Saturdays: part one
By Uozumi
Author’s
Notes: This is a spin-off of “We Always
Spend Saturdays Together.” I just
thought that I'd compile some random shorts on what those Saturdays must have
been like for Ash and Eiji. Excuse me
if my timing is off, but all I've read is the first and eighth book, so if
something significant was supposed to happen on the Fourth of July, I'm sorry
that it didn't. I'm also going to
assume that Shorter's still around, because when I went to this one site that
had scans from 2001 Pulp, it seemed like *spoiler* would have been after the
Fourth of July. Also, I think that the
reason I'm so drawn to this series is the fact that I was born on January 14,
1985. I guess it being my birth year
just gives me warm and fuzzy feelings.
I own nothing.
----
One: Saturday,
July 6, 1985
EIJI
I wake early
and look out the window. New York City
is beautiful in a sense if I don't think about everything that is going on, and
why I'm in this dingy apartment room and not in the hotel where many would
think I should be. Ash brought me here,
and hasn't asked me to leave, but sometimes I wonder if I'm just a burden to
him as I must be to Ibé-san.
Hearing a soft
noise, I look over my shoulder, then smile slightly. Ash finds his only peace at night, but sometimes he finds his
deepest horrors. One night he screamed
so loud that Shorter burst into the room, and even between he and I we still
could barely clam down Ash, who never woke from the private hell of his dream.
Sometimes he
talks in his sleep, and I catch small words or phrases. He calls out for his mother, or he starts
whispering "no" until he's shouting it at the top of his lungs before
he either dissolves into tears, or he wakes up with a start, and I pretend to
be asleep.
Turning my eyes
back out to the cityscape, I dimly run over all the events that have lead up to
this point. It seems like forever ago
that I arrived in America with Ibé-san, and this place is growing on me, even
if I've only been here months. The only
factors that remind me that I am not truly from this place is the fact that I
still predominantly think in Japanese, and I still don't understand most of
what happens around me when I'm not running for my life, or caught up in a gang
confrontation.
Sighing, I
bring my right leg up, and hang my arm off it, the other resting on my left leg
that's curled up. This scene makes me
feel so pensive, but relaxed, even if at any moment someone could jump into
this apartment of Shorter's and shoot me dead.
"How you
want your food? Burnt, or
recognizable?"
Jumping, I turn
around, and see Shorter smirking at me.
He owns this apartment that Ash and I are staying in, and have been in
for quite some time. Ash wants to
retool his next plan, and seems distant a lot lately. I don't like the way his eyes glaze over and get such a distant
and pained look. It's almost as though
he doesn't want to even proceed breathing, but he's still planning all the
same. What's he's thinking, I can't
tell you, but I can say that it isn't something he would like to do.
"Ano . . .
ah . . . how about carry out?"
Shorter laughs,
then smiles, "Good one. The food's on, but I've got business." He turns from the door and speaks to someone
in the kitchen, "You going anywhere?"
"Maybe."
I blink. When did Ash get out of the bedroom and into
the kitchen?
"Well,
anyway," Shorter turns back to me, "you're in luck. Ash's cooking, so you don't have to
worry," and then he walks away.
"See you two later," and I hear the apartment door close in
his farewell.
Standing, I
stretch, then sigh. What time is
it? What's for breakfast? Those and other necessary questions run
through my mind as I walk into the dingy kitchen where Ash is perched on a
chair at the small table.
"'Morning."
"Ohayo," I nod as he glances at me slightly. "Ah . . . good morning," I amend,
then look around.
"What?"
I blink, and
swallow my next question. I don't want
to sound like a spoiled little prince, but the only thought in my head right
now is, 'Where's breakfast?'
"Nothing,"
I shrug, then start poking about the kitchen.
