Here is a table of all the records I own (or have with me, there’s more at my parents’ house!)… I will be adding more as I get the chance, as I have a crazy collection. I decided to do this as a means of sharing music with people. I feel that the music industry has gone to pits, and most of the labels that are big don’t carry bands I like. As for the indie-world, I try to purchase these albums directly from the record labels. But online music networking is also good for indie bands, as although the democratization of music as information is depriving artists of money, exposure is something that these countercultural musicians need. Therefore, I would love to exchange mix CD’s with anyone that has similar interests. I am not, however, a service, and will not make copies of music for people as favors. I expect something in return, at a 1:1 ratio. And I will not make a trade for something I do not want, so do not expect to get an experimental guitarist mix CD for your mix CD of booty hiphop.
|
Artist |
Album |
Year
Acquired |
Notes |
|
|
|
|
|
|
5ive
Style |
Miniature
Portraits |
2000 |
indie-rock
for Phish-heads… like tortoise.
Very jazzy, dancey, wonderfully arranged. |
|
…And
You Will Know Us By the Trail of the Dead |
Source
Tags & Codes |
2003 |
has
some nice anthemic moments of indie rock, but also has some wannabe
over-the-top rock-out angst bursts that serve more to level the ears than to
induce the mind. |
|
A
Silver Mount Zion |
??? |
2001 |
first
album, sparse and sad, from the Godspeed you Black Emperor! Camp. |
|
A
Silver Mt. Zion |
??? |
2002 |
have
not listened to this one yet, but it's got more musicians than the first
album. From the Godspeed camp. |
|
A
Tribe Called Quest |
beats,
rhymes, and life |
2003 |
|
|
Abunai! |
Round
Wound |
2003 |
this
was compared to krautrock stuff, but I think it is way too simplistic and not
visionary enough. It has some muscled funk/spacerock grooves, and some
intense moments hinting that the world is a changing sphere, but overall it
possesses no moments to make me weep.
It is all instrumental, and apparently a culled arrangement of
snippets from some long long jam sessions that they had. The recurrent themes are nice, but
for that I'd take Philip Glass over this any day. |
|
Adrian
Belew |
Op
Zop Too Wah |
|
this
album is more experimental for a solo album, and I love Belew, but he still
has not churned out an album of perfection, as some of the songs on here are
mediocre. He has the potential
to be great though. |
|
Adrian
Belew |
Here |
|
nice
pop, voice like a beatle.
Current lead singer for king crimson. |
|
Air |
Premiers
Symptomes |
2001 |
early
singles; sweet, slick. |
|
Air |
Virgin
Suicides soundtrack |
2001 |
a
bit creepy after you see the movie |
|
Air
Miami |
Me,
Me, Me |
|
ex-unrest |
|
Alex
Chilton |
1970 |
2000 |
really
really good. Get it if you love
classic rock and are wondering what you missed. |
|
All
Time Present |
Distant
Microphones Pick Up Both Direct and Reflected Sound |
2003 |
|
|
Angus
Maclaurin |
glass
music |
2001 |
an
entire album played on wineglasses.
Not so great. |
|
Aphex
Twin |
Richard
D James Album |
2001 |
nice
"techno"… the song about wanting "some milk from the milkman's
wife's tits" is a little strange for me though. |
|
Archers
of Loaf |
all
the nation's airports |
2003 |
|
|
Archers
of Loaf |
White
Trash Heroes |
2003 |
|
|
Ash
Ra Tempel |
random
mix CD |
2002 |
spacy
new-agey krautrock from the 60-70s.
Way way before techno, but you can see where the genre came from |
|
Aspects
of Physics |
Systems
of Social Recalibration |
2002 |
very
very nice new album from what used to be Physics. Call it the electronic incarnation. This fits into a category with Boards
of Canada, but there are more acoustic instruments and less diverse sampling
here. The key is the tone. I listened to it while reading kim
stanley robinson's "the wild shore", a post-apocalyptic novel |
|
Autechre |
Confield |
2002 |
wow,
crazy ambient electronica. So
much going on, it's difficult to catch it all. It's hard to listen to, but once you grasp it all it is
impressive. Some odd sounds in there.
Very atonal. I listened
to it while reading "the monkey wrench gang" so now i associate it
with being out in the desert |
|
Autechre |
tri
repetae++ |
|
2cd. This pales in comparison to
"confield". It is
ordinary aphex-techno. Mildly
interesting but far from groundbreaking. Much more listenable than "confield", but that’s
a bad thing in my opinion. |
|
Autoclave |
s/t |
2000 |
Mary
Timony from Helium and Christina from Slant 6, before they were famous! |
|
B-52's |
good
stuff |
1992 |
one
of my first cd's… I loved them and still do. I do a wonderful love shack impression. This is their last album I believe.
Has some down moments, but still good party music, in a cheezy new wave way! |
|
Babes
in Toyland |
nemesisters |
1995 |
weird
how all these grunge bands became big and then got left behind when the
corporate folks decided to take over alternative music. |
|
Bardo
Pond |
set
and setting |
2001 |
psych
rock; nothing is as good as their 20 minute song on the "harmony of the
spheres" compilation, but they are still great |
|
Bardo
Pond |
dilate |
2002 |
one
of kim gordon (sonic youth)'s favorite albums of 2002 |
|
Bardo
Pond |
lapsed |
2002 |
haven't
listened to it yet |
|
Bardo
Pond |
Purposeful
availment ep series |
2002 |
two
long jam-outs. No lyrics. |
|
Beatles |
Sgt
Pepper's lonely hearts club band |
2000 |
I
like the beatles, but I wish I didn't know all the songs. |
|
Beck |
mutations |
2002 |
|
|
Beekeeper |
anywhere
will do |
1996 |
their
first EP, karla went on to Ida, this was at the Ida/Tsunami record release
party |
|
Belle
& Sebastian |
Tigermilk |
2001 |
if
you haven't heard this band yet, where have you been? |
|
Belle
& Sebastian |
If
you're feeling sinister |
2001 |
if
you haven't heard this band yet, where have you been? |
|
Belly |
King |
1995 |
|
|
Belly |
Moon
ep |
1994 |
contains
remixes of Full moon empty heart, and it's not unusual, plus the cover of
"it's not unusual" hendrix!! |
|
Belly |
super-connected
ep |
1996 |
the
b-sides are never as good as the a-sides |
|
Bessie
Smith |
Lady
Luck Blues |
|
2cd
archival recording of an old blues legend. My heart melts for her voice. |
|
Big
Boy Crudup |
Crudup's
After Hours |
|
2cd
archival recording of an old blues legend. Sing it, man. |
|
Big
Star |
Third
/ Sister Lovers |
2002 |
awesome
alex chilton stuff, but his solo album 1970 is so much better. These songs
are very sad in a stoic sort of way. |
|
bill
frisell |
the
bill frisell quartet |
|
with
eyvind kang |
|
Billie
Holiday |
The
Gold Collection |
2003 |
|
|
Biosphere |
substrata |
2002 |
nice
ambient electronic music;
nothing really happens though.
I bet it's easy to make this kind of music. |
|
Bjork |
Vespertine |
2001 |
I
can't believe how good this is. Reminds me of moving into my DC apartment
with Rita (oh goodness) |
|
Blind
Man's Sun |
Harmony
of the Spheres |
1999 |
2CD;
Jamband progressive rock, rock opera stuff. Has some really wonderful moments. They never really got
noticed, but they were talented in the jamband scene. Too bad the 70s have ended a while
ago. |
|
Blind
Melon |
soup |
1995 |
why
did he die? I'm more sad about
shannon hoon's death than kurt cobains |
|
Blonde
Redhead |
In
an Expression of the Inexpressible |
2003 |
Wonderful,
but I wouldn't call it essential.
Futuristic stylish post-nowave. I don't think the hype is necessary,
but I wish this was more popular than Modest Mouse, for instance… The rhythm here is perhaps what makes
it great, but the vocals are far out and unique. |
|
Boards
of Canada |
Geogaddi |
2002 |
we
need a name for this genre of electronic music. Thank you for pointing out
that the environment is falling apart.
The drone interludes are great.
Your days will be full of images of red skies and jubilant/somber smog
after you hear this. |
|
Boards
of Canada |
Music
has the Right to Children |
2002 |
I
love these guys; this album is much more rhythmic but still as futuristic in
a post-apocaplyptic way. Highly transcendental electro-postrock. |
|
Boredoms |
Super
Are |
2000 |
the
boredoms in transition from noise rock to trance rock |
|
Boredoms |
Vision
Creation Newsun |
2001 |
a
must-hear; alterna-trance-rock of epic proportions. The culmination of rock and ROLL. |
|
Brainiac |
Hissing
Prigs in Static Couture |
1996 |
right
before Timmy Taylor died in a car accident. What a shame.
I really liked this noisy weirdocore band. |
|
Brainiac |
Bonsai
Superstar |
1995 |
nice
noisy weirdness rock from Dayton OH, the engines of machines. |
|
Breeders |
Pod |
2001 |
|
|
Breeders |
Last
Splash |
1993 |
I
had forgotten how great this album is.
