such a great address. Remember how Harry started before he
was a famous captain.
Then it switches to a flashback of Harry in Afghanistan when
he fought to the last against the heathen hordes in the First Afghan War. In reality he was hiding and
came out and tried to surrender. He pulls down the British flag to raise the
white flag of surrender and when the invaders come in he tries to give the
British flag to invaders not wanting or caring about it. Then an explosion above knocks down a
wall on top of the invaders. He is also knocked out and when reinforcements
arrive they find he's the last one alive and clutching the flag and think he's a
hero. In the hospital they give him a medal. Back to present the headmaster says
we can no longer keep him from his duties.
Then Flashman goes to the Minor
Club in St. James where the entertainment gambling and ladies peddling on bikes in their underwear on stage. Harry says the card game
is as crooked as a Russian regiment. He picks up a dark haired woman and goes
upstairs with her. He says they'll play cards and every time he loses a trick
he'll take off a piece of clothing. She asks what about her. He says silly girl,
she'll learn.
Outside the police put a man on a lift and raise him up to the window to see
what he can see. Flash loses, is down to his pants and asks if the tarts have
been marking the deck. He says they aren't drunk enough and goes out on the
landing and tosses the empty bottle down to the waiter.
The police raid the place blowing whistles. Everyone starts
to scramble and turn the place into something else. Flash grabs his clothes,
signs are turned to paintings, clothes are thrown to the women, gambling tables
are turns over, covers are lowered from the ceiling to cover the gaming tables.
By the time the police get inside nothing is illegal. Flashman climbs out of the
window as the police head upstairs. The man on the lift still can't see anything
and now they try to lower him.
Flashman and his friend Speedicut jump down onto a truck, down on the street and he runs a block into a coach. Lola Montez arrives and asks what he's
doing there. He says he was in a club that was raided. Her companion Otto Von
Bismarck wants him out. She tells him he can stay. Flashman wants her to sit
with him. The constable arrives and asks Otto if he's seen a man running by. He
says this is your man and points to Harry. Flashman says he needs a rubdown and
puts Lola's hand on his leg. The constable then recognizes Flashman and doesn't
want to bother him since he's a hero. Flashman says Otto is playing him for a
fool. Otto wants him arrested. The constable says Flashman is a British officer,
Otto is not, so he doesn't care what he wants. Otto is shamed and will not
forget him. Flashman says he won't trouble himself to remember him. He leaves
and he tells Lola that two things happen when he's alone with a woman she either
screams or sleeps with him, sometimes both.
Flashman and Lola go somewhere to dance and start undressing
each other. He asks why didn't she turn him in. She says Otto is full of ice, no
life. He says Lola is a dago name, she is happy with that and says she wouldn't
get rid of him if he was a murderer. Otto is going to be a great man and told
her so. She wants to be a queen - of the theater and live forever. He takes off
his pants and says he's a better man than Otto. She says to prove it and wants
to paddle him with a hairbrush. He retreats and gets caught in a player piano.
Later Flashman and Lola are at a party where men are boxing.
Lola wants blood and wants them to hit each other harder. A friend can't believe
Flash's luck with the ladies. He says his backside is like a pincushion from her
brush. Harry tells Lola to calm down, it isn't the bedroom. Then Otto arrives
and they welcome him. A man introduces John Gully the boxing champ to him. He
asks Otto about dueling in Germany. They get scars for the sake of it and it is
a true sport of skill. Flashman says he doesn't think Otto could box, he's not
up to it. Otto asks if that is a challenge. He says no, he is a man of the sword
like him and Otto needs a proper teacher and he should talk to Jack over there.
Otto says he's too old. Flashman says he's insulting him and Jack could take
him. Jack says he'll stand there with his hands down right in front of him. They
want Flashman to stop. Otto is surprised and asks if he will let him hit him.
Jack says you can try mein herr. Otto puts on the gloves and punches at Jacks
face, but he moves aside time after time then takes a wild swing and goes down.
Otto gets up and Flashman says see the skill. He admits it and wants Jack to hit
him. He says he will, but will go easy on him. Flashman says come on squarehead.
Jack says you can go home and say you fought the champ. He punches him a few
times and then says that'll do. Then Otto gives him a sucker punch as he walks
away. Jack says you shouldn't hit a man when he's not looking, but it's best to
stop. Otto says you can't handle it. Jack says he never surrenders to any man
and then fights back and takes him down hard blooding him. Otto says it was good
instruction and if Flashman comes to Germany he'll teach him with the sword.
