Little Men

Episode 1: Changes

SCENE 1: EXT. GRAVE YARD (Daytime)

JO BHAER is with her son ROB, visiting her late husband’s grave. The gravestone reads:

FRITZ BHAER

1824-1871

Beloved Husband and Father

Jo lays flowers on the grave and lifts her black veil revealing a fresh pain. Her sister, MEG, waits at the gates.

MEG:

It’s hard to believe a month has already passed.

JO:

I can still hear his voice.

MEG:

I know. Even to this day, I can still hear John’s voice, especially in the quiet of the evening. [Turns to Jo.] You’re holding up well, Jo.

JO:

Fritz would expect nothing less of me.

The sisters walk to the carriage and we find them returning to Plumfield.

SCENE 2: INT. SCHOOLROOM (Same Day)

The schoolroom is a-buzz with the whispers of children, even as the school teacher, FRANZ, attempts to continue with the lesson.

FRANZ:

… and in so doing, Sisyphus offended Zeus. Zeus punished Sisyphus by forcing him to roll an enormous boulder to the top of a very steep mountain. The problem was made worse in that every time the boulder neared the top of the mountain, it would roll back down, forcing Sisyphus to start all over again.

A pig suddenly enters the schoolroom, following closely by ASIA, the housekeeper.

ASIA:

Somebody didn’t fix the rail on the pigpen like they were supposed to!

A chase ensues as the children try to capture the pig. Finally, EMIL holds the pig in his arms, triumphant.

EMIL:

Got it! I got it!

ASIA:

[Taking the pig from Emil.] Just do the chores you’re asked and I wouldn’t be chasing animals all over the place.

EMIL:

It wasn’t my fault.

FRANZ:

Shall we return to our seats?

DAN:

[To Emil.] Yeah, it was so your fault.

EMIL:

Was not.

SCENE 3: EXT. PLUMFIELD (Same Day)

JO, MEG and ROB return in their carriage as ASIA greets them.

JO:

[Pulling carriage to a stop.] Whoa!

ASIA:

Mrs. Jo, two things: First, Mr. Leonard has come for his boy and, second, you have got to do something about the chores. The gate on the pigpen was supposed to be fixed.

MR. LEONARD and his son JEREMY come out of the house.

JO:

Mr. Leonard, is something wrong?

MR. L:

Nothing wrong, Mrs. Bhaer. I’ve simply decided to remove my son from your school.

JO:

Jeremy, are you unhappy?

MR. L:

He’s fine. I’ve merely had second thoughts.

JO:

Second thoughts? I understand. It’s because my husband’s no longer here.

MR. L:

I’m very sorry about the passing of your husband, Mrs. Bhaer, but I’m not the only parent to have doubts about this school. I recently learned that you’ve taken delinquents from the street.

JO:

My husband and I founded this school to provide an education for any boy. Whether or not he has money has nothing to do with his ability to learn.

MR. L:

And you still have yet to hire a permanent teacher.

JO:

Yes, but Franz, our student teacher -

MR. L:

Is a student teacher. He may be adequate, but my son requires a man of much sounder reputation to teach him.

JO:

Well, we have been interviewing teachers. I just want to be sure he is the right teacher for my boys.

MR. L:

And there’s no caretaker on the ground. When I arrived, there were pigs running around freely.

JO:

Well, we’ve been interviewing caretakers as well. Our last caretaker had to leave suddenly. It’s been very difficult finding a replacement, but we will find one. And I will find a new teacher, but you’ve got to give me some time. It’s only been a month since my husband’s passing. In the meantime, I promise you that this school will continue to function as well as it ever has. Everything is under control.

SCENE 4: INT. SCHOOLROOM (Same Day)

DAN and EMIL are confronting each other.

DAN:

It was your fault!

EMIL:

You take that back!

DAN:

What are you going to do if I don’t?

FRANZ:

Boys, can we please settle this later?

EMIL:

[To Dan.] Teach you some manners is what I’ll do!

JACK:

Yeah, teach him, Emil.

DAN:

Yeah, teach me. [Pushes Emil.]

JO, MEG, MR. LEONARD enter the schoolroom.

JO:

Emil!

In the mêlée, JO gets pushed into the chalkboard which crashes to the floor. A cloud of chalk envelopes her.