After rooting around, I scrounge up some tofu, tea, and rolls that were
secured on the last grocery run about a week ago. There's also some Spam, Wonder Bread, rice, and canned corn, but
I think those will make better later day meals than breakfast. Securing the skillet, some plates, a teapot,
and some mugs, I begin preparing breakfast in the silence of the morning. When I was really small, I used to pester my
mother about cooking, and so she taught me, and many times I woke early and
made her breakfast. I guess that I grew
really attached to her because my father died when I was four . . . .
I don't
remember much about him, but Mother tells me that I'm built like him, only he
was taller (as is everyone it seems), and his eyes were a unique gray due to
his distant Russian heritage. I,
however, have a mostly Japanese look, but she still insists that I look like a
brown-eyed and shorter version of my father.
". . . ji
. . . EIJI!"
Flying across
the small room, I look up in time to see flames and a flurry of whites,
yellows, and blues fight them. Finally,
the skillet is smoldering, and Ash is panting, resting his hands on the
counter, his eyes shut as though he's reliving one horrible nightmare. From where I'm resting in a corner, still in
the position I landed there, I gaze up at Ash as he swallows, then looks down
at me.
"Don't
space out like that! What the hell were
you thinking about anyway?! You could
have burnt yourself, or blown the whole damn place up!"
I look away,
"I don't know, I just went onto autopilot."
Ash studies me
a moment, then helps me up, "Don't go on autopilot when operating a gas
stove. What were you thinking you were
doing anyway?"
I look over at
the stove more closely, then blink. I
was so half-asleep, it never hit me that this is a gas stove and not an
electric like I have at home. I was
going through the wrong motions, and almost started a fire!
"I thought
I was using an electric stove," I answer truthfully, watching as some of
his fear and anger slip away. "I
should have been paying more attention."
Ash sighs,
assessing the damage. "Well, you
aren't touching the stove for a while," he murmurs, "but I think that
all the damage was done to the skillet, so we'll live."
I watch as he
freezes, his green eyes gazing off somewhere faraway as he studies the ruined
cookware. "Ash . . . ?"
Snapping awake
mentally, he almost hits me with his body's violent shudder, and then he grasps
up the skillet. "Well, here's one
for the trash. I hate to throw it out,
but it's of no use now." Walking
over to the window, we recoil slightly, the dank, sweaty, and putrid July air
emanating from the trash heap bellow becoming more acute as we check out the
window before Ash drops the skillet into the trash bags below. Here there is an ordinance about dropping
things out of your window, but if you pay enough attention, you won't get
caught, and won't have to worry about what happens if we stop lying low in the
apartment.
After hurrying
away from the window, I go to take a closer look at the kitchen, but then note
that he's moved away from the kitchen and disappeared. Sighing, I check the stove, remembering how
our old one worked back when I was thirteen and a first-year in Nakano Boys'
Academy, my junior and high school.
Satisfied that it's right, I consider making tea, then begin to feel the
hot and sticky July morning get to me through the window, no breeze to stifle
the claustrophobic humidity and pure heat.
Rummaging back
through the cabinets, and small refrigerator, I finally find what I want. Studying the blue container a moment, I
follow the directions, grab two glasses, and put in some of our lovely New York
City "sewer water" as the gang typically refers to it. We still drink it even if it's probably
knocking a few years off our lives, because we need water for practically
anything we want to eat since milk is so expensive and our refrigerator is just
small enough to house the bare essentials.
"Ash . . .
?" I call out tentatively, which is pretty stupid. The apartment is very, very small, and if
he's not in the kitchen, he can either be in the bathroom or the bedroom. Hearing no reply, I set the glasses down,
and step towards the two rooms.
"Ash, where are you?"
Both doors are
open, so I'll bet on the bedroom.
Sticking my
head in, I take in the room as quietly as possible. This wouldn't be the first time that Ash gets up and then goes
right back to sleep after eating something to replenish his blood sugar. Expecting to find him curled up under the
blankets where he's sure to roast himself alive, I stop short when I see him
face down on the bed, crying silently into his pillow. Frozen, I'm not sure what to do, this being
only the second time I've ever seen him cry while not sleeping. Most would think it hard, or impossible, but
I think I understand Ash enough to know that he's kept so much inside that it
would be a miracle if he never cried.