Some of the songs that are not as radio-friendly are just incredible
(hag, mad lucas) |
|
Breeders |
Safari |
1995 |
four
song ep, last recording with tanya donelly before she left for Belly. Different version of "do you
love me now"? |
|
Brick
Layer Cake |
Tragedy
Tragedy |
1997 |
crazy
weird slow slow slowcore with annoying deathlike whispered vocals, from the
drummer from Shellac |
|
Broadcast |
extended
play two |
2000 |
short
but really fucking good. |
|
Broadcast |
random
mix CD |
2002 |
for
fans of stereolab. Retro spacy forward thinking pop |
|
Brokeback |
Field
Recordings from the Cook County Water Table |
|
A
tired, sad, downtempo tortoise.
Forgot which guy was in tortoise from this group, but hear the
guitars. There's even a cover of the quiet song at the end of "millions
now living…" with whistling doing the slide-guitar melody. |
|
Butterglory |
Downed |
1996 |
B-sides,
indie pop. |
|
Calexico |
The
Black Light |
2002 |
|
|
Califone |
roomsound |
2002 |
reminds
me of waking up on the train, watching the sun rise over california, my new
home. Interesting indie folk. |
|
Can |
tago
mago |
2000 |
some
say that this is the penultimate krautrock album, but I think it's in a field
of it's own. Very schizophrenic…
jammed out, spacy, scary sometimes.
Acid music. |
|
Captain
Beefheart |
Grow
Fins |
1999 |
5CD;
this box set was my introduction to the captain. Wow I am in love with this stuff. But the first disk, the classic blues
rock one, takes the cake. Obeah
Man is the best b-side!!! I feel so cool when I listen to the captain. I'm sure most people hate him. I angered everyone in my car down on
our roadtrip to see phish on new year's 2000 when i played this (ween also
angered them too!) some music
just isn't for everyone! |
|
Captain
Beeheart |
random
mix CD |
2002 |
I
love the captain. This mix I
made is great, spans a whole bunch of different stuff, showcases why his
style transcends classic rock, but isn't as in-your-face as Frank Zappa, who
in my opinion, tried to hard to be different. Beefheart just tells it like it is; raw human energy. |
|
Cat
Power |
Moon
Pix and Dear Sir |
2003 |
female
bluesy singer-songwriter stuff.
The sweet girls that want to be indie eat this up but never go far
enough into it to get into REAL indie music. I'm much more impressed with this older stuff than the new
stuff that has put her in the limelight. It reeks of being on Steve Shelley's label "Smells
Like". |
|
Cerberus
Shoal |
Mr.
Boy Dog |
2002 |
2CD;
reminds me of Baltimore and the tragedy of skyscrapers. I like to listen to it in strange
cities and get lost in the maze of life. This hypnotic album is both spacy and upbeat and
dancy. The band later on gets
more into compositional individualist poetic yarnspinning. the music is still urgent |
|
Cerberus
Shoal |
The
Vim and Vigour of Alvarius B and Cerberus Shoal |
2002 |
Caleb
from Cerberus Shoal gave me this CD which is a collaboration between them and
Sun City Girls. It is wonderful,
and I wish more artists collaborated like this. There are essentially three songs twice. They're reinterpretations of
extrapolations or fragmented ideas they shared. the words are terrific and it's like seeing a Westernized
urban landscape in two different regions of the world; fundamentally the same but painted
with a different palette.
ingenious. let us expect
the rest of the installments with anticipation! |
|
Cerberus
Shoal |
Garden
Fly, Drip Eye |
2002 |
Another
disk given to me by Caleb, two song ep of the newer stuff. Poetic intense yarn-spinning, with
the females in the group now, sounds like a lot of teamwork goes into their newer
stuff. Much more music jammed
into the space, rather than the spread out psych of the earlier stuff. |
|
Cerberus
Shoal |
homb |
2002 |
sprawling
eastern-ish psych rock. Listened to it first while reading "man
plus" by frederik pohl. Cut
a man's eyes and organs out and replace them with computers and then put him
on Mars. This is the music that
warns/scares you of what's to come.
It's frightening but it's still ritualistic love. |
|
Cerberus
Shoal |
And
Farewell to Hightide |
2002 |
|
|
Charalambides |
Houston |
2003 |
Much
better space blues, with a bit more diversity. All their stuff gets tedious
and I lose my attention, but there is a definite color to this music that
makes it enjoyable once you recognize their unique twangy fucked-up style of
using irritating slides and psychedelic meanderings to achieve a nice subtle
higher plane. Perhaps the
sparse, blues version of what ambient drone noise like Sunroof does. Not quite Pelt, though. |
|
Charalambides |
Our
Bed is Green |
2003 |
|
|
Charalambides |
Internal
External |
2003 |
bluesy
sprawling loose mazzacane-connors-inspired space folk. Perhaps it is space blues? I'd like to hear more of their
collaborations. Hooray for
Austin, TX! |
|
Charles
K Noyes |
Full
Stop |
2001 |
from
Thurston Moore's Ecstatic Peace! Label |
|
Chicago |
V |
1999 |
perhaps
their last good album |
|
Clinic! |
Walking
With Thee |
2002 |
like
Faust playing tunes by the Fall, with Thom Yorke singing |
|
Clinic! |
Internal
Wrangler |
2002 |
like
Faust playing tunes by the Fall, with Thom Yorke singing |
|
Cold
Cold Hearts |
??? |
2000 |
This
is the only real riot grrrl stuff I have on CD, but my penpal Eve used to
make me mixes of all this awesome bikini kill, bratmobile, and heavens to
betsy stuff. I miss it all. Grrrls rock |
|
Cracker |
Kerosene
Hat |
1993 |
I
wasn't too fond of this album when I first got it, but since I worked in the
Park Service, all those folks there got me hooked on this alt.country stuff. |
|
Cul
De Sac |
China
Gate |
2002 |
have
not listened to it yet |
|
Cul
De Sac |
Crashes
to Light Minutes to It |
2002 |
have
not listened to it yet |
|
Damon
& Naomi |
With
Ghost |
2002 |
so
good… former members of Galaxie 500 with Ghost, a japanese psychedelic folk
outfit. Really warm
melodies. Great tunes… like Ida
I guess. |
|
David
Byrne |
The
Catherine Wheel |
2000 |
very
very nice, like instrumental Eno-era talking heads |
|
david
byrne |
rei
mono |
2001 |
wonderful
latin album from talking heads member. |
|
David
Grisman and Jerry Garcia |
Shady
Grove |
2002 |
great
great bluegrass album |
|
Davis
Redford Triad |
Ewige
Blumenkraft |
2001 |
fucking
scary psychedelic music from Stephen Wray Lobdell. |
|
Davis
Redford Triad |
Code
Orange |
2003 |
this
is live recordings I believe. |
|
Deep
Banana Blackout |
Rowdy
Duty |
1999 |
live
2CD, I was at the show for
"Put the Boot Down"… on my tape I can hear my voice, but of course
the CD is soundboard. |
|
Deep
Banana Blackout |
Live!
In the Thousand Islands |
1998 |
This
album did not come out of my car stereo for a whole year (except for my
chicago mix tape). It is so
fabulous. It made me fall in
love with funk music. Their live
show is even better (this is a studio album)… too bad jen is not in the band
anymore. they simply were
incredible back in the day. I'm
so glad I was a bananahead. I
wasn't ever officially in the Funk Mob, but I think I participated a
lot! Hell yeah!!!! |
|
delarosa
and asora |
??? |
|
|
|
Delta
'72 |
R&B
of Membership |
1996 |
I
first saw them open for sonic youth and helium; call it my first concert ever, since they played first! |
|
Delta
'72 |
000 |
2001 |
bring
back the girls! |
|
Digable
Planets |
Reachin
(a new refutation of time and space) |
2003 |
|
|
Digable
Planets |
Blowout
Comb |
2003 |
|
|
Disco
Biscuits |
??? |
1999 |
jamband. Much better live, but then again,
they got into that whole ecstasy electronic trance crap that doesn't go
anywhere. |
|
DJ
Spooky |
??? |
2001 |
short
album; more hiphop than spacy |
|
DJ
Spooky |
Songs
of A Dead Dreamer |
2000 |
really
fucking good. Spacy, well-mixed. Not all hiphop. |
|
DJ
Spooky |
Viral
Sonata |
2001 |
a
sample of all his sounds. Used for elevator music in a modern art museum. |
|
Do
Make Say Think |
Goodbye
Enemy Airship the Landlord is Dead |
2002 |
wow.
