De libertate humana
secundum Benedictum de Spinoza:
Ethica ordine geometrico demonstrata � pars V
The piece is scored for three technically and historically different
sound formations:� ancient music ensemble, contemporary music ensemble and symphony
orchestra, together with two mixed choirs.
Each part of �De libertate��stands for another level of human inner
consciousness. The first part, already written, moves our thinking towards understanding
that non-aligned, non-conscious and passive emotions are the main obstacle in achieving a
real freedom. The second movement will bring a method of releasing positive, conscious and
active emotions towards a non�personal deity allowing a mind�s liberation. The third
part is a final consideration about the eternity of active mind that lacks any passiveness
and recognises things in themselves. Each movement as well as each ensemble must undergo a
process of self�recognition towards clarity of differences, alien to initial similarity
and imitation.
You can listen to three excerpts from �De libertate humana� using your MIDI card:
or alternatively you can use a RealAudio� player:
Propositio II�����
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Propositio IV����
��� Propositio VI����
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