Now I can't
think of what I should do. I'm never good
at this, even if most say or think I am.
Before I went away to college, I was chosen captain of the track and
field team, not only because of my skill at pole vaulting, but also because of
my personality. They could turn to me
and I would listen, but like then, I still feel absolutely helpless. I don't know how I help people if I don't
even know what I'm doing!
Now I'm gently
sitting on the bed, and I guess I'm letting my subconscious take over. That's what I always do whenever I'm faced
with such a situation like this, I just go somewhere else, and something inside
of me takes over. It's as though I were a guidance counselor or something like
that in a past life.
Having déjà vu
to dealing with my pre-teen cousin, I sigh inwardly. Why are so many people hurt like this? Why do people tear each other apart from the inside out? This is much more than I ever would deal
with if I were back in Japan and dealing with Akemi-chan, but still, I can't
just leave Ash crying here.
"Ash."
He stops
shaking, his whole body freezing as though the last thing he expected was for
me to be in here. I know he's trying to
compose himself and act like it was nothing, that he was sleeping. He wants to appear strong always as though
he has something to prove, or perhaps that if he were to let his weakness show,
Arthur would only come in and do something so twisted, none of us could make
our next move.
"Are you
okay?"
That was a dumb
question, but why admit that I knew he was crying? He might not want to admit it to himself!
"Yeah,"
his voice is slightly shaky, but I will give him extra points for making it
sound almost normal.
"Do you
want anything?"
"No."
It is just like
talking to Akemi-chan! At least, I
won't have to launch into the "You Are a Great Girl, and Why He Can't See
That Is His Loss" speech.
"Would you
like me to go?"
Insert long
pause here.
It's so weird
how I can compare Ash to Akemi-chan. It's just so . . . so . . . .
"Don't."
I blink, the
answer coming directly after my question, and not after a long pause as
expected. "Eh . . . ?"
"Do what
you want," he amends, that second of want gone, replaced by his normal
self.
"Then I
shall stay here."
He says
nothing, but as I sit there and he lies there, his head still buried in the
pillow, I know that he's getting better.
I don't have to give him a speech or use words to calm him, because I
know that he's getting back to where he wants to be just by us being here as we
are right now.
ASH
I used to love
July, long ago back when sparklers and fireworks were the best parts of the
month. I can remember being very little
and sitting on Mom's lap as Griff, who had to be about fifteen or sixteen, drew
words in the air with a sparkler. He
drew my name, then his, and soon I too wanted to wield a sparkler, but they
promised that when I turned five, I could.
My birthday is
in August, so I turned five just a month after the Fourth of July, and Griff
had promised me long ago that when I got old enough, we could write our names
with the sparklers and make cool designs together. Shortly after, he went to Vietnam, and I passed on sparklers that
year because I wanted to play with Griff when I finally got to use one.
Naturally, I
have yet to have a sparkler in my hands.
Thursday was
the Fourth, and Shorter and Eiji watched fireworks from the bedroom window
while I locked myself in the bathroom and pretended to be invisible. When Griff got back from Vietnam, he had
already been pumped with Banana Fish, and the first violent flashback I ever
saw him have was on the Fourth of July in 1974. I was scared stiff, and it still haunts me. Watching your older brother, your idol, have
a full blown grand mal seizure while sputtering and mumbling something about
"Banana Fish" over and over is something that no six-year-old should
see.
In the bathroom
during the fireworks, I screamed silently and relieved that horrible moment
over and over. Griff's flashback had been triggered by fireworks as we were
watching them in our backyard, and I screamed, and dad wasn't sure what to do,
and Mom . . . .
Sitting up, I
blink a few minutes and then sigh, running a hand through my hair. Now I'm in the room I share with Eiji at
Shorter's apartment, and it's Saturday, July 6, 1985, and that long ago day
eleven years ago is far behind me.
