@ 1989 Laura Conway
all rights reserved
used with author's permission
Book Two:
SPECIFICALLY
NEW YORK
1985
Madame Curie was once asked if they could
Baptize a race horse in her name
She ran quick as light Fast as the
Beauties burning the track at Aqueduct
We had a racetrack in our backyard.
It
wasn't ours but that's where Great-Grandma's house was
114th Place butting up against the back fence of the Big A
Where the alphabet of family began
Where the storyteller threatens the king
This crowded infamous island
this
boat of refugees
We went away
We returned
We went north then east Driving
through moonlight quiet as new snow
All the animals that are mine are
falling into the chaotic light
Mother pitches her tent at York and 77th
Father calls to say he had a tooth pulled
!Replace it!
with one the color of your lost trumpet
There are panthers in the night sky
Wolves in the soft arms of snow
Lemmings close their windows on the delicate balance of nature
Manhattan as Hungarian countryside
Horns bleed brass
Young girls cut off the heads of bears looking for princes
The marrow is crumbling
None of the scream is Outside
They obey the
traffic lights from a factory in Brooklyn
They do alright--
They can't complain--
OF COURSE it haunts me !
No one looked back
No one can say FOR SURE what happened to
Lot's Wife
I sit on the fire escape above Cherokee Place
Pianos spill out the windows
Every story above sea level
The wine is six years old and
bloody
My lover inside
whistles a
Spanish peculiar to Argentina
He pulls a T-shirt over his head
Blows me a kiss
Returns to his wife and kids in Gramercy Park
I toast the humpbacked
moon between buildings, the
City who loves me such she
leaves me alone
then returns
each one of these hot July nights with his
own key
The City
lets himself in where I've left my
skin by the fireplace
The City
takes me
to the little park between
Cherokee Place and the East River Esplanade
The river cools the air
And the iron benches
and the iron bars
The City
loves me here in the
Second Language of the world
The whole of our lives
below the shoulders above the knees
One night I
Look up
The dark
human outline against the park gates
Someone is there I whisper
No one can see us He says
I am not frightened
I move on top of him
I turn my head to stare in defiance
Then I forget
How many windows the ex-prizefighter says there are-
Driving us through the park in the horse and carriage -
How many windows there are in Manhattan
I bend low to his ear:
Ain't this a shinin' love?
The prairie dog stands at the
entrance to the fabulous City
You go under to
get home
Its violent hollow riverbeds
and on the Lexington line the violin spills the deaf man's sonata
Old man bleeding into lunchtime on the
little island of Herald's Square
I had six bucks in my pocket.
We go to the window
We put the money down
It was my day to to the OTB run.
Some play the horse
Some play their fabulous names
Some play the rider
Doris put down 2 on a horse with a name like Africa.
Nereida played 3rd horse, 5th race:
Her man Easy's birthday.
I played Eddie Maple To win.
Old man
Vein like a small animal pulsing in his temple
He'd fallen against the railing
He'd hit his
head
He'd peed in his pants
We wait at the windows or
What is he
Drunk? He's probably
Drunk
On Fridays Nereida collects .50 from
each of us
The newspaper guy on the corner where she comes up from the
subway
books on the side
O there is a well
When you come to town stranger
I'll serve you its water
Its water is hard
He was not there He was
Not There like the A-Bomb ticking in the sky behind god
In that Black Forest only a virgin walks through the necklace of
bees unstung
The horses leave their heads in the stables of Central Park
They are
in the taxi with us now
Quiet
and running
with
Our dreams
waiting to
blaze or burst on the
back page of the Daily News
Come this way.
Naked on Sunday when God isn't home.
The road's a hazardous place once you
cross that George Washington Bridge
It's not there.
It's not there anymore.
Korvettes.
The playhouse on 23rd off 7th.
The old man bleeding into lunchtime on the little island of
Herald's Square.
And??
Did they
call the horse Marie?
Did Lot remember to tell his wife NOT to look back?
There were women then who sold
Mushrooms and fresh eggs to the survivors of Auschwitz...*
(Their long march through horsemeat across Hungary)
When it rained the women never moved from their spot.
They merely pulled their skirts
over their heads...*
And laugh in his ear
when the boy wants to
Go Round The World
There's nothing to be frightened of!
in the
heart of darkness women excel
They look back in defiance at the
City cupped in rivers
City even the dying stare out from Lenox Hill Hospital say
The lights. The lights are beautiful.
*from The Reawakening, by Primo Levi
The window closed before I got there. Surely if you'd been
there you'd of
heard a woman scream and (all of them)
No one (Who can see us)
Answer.
Surely he was somebody's son.
I never moved.
I stood on the little island
Broken head in my hands
Lead skirt modestly covering my eyes
The old man I cradle is crawling
out of the earth
shedding his skin
-Are you his
Daughter?
The cops took him away to
Bellevue
-I am the daughter of Marie
who walks on water
who manages to always win
place
or show
No one takes me away
Not rain
Not Yahweh
Not even the destruction of the cities
takes me away
The tribes build and
bury, build and
bury
Thousands
colliding under the river
in the train like an
atom smasher
hurtling home impersonably close
If they'd all looked back they wouldn't all have
turned into salt!
In the pure
science of the City the children of Marie sleep with the
Sun and Moon at the same time
The Popol Vuh says you'll dies doing this
and deserve to
The pale rider neck and neck with prophecy
Down to the level of cell: You cannot interrupt Marie.
She
passes through all the windows
She comes
again and
again like the
Horse to America