I love it. I'm listening to it
as I read "The Biotech Century" |
|
Do
Make Say Think |
&
Yet & Yet |
2002 |
they
are incredible live. Like a
post-rock kind of tortoise, very dreamy. Their music is very hopeful, but it can be immediate at
times too. Check these musicians
out! |
|
Doldrums |
Feng
Shui |
2000 |
reminds
me of moving out of my studio apartment in DC |
|
Doors |
The
best of the Doors |
2000 |
|
|
Doves |
The
Last Broadcast |
2002 |
2CD;
britpop takes a step forward |
|
Dufus |
This
Revolution |
1998 |
complete
tweaker, but so awesome. Calls
for a creative revolution. Call it
hippy music, but this music sings the truth (I'm now an acquaintance of the
lead guy, seth hebert) |
|
Eggs |
Exploder! |
|
|
|
Eggs |
How
Do you like your Lobster? |
|
bside
compilation |
|
Elfpower |
Red
King? |
2002 |
elephant-6
collective; like olivia tremor control. A rock opera about a secret medieval
world you enter through a portal.
Great neo-psychedelic pop.
For fans of the beatles |
|
Elliott
Smith |
s/t |
|
first
album, on kill rock stars, I had it before he was famous! |
|
Elliott
Smith |
XO |
2003 |
|
|
Elliott
Smith |
Either/or |
2003 |
|
|
Ennio
Morricone |
The
Mission |
|
|
|
Ernesto
Diaz-Infante & Chris Forsyth |
March |
2003 |
|
|
Esquivel |
Infinity
in Sound vol 1 and 2 |
2000 |
perfect
for cleaning the house while stoned |
|
Estradasphere |
Buck
Fever |
2002 |
mix
klezmer, jazz, beach boys pop, death metal, nintendo music, surf rock, disco,
funk, circus music… did I leave anything out? |
|
Eumir
Deodato |
random
mix CD |
2002 |
he's
the jazz/fusion guitarist that originally arranged Strauss's "Also
Sprach Zarathustra" (aka 2001), which Phish covers live, and all of
their fans think Phish are the geniuses… haha wrong wrong wrong!!! |
|
Explosions
in the Sky |
Those
Who Tell the Truth Shall Die, Those Who Tell the Truth shall Live Forever |
2002 |
if
you were moved by September 11 in a way more than just tragedy and sadness,
then listen to this disk.
Released shortly before september 11, it is remarkable in its
applicability. Hear the drums of
war beating beating beating |
|
Explosions
in the Sky |
How
strange, innocence |
2002 |
from
Austin TX. This band sounds like
Godspeed you black emperor! A lot. Really good stuff, A MUST LISTEN |
|
Eyvind
Kang |
History
of Iceland |
2003 |
Played
with Secret Chiefs 3, globalized tragedy in orchestral post-rock form. Multi-ethnic-instrumentalist,
wonderful suite. Includes an odd
experimental avant-rock piece too. Recommended by Caleb from Cerberus Shoal. |
|
Fairuz |
The
legendary Fairuz |
|
Lebanese
world music; crappy singer though she's "acclaimed". I'm in it more for the gypsy/mideast
style of music in the background.
Plus this part of the world has an incredibly beautiful culture. |
|
Faust |
The
Last LP (Munich and elsewhere) |
2000 |
the
bible for krautrock |
|
Firehose |
Mr.
Machinery Operator |
2003 |
|
|
Flaming
Lips |
Soft
bulletin |
2002 |
bonus
tracks by beck |
|
Flaming
Lips |
Yoshimi
Battles the Pink Robots |
2002 |
bonus
tracks by beck |
|
Flaming
Lips |
Clouds
Taste Metallic |
1997 |
I
didn't like this album when it first came out, but now that I've heard their
more recent stuff (which is superior in a big way), this album really isn't
so terrible. His whiny voice
just takes some getting used to. |
|
Fly
Pan Am |
??? |
2002 |
From
the Godspeed camp. dancy jammy
guitar noisy hard rock beats; activist oriented I think, this should be the
new party music. I'll play it if
I ever throw a party. |
|
Flying
Saucer Attack |
Further |
2002 |
incredible
spacy jammed out ambient music with occasional songs |
|
Flying
Saucer Attack |
New
Lands |
2003 |
I
love it so much. New favorite
band. Blasts of
krautrock-inspired feedback noise mixed with damaged folk songs; like a dream
for your afterlife. It floats and provides a wonderful example of how noise
can be used beautifully. |
|
Flying
Saucer Attack |
Chorus |
2003 |
|
|
Flying
Saucer Attack |
Distance |
2003 |
|
|
Flying
Saucer Attack |
Rural
Psychedelia |
2003 |
|
|
Flying
Saucer Attack |
Mirror |
2003 |
|
|
Flying
Saucer Attack / Telefunken |
Distant
Station |
2003 |
|
|
Folk
Implosion |
mix
cd |
2002 |
|
|
Fontanelle |
Fontanelle/F |
2002 |
bonus
tracks by Jessamine -- post-rock.
Fusion-like jazzy space rock; almost could be a jamband but they're
too indie rock! |
|
Foo
Fighters |
??? |
1995 |
I
was so psyched that he paid homage Sunny Day Real Estate, but I was so mad
that he broke up the band by stealing two of their musicians. |
|
Four
Tet |
Pause |
2002 |
indie
jam post-rock, from kieran from Fridge |
|
Fred
Frith |
Pacifica |
2000 |
from
henry cow, on John Zorn's tzadik label, a modern classical score that grows
and then descends… very wonderful, I highly recommend it. It reminds me of reading Philip K
Dick's "the three stigmata of palmer eldritch" |
|
Free
Kitten |
Nice
Ass |
1997 |
I
love Kim Gordon. I also love
Yoshimi (boredoms) and Mark Ibold (pavement). I don't really know anything about Julie Cafritz other
than she was in Pussy Galore with Jon Spencer. This album is not phenomenal but it's nice. |
|
Freescha |
Kids
Fill the Floor |
2002 |
for
fans of Mum and Air; I'm so happy I found this. I love to spread it around. Lots of warm reverb. Electro-postrock |
|
Fridge |
Eph
Reissue |
2002 |
2CD;
postrock like tortoise, but stays in place, second disk is remixes |
|
Fugazi |
Steady
Diet of Nothing |
1996 |
I
never liked this album. I love
Fugazi, especially their punk activist slant (and the number of young folks
they've left impressions on to go out and make a difference), but Ian's voice
just is irritating, and this album is not as forceful, catchy, nor activist
as the others. |
|
Gabor
Szabo |
random
mix CD |
2002 |
holy
moly! Gabor was the best hippie
jazz guitarist to ever live! (sorry Jerry, you shoulda done more solo work to
win my vote) |
|
Gabor
Szabo |
The
Sorcerer |
1999 |
not
a bad album, but not his best, but it's the most accessible to those of you
that shop in major record stores.
Find it in the jazz section.
He is INCREDIBLE and everyone has to hear this hungarian jazz/gypsy
guitarists tones and dreams. |
|
Gabor
Szabo |
1969 |
1999 |
not
a very good album by him; almost all are covers of 60s pop tunes. Weak |
|
Gastr
Del Sol |
Camafleur |
2001 |
Jim
O'rourke -- experimental and loping |
|
George
Harrison |
All
Things Must Pass |
2002 |
millenium
2CD edition; reminds me of graduating from college |
|
Ghost |
Tune
In, Turn On, Free Tibet |
2003 |
This
album is what I like best by them so far. "Lhasa Lhasa" is an intensely emotional tune,
and there are plenty of psychedelic explosions of weirdness, beautiful folk
performances of personality, and DRONE!!!! |
|
Ghost |
s/t |
2003 |
More
accessible to the hippy crowd.
Either it's folky and serene and really showcases Masaki Batoh's incredible
fragile high-pitched vocals (once you get over the peculiar japanese accent),
or it's funky and hippy and makes you want a free-love revival RIGHT NOW. |
|
Ghost |
Second
Time Around |
2003 |
|
|
God
Street Wine |
s/t |
1999 |
studio
album with one of the members missing. It stinks, it's overproduced, and
here's another jamband that tried to see what it's like to be an alt-country
band. Perhaps it |
|
God
Street Wine |
bag |
1999 |
first
album; later stuff is better, but the underproduced lo-fi funky jazzy folk
rock is great. |
|
God
Street Wine |
red |
1998 |
trying
to be like phish, I guess. |
|
Godspeed
you Black Emperor! |
Raise
Your Skinny Fists Like Antennas To Heaven |
2000 |
2CD:
their fucking best. Oh my god. |
|
Godspeed
you black emperor! |
Yanqui
U.X.O. |
2002 |
hooray
for a new godspeed album!!! So
incredible! I'm so happy they're still going on. The album has a map on the back of it, linking all the
major record labels to warfaring corporations… you must see this at least, if
you aren't going to hear the music! |
|
Godspeed
you black emperor! |
live
burned concerts |
2002 |
go
to www.mp3it.com -- this is the website of Jason Soares from Physics and
Aspects of Physics. An
incredible anarcholiberalist website devoted to the democratic control of
information. Why buy music? Share it for free!! Also check out
their freenews.com and experimentnetwork.com cool stuff |
|
Godspeed
you black emperor! |
live
at beachland ballroom |
|
live
2cd bootleg from 3/25/2003 |
|
Gordon
Stone |
??? |
2002 |
bluegrass
jam music |
|
grateful
dead |
dicks
picks volume twelve |
1999 |
the
dead remind me of falling in love with plants |
|
Grateful
Dead |
Skeletons
from the closet |
1992 |
I
hated this album when I got it, and now with the exception of "uncle
john's band" and "rosemary" I still hate it, but I love the
Dead! |
|
Grenadine |
nopalitos
(or is it Goya) |
|
unrest,
eggs, and tsunami |
|
Guided
By Voices |
Mag
Earwhig |
2002 |
neo-garage-rock
movement is bunk when you recall this band. |
|
Guided
By Voices |
Under
the Bushes, Under the Stars |
2002 |
neo-garage-rock
movement is bunk when you recall this band. |
|
Hall
of Fame |
s/t |
2001 |
from
the Tower Recordings family.