Lola and Flashman are in bed and she wants to paddle him. He says
not again, it's like making love under barb wire. She hits him and he says he's
tired. She says she's the master of the house, no one tires of her and
thought he was a man. He never said that, gets up and goes to leave. She
throws a bedpan at him and he is glad it was empty. He goes out the door and is
on stage in the middle of a play in his underwear. The crowd laughs and he is
trapped. He tries to go back, but she hurls a shoe at him. It misses and hits
the curtain man. He drops the curtain, which knocks out the Baroness Pechman, a fat opera singer.
Flashman cuts her out and says Lola did it. She says she'll get that Spanish
trollop. Lola is proud of it.
Then Lola and the Baroness have a fencing duel in a field and
Lola cuts her dress straps off then carves an L on her breast. Her lawyer is
there and says it is attempted murder, so she'll have to leave the country.
Four Years Later
Lola's lawyer comes to a bath to see Flashman and asks if
he's heard from her. He says no, thank god. He says Lola sent for him and wants
him to come to Bavaria. What the deuce is she doing there he asks. He says she's
the uncrowned ruler, the mistress of the king. After she left England, she
became a performer. In a flashback we see Lola doing the Tarantata Spider Dance,
lifting her pants. The king was taken by her and after says I don't believe they
are real. She rips her top open to show her breasts. He says no, the spiders.
The lawyer tells Flashman he will pay him 500 pounds to go see her, she requires
his special services. He says I'll be damned, little Lola…Munich.
He puts on his dress uniform and arrives in Bavaria. Outside
a palace in the snow there is a firing demonstration at a fake deer. He takes
the gun and goes to shoot it, but a man behind him shoots it for him. He is Rudi
Von Sternberg who says it's a Bavarian gun. Flashman says it's not the weapon,
but the man behind it that princes. He fires and shoots off the deers' antler.
Rudi takes him to Lola. Flashman says Rudi knows her well for a messenger boy
trying to insult him. He says he has other duties when he fells like it.
Flashman sees the huge place and says not a bad little cottage.
Inside the adults are playing musical chairs. Lola says
Flashman is more handsome than ever. He says she is still the most beautiful
girl in the world and wants to know what's this delicate service she wants him
to perform. She says you'll see and introduces him to a woman and then says
she's an overblown bag of blubber. He pulls her away and says let's go to bed,
you and me, right in front of a servant. She says he's tired. He says he's good
when he's tired. She says very well, over here. They go around the corner and he
takes off his coat, says he's at his very best when he's tired and is pushed on
the bed. He moans for Lola and she says she'll be right back. Then the girl from
before come sin and jumps on him. He says you're not Lola, fat cow. He throws
her off and then she jumps on him and tosses wine on him. He says very well, now
that you are here. They start to get undressed and then the guards come in and
say he's under arrest. He says that's not a crime. He calls for the princess or
the consulate.
They aren't interested and say it's a crime, immoral and tie
him down to a large kitchen table. They say they are other forms of punishment
than jail and go to cut off his penis. Then Rudi comes crashing through the
window to rescue him. He frees himself and a sword fight ensues with the men. Kraftstein
has a metal hand he uses. Flashman has a sword fight
while standing on the tables with de Gautet. He cuts a sausage and loses his sword, he then
tackles the man and hangs him on a hook. Rudi fights with a man who smashes
plates when he misses him. Flashman throws flower on one man. Another throws
plates at him. Flashman swings across the room on a chandelier. Rudi grabs bread
and they leave. Flashman asks why he didn't come through the door. He says he
likes to make an entrance. He gives him the bread and says it's a long way.