DAN:

Mrs. Jo!

EMIL:

Mrs. Jo! We’re sorry. We didn’t see you there.

FRANZ:

Are you all right?

JO:

I’m okay. I’m okay. [Picking herself up and dusting herself off.] See, everything’s under control.

Disgusted, MR. LEONARD leaves with JEREMY.

SCENE 5: EXT. PLUMFIELD - GARDENS (Same Day)

In the background, we hear the sound of a violin. JO is inspecting EMIL’s corn.

JO:

Well, it looks like your corn is nearly ripe, Emil.

EMIL:

Yes, ma’am. Six days, nine hours and they’ll be ready for the harvest.

JO leaves EMIL and joins NAT, who is sitting on a stump and playing violin over his pumpkin patch.

JO:

That sounds beautiful, Nat.

NAT:

Thanks. You know, I think you’re right. It does help the plants grow.

JO:

Well, then keep on playing. You’ll have the biggest pumpkin patch in all of Concord.

JO moves on to see what TOMMY is doing. He is holding a magnifying glass over a beetle, aiming a beam of sunlight at the insect’s back.

JO:

Tommy? What are you doing?

TOMMY:

I heard you can use the sun to start a fire with a reading glass.

JO:

A fire? Oh, of course. You mean from the sun’s heat.

TOMMY:

Yup.

JO:

Like the summer we went to Walden Pond for that picnic. The sun burned your skin so badly…

TOMMY:

Yeah, I suppose so.

JO:

Boy, I remember that you were in so much pain. You looked like a lobster, and Asia and I had to make that special poultice made from aloe to cool your skin.

TOMMY:

I remember. You wouldn’t happen to have any of that aloe right now, would you?

JO:

No, but you could grow some.

TOMMY:

Yeah.

JO:

Asia has some seeds for you in the kitchen. Go on.

TOMMY heads to the kitchen and JO takes the opportunity to rescue the beetle. We then hear hammering from the direction of the back porch. JO joins ROB and DAN to see what is going on. There is a man, his face obscured by the shutters, working atop a ladder.

JO:

Excuse me… Excuse me!

NICK:

Good morning.

JO:

Good morning. May I help you?

NICK:

Nope. Almost done here.

JO:

I’m sorry. That’s not what I meant. Who are you?

NICK:

Name’s Nick Riley.

JO:

I’m Jo -

NICK:

Jo Bhaer. I know. I heard in town you needed some help out here.

DAN:

I’m Dan.

NICK:

Pleased to meet you, Dan.

JO:

This is my son Rob.

ROB:

Hello.

Enter EMIL and NAT.

NICK:

Listen, I can only help you for about a week. After that I’m boarding a ship out of Boston Harbour.

EMIL:

What kind of ship?

NICK:

Merchant marines. Headed back to South America.

EMIL:

You know, my uncle was a captain in the navy. I’m gonna get in the navy, too.

NICK:

Good for you.

EMIL:

He sunk two ships. Took over a hundred men.

JO:

Emil.

DAN:

You ever been to Africa?

NICK:

A couple of times.

NAT:

Really? Did you fight any pirates?

NICK:

Once, off the Florida Keys, but you don’t want to hear about that.

EMIL:

Sure we do.

DAN:

I’d love to sail on a ship.

JO:

Dan. Boys, sailing around the world will have to wait until after you’re finished your schooling.

NICK:

I don’t know. If you ask me, you get a better schooling from seeing the world than just reading about it.

JO:

But if you learn about it first, it will be that much more memorable when you actually see it.

NICK:

I suppose, as long as you do actually get out and see it. [Beat.] But we’re not here to talk about schooling.

JO:

No, we’re not. I appreciate your fixing our shutter, Mr. Riley, but I’m afraid we won’t be needing your services here.

NICK:

All right, fine. No problem, bu you’ve got shingles loose on your house. If you wanna fix them yourself, I suggest you get to them soon. Hard rain hits, you’re gonna be soaked. And your fence posts are rotten. They need to be replaced before they fall over and your horses run free. See you, boys.

NICK steps down from the porch to leave. JO calls after him.

JO:

Mr. Riley, I can’t pay much.

NICK:

Room and board’s all I need.