Space-folk songs mixed with ambient noise jams |
|
Hall
of Fame |
First
came love, then came the tree |
2003 |
|
|
Hall
of Fame |
s/t
- Amish records |
2003 |
much
better than the later siltbreeze s/t album in that the krautrock noise parts
are more dynamic, denser, clattering and klanging. The pretties are prettier
and there is less sparse avant-noise than the siltbreeze release. There are still pseudo-hippy
spacefolk songs that glow like warm relics from a closet. |
|
Hash
Jar Tempo |
Well
Oiled |
2003 |
Roy
Montgomery and Bardo Pond.
Incredible psychedelic dreamy subdued cloud-nine (yet peppery) guitar
music, touch of Bardo's blues and a touch of Montgomery's wistfulness. Very much like Phish's "The
Siket Disk" |
|
Hawkwind |
Doremi
Fasol Latido |
2003 |
british
prog rock that is also "krautrock". |
|
Helium |
The
Magic City |
|
Mary
suddenly enters classic rock territory.
My high school band once wanted to cover this entire album. It is simply magnificent and there is
so much diversity within the album. |
|
Helium |
The
Dirt of Luck |
|
Dark,
but sweeping if you go through adolescence to this! Fuzz and sweet vocals and dark imagery and the beginnings
of a good songstress. Highly
personal too. |
|
Helium |
No
Guitars |
|
A
surprisingly great EP -- preceding the wonder that is The Magic City. Perhaps this is the one album that
marks Mary Timony's progression into fine musicianship, and away from her
loser-riot-grrrl alterna darkness.
"Silver Strings" is like a disco parody, and
"dragon" is a perfect indie poppy tune. The last track displays Mary's fabulous transformation
into a sorceress. This is also
where her Medieval folk style begins.
Enter indie space hippy.
Mary makes my space folk list by just a hair. |
|
Helium |
Superball
plus |
|
EP |
|
HiM |
new
features |
2001 |
awesome
jazzy indie jamband music. Must
be great live. The whole album
is one whole slick continuous festival. |
|
Hochenkeit |
Omu4alohab
(???) / 400 boys |
2002 |
ex-Irving
Klaw Trio; stephen wray lobdell produced |
|
Hovercraft |
??? |
2002 |
Eddie
Vedder's wife's band |
|
Ida |
Tales
of Brave Ida |
|
Their
first album. I remember hearing that "shotgun" was incredible and I
finally heard it and was unimpressed.
But after many listens in high school (where I was depressed about not
having the friends I secretly wanted) it warmed me up and now I can always be
sentimental. There is such
passion exuding from these drum-less songs. I think it is their most powerful, despite "i know
about you" being their best album. |
|
Ida |
I
know about You |
|
Simply
their best. The addition of
Miggy on drums made the songwriting and interplay between dan and liz
incredible. I could not believe
the sounds coming out of my speakers when I heard it. This was going on while everyone was
into the lilith fair craze and i just couldnt understand how everyone had
missed this record. not a bad
moment. listen to it late at night on a couch with your best friends. some songs actually make me cry. |
|
Ida |
Ten
Small Paces |
|
This
album is still enjoyable, and the experimentalism rivals that of Rachel's
(won't Ida make an instrumental album?). I was very wary of the addition of Karla as the bassist,
but her playing on a portion of these songs does not depress anything on this
album... on the next one, however... |
|
Ida |
Will
You Find Me |
2001 |
Perhaps
there was just too much expectation on them, or maybe they were weighed down
by being a quartet, but there just is none of the passion between dan and liz
that is evident in their duo form.
I really enjoy their experimental edge, especially on the jagged
harmonies of the opener, but I want more heart-tuggers! Their attempt at
sweet songs just flops. |
|
Ida |
The
Braille Night |
2003 |
|
|
Idyll
Swords |
II |
2001 |
one
of my top albums. Absolutely complex in its weaving of middle eastern folk
(incredibly well played by indie rockers), appalachian folk, and short pieces
of drone rock even. GET THIS
ALBUM!!!! I can listen to it hours on end and still not hear it all. It makes
me want to play acoustic guitar so badly. |
|
Idyll
Swords |
s/t |
2002 |
not
as good as their second album! |
|
Idyll
Swords |
Purposeful
availment ep series |
2002 |
Short,
but so satisfying. I await
everything they do with incredible patience. Go out and find something by this band. So colorful! Noise and acoustics and eastern and
folk and diverse instruments and subtle vocals and complexity and emotion… oh
yes. |
|
Irving
Klaw Trio |
Utek
Pahtoo Mogoi |
2002 |
went
on to form Hochenkeit |
|
Isotope
217 |
The
Unstable Molecule |
1999 |
jazzy
tortoise-like post-rock; rob
mazurek (cornet)'s band, who collaborates with many indie rockers. If there's a cornet on the album,
it's probably him |
|
Jackie
O Motherfucker |
Liberation |
2002 |
really
nice sprawling noise jams from a collective |
|
Jaga
Jazzist |
Livingroom
Hush |
2002 |
have
not listened to it yet |
|
Jale |
So
Wound |
1997 |
canadian
indie girl jangle on sub pop |
|
Jale |
Dream
Cake |
1996 |
canadian
indie girl jangle on sub pop |
|
James
Brown |
Hot
Pants |
2000 |
I
always bust this out at parties.
You can't help but shake your groove thing. My friends will remember this from New Years 01-02; ryan murphy shaking his butt like he
was an antelope outta control. |
|
Jawbox |
for
your own special sweetheart |
1994 |
they
were always sweeter than Fugazi, so I enjoyed them more. But edgy, angular, punchy postpunk
was all the rage before I discovered pot and real indie music. |
|
Jawbox |
Jawbox |
1996 |
this
last album by them is odd. It's overproduced, and very after-the-fact. It seems like they were a part of
building a movement, but then escaped from it. Nevertheless this is a very good postpunk album, but I
prefer their earlier stuff. The energy is more sincere. the tori amos cover of
"cornflake girl" is amusing. |
|
Jawbox |
Novelty |
1996 |
before
they recorded a major label album.
Very good postpunk |
|
Jenny
Toomey |
?? |
2002 |
solo
album, bonus tracks liquorice |
|
Jeremy
Enigck |
The
Return of the Frog Queen |
1997 |
so
good! Lead singer from Sunny Day
Real Estate, while two members took a sabbatical to be Foo Fighters. STRINGS!!! He needs to make a
thousand albums like this.
Immensely moving |
|
Jessamine |
s/t |
2003 |
|
|
Jessamine |
Another
Fictionalized History |
2003 |
It's
like an expanding plane of waves and vibrations and the tones of the
male/female voices soothe yet warn of tragedy that is to come, or perhaps is
already happening. This music
feels technology and science enveloping our lives (though it is not
electronica... it is drone rock).
The vocalized songs are tight and hummable, and the blazes of reverb
and static are made of gold. |
|
Jessamine |
The
Long Arm of Coincidence |
2001 |
went
on to form Fontanelle |
|
Jessamine |
Don't
Stay Too Long |
2003 |
this
album is short but is a wonderful mix between the spacy drony ambience of
noise, and groovy slick industrial dark pop. This is the album that gets them the Stereolab comparison,
but please, please stop it! They
are in their own boat, and if anything they must be compared to MBV and Bardo
Pond. There is something warm
about the darkness in this drone and schizophrenia. |
|
Jessamine
& Spectrum |
A
Pox on You (plus Fontanelle s/t) |
2003 |
|
|
Jessamine
/ EAR |
Living
Sound |
2003 |
|
|
Jethro
Tull |
Thick
as a Brick |
1997 |
damn
you if you've never heard this.
Their opus. |
|
Jim
Orourke |
Terminal
Pharmacy |
2000 |
I
don't understand what he did here.