They ride on horseback, then in a boat across a lake to a
castle. Flashman asks what it is. Schönhausen, friends of his. Ever read
Frankenstein? Splendid stuff. He'll like it, better than seedy hotels. Inside
the men who arrested him are there. Rudi says Kraftstein and de Gautet are known are the Brothers
Grimm, the whole rescue was a bit of a joke for his benefit. You kidnapped me
Flashman asks? Then a crossbow is fired into a rat. It is Otto. He tells him to
sit down, you don't seem pleased to see him. I know you shouldn't, there is
still a score to settle, I'm still missing a tooth. But that is not why I
brought you there, I need you. In between is whoring and drinking, have you gave
any attention to politics. Flashman says he's a Tory. Otto says he will unite
the loose German states into a Reich. He wants one state ruled by Duchess Irma
who is marrying Crown Prince Carl Magnus. It is important that the wedding takes
place for his plans. Flashman drinks wine like Alex in A Clockwork Orange. He
says good luck, best wishes. Otto says Carl has been foolish and got a social
disease. Flashman says he's got the clap, laughs, well boys will boys. Few
people know this and it will take months to cure him and the wedding is in two
weeks. Flashman says it can't, not if he has cupid's measles. Otto says it can
and shows him a drawing of Carl, he's a dead ringer for Flashman. He says no, I
won't do it - you want me to take his place.
They cut his hair and he says you've ruined me. Then they put
a bag of oil around his shoulders to bulk him up and he says never to take his
shirt off. He's perfect, except for two dueling scars on his face that Magnus got
while a student. They have to be perfect. Otto takes him outside and has dueling
swords and he'll cut him proper. Flashman says they are animals. They draw the
lines on his face and give Flashman a helmet, but he refuses to wear it. Otto
says I'm not going to kill you. He says very well animal and pinch to you. They
start dueling in a standing position and Otto says much faster. They start again
and Otto says that was very good, now we do it for real. He then slices Flashman
on the face and he says blood, it's not fair, my skull is fractured. He says to
fight again or he'll use a rusty sword. Flashman attacks and Otto asks what kind
of man is he. An Englishman. Then fight. They hold his feet down and he breaks
free. Otto cuts him again and tells Rudi to keep the wounds open so they scar
properly. Flash then cuts Otto on the arm. Otto says good, he's acting like
royalty alright.
Later Flashman is dressed to the nines and they read from a
book all of Carl's traits and Flashman walks around imitating them. He's not to
scratch his buttocks though. He's supposed to open a snuffbox with one hand and
take a pinch. He throws it in the guard's face and jumps out the window to ride
a horse away, but it's a fake horse and it falls over.
He is supposed to be a master billiards player and he rips
the table. He likes to dance with the prettiest women he can find. He dances
with iron hand, tosses him, tries to escape and the other man throws an iron
plate at his head that sticks in the door.
There is a wire coming in from Berlin. It makes static
because outside Flashman is using tongs to ride down the wire to escape. Rudi
figures out what he's up to and goes after him. He slides along at a great
height screaming then crashes at the end into a pole and falls through a roof.
The men run out and ask if he's enjoying himself.
Back inside he can now open the snuffbox and make the trick
billiard shots. He's looking the part, he'll do. Otto says his life depends on
his role. They will switch him out with Carl tomorrow.
The next day he rides in a carriage procession and people
line the streets to cheer him. He happily waves at them and is taken to a large
overhang and gets out of the carriage. He's supposed to wait for a man to help
him and steps on his hand crunching it. Inside an honor guard pulls their swords
out as he arrives every few feet. He climbs many steps and stops to check his
hair in one sword then moves faster. At the top he says that's it, grovel you
comrades. He kisses Irma's hand and she welcomes his highness. He sits next to
her and takes his monocle off. She trusts his journey wasn't too tedious. He
says no, I counted the hours the whole way. Was the whether cold on your
journey? He says it was warm at times. Not as warm as it his here. She says it
is hot, I'll open the windows. He says no, he means the warmth her people gave.
He says to Rudi she is a passionate female, she'll be tearing his trousers off
in a moment. Rudi says to compliment her. He says he's never seen such beauty, you are so pale like a fine mist over a cemetery. He jumps up and says shall we
dance. The band doesn't know what to do and quickly gets it together. They dance
to the approval of the crowd.
After he says it was like dancing with a dead nun, heaven
help the real Carl Magnus. A train arrives and they invite Carl to inaugurate
their first public locomotive, it will travel in speeds in excess of 10 miles
every hour. Flashman walks up and puts his hand out. He swings the bottle to
him. Flashman declares the train is now open. A man walks in front of him and
the bottle slams into his head. They say to find another bottle. He steps down
and Otto says he's in trouble. Flashman says they'll find another bottle. Otto
says Carl's childhood friend Erik Hansen is arriving. Flashman says he'll find
out he's a fake and flips out yelling. Otto says he will only see him for a
second at the reception. He's just to greet him and say "Erik where
did you spring from?" They are ready for him on the platform again. He
climbs back up and says the Erik line by mistake, then tosses the bottle in to
the train. Now he wants a Brandy.