Looking over to my left, I watch as Eiji studies the brownstones outside
our bedroom window. It's amazing to
watch his child-like wonder at the skyline every morning. It's like he muses about it until we break
him from it, or he breaks himself, and someone makes breakfast. I always hate to be the one to bring him
back to reality, because when he's thinking as he's staring out the window he
looks so at peace as though he's letting all of our hell drop away, but if he
wants to eat, he can't stare at NYC forever.
Getting up
quietly, I yawn, then steal out into the kitchen, careful not to disturb
him. It's Saturday, and I plan to spend
the day in the apartment with him, lying low when most would think us to be
outside due to the record heat and record humidity.
"Hey, I
was just going to leave you a note," Shorter brings me from my thoughts
from where he's standing at the table.
"What
for?" I walk over as he puts the pen and paper away.
"I have
business," he offers. "Chinatown shit, they think Arthur's going to
make a move on them since you and Eiji could be hiding among us. Of course, they don't know about you and
Eiji really, it's just they've gotten wind that Arthur's planning on coming our
way."
'Just what I
need.' I glance out the kitchen window,
envisioning a multitude of thugs raiding the streets. I hate how my imagination can run away with me sometimes.
"Anyway, I
have things to organize, and plans to start implementing . . . you know, do my
version of what's going on in your head," Shorter shrugs, then glances at
the bedroom door. "Eiji up?"
I raise an
eyebrow. "Yeah, why?"
He just looks
at me, "You were just thinking harder than usual, and being more
careful."
I raise an
eyebrow and he crosses the small area to stand in the doorway to the bedroom,
"How you want your food? Burnt, or
recognizable?"
I sit down at
the table and roll my eyes. Shorter
normally cooks for us, and he's horrible, but he always tries to get better,
and I think he's also trying to compensate for what's been going on. Why?
I don't know, but he's always been like this. Also, his undying love for cooking doesn't help the fact that he
keeps trying to make what always is a disaster into something edible.
Half-listening,
I hear Eiji reply softly, "Ano . . . ah . . . how about carry
out?"
Shorter laughs,
then continues, "Good one. The
food's on, but I've got business," then he addresses me, turning away from
Eiji, "You going anywhere?"
"Maybe,"
I shake my head. He knows better than
to ask that! I guess that he's just
letting Eiji know that I'm out here and not in there.
"Well,
anyway," Shorter turns back to Eiji, "You're in luck. Ash's cooking,
so you don't have to worry."
I glower
slightly at him as he goes to the door.
I'm not hot on cooking with a gas stove, so many things can go
wrong. Only Eiji and Shorter can really
use it without worrying, and only Eiji can cook on it, but still it just makes
me ill at ease.
Winking, or
what that motion has to be behind his sunglasses, Shorter leaves through the
door, "See you two later," and I hear the apartment door close in his
farewell.
I hear Eiji
moving about as he heads into the bathroom, then comes out a little later as he
comes over to the table.
"'Morning."
"Ohayo," he answers me with what has to be
Japanese for what he clarifies it as, "Ah . . . good morning."
Glancing
around, he looks a little helpless, and I know he's wondering where breakfast
is. I know that Shorter said I was
making it, but I'm just too tired to get up, and I'm not hungry, minimizing my
motivation to make some.
"What?" I test to see if he'll voice what's on his
face.
He stares a
moment, 'Where's breakfast?' clearly written on his features as he shrugs it
off as, "Nothing."
I raise an eyebrow,
then watch as he starts rummaging through the kitchen. He complies a grocery list whenever we have
enough money to make a run, and then one of Shorter's men grab the stuff for
us. Watching as he pulls out tofu,
rolls, and tea, I feel my stomach flip in disgust. I really could never eat oriental food. Tofu just makes me squeamish, and then tea just makes my stomach
feel warm and slosh, but rolls doesn't sound half-bad.
I kind of wish
he'd fry something other than tofu up though.
Letting my mind
wander, I watch him closely. He's off
in Eiji land again, back to whatever he thinks about when he runs off on autopi
. . . .