The volume is super low, so you have to turn the volume up super high
to hear it. But then
interspersed throughout the tracks are these LOUD short bursts of noise at
above-normal volume. So with your speakers turned up all the way, there is a
chance they'll blow, if not give you a heart attack. so i haven't ventured really to
listen to it. it seems to be
experimental compositions though.
i bet it's good, but jim orourke!! stop trying to be avant garde and
just make the damn pop songs we love you for!! |
|
Jim
O'Rourke |
Eureka |
2001 |
first
album of well produced pop, still with some experimental stuff.. Real
feel-good! |
|
Jim
O'Rourke |
Insignificance |
2002 |
more
rock and roll, but still well produced. |
|
Jim
O'Rourke |
Halfway
to a Threeway |
2002 |
4
songs, STELLAR feel-good music |
|
John
Scofield |
A
Go Go |
1999 |
with
Medeski Martin & Wood |
|
John
Scofield |
Bump |
2000 |
with
Deep Banana Blackout! |
|
Juliana
Hatfield Three |
Become
What You Are |
1993 |
one
of my first albums away from the mainstream |
|
June
of '44 |
In
the Fishtank ep |
2003 |
Despite
the talented musicians that are involved in this band, the hard punk and loud
rock drums just don't cut it.
Tone it down, please! |
|
Kammerflimmer
Kollectief |
maander |
2002 |
noisy
electroacoustic jammed looping skronk, at times loungy and jazzy even. |
|
King
Crimson |
Starless
and Bible Black |
2001 |
thank
you ryan murphy for reviving my faith in them! |
|
King
Crimson |
In
the Wake of Poseidon |
2000 |
my
favorite incarnation of them -- the first lineup with greg lake singing. Ultra-hippy, not scary yet. |
|
Kinski |
Be
Gentle With the Warm Turtle |
2003 |
My,
my, my. The only complaint I
have is that they are too dynamic with the sound balance. The pretty serene
moments erupt in post-grunge drone/fuzz rock, quite nicely balanced sounds
though (nicer than Bardo Pond I think, though lacking the consciousness of
the songwriting). The fans of
mogwai will appreciate this, as it produces a similar effect, but it is
surprising how well produced it is for such simple songwriting. When I saw them live, there was much
more complexity in their music.
I am a big new fan of this band now! I think in good time they will
find the right balance. To boot,
they're really friendly for indie rock! |
|
Kraftwerk |
mix |
|
|
|
Kritin
Hersh |
hips
and makers |
1994 |
back
when I was obsessed with Belly, I tried to meet every band connected in that
web (breeders, throwing muses, etc
all incredible!), but this solo album by Tanya's half-sister Kristin
is on a leg of its own; it is
remarkable in that she gains this clarity about her schizophrenia, and the
lyrics show this story of hers more than any of her other music. incredibly intimate, this is all
acoustic stuff. |
|
Kritin
Hersh |
strings |
1996 |
string
versions of songs from hips and makers, along with a stellar version of
zeppelin's "When the levee breaks" |
|
Labradford |
Mi
Media Naranja |
2001 |
Oh
my I love this so much. At
first, I thought it was too subdued, but the quality is magnificent. It
reminds me of being alone at night in the park service. There is something contemplative and
subtly exuberant about these mystifying songs. Don't play it during the day, this is nighttime music! |
|
Labradford |
A
stable reference |
2002 |
|
|
Labradford |
s/t |
2002 |
|
|
Labradford |
Fixed::Content |
2002 |
wonderful
wonderful wonderful. Mellow slide guitary blissed out slow instrumental
goodness. |
|
Lake
Trout |
Volume
for the Rest of It |
1999 |
My
friends were obsessed with this band.
Meanwhile the rest of my friends and I can't understand why. Jamband jungle music. Anyone can play those beats on a
drumkit and call it interesting. |
|
L'Altra |
In
the Afternoon |
2003 |
sounds
like Ida. Beautiful male/female music to move the soul and wake you weep with
joy. |
|
Lanterna |
elm
street |
2002 |
reminds
me of reading the book "complexity" -- very very nice meditative
clean guitar experimentation, spacy sometimes. |
|
Le
Tigre |
??? |
|
Um,
this is way too trendy for me.
I'm glad kathleen hanna is reaching out to others, but please… don't
turn feminism into a trendy scene that people will abandon once the seas
change. Then again, I'm glad to
hear her go beyond just screaming.
I just feel like the music is less real than Bikini Kill once was. |
|
Lee
Hazelwood |
Requiem
for an Almost-Lady |
2000 |
haha,
retro cowboy-badass loungy stuff.
Awesome deep voice, so cynical. Love it. |
|
Lee
Ranaldo |
From
Here to Infinity |
2001 |
great
great early guitar noise sounding like industrial madness |
|
Lemonheads |
Come
on Feel |
1994 |
|
|
Liminal |
Liminal
Lounge |
1999 |
"illbient"
music. Jazz playing electronic
moods and tones. |
|
Liquid
Liquid |
??? |
2000 |
no
wave dancy stuff from the early 80s, reissued by the beastie boys, contains
the song that got sampled by some rapper (can't remember who --
"something like a phenomenon… something like a phenomenon" |
|
Liz
Phair |
Whip-Smart |
1994 |
best
musically, but wish she'd complain about men some more. |
|
Liz
Phair |
Exile
in Guyville |
2002 |
She
is so bluesy and raw on this album.
Rock and roll! Fuck and
run! I love her feminist slant,
but it is so slick you want to say "she's just one of the guys"…
she'd make you feel like shit if you said that to her, though |
|
Lois |
Butterfly
Kiss |
HS |
|
|
Low |
I
could live in Hope |
2001 |
sad
sad sad, their first album, music to be depressed to. |
|
Low |
Things
we Lost in the Fire |
2002 |
much
prettier, like Ida, bonus tracks |
|
Low |
Trust |
|
Some
incredible moments, nicely produced, but I don't think it's as powerful as
"things we lost in the fire". |
|
Lumen |
The
Man Felt An Iron Hand |
2002 |
|
|
Lush |
Split |
HS
- sophomore |
|
|
Major
Stars |
The
Rock Revival |
2003 |
|
|
Mamoru
Fujieda |
Patterns
of Plants |
2000 |
on
john zorn's Tzadik label; a
composer took plant leaves and measured the electrical potential across the
surface of their leaves and then put this data into a computer program to
transcribe it to music, and then played the music on traditional japanese
gamelan instruments using radical intonation systems... it sounds beautiful
and the concept is -- though avant garde / artsy -- unique... |
|
Mark
Robinson |
Canada's
Green Highways |
2002 |
Stripped
down pop songs that are just clean clean slow minimal guitar licks and mark's
voice and occasionally a drum maching and occasionally more vocals and
occasionally demo-souding proto unrest-type rockers. I wonder what his philosophy behind
this is, after having produced something like the lush Air Miami or the
instantly catchy Unrest. I like
it only because Mark's voice has burnt into my teenage years and to hear him
makes me sigh... but otherwise this is poopy. The only value I can think for
this is for other musicians to take these proto-songs and orchestrate them
into full arrangements. After
all, Mark has a strength for writing pop songs that are hard to shake from
your head. |
|
Mark
Robinson |
Tiger
Banana |
2002 |
|
|
Mary
Timony |
Mountains |
2000 |
smoked
a lot of pot to this album |
|
Mary
Timony |
the
golden dove |
2002 |
Ex-Helium
frontswoman's second solo album. Wonderful medieval indie rock |
|
Matthew
Valentine |
??? |
2002 |
solo
album from Tower Rercordings guitarist.
Mostly just guitar noodling. |
|
Meat
Puppets |
Too
High To Die |
1994 |
|
|
Meat
Puppets |
Up
on the Sun |
2002 |
|
|
Meat
Puppets |
II |
2002 |
|
|
Medeski
Martin and Wood |
Combustication |
1999 |
with
DJ Logic. Great stuff |
|
Mice
Parade |
collaborations |
2002 |
remixes;
reminds me of writing my thesis |
|
Mick
Turner |
Purposeful
availment ep series |
2002 |
from
the Dirty Three |
|
Miles
Davis |
Big
Fun |
1999 |
2CD;
lesser known fusion album from Bitch's Brew era |
|
mira
calix |
??? |
|
|
|
Modest
Mouse |
Building
Nothing Out of Something |
2003 |
|
|
Modest
Mouse |
The
Moon and Antarctica |
2003 |
|
|
Moe. |
No
Doy |
1998 |
I
used to be fascinated by jamband music.
This album still holds its own, but in my opinion, the band went
downhill after this. The genre
can be rather limiting when all you're doing is laying jazzy riffs on top of
a funk groove. |
|
Moe. |
tin
cans and car tires |
1999 |
this
album is stinky compared to their earlier work. I gave up on them after this. It's well produced though, and has some songs that can
easily make them an alt.country band. |
|
Mogwai |
Rock
Action |
2001 |
why,
oh why, did they change their sound?!!! Stop singing and play the
post-industrialist after-the-apocalypse indie-jam-rock you were meant to
play! |
|
Mogwai |
Young
Team |
2002 |
have
not listened to yet |
|
Mogwai |
Ten
Rapid |
2002 |
listened
to this while reading "ecotopia" -- really great music. Music for after the apocalypse. It seems to say to me that the life we are living is
terribly destructive, but one day we will find ourselves a nicer way to live. |
|
Mogwai |
Come
on, Die young |
2002 |
have
not listened to yet |
|
Moody
Blues |
To
our Children's Children's Children |
2000 |
I
wish I were a real hippy. Makes me cry.