Then it's the wedding day. They put the rings on and say Amen
to each other and the bells ring out as bell ringers inside ring them. Then he's
to greet the Ambassador from Naples, then another, then Cassius Clay from the US
who come up and bow. Then it's prince Otto Von Bismarck's turn. He greets Irma
and Flashman plays with him saying haven't you been presented to me before. He
says no. Then Erik arrives. Flash screws up and says, "Spring where did you
Erik from?" He cheerfully greets him, then Erik gets a weird look. Rudi
goes for his gun, but Erik leaves.
After in an antechamber Flashman says he knows he's a fake.
Rudi says no, he doesn't know, but they have to watch him. Erik is part of a
secret organization who wants to take him down. Flashman is incredulous he
didn't tell him this before. He's not to worry. A man arrives and says he's
there for the crown jewels, they have to place them in safe keeping again in the
clock tower. He takes the crown from him and he forgets about the scepter. Rudi
has to remind him to give it up. Then he says they mustn't keep the duchess
waiting, he's sure she's as eager to be on honeymoon as he is. Outside they get
in a carriage and ride off as Erik and his conspirators watch.
In bed Flashman calls to Irma saying they'll be no more
singing downstairs, we'll have a chorus upstairs instead. She's like a zombie so
he says he's not going to hurt her. Her back goes down and her knees go up. He
picks her up and she goes back all stiff. He pries her apart, she creaks and he
gets on top of her. After he falls asleep and she wants to do it once more. He
says not again. Later she says it is so cold, they should stay inside all day,
they've only been together a week and he's bored with her already. She doesn't
want him to go boar hunting with the guys. She rubs his chest and punctures his
oil bag. He says it's indigestion. Outside she asks will you think of me while
you are slaughtering boars. He says every minute. He rides off and Rudi watches,
smoking. She waves to him.
A boar is flushed out, Flashman gets off his horse, grabs a
rifle and they say let the hunt begin - release the hounds. Flashman doesn't
want that, no challenge. The hounds chase the boar across the area. They go down
a path with a sign that reads, "Danger bridge under construction." de
Gautet says it's the best view in the area, it's called the Giants' Cauldron.
He walks out and it's a large wooden foot-bridge over a massive gorge. He drops
his rifle and the man throws a spear at his head and it sticks in a pole.
Flashman rushes him, he grabs another and says they can talk about this. They
fight and Flashman swings over the edge, gets back around and says "oh, my
heart" to trick him, then punches him in the face. De Gautet goes over the
side, holds onto a rope and goes to cut him off. He says you backstabber. He
says it's all Otto's idea, Carl was never sick, he just wanted him killed. When
his body was found it would have papers on him exposing him as a German agent
allowing him to invade the Duchesses territory. Flashman says he'll show him no
mercy, like he showed the real prince. He assures him the prince is still alive in
a dungeon to be killed later. Flashman cuts the rope and says auf wiedersehen,
but he falls too. They hit a large waterfall and slide down. The man dies, but
Flashman is OK. He says goodbye to goddamn Germany, you bastards, but Erik's man
is waiting for him and he puts his finger on the barrel.
Later they hang Flashman up. He tells them it was all Otto's
plan to impersonate the prince and they kidnapped him, his wife, his real wife
and his golden haired daughter Amelia. He'll never see her again. Erik doesn't
believe him. He says either way he's a dead man if they don't tell him where the
real prince is. He says in a dungeon in Nuremberg.
The men go to the castle where the prince is and it's
surrounded by a huge moat. There is no way to launch an attack. If they hear the
guns they'll kill the prince. Erik says two men might make it though. He'll go
in, it's his friend, but they need another man to distract the drawbridge. They
make Flashman volunteer. He doesn't want to saying he's a bad swimmer. They make
him go anyway saying he has nothing to lose but his life. Don't worry they'll
rescue his wife and daughter, she's always in his thoughts.
In the boat Flashman asks Erik how he knew he was a fake. He
says the scars were reversed. Flashman responds, "Miserable, pompous
ass Otto, god help Germany when he's in charge." Erik suits up and gets
into the water. Flashman says it's freezing and screams out when he gets in.