"Eiji!"
my eyes widen as an orange flame lights up the skillet. "EIJI!" Shoving him aside, I use what I learned from observing some cooks
a few times in my life as I put out the skillet fire and bring it under
control. I hate gas ovens! If I hadn't gotten here soon enough . . . .
Closing my
eyes, I try to banish what's running through my head. I can hear her screaming again, and see that look in her
eyes. She was hiding her panic, but she
got us out of there as she tried to do what I just did . . . .
Glancing down
at Eiji, who's still stuck in the corner from where I had tossed him aside, I
frown, feeling anger surge. He could
have burnt or killed himself! What the
hell was he thinking?!
"Don't
space out like that!" I start
yelling before I can fully comprehend what I'm about to say, "What the
hell were you thinking about anyway?!
You could have burnt yourself, or blown the whole damn place up!"
He glances
away, he wants to say he's sorry, "I don't know, I just went onto
autopilot."
I sigh. A flash of fire running through the kitchen
before my eyes, but with a blink it's gone.
Holding out a hand, I help him up, using a stern, but quiet voice,
"Don't go on autopilot when operating a gas stove. What were you thinking you were doing
anyway?"
He stares at
the stove, his eyes slowly widening.
"I thought I was using an electric stove. I should have been paying more attention."
I'm still mad,
but I bet that he always has used an electric one at home, so when he went on
autopilot, his brain went through the motions of using that stove and not this
one. Observing the ruins, I sigh again,
"Well, you aren't touching the stove for a while, but I think that all the
damage was done to the skillet, so we'll live."
Touching the
handle of the skillet, I feel a flash of that distant memory again.
Mom . . . .
"Ash . . .
?"
Jumping, I
stare, then glance down at the skillet, Eiji having brought me back to the
problem at hand. Groaning, I can't
believe we have to throw it away. It's
not like we can go out and get a new one.
It's not time for me to extort money from Dino yet, it's still time to
lay low. I'm not even sure if that plan
could become reality, we'll just have to wait a little longer.
"Well,
here's one for the trash. I hate to
throw it out, but it's of no use now."
I walk over to the kitchen window, for once glad that it is over the
alley's garbage pile.
Checking for a
sign that no one's around, I drop it directly onto a trash bag so it doesn't
make a clanging noise and give us away.
"Boys, out
-
"Hurry!"
I freeze as
Eiji starts studying the oven closer.
Slipping past him, I can hear her voice pounding in my head more and
more. I thought that I had forgotten, I
was only four, but her voice, so clear . . . .
Mom . . . .
Before I know
it, I'm face down on my pillow, tears streaming, the whole hell flying through
my head.
It was July 4,
1972 . . . .
"Hey, Mom,
when will we do the fireworks start?"
I look up from my drawing. It's
of Griff, Mom, Dad, and me in front of a gigantic flag. I hope that I put as many stars as is
supposed to be on it. I can only count
to twenty thanks to Sesame Street.
"In a few
hours. First we will have supper, and
then we will go see them."
Some of our
neighbors have cookouts tonight, but we always have special American pies which
are stuffed with chicken and vegetables.
Right now she's boiling the filling.
"What you
drawing there, Aslan?" Griff looks
over my shoulder as I drum my marker-capped fingers on the table, unsure of
what shirt color I want Dad to wear in my picture.
"A
picture. It's secret."
He smiles, then
ruffles my hair. "Don't forget to
tell me when it's done."
"I
won't." I smile back. My brother is twelve years older than me and
is seventeen. He's my hero, and I want
to be just like him. He's on the
baseball team, and is really good at schoolwork. Mom and Dad say he's a genius and his IQ's 178, whatever that
means. Next school year, I'm going to
be in kindergarten, and he's going to be a senior in high school. He's really excited, but I wish I could go to
college with him.