Reminds me of when I finally quit drugs and struggled with the
fragility of life. |
|
Moody
Blues |
greatest
hits |
1997 |
well
it isn't the same as any of their actual albums, but it'll do until I acquire
all of their albums on CD (I have all the LP's at my parents' house) |
|
Mouse
on Mars |
Instrumentals |
2001 |
reminds
me of looking for research online for my thesis |
|
Mouse
on Mars |
niun
niggung |
1999 |
my
first electronic cd. It's not
techno, it's not ambient, it's not trance… what is it? Hehe..
Electro-post-rock. |
|
Mouse
on Mars |
Idiology |
|
|
|
Mouse
on Mars |
Iaora
Tahiti |
|
|
|
Mum |
Finally
we are No One |
2002 |
no
other way to describe than forward-thinking electro-post-rock. |
|
Mum |
Yesterday
was dramatic, Today is OK |
2003 |
|
|
Muslimgauze |
jaal
ab dullah |
2003 |
a
middle eastern transcendent unTechno electronic sort of music, producing a
weaker effect than Boards of Canada but perhaps lying in the same camp in its
own unique way. Instead of
channelling the mind through meditation, as the roots of this music was
intended for, it perhaps scrambles the consciousness and is a bit
schizophrenic. I like it a lot and would like to acquire much more, as I have
read the musician was prolific before he died. |
|
MV
Holoscanner Exhibition |
Ego
Synchronicity Music |
2003 |
AKA
Matt Valentine AKA Tower Recordings. |
|
My
Bloody Valentine |
Loveless |
2003 |
Wow. Thank you. I didn't know it could be
this good. While highly that
form of shoegazer music, I'm surprised that the spacerock factor is so
powerful. Meanwhile, I wish everyone would just shut up about calling them
influential and just listen to the noise of everyday discord that they are
channelling through this music.
It's like calling grunge music "genius". Fuck that, it's just a style. |
|
My
Bloody Valentine |
Isn't
Anything |
2003 |
|
|
My
Bloody Valentine |
Glider,
s/t, Tremolo |
2003 |
|
|
neu! |
neu! |
|
bonus
tracks by CAN (future days) |
|
neu! |
2 |
|
This
consists of only four real studio songs and the rest are early forms of the
style of remixing -- the tapes played at different speeds, often played with
new tracks on top of them.
Altogether it is stunning to think when this put out because there is
such a gap in the music that is influenced by this (namely the late 70s and
the entire 80s). Almost all good
indie bands are influenced by this.
Someone needs to make a neu! compilation of all the krautrock
minimalistic tracks of theirs, because some of the other tracks are highly
interesting but not jaw-dropping.
This is driving music. Go
out and get this!!! |
|
Neutral
Milk Hotel |
In
the Aeroplane Over the Sea |
2003 |
part
of the Elephant 6 collective of neo-psychedelic folk pop. Love jeff mangum's voice! |
|
Nine
Inch Nails |
closer
to god |
1995 |
lots
of remixes of "closer" -- some incredible scary moments. The first time I took mushrooms I
fell into a hole with this music. |
|
Nirvana |
In
Utero |
1993 |
ah,
the golden days of alternative music. |
|
Nobukazu
Takemura |
??? |
|
|
|
One
Speed Bike |
droopy
but begone |
2002 |
incredible
spacy hiphop by Aidan from Godspeed you black emperor! Bonus tracks by fly pan am |
|
OOIOO |
feather
float |
2001 |
yoshimi
from the boredoms. Fucking
weirdness from japanese trance-rocker. Fucking psychedelic. It totally works! |
|
Ozomatli |
s/t |
2003 |
|
|
P.G.
Six |
|
2003 |
|
|
Palace
Brothers |
There
is no one what will take care of you |
2003 |
|
|
Pan
American |
The
river made no sound |
2002 |
clicks
and beats and sparse sampling and guitar; like being on a train at night. Click click, click click, click click. By the guy from labradford |
|
Pan
American |
??? |
2002 |
clicks
and beats and sparse sampling and guitar; like being on a train at night. Click click, click click, click click. By the guy from labradford |
|
Papa
M |
Live
from A Shark Cage |
2002 |
dave
pajo from tortoise |
|
Parlour |
Octopus
Off-Broadway |
2002 |
members
of Aerial M I believe; nice postrock |
|
Paul
Simon |
the
rhythm of the saints |
1992 |
lest
we forget.. |
|
Pavement |
Brighten
the Corners |
2001 |
really
good pavement album, very concise, not very slacker-rock. The words are the best part. It's well produced, but they go back
to the indie-rock sound and don't experiment with style like they had done
with "wowee zowee" |
|
Pavement |
mix
of later B-Sides |
2002 |
only
available through me! This is so
dang good! They're going to have to compile these songs one day! |
|
Pavement |
Wowee
Zowee |
1995 |
they
emerge from the ranks of slacker rock to critical ability. |
|
Pavement |
Slanted
& Enchanted |
2002 |
2CD
reissue, with watery,domestic, bsides, and live tracks as bonus |
|
Pavement |
Terror
Twilight |
2003 |
way
too poppy for my tastes. I see why they broke up; they could no longer
produce a wowee zowee with their current musical interests. I feel like they farted through this
album and there is barely a bold moment. Sad, sad. |
|
Pearl
Jam |
Vitalogoy |
|
|
|
Pearl
Jam |
Ten |
|
|
|
Pearl
Jam |
Vs. |
|
|
|
Pearl
Jam |
Yield |
|
|
|
Pelt |
For
Michael Hannahs |
2001 |
acoustic
and noise creating neo-ambient trance music. Some appalachian folk thrown in
the mix |
|
Penguin
Café Orchestra |
??? |
2002 |
music
that deserves the word "nice" -- it's more adult music, something
to definitely play at a café. My
mom always say she wanted music with nice piano and instruments in it,
nothing in your face. I think
this is it. |
|
Percy
Hill |
Color
in Bloom |
1999 |
I
used to really love jambands! |
|
Peter
Jefferies / Jono Lonie |
At
Swim 2 Birds |
2003 |
|
|
Peter
Tosh |
Legalize
It |
1999 |
come
on. Bob marley wouldn't be cool
if his words sucked. His reggae
is inferior to some of the other dudes out there |
|
Philip
Glass |
Symphony
# 3 |
2002 |
I
love it. This is so much easier
to revisit, than Glassworks. His
repetition is sublime and there is much more density here, which makes it
great. I still feel as if he has
yet to write his magnum opus, though.
I hope he continues to write stuff more like this, instead of film
scores (which are still nice) and conceptual things like symphony #5. |
|
Philip
Glass |
Itaipu/The
Canyon |
2002 |
More
orchestral Glass that is less repetitive than his symphonies, but therefore
more able to be colorful (as he often gets lost in the avant garde minimal
style of his that is often powerful but too limiting from piece to piece.) |
|
Philip
Glass |
Kundun |
2002 |
soundtrack
from the movie about the Dalai Lama (see it!) |
|
Philip
Glass |
Koyaanisqatsi |
2001 |
reminds
me of living in Portland with Ryan Murphy et al. |
|
Phish |
Farmhouse |
2000 |
well,
yeah, it was well produced, but come on! A terrible turn after "story of the ghost" |
|
Phish |
The
Story of the Ghost |
1998 |
reminds
me of autumn and of first finding myself in a group of friends, just
beginning college. My favorite
album by them (shut up all you long-time phish heads!) |
|
Phish |
Siket
Disc |
1999 |
this
is what the boys were meant to do!
From the "story of the ghost" sessions, curated by page,
engineered by john siket (SY's "washing machine") -- has one of my
favorite songs ever on it "what's the use"… my musical description
for life… tied with SY's "anagrama" for best song ever |
|
Phish |
The
White Album |
1999 |
early
demo tape. Complete crap. How
did they ever get gigs with this shit?
And then miraculously they make their first album, Junta, a classic
rock masterpiece. |
|
Phish |
Junta |
1997 |
2CD;
oh… yeah!!!! This album is superb!
Just like classic rock was.