They swim inside and Rudi is waiting and kills Erik. He tells Flashman to get
out and he tells him not to shoot him. Rudi fires at him and Flash goes
underwater to try to escape. He winds up in the dungeon and Rudi tells his men
to get him. He's in the old torture chamber and they hear him so he hides inside
the Iron Maiden. They lean on it and he screams in pain, but they don't hear
him. They see the water pouring out from the bottom, but keep going. Flashman
prays to go to get him out of this.
He walks into Carl's cell and Carl asks who are you for god's
sake, you have my face. Flashman says he never looked like that. Then Rudi
arrives saying Flashman's an Englishman, taking his place. Carl says you are
trying to drive me mad, what do you want? Rudi takes Flashman down and says when
they got tired of you they chained him to one of these. It's a pole that leads
to a hole, that drops a long way into the lake. He tells the prince one of his
friends is already down there, Hansen. Rudi then leads him out at gunpoint. Carl
wants Flashman to speak and he says goodnight your highness.
They are going to get rid of him. Flashman asks how. Rudi say
not to worry, he's not going to kill him. He has another plan. What if the real
prince went down the pipe into the lake. Then they both can go back to the
palace. Flashman would be back on the throne with him at his side, his faithful
servant. Flashman asks if he's mad. Rudi says only they know he's not the real
Magnus, he'll be worth a fortune. Flashman says he's mad, he'd rather be poor.
Rudi says you don't trust me, you shouldn't, but where's your sense of acting?
Let's drink to the partnership. Then Flashman slams a bottle of his head. Never
drink while a man is down, he might get up he says, but drinks anyway.
He leaves and kicks the wheel for the drawbridge, but it hits hard and cracks in
half. Erik's men launch their attack, but fall into the moat. Grimm comes out
and fires back. Flashman says to the front and Rudi arrives saying it's bad form
not to say goodbye. He says goodbye and then they have a swordfight. Flashman is
knocked into a chair, then he's cut on the arm. Flashman keeps fighting from the
chair and Rudi cuts the side and between his legs. Iron hand goes to shoot him,
but Rudi says not to. Flashman tips the chair over and gets away. The keep
fighting and Flashman gets too close to the fire and has to put himself out.
Rudi says to stand and fight, Flashman says why should he, so he can show off
his swordsmanship. He grabs something and they keep going out of the room.
Flashman uses a large iron candle holder. Then he goes upstairs, falls down and
fights on a table, but the table breaks. He grabs a large chandelier and climbs
up on it. Rudi tells him to come down and fight like a man. He says don't be
ridiculous and throws candles at him. Rudi goes upstairs and cuts the rope.
Flash tumbles upside-down and the whole thing falls on him. Rudi gives him a
sword and tells him to keep fighting. He launches an attack and Rudi cuts him
across the chest, but he hits the oil bag allowing him to escape. He throws a
candle at Rudi and starts a fire in front of him. He tells Flashman he can't run
forever as he gets away.
Outside they tell a man to make a bridge. He holds onto the
drawbridge and men run across his back. Flashman goes to free Carl and Rudi
arrives. They keep fighting and Flashman kicks him. He gets the cell open and
Carl throws stuff at him. Flashman says no you stupid bastard, throw it at Rudi,
he's on his side. So he throws a stool at him. Rudi gets a hold of the chain and
tries to pull him down the hole. Flash tries to cut the rope and send them both
down as he almost goes down the hole. The rebels arrive outside as Carl pulls on
the chain to free himself. The rebels fight their way up the stairs and iron
hand gets stabbed. Flashman is caught in the chain and tied to Carl, but Carl
gets free. Rudi throws his sword and cuts the rope sending only Flashman down
the train. He hits the water, goes under, but frees himself and its OK. Above
the rebels say poor little golden haired Amelia. One asks if that's his name.
Flashman makes it back to Irma first. He tells the guards
there is a rebellion and to put it down because they are trying to kill him. He
says some one is trying to impersonate him and to stop him. Irma is glad to see
him and starts to kiss him. He says it's an armed rebellion against us. She asks
who led it. He says some chaps. She says you are so thin and what happened to
your hair. He says sunstroke. She starts kissing him and throws him on the bed.
He says he has to go. She says my own prince. Outside he tells her he loves her.