JO:

Fine. Our housekeeper, Asia, will speak to you about your duties. You’ll find her in the kitchen. And, Mr. Riley, your stories of adventure are enticing, but I think you’ll find Plumfield restless enough without you.

NICK:

Do me a favour, though, will you? Call me Nick.

SCENE 6: INT. PLUMFIELD - PARLOUR (Nighttime)

JO is busy writing notes in a book.

FRANZ:

The Conscience Book. When I first came here, I’d worry so much about my weekly report.

JO:

Well, you never needed to worry. All your reports were about what a fine young student you were. And now you’re a fine teacher.

FRANZ:

Jo, I received a letter today. I’ve been accepted to Harvard.

JO:

Oh, Franz, that’s wonderful! Congratulations!

FRANZ:

Thank you.

JO:

Your Uncle Fritz would be so proud.

FRANZ:

Yes, I know. They want me to arrive in six days to begin matriculation.

JO:

Six days? Well, that’s very exciting.

FRANZ:

If I leave for Harvard and you have no teacher for the boys -

JO:

Oh, don’t worry about that. I’ll teach the boys myself.

FRANZ:

You have no time to teach that class yourself with all your other duties. And Rob, he’s so young. He needs you.

JO:

Franz, we’ll be fine. What you’ve accomplished here makes me so proud. You’re the first student from Plumfield to be accepted to a university, and Harvard at that! I’m not going to let things interfere with this incredible opportunity for you.

SCENE 7: INT. PLUMFIELD - PARLOUR (Next day)

JO is speaking to CAPTAIN HOFFMAN, EMIL’s uncle.

JO:

Please, Captain Hoffman. Please, sir. Don’t do this. Emil has really grown to love this school

CAPT:

And that is why he fights in the classroom?

JO:

Oh, it wasn’t a fight. It was merely a minor argument that was settled as quickly as it started.

CAPT:

If a gentleman had been teaching him instead of a boy, it wouldn’t have started at all.

SCENE 8: INT. PLUMFIELD – BOYS’ BEDROOM (Same day)

Emil is packing his things, preparing to leave.

SCENE 9: INT. PLUMFIELD - PARLOUR (Same day)

CAPTAIN HOFFMAN has made his decision and will not listen any further to JO. EMIL comes downstairs with his bag.

CAPT:

I don’t care to discuss it any further. [To Emil.] Do you have everything?

EMIL:

Yes, sir. Must I leave, Uncle? I really like it here.

CAPT:

The decision is made, Emil, and I’ll thank you not to question it.

EMIL:

[To Jo.] Will you make sure my corn is picked on time?

JO:

I promise.

CAPT:

Now, Emil.

SCENE 10: EXT. PLUMFIELD – IN FRONT OF THE HOUSE (Same day)

JO and the boys follow CAPTAIN HOFFMAN and EMIL from the house.

JO:

I know that Emil is your charge, Captain Hoffman, but with all due respect, I do think you are making a regrettable mistake.

NICK approaches EMIL at the wagon.

NICK:

Leaving, huh?

EMIL:

Yes, sir.

NICK:

Here. [Hands Emil a compass.]

CAPT:

[To Jo.] The only mistake being made here is keeping this school in operation. Good day, madam.

NICK:

[To Emil.] You’ll need it for when you join the navy.

CAPT:

Come along, Emil.

EMIL:

[To Nick.] Thank you, sir.

EMIL and CAPTAIN HOFFMAN depart in their carriage.

SCENE 11: INT. PLUMFIELD – DINING ROOM (Nighttime)

JO and the children are seated around the table for dinner.

JO:

… and for this food and for each other we give thanks. Amen.

ALL:

Amen.

NAT:

Mrs. Jo? Will the school have to close?

JO:

No, Nat. I’m not selling Plumfield.

NAT:

What happens, though, if parents keep on pulling kids out?

DAN:

It’s only gonna be you and me left, Nat, unless Mr. Laurence stops sponsoring you. Then there’d be no one left.

JO:

My goodness. It’s not going to come to that. I won’t let it! I’ll figure something out. Don’t worry.

SCENE 12: EXT. PLUMFIELD – CORRAL (Next day)

NICK is in the centre of the coral, leading a horse.

NICK:

Big one snapped the mizen mast clean in half. Sent the ship crashin’ onto the rocks.

NAT:

Well, what did you do?