Highly composed. Love the tones… some of their best stuff ever. |
|
Physics |
three
disks worth of random tracks |
2002 |
don't
ask me for this stuff. GET IT FOR FREE! Jason has all his stuff online (along
with live godspeed! And other goodies) on his website www.mp3it.com -- CHECK THIS BAND
OUT!! Droning spacy rock outfit that convinces me that the industrial days of
society are at a close. |
|
Pilote |
Do
it Now, Man |
2002 |
beats
beats beats! Electronic, but not
techno. More like indie techno. |
|
Pinback |
Blue
Screen Life |
2003 |
|
|
Pinetop
Seven |
Rigging
the Toplights |
2000 |
nice
cinematic moody stuff, but his voice is very irritating as he's always
belting it. |
|
Pink
Floyd |
The
Piper at the Gates of Dawn |
2001 |
well,
this is interesting as psychedelic hippy music, but I don't find it too
enjoyable, considering what else is out there. I was hoping for a transcendent visionary psychedelia that
only got watered down in their later years (I'm a huge critic of pink floyd
by the way), on a par with the german krautrock psychedelia, but alas this is
just singer-songwriting turned inside out. Perhaps I need to listen to more Syd Barrett (I like how
it's not poppy at all, however), but I don't think it's visionary. It's unique though, so that is enough
to put it on my "worth listening to" list. |
|
Pink
Floyd |
Dark
Side of the Moon |
2000 |
ehh… |
|
Plaid |
double
figure |
2002 |
electronic
music. Haven't really listened to it yet, but I bet it's good |
|
Polar
Goldie Cats |
??? |
2000 |
on
Thurston Moore's Ecstatic Peace! Label, neo-no-wave |
|
Polara |
s/t |
1996 |
saw
them open for Garbage. I thought
they sucked but then bought the album anyway. I now think they're great! |
|
Polara |
C'est
La Vie |
1997 |
not
as good as the s/t album. |
|
Pole |
?? |
|
|
|
Popol
Vuh |
random
mix of songs |
2002 |
wow. I love this band. Hippy krautrock without the rock and
roll. The beginning of
forest-loving new age music. Do
yoga to this. |
|
Portastatic |
the
Nature of Sap |
|
superchunk
folksy experimental project |
|
Portishead |
s/t |
2003 |
|
|
Prefuse
73 |
??? |
|
For
all the acclaim this glitch techno musician is getting, I think it is
horribly unimaginative. The
hiphop beats ruin it immediately (whereas I enjoy his nonhiphop stuff like
Delarosa & Asora much better). |
|
Projekct
Two |
Space
Groove & Vector Patrol |
1998 |
2CD
King Crimson trio of spacy fusion |
|
Rachel's |
The
Sea and the Bells |
|
wow. This album is an adventure. Sure, it's chamber rock. But the pretty moments are gorgeous,
and the intense moments beat out all rock and roll and psychedelia. Gotta get the actual album, the
artwork and packaging and poetry is incredible. It's a whole story about a ship that left for sea and then
something went wrong. it's about two lovers being separated. |
|
Rachel's |
Handwriting |
|
this
album makes me think about the industrial revolution and the turn of the
twentieth century, with railroads, the advent of flying, birth of widespread
western medical practices, and the europeanization of everywhere. |
|
Rachel's |
Selenography |
2000 |
this
album reminds me of james joyce's "portrait of the artist as a young
man". It's cold nights in a
stone building in Ireland. It's
sadness that you don't fit in with the rest of the boys. This will take care of all those
emotions that you were not able to express. The only problem is that when the record is over, you will
have to play it again to recreate the warmth. |
|
Rachel's/Matmos |
Full
on Night |
2000 |
remake
of a song from the "handwriting" album, and matmos dissects it.
(the matmos part is not very good, in my opinion) |
|
Red
Hot Chili Peppers |
By
the Way |
2002 |
eh,
not as good as I'd hoped it to be |
|
Rollerball |
Trail
of the Butter Yeti |
2001 |
still
haven't listened to this yet.
Saving it for a good science fiction novel. |
|
Roy
Montgomery |
Temple
IV |
2000 |
guitar
looping work, often pretty, like stephen wray lobdell. Supposed to be meditative. |
|
Roy
Montgomery |
Allegory
of Hearing |
2002 |
more
more more! Guitar loop instrumentals, nice sounds… bonus tracks from
"the silver wheel of prayer" |
|
Sanjay
Mishra |
Blue
Incantation |
2002 |
my
best friend ryan's guitar teacher, sanjay plays this album with Jerry Garcia
-- the last album Jerry recorded before he died. Bonus tracks - zakir hussein |
|
Savath
& Savalas |
Folk
Songs for Trains |
|
nice
quiet glitch pretty downtempo techno. |
|
Sebadoh |
III |
|
smoke
pot to this; slacker rock at its finest |
|
Sebadoh |
Bakesale |
|
four
stars on indie rock |
|
Sebadoh |
Harmacy |
|
not
so good |
|
Secret
Chiefs 3 |
First
Grand Constitution and Bylaws |
2002 |
before
they got into crazy production, friends of mr. Bungle, still weird
middle-eastern jammy scary shit.
Fucking unique! |
|
Secret
Chiefs 3 |
Book
M |
2001 |
whoah,
holy shit. Get this |
|
Seefeel |
Quique |
2002 |
have
not listened to yet; they call
this shoegazer music. |
|
Sentridoh |
winning
losers |
1999 |
eh…
I'll stick with losing losers, although there a couple decent sentridoh songs
on here. |
|
Sentridoh |
losing
losers |
|
so
many songs!!! Super lo-fi, some definite awesome songs thrown in among the
muck of some weird basement tape recordings. |
|
set
fire to flames |
|
2002 |
godspeed
you black emperor sideproject |
|
Shrimp
Boat |
Cavale |
|
went
on to form sea and cake |
|
Shuggie
Otis |
Inspiration
Information |
2002 |
why
doesn't everybody know this guy?
Fucking soul man! |
|
Sigur
Ros |
() |
2003 |
Reminds
me of Mogwai, many people would call it sad, but I think it possesses
hope. I would file it under
Post-apocalyptic (with Godspeed, Mogwai, Explosions in the Sky, Jessamine,
Flying Saucer Attack) |
|
Six
Organs of Admittance |
Dark
Noontide |
2002 |
second
album. More of the same incredible one-man acoustic mantra folk by a white
guy in the redwoods |
|
Six
Organs of Admittance |
Dust
& Chimes |
2001 |
a
must for all hippies. |
|
Six
Organs of Admittance |
Purposeful
availment ep series |
2002 |
listen
to this on the first day of spring in the bold sunshine and be happy that you
are alive and the world around you lives and breathes too. |
|
Slant
6 |
Inzombia |
|
female
blues punk/riot grrl, but more stripped down than the first album. A little frivolous at times, but
there are some keepers here.
Christina billote's voice is very retro |
|
Sleater
Kinney |
Dig
Me Out |
2003 |
Perhaps
I'll always be sentimental for the original riot grrl stuff I learned of
through penpals; one girl used
to be in Heavens to Betsy, which I loved. I don't like this stuff as much. But it's more accessible to a wider audience. So much for the middle-finger of punk
rock. |
|
Smashing
Pumpkins |
Pisces
Iscariot |
|
my
only interest in these CD's is to make a compilation of their mellow songs |
|
Smashing
Pumpkins |
Mellon
Collie & The Infinite Sadness |
|
my
only interest in these CD's is to make a compilation of their mellow songs |
|
Smashing
Pumpkins |
Siamese
Dream |
|
my
only interest in these CD's is to make a compilation of their mellow songs |
|
Solex |
Low
Kick and Hard Bop |
2001 |
this
girl mixes together sound samples to make a bopping cowgirl rock music and
then sings actual songs on top of it.
I heard that very little of the accompaniment was actually played on
instruments, although it sounds like it is. I want to play this very loud out of a car while driving,
but then again, i hate cars, so i guess i'll just have to listen to it in the
shower instead. |
|
Sonic
Youth |
Made
in the USA soundtrack |
2001 |
lots
of versions of similar instrumental themes, very "rock and roll"
sounding, which is odd for mid80s sonic youth. It's quite an interesting album to hear sonic youth be
very subdued and controlled, contrasted with the EVOL album. |
|
Sonic
Youth |
New
York City Ghosts & Flowers |
2001 |
I
followed them on tour for this album! |
|
Sonic
Youth |
Daydream
Nation |
1996 |
um…
doesn't this sound like smashing pumpkins? Oh, strike that, reverse it. Sweet references to William
Gibson's "neuromancer".
This album is a gem. Sure
wish they'd play "cross the breeze" and "the sprawl" live
these days… or "hypernation" |
|
Sonic
Youth |
Dirty |
1995 |
gritty
grungy music that shows up all that nirvana stuff. Kim howls and moans and the guitars grind, but it's not
haphazard. It is amazing how
much this album sounds like they just breezed through it, as if they can just
always turn everything to gold.
but the guitar work, when scrutinized, is so nonconventional. it's like they're tricking you into
liking rock and roll when you don't even realize that it's art-punk they're
playing. |
|
Sonic
Youth |
A
Thousand Leaves |
1998 |
more
stonerisms and hippied out smokefest from washing machine era. The song "snare, girl" is
so beautiful, I think it will be a lullaby for my kids if I ever have
children. |
|
Sonic
Youth |
Washing
Machine |
1995 |
one
of my top five albums!
"unwind" is gorgeous, "the diamond sea" is
stellar, "washing machine" makes me think of partying in new york
city. This album is
incredible. A pox on you if you
don't own it. |
|
Sonic
Youth |
SYR3 |
1998 |
first
one with jim orourke… spacy and drawn out. Nothing "really" happens, so I guess it's
ambient! |
|
Sonic
Youth |
SYR5 |
2000 |
kim
gordon & ikue mori & dj olive.