He says he really does, he thinks. He runs upstairs and tells the Lt. guarding
the crown jewels there is a threat on the duchess's life and they must guard
her. They are to guard the jewels. He asks if he is married, or if he has a
lover, then he understands. He runs off and says he'll guard her with his life.
He pushes the gargoyles and they are part of the clock, send him outside around
one door to another and guards below see him. He grabs the jewels and puts them
in a suitcase. A man tries to help him carry it, but he says no go back to bed.
Otto has the Flight of the Valkyries playing as he moves
against a sky, but it's not real. There are men behind him holding a painting.
He tells Rudi the English thief will go to the one place he thinks they'll never
look - Munich. Otto is going to redraw the map in German, it's out of date.
He'll be busy for the next 30 years.
Flashman goes to see Lola, but the people have revolted
against her. She is leaving her castle as the crowd jeers at her. Flashman runs
down to get close. She gets in a carriage and leaves. Flash runs up beside and
yells it's me Harry Flashman. She asks what is he doing there. He says Otto it
after him, he's in trouble, he has no money and he loves her you selfish bitch.
She tells the driver to keep going and pushes him off. He drops one of the
jewels in the carriage by accident and she tells the driver to stop. He runs up
and asks did she change your mind.
That night he says in spite of everything he knew she would
never desert him. She says can he ever forgive her. He says oh that, she's had
her share of trouble, ungrateful swine those kings. He wishes he could help her,
but he's penniless.
When he wakes up, she's gone and so are his jewels. He yells,
"thieving bitch, I'm ruined." He opens the door and he's in the middle
of nowhere. There is a note for him. He grabs it and then there's a gun to his
head, it's Rudi. The note says "Dear Harry my need is greater than yours, I
trust we never meet again, worthless Harry there will always be a place in my
heart for you." Rudi says worthless bitch, if I were a marrying man she
would be last woman on earth for me. He puts the gun in Harry's face and says
time to die. He pulls the trigger, but it doesn't fire. He says it's a new game
he invented, he'll call it Hungarian Roulette. Here you try. He hands Flashman
the gun and says he'll kill him when he's ready, not when Otto says so. They
pull the trigger back and forth until the gun goes off. Flashman yells,
"Hells bells Rudi! Someone could've been killed!" Rudi explains that
is the point of the game. "But I could've been killed!" he says. The
End.
This is the greatest movie few people have ever seen,
but they all want to. It's a damn shame that one of Malcolm's greatest
roles was never seen at first. Then it was lost to time, so he never got
the recognition he deserved. It doesn't help that it was never released on
home video on any format ever in the US. It was released on VHS in the UK
in 1982 and that was it. I first saw it in 1998 on a VHS transfer that
wasn't the best. In 2006 I watched a letterboxed DVD and it was a thing of
beauty to finally see it as it was meant to be seen.
This is a great movie all around. Great acting, writing, scenery and it's
very funny. It looks like everything was filmed on location with no
homemade sets except for maybe the river gorge bridge. It's a well done
period piece and the locations and costumes are perfect. It's swashbuckling
fun like and old Zorro film.
The intro is classic. As the dean says how legendary
Flash is they show the real story of him hiding, cowering and
reinforcements mistakenly thinking he fought to the last man. This one act
of cowardice makes him a legend and he spends the rest of the time living
it up.
It's the first and last time MM played a dual role, but there isn't that
much of it as Flashman and Carl don't spend much time on screen together.
They do the classic split screen trick a couple of times and the fake MM
from behind on others, but it works.
The whole Minor
Club scene is also brilliant when the police raid it. They have a plan
to cover every single thing up instantly. Everything can be turned around,
turned over or covered up in seconds. Since the cops didn't actually see
anything, they couldn't prove it was there in the first place. At one point
Flashman says, "well, well" and it sounds a lot like "welly,
welly" from Alex, maybe it was a little inside joke from Malcolm. In
fact Flashman is like a wise ass version of Alex. Where Alex would kick
your ass himself, Flash would find a way to have your ass kicked without
dirtying or hurting himself in the process like when he pulls one over on
Otto by appealing to his woman. Then he gets him again by goading him into
fighting. He also gets back at Lola by sicking the opera singer on her.