"Griff,
honey, could you go get -" Mom suddenly freezes, and I see some weird
shadow dancing behind her. I'm on the
other side of the kitchen from her, and can't see whatever it is, but it
reminds me of sparklers sort of and how their shadows look weird when Dad goes
to light them with his lighter.
Turning, she
lets me see what's behind her - fire! It's really big too, and it seems to be .
. . .
"Boys, out
-"
Griffin's
frozen, his gray-green eyes wide in horror. I don't really understand why, I mean, a lot of people cook food
over fires today.
Then, it starts
climbing up the kitchen wall, and Mom's trying to smother it out as she shouts
at us, "Griffin, take Aslan, and get out!"
I feel Griff
pick me up as I suddenly become aware that our house is burning down! Just like they talked about one time in a TV
show when they said these men called firemen come and save your house by using
really powerful hoses!
"Hurry!"
Mom screams, and Griff is out the door
with me, and running to the various neighbors until we find one at home. It's the McAlaster's and their daughter Bekki
is my age. She is watching a musical
special about today, and invites me to watch too as Griff calls someone on the
telephone about our house.
"Yes, it's
1515 West Willamsburg Street -
"Kitchen -
yes, it's gas stove -
"Thank
you," he hangs up, then looks to me, "Aslan, stay here, I'm going to
go with Mr. MacAlistair and help keep the fire from spreading," and then
he's out the door.
I was asleep
after watching the fireworks from Bekki's house, a rise of smoke coming form
where mine is. Bekki said not to worry,
and that firemen were coming and would save our house like they said on TV.
I hear Dad's
voice from downstairs, and leave quietly so I won't wake Bekki, and silently go
to see him. Griff's talking too now,
but I can't hear Mom's voice. She's the
most talkative of all of us, except me, according to Grandma.
" . . . save
her," Dad finishes after I reach the bottom of the stairs. They're in the kitchen, so I have to go
through the family room to get there.
"I'm
sorry," I hear Mr. MacAlistair say, "She was a fine woman."
"When will
you tell Aslan?"
"I don't
know. . . how can I tell him? You don't drop a bombshell on a kid like
that," Dad's voice sounds weird, like he's been crying, but Dads don't
cry.
"I can
tell him, Dad," Griff also sounds like he's been crying, and Griff never
cries either.
"When?"
"The
morning? I don't know - When do you tell a little kid that their mother is
dead?!"
Dead?
Dead . . . .
Dead . . . .
Dead . . . .
"Ash . . .
?"
Blinking, I get
an eyeful of pillow as I become aware that I'm almost eighteen and not almost
five. I'm lying face down on my bed in
Shorter's apartment.
"Ash,
where are you?"
I close my eyes
again. It's only Eiji.
Maybe if I
pretend that I'm invisible . . . .
I feel the bed
shift to the left as he sits on it, his hand resting on my head in a comforting
manner.
"Ash."
I freeze. It's a defense mechanism from when I was very
young. Whenever someone worried about
me like this, I would just turn very still and act invisible. I know it's ridiculous that I still do it
thirteen years later, but that's just how I am.
"Are you
okay?"
'Good job,' I
silently snort into the pillow, but respond automatically, "Yeah."
"Do you
want anything?"
I consider it,
feeling very small, but that could be because I just relived my first personal
hell, "No."
I have this
distinct feeling that he's smiling. Why? I don't know. I don't think it's because I feel miserable,
he's probably just made some weird connection. He's always making weird connections.
"Would you
like me to go?"
"Don't."
That came out
of my mouth before I could even register the question.
"Eh . . . ?"
I guess Eiji
wasn't expecting it either. I think I'll re-word it, "Do what you
want."
"Then I
shall stay here."
I go to say
something to make him leave, but can't. I don't want him to, but I also don't want to keep him here if he
doesn't want to be here. Yet, I can't
say the words, and simply lie here, buried in my pillow, Eiji's hand still on
my head in that "It's going to be all right" kind of way. I feel safe, and don't know why, although, I
wish I had the will to get my face out of my pillow.
I think I'm
suffocating.
THE END