The song "stuck on gum" is incredible. A lot of this is very hard to handle,
though. |
|
Sonic
Youth |
SYR1 |
1997 |
top
ten albums.. Best song ever (well tied with phish's "what's the
use?") -- "anagrama".
Logan and I saw them play a secret show at the Cooler in NYC in 1997
when they debuted this material |
|
Sonic
Youth |
EVOL |
1996 |
scary
scary; they finally become a band.
Phish should cover "Xpressway to your skull" when they play
california.. Haha. |
|
Sonic
Youth |
Experimenta,
Jet Set, Trash, & No Star |
1994 |
It
was my biggest mistake to get this as my first album by them. An inexplicable transition from the
birth of alternagrunge (earlier work like DN and goo) to neo-hippy art-noise
(washing machine)… I guess this is more garage lo-fi stuff… but it defies a
category. it's very hard to
listen for a 13 year old though. |
|
Sonic
Youth |
Sister |
2000 |
thank
you for introducing me to philip k dick! |
|
Sonic
Youth |
SYR5;
Goodbye Twentieth Century |
1999 |
2CD;
Interpretations of modern "classical" scores like John Cage and
Cornelius Cardew. This music was
a puzzle for me, but shows that SY are continuing to push the boundaries of
music. I think they opened up
this genre for a lot of people.
Others may just listen to the album and call it noise, but those folks
were never sonic youth fans to begin with. |
|
Sonic
Youth |
Murray
Street |
2002 |
The
Classic Rock album they never made!!
Put it alongside the doors and the stones and zeppelin and you might
never notice!! |
|
Sonic
Youth |
random
mix of songs |
2002 |
bsides
and outtakes and rarities. I
love their cover of the carpenters' "superstar" |
|
Sonic
Youth |
bad
moon rising |
1999 |
second
album. Start to get less
hardcore punk, but still have an element of it. The spookiness begins though. Inspired a lot by the manson murders. |
|
Sonic
Youth / Ciccone Youth |
The
White Album |
1996 |
awesome!
Awesome! Awesome! Very krautrock oriented. Alternative beatboxing in 1987 (I think). They did this genre so well that they
could have influenced a whole nation.
For fans of the beastie boys' rhythmic sounds. A few humorous pop derangements
too. This album is what makes
Sonic Youth seem to be geniuses.
It really will bring to light their other work. |
|
Sonna |
random
mix of songs |
2002 |
I
listened to this all weekend when I found out my grandmother passed
away. I couldn't be able to fly
home for the funeral, and this music was very comforting. It seems to say "there is
something warm that will love you, you just have not found it yet" it's out there waiting. |
|
spatula |
under
the veil of health |
2001 |
went
on to form idyll swords (so much better!) |
|
Spatula |
??? |
2001 |
went
on to do Idyll Swords, which is an incredible band! |
|
Spinanes |
Strand |
|
elliott
smith guest vocals |
|
Stephen
Malkmus and the Jicks |
Stephen
Malkmus |
2001 |
ex-Pavement. Not as good as pavement. |
|
Stephen
Wray Lobdell |
Automatic
Writing By the Moon |
2001 |
fucking
incredible. Guitar loops, dreamy beautiful stuff, perfect for full moon
hikes. |
|
Stereolab |
Mars
Audiac Quintet |
2001 |
Their
first album to strongly include their French pop influence. However, the songs have krautrock
spacy rhythmic influences too. I
guess some of it is definitely space pop. The lyrics are wonderful on this album too. |
|
Stereolab |
Emperor
Tomato Ketchup |
2001 |
I
think this is a superb album.
It's almost a cleaner continuation of Mars Audiac Quintet. There are a couple punkier songs that
I wish they'd left out, but all in all it's stupendous. The lyrics give me shivers sometimes
(critiquing modern industrial capitalist society.) |
|
Stereolab |
Sound-dust |
2001 |
my
favorite album by them -- reminds me of Portland. Half produced by jim orourke and half by john mcentire. |
|
Stereolab |
First
of the Microbe Hunters |
2000 |
awesome
ep for their joint tour with Sonic Youth |
|
Stereolab |
Transient
Random Noisebursts with Announcements |
2001 |
back
in their neo-krautrock days.
First major label album but you'd never know! Long jammed out psych
songs… mesmerizing. |
|
Stereolab |
refried
ectoplasm |
2002 |
switched
on volume 2, transient random noisebursts.. era compliation of bsides |
|
Stereolab |
…and
the Groop played Space age bachelor pad music |
2001 |
not
their best stuff, but it's not terrible. An ep. Half mellow and half dancy |
|
Stereolab |
Dots
and Loops |
|
|
|
Stereolab |
Cobra
& Phases Group Play Voltage in the Milky Night |
|
Everyone
gave this album a horrible review, and although it's no Dots & Loops, I
think the complexity of the arrangements are fabulous. Stereolab achieve ear-candy status. |
|
Stereolab |
Aluminum
Tunes 2CD |
|
Finally
acquired a CD version of my first Stereolab album (though I miss the
beautiful vinyl version I used to listen to!) A diverse collection of their
Emperor Tomato Ketchup era music. (cleaned up spacy poppy krautrock, awesome
lyrics!) |
|
String
Cheese Incident |
A
string cheese Incident |
1999 |
well
they are great live, but I don't think I'd put them up there with the
Grateful Dead, like a lot of people do. |
|
Subarachnoid
Space |
Almost
Invisible |
2002 |
yummy. Scary loud rumbling hard rocking
psychedelia, like the acid heads probably prefer. They could pass as a jamband if they only weren't so
scary. So instead I welcome them
into the drone rock community.
My big complaint is that the album flies by because it is just
straight improvisational jamming it seems. I'd like to see them whip up some wonderful compositions, but
perhaps that's for other bands. |
|
Sugar |
File
Under Easy Listening |
1996 |
bob
mould from husker du |
|
Sunburned
Hand of the Man |
Piff
Click's |
2003 |
splendid. Live, collective twittering psyched
unravellings of the world. Like
Vibracathedral Orchestra, one of my new favorites. Recommended by MV of Tower
Recordings |
|
Sunburned
Hand of the Man |
Jaybird |
2003 |
The
dancier version of them that makes their live show such a fun neo-hippy
experience. One day they will
distill this all into a studio album but until then I'm satisfied with the
CDRs that are essentially live experiences. Watch this collective. |
|
Sunburned
Hand of the Man |
Mind
of a Brother |
2003 |
Most
of this is the loose, free jamming version, with an occasional piece that
rocks out. It's like a mind
reeling with the tape spinning loose, endlessly searching for something to
hold on to. It's so much more
fractured than ambient noise like Sunroof! and Windy & Carl but it
certainly makes the grade. Sleep
to it, write to it, eat to it, just don't expect to sit and listen to it. |
|
Sunny
Day Real Estate |
LP2 |
|
more
concise, less emotional, more produced, shorter, but altogether a great
album. Gives me shivers. |
|
Sunny
Day Real Estate |
diary |
|
I
can't believe they are one of the forefathers of emo-rock. I remember getting this when it came
out and falling in love (too bad I stopped at this band and never got any
other emo music). Jeremy's solo
album, of course is the best, but this epic album is perfect for being angry
at your sociologies. |
|
Sunroof! |
Delicate
Autobahn now under Construction |
2001 |
2CD:
guitar noisy jammed ambient trance.
Listen to it while sleeping |
|
Sunshine
Fix |
??? |
2002 |
so
fucking good. For fans of the
beatles, only it's contemporary indie-rock! Elephant-6 collective |
|
Super
Furry Animals |
Rings
Around the World |
2002 |
2
CD; Wonderful, wonderful britpop that is obsessed with brian wilson type of
production. It is said that paul
mccartney chews a carrot on this album.
It is one of those pop gems that grows and grows on you. |
|
Superchunk |
On
the Mouth |
|
punkier
stuff but still not as good as "no pocky for kitty" |
|
Superchunk |
Incidental
Music |
1995 |
second
bside compilation; has some
great moments, and some weak ones, of course. |
|
Superchunk |
Here's
Where the Strings Come In |
1996 |
superchunk
starts to get poppy. The songs
are less angst driven, and that normally would be a good thing, but mac's
whiny voice just doesn't do well with regular singing. |
|
Surface
of Eceon |
The
King Beneath the Mountains |
2003 |
|
|
Surface
of Eceyon |
Tussyan
Ruins |
2003 |
Purposeful
Availment ep - magnificent scattered refractory shimmers of guitar postrock
the culminates in dream cycles but perhaps begins with rock and roll. Picture a magical mogwai, more
enchanting than foreboding. This
band has members of Yume Bitsu and Landing. |
|
Surface
of Eceyon |
Dragyyn |
2003 |
|
|
Swans |
World
of Skin |
2002 |
like
when you cross soulful jazz singing with blues and goth. I don't know much about Goth music,
and this takes some time getting used to. Personally I prefer M.Gira's newer work which is, while
still downright depressing, a little more lighthearted. I don't like contemplating death so
much. |