NICK:

Only thing I could do: jumped in the water and swam like crazy. Me and eight other men were the only ones who made it ashore. Deserted island, hot, dry. Not much food or water. [To horse.] C’mon, Barney.

JACK:

Oh, yeah, kind of like Robinson Crusoe.

NAT:

Who’s that?

JACK:

Oh, he’s a character in a novel who got shipwrecked on an island.

JO:

I have that book in the parlour, Nat, if you’d like to read it.

NAT:

Sure.

DAN:

How long were you stuck on the island?

NICK:

A couple of months. A passing ship picked us up. Ended up finding work in the Arabian Desert.

NAT:

Where’s that?

NICK:

Near the Sahara. Africa.

JO:

Actually, the Arabian Desert is in Asia Minor. Africa’s a separate continent altogether.

NICK:

True. But where I was, working on the Suez Canal, Africa was practically spittin’ distance.

JO:

You worked on the Suez Cana?

NICK:

Yeah, about a year. Didn’t care much for the heat, though.

JO:

Don’t you boys have chores to do? [Boys exit.]

NICK:

You know, I’m not lookin’ to tell them stories. They’re the ones who keep askin’. Besides, it might just get ‘em to read more.

SCENE 13: INT. PLUMFIELD – DINING ROOM (Same day)

NAT and TOMMY are setting the table. TOMMY suddenly drops a plate, shattering it.

TOMMY:

Sorry.

JO:

Maybe you should stick with silverware for next week, Tommy.

TOMMY:

I did that last time. Remember when I cut my finger with the knife? You said I should set the dishes next time.

JO:

Why don’t you get the broom and clean this up.

Enter MEG.

MEG:

Jo, I need to speak with you.

JO:

Meg, I have the most wonderful news. I was hoping you’d stop by. [Noticing Meg’s concern.] What is it?

MEG:

I heard Emil was removed from the school. That’s four boys in two weeks.

JO:

Don’t worry, Meg.

MEG:

Other parents are speaking of removing their children as well. In fact, the whole town is talking about the school… which brings me to Mr. McBride.

JO:

Ugh, not him.

MEG:

He’d like you to reconsider his offer to buy Plumfield.

JO:

I already told him: I’m not selling.

MEG:

Jo, at least think about it.

JO:

I don’t have to think about it.

MEG:

You’re losing students with no new prospects on the horizon. How will you generate revenue?

JO:

That’s what I wanted to tell you. I’ve already found a solution to the problem. [Calling out.] Nan! Would you come out here, please?

A young girl joins JO and MEG.

JO:

[To Meg.] She just arrived this morning. Nan, I would like you to meet my sister Meg. Meg, meet Miss Anthea Harding, the first girl to be admitted to the Plumfield School for Boys.

SCENE 14: INT. PLUMFIELD – DINING ROOM (That evening)

From the doorway, JO and MEG are watching the children at dinner, NAN’s first with the boys. The sisters speak in whispers so as not to disturb the rare silence at the dinner table.

JO:

Have you ever seen the boys so quiet during dinner? I don’t know why I didn’t think of it sooner. I mean, we make a point of opening our doors to anyone. Why shouldn’t girls be included, too? This will pave the way for more girls to come which will increase revenue.

MEG:

What will the other parents think?

JO:

Oh, I’m sure they won’t mind, and if they do, who cares? Her mother died recently. She’s had a very difficult time since. She’s had a few tutors, but the only subject she seems to excel in is running away from home.

MEG:

She sounds like a very unhappy child.

JO:

Not as unhappy as her father. He’s at his wit’s end with her. When I suggested sending her here, he couldn’t write the cheque fast enough.

MEG:

Jo, if this doesn’t work -

JO:

It will work, Meg. Don’t be such a naysayer. I get enough of that from the people back in town. I don’t need it from my own sister.

MEG:

You are a puzzle, Jo.

JO:

Life is just a puzzle, Meg, and we must never stop searching for the pieces.

SCENE 15: EXT. PLUMFIELD – BY THE BARN (Next day)

The children are following NICK out to the barn as he allocates chores.

NICK:

Billy, you’re cleaning the windows. Jack and Stuffy, you’re filling the water troughs and mucking out the stalls. Dan, you and Tommy unload the grain. Nat… Nat?