Of course it all comes back to bite him in the butt. In
fact everything he tries to do comes out wrong. He tries to beat girls in
strip poker and they wind up beating him. By making an enemy of Otto, he
winds up getting cut, beaten and almost murdered. By walking out on Lola
she attacks him, sets him up for Otto and in the end steals all his
treasure. He seduces Lola and sleeps with her, then can't take her anymore
because she wants to spank him so hard every time she wants sex. He gets
off some great zingers about how frigid Irma is, then can't take it after
the first time they have sex because she wants to keep doing it again and
again. He does get the most beautiful women, but it never works out the way
he wants it to.
The whole movie is fun and exciting. Malcolm really
plays it to the hilt and has great comic delivery. When he isn't being
funny he is an action star - flying through the air, through windows, down
wires, sword fighting on tables, hanging from chandeliers, on horseback, in
the water, on fire - it's a tour de force role. The best thing is he really
pulls it off. He's a natural up there and it should've led to more action
oriented leading man roles. He could've been James Bond in the 70s, he
would've been the perfect younger, hipper Agent 007.
The bridge scene is amazing. It looks like it's a mile up. There is a real
bridge and it seems like they were up there, but it could've been mixed
with a set, if it was it was well done.
Oliver Reed is perfectly cast as the bastard German. He
is intense and vicious the whole time. He doesn't smile, laugh or joke.
There is even a great comedic scene where it looks like he's riding on a
horse with Richard Wagner playing and a majestic background behind him that
turns out to be a painting. It's such a surprise too, almost like something
right out of the Three Stooges, it's unexpected, that's why it works.
This was the first of four appearances Malcolm and Alan
Bates has together. They made a great team and it's a shame no one picked
up on this and gave them more action roles together. A year later they did
The Collection that had a dueling scene with cheese knives that was a bit
of a nod to this film.
The women are beautiful and are total opposites. Lola is
deadly and Irma is simple. She is frigid and boring until a sexual beast is
unleashed. I guess the real Carl was in for a treat when he returned unless
he confessed it wasn't him that she married in the first place. It could be
a real mess.
I just don't know why the film wasn't more popular,
especially when the books are hugely popular. At the time there were
already four books in the series released as well as a fifth the same year
the movie came out. I can't imagine it's because it was the second book. It
was made by 20th Century Fox, a massive company, so it wasn't a small film.
The only guess I have is that it is too British. There wasn't enough
American appeal for it to be a smash it. It's a shame. Malcolm resembles
the artwork on all the early book covers except for being a little bit
shorter, but who cares?
Maybe the only way to have made the film better was to
sex it up more, but that would've pushed it to an R rating. It wasn't like
they would've lost an audience as the box office since there wasn't any to
begin with. The cut scenes show more skin, so it looks like it was sexier
at one point.
It's such a fun movie that it's such a damn shame it
didn't lead to a string of Flashman films, there certainly is enough
written material to go from, but to this day there hasn't been a sequel and
looks like there never will be. Even though you would think Malcolm is too
old to take the role, the book continues over 30 years past the setting of
this one, so he could do Flashman and the Tiger, otherwise he's too old for
the other books. If they did make the other ones Malcolm could play the 80
year old Flashman who is writing his memoirs and then a younger actor could
play him. I've never read any of the other books, but would be interested
in doing so because now I can just picture Malcolm as Flashman and it would
be more fun. It follows the book pretty well, but not exactly, trimming a
lot out, especially his friend Speedicut and his wife, maybe this is one
reason why it wasn't as popular, but how often is a film as good as the
book?
Rating: 10/10
Now Capt. Harry Flashman Lives - On the Silver Screen.
The
greatest swordsman of them all!
See Capt. Harry Flashman surrender his way to victory!
1962 - Malcolm and Joss Ackland both did episodes of Z cars
1969 - Oliver Reed and Alan Bates were in Women in Love
1976 - Malcolm and Alan Bates were both in The
Collection
1982 - Malcolm and Alan Bates were both in Britannia
Hospital
1996 - Joss Ackland and Tom Bell both did episodes of The Young Indiana Jones
Chronicles
2000 - Malcolm and Alan Bates were both in St. Patrick: The Irish
Legend
2008 - Malcolm and Bob Hoskins were both in Doomsday
Notes
Malcolm and Britt both did separate episodes of The Lexx (1997+2002)
Tom Bell and Warren Clarke (Dim in ACO) were in Dalziel and Pascoe: Recalled to
Life in 1999
This page © 2001-08 Alex D. Thrawn for www.MalcolmMcDowell.net