Slave Positions

NADU: kneels with thighs spread wide, back arched slightly, chest out, head held high (to proudly show your kolar if you have one) with eyes lowered submissively, hands palm up on thighs

TOWER: kneels body erect....head up..eyes lowered..chest out.... thighs together...tummy in.....hands on thighs palms down (white silk kajirae use this position at all times for all but their Masters)

KARTA: kneel down pressing your forehead and chest to the floor with your arms outstretched before you. Ask permission to enter from this permission.. or beg for forgiveness.

BARA: lays belly down touching forehead to the floor, ankles crossed and wrists crossed at the small of back.... waits to be bound

BELLY: Submissive position, girl on her belly resting her chin on the Master's feet.

BRACELETS: her hips slightly turned to one side, her back and shoulders erect, her wrists crossed behind her back and her head turned to the left, in anticipation of having slave bracelets attached to her wrists.

CRAWL: gets down on all fours, palms to elbows flat on floor...ass in the air...forehead close but not touching the floor....crawls to just an inch from Master's fee

COLLARING POSITION (KoLar): Submissive position,the slave kneels at the Master's feet and leans her body back, sitting upon her heels, with her arms extended upward, crossed at the wrists, and her head beneath them lowered in supplication.

DISPLAY: standing with feet shoulder length apart, shoulders back, head high, eyes cast downward to the floor, chest out, hands laced behind your neck.

GOREAN BOW: kneels in nadu position, she bends her body backwards, her head to the floor, she places her hands by her head, and pulls up into a back bend. (this position is very painful to maintain for longer than 5 min)

GOREAN USAGE POSITION: The slave falls to the floor upon all fours, and keeps her head straight, her eyes looking forward, with her buttocks thrust upward and her thighs widely spread in preparation for the sexual use of the Master.

HAIR: stands with feet apart, flat against the floor, shoulderwidth, then bends at the waist.. hair falling down offered up to the Master.. used for shearing or leading.

HEEL: goes to Master and kneels behind left foot... awaits further orders

KNEELING/LOW BRACELET: kneels, thighs spread wide, back arched, arms extended before with wrists pressed together, head held high with eyes lowered submissively

KNEELING/LOW LEASHA: kneels quickly spreading thighs wide, arches back stiffly and places hands, wrists crossed, at the small of back, turns head to the left with eyes lowered submissively, and lips parted slightly..... awaits the leash

KNEEL TO THE WHIP: kneels, thighs together, head to the floor.. face turned slightly to the left..arms crossed across chest with fingers resting upon shoulders, hair pulled over left shoulder baring the back for punishment.

LEAD: The slave stands and moves behind her Master, bending at the waist. She places her hands behind her and puts the side of her head to her Master's hip, that he might lead her easily by the hair or collar while walking Submissive position, this position is for leading your slave out by the hair, girl stands bent at the waist, hair falling , so you can grab her hair and lead herout.

OBEDIENCE: drops to belly and crawls to Master...placing cheek on his feet...hands down at sides, palms face up... kisses his feet in complete obedience and submission...

RUN: the slave runs toward her objective, taking short rapid steps, with her legs almost straight, her feet hardly leaving the floor. As she moves her back is straight, her head is turned to the left, and her arms are at her sides, her palms facing outward at a 45 degree angle to her body. Upon reaching her objective she drops gracefully to her knees and typically resumes the position of Nadu.

SHE-SLEEN: the slave falls to her hands and knees, her head down on the floor, her hindquarters upthrust for viewing and/or her Master's pleasure. "Serving in the modality of the she-quadruped" is an instruction whereby the slave performs her regular duties upon hands and knees, without the benefit of the use of her hands. In this mode she may not rise to her feet and may use only her mouth and teeth to grasp and manipulate objects.

SLAVER'S KISS: The slave falls to the floor upon all fours, and lowers her head to the ground, with her buttocks thrust upward and her thighs widely spread, exposing her hindquarters fully in preparation for the caress of the leather against her body.

SLAVES LIPS: the slave turns her head up to the Master, her lips pursed in a sensual kissing position. She remains motionless, her lips thusly puckered, and may not move until she is granted the kiss of a Master.

STANDING/HIGH BRACELET: stands with feet a shoulder-width apart, holds head high with eyes lowered submissively, arms out before with wrists pressed together... ready for binding

STANDING/HIGH LEASHA: stands with feet shoulder-width apart, wrists crossed at the small of back, head held high and turned to the left, lips slightly parted and eyes lowered submissively

SULA: lies down, back on the floor, and spreads legs wide, flexing left knee slightly, and places hands to sides, palms up, keeping eyes lowered submissively and awaits Masters pleasure

SULA-KI: lays on back on the floor ... hands at sides palms open and up .. legs are spread widely apart...ready for sex or bondage or control ...lifts hips off the floor slowly for the Masters pleasure

TABLE: goes to all 4, locking elbows, makes back smooth and level, holds head level (to be used as a footstool, or table)....

WALK: the slave turns in a graceful pirouette, her hair swinging. She then walks, gliding across the room, her feet hardly seeming to leave the floor, her hips swaying sensually,her body erect and proud. When she reaches her objective she halts and stands, her body erect, her shoulders back, her chest thrust forward, her belly in. She turns her hip out a bit, her hands at her sides, and points one foot. Her head is up and her eyes are lowered.

WHIPPING POSITION: the slave first assumes the Nadu position, though with her arms crossed in front of her. She then leans forward and places her head to the floor, first sweeping her hair forward over her shoulders in order that her back might be utterly exposed to the whip.