NAT:

Right here.

NICK:

You’re helpin’ me fetch wood.

NAN:

What about me?

NICK:

Nan, you can work in the house. Help with the dustin’.

NAN:

But I wanna work out here.

NICK:

Well, there’s not really much for you to do.

DAN:

She can help us unload the grain.

NICK:

Dan, I don’t think she’s quite ready to help you boys unload all those sacks of grain.

NAN, meanwhile, is busy pulling one of the heavy sacks of grain from the cart. The sack falls on top of her, toppling her to the ground.

NAN:

[Refusing help.] I can do it. [She gets up and pulls the sack towards the barn.] I can do it.

JACK:

Would you look at that, Nat? She’s stronger than you.

NAT:

She is not.

JACK:

Oh, why don’t you go try picking a fight with her?

NAT:

Shut up, Jack!

JACK:

What are you getting so upset about? What, just because a girl is stronger than you?

DAN:

You’re always teasing the little guys, huh, Jack? Never messing with the boys your own size. Why is that?

NICK:

Easy, Dan. Save your strength for your chores. Now, go on.

NAN pulls another sack from the cart, toppling again under the weight of it.

NAN:

I can do it.

SCENE 16: EXT. BRIDGE (Same day)

NAT and NICK are walking side by side across the bridge that crosses the stream.

NICK:

You’re gonna be running into guys like that the rest of your life. That’s just his norm.

NAT:

It’s not that. It’s just that I wish Dan wouldn’t always jump in all the time.

NICK:

He’s just trying to defend you against the bigger boys.

NAT:

It almost always ends up in a fight which then gets him into trouble.

NICK:

Against the rules, huh?

NAT:

Yeah. Mrs. Jo says there’s never any call for fighting.

NICK:

Well, I don’t know about that. Sometimes you just can’t help yourself, especially when you’re standing up for something you feel is right.

SCENE 17: EXT. PLUMFIELD – PORCH (Same day)

JO is leaning over the porch railing, talking to NAN, JACK and TOMMY.

TOMMY:

A party for Franz?

JO:

Tomorrow night. Franz leaves for Harvard in a couple of days. I think we should give him a proper send-off. We’ll have music, a special dinner -

JACK:

Oh, and berry pie. You know it’s Franz’s favourite.

JO:

What a great idea, Jack, but we’d have to collect the berries this afternoon. I won’t be able to take you. I’ve got to interview another teacher.

NICK:

I’ll take ‘em.

NAN:

Yeah, Nick’ll take us.

JACK:

Yeah, come on. Please, Mrs. Jo. You know Franz really does love berry pie.

NAN:

Please?

JO:

I’m not so sure.

NICK:

I’ll have ‘em back by sundown.

JO:

Before sundown.

JACK:

Let’s get the others.

SCENE 18: EXT. PASTURE (Same day)

The wagon, driven by NICK and filled with children, pulls into the pasture.

NICK:

Pillow fight?

DAN:

Yup. Every Saturday night for fifteen minutes Mrs. Jo let’s us have it out.

JACK:

Yeah. Sometimes she even joins in.

NICK:

Never heard of a school that allows pillow fights.

NAT:

Nick. Nick, stop the cart right here.

NICK:

All right. Whoever picks the most berries doesn’t have to do chores tomorrow. Don’t wander off. Stay within the sound of my voice.

The children begin picking berries. DAN and NAN keep watching each other, ready for a competition.

DAN:

You’re pretty fast.

NAN:

Faster than you.

JACK:

There’s a great bush on the other side of the clearing.

NAN and DAN look at each other and then race off to the other bush.

DAN:

What took you so long?

NAN:

My pail’s heavier than yours. Got more berries in it.

DAN:

You see that stump way out there in the woods?

NAN:

Yup.

DAN:

I’ll race you to it. But let’s leave our pails here.

NAN:

Fine.

DAN:

I don’t want you havin’ no excuses. Ready? Go.

DAN beats NAN to the stump.

DAN:

What’s your excuse now?

NAN:

You see that stream over there? First one across it wins.

DAN and NAN run off.

SCENE 19: INT. PLUMFIELD - PARLOUR (Same day)

JO is interviewing a candidate for the teaching position at the school. ROB scrutinizes MR. NEGLEY carefully.

JO:

Well, you have very impressive credentials, Mr. Negley.

MR. N.:

I should hope so.

JO:

How do you feel about teaching girls?

MR. N.:

You permit girls in this school?

JO:

Well, girls deserve an education as much as boys. We are equal, are we not?

MR. N.:

In my lengthy experience, Madam, I have come to realize that the delicate nature of girls leaves them poorly equipped to compete in this man’s world.

SCENE 20: EXT. FOREST (Same day)

NAN is in the lead as DAN chases after her towards the stream.

NAN:

You’re dead now, Dan!

DAN:

[Tripping over a log.] Ow!

NAN:

[Stopping and turning back.] You all right?

DAN:

Yeah.

NAN:

Can you walk on it?

DAN:

Of course I can walk.

NAN:

You probably broke it. Here, let me get help. [She’s turns back but cannot figure out from where they came.] Which way’s the pasture?

DAN:

I don’t know.

NAN:

Lovely.

SCENE 21: EXT. PASTURE (Early evening)

NICK is rounding up the kids to take them back to Plumfield in the wagon.

NICK:

Who are we missing?

NAT:

Jack, Tommy, Dan and Nan.

NICK:

I told them to stay close.

NAT:

Yeah, well, sometimes they end up picking berries all the way home. You know what? They’re probably already there waiting for us.

SCENE 21: INT. PLUMFIELD – FRONT HALL (Early evening)

It is now dark outside as NICK comes to check with JO.

NICK:

Hello. Hello? [Jo enters from the parlour.] The boy’s’ll be here in a minute. They’re just putting the horse and wagon away. Four of the kids decided to walk home.

JO:

Four? Well, Jack and Tommy returned a short while ago. They said the rest were with you.

NICK:

Dan and Nan are still out there. I’m sure they’re fine.

JO:

Tell the boys to wash up. Asia’s got dinner ready.

NICK:

I’m going with you.

JO:

No need.

NICK:

They were my responsibility. I’m going with you.

JO:

You’ve done enough already.

SCENE 23: EXT. PASTURE (Nighttime)

JO and NICK bring their mounts to a stop at the pasture.

JO:

Nan!

NICK:

They were picking berries over there.

JO:

They’re both new to Plumfield. They don’t know the area, and Nan has a history of running away.

NICK:

You could have told me that earlier.

JO:

And you could’ve kept a better eye on them.

NICK:

We better check the woods.

JO:

They were picking berries. They wouldn’t go into the woods.

SCENE 24: EXT. FOREST (Same night)

NAN is busy trying to start a fire.

NAN:

It won’t be long now and we’ll have a nice fire.

DAN:

I don’t want a fire. I want you to get help.

NAN:

The best thing to do when you’re lost is stay where you are. Let them find you. I should know. I’ve been lost hundreds of times. You know, if it’s broke, they’ll have to set the bone. A friend of my father’s is a doctor. He told me about it once. Does it hurt? [Nan checks Dan’s ankle, having given up on the fire.]

DAN:

Hey, what are you doing?

NAN:

How about this?

DAN:

Hey! Stop that!

NAN:

I’m just trying to help.

DAN:

Well, don’t. Just don’t do anything.

NAN:

They might even have to amputate.

DAN:

And don’t talk either. Just sit there and shut up.

Suddenly, we hear a bear growl not too far away.

NAN:

Did you hear that?

DAN:

Yeah…

SCENE 25: EXT. PASTURE (Same night)

JO and NICK have wandered closer to the forest to find NAN and DAN.

JO:

Nan! Nan!

NICK:

They’re gonna be all right, Jo. I know it. Look, I never really been around kids much, but these kids, they handle themselves better than most of the adults I know. Someone obviously taught ‘em well. That’s how I know they’re gonna be all right. All we gotta do is find them.

JO:

Look. [She points out the pails.] Let’s go. It’s them.

SCENE 26: EXT. FOREST (Same night)

NAN begins tearing at her petticoat.

NAN:

It’s a bear.

DAN:

It’s moving away. What are you doing?

NAN:

I’m going to wrap your ankle good and tight.

DAN:

I told you, I don’t want -

NAN:

We gotta get out of here before that bear comes back. [She begins wrapping Dan’s ankle.] I’ve never seen a real bear before. You?

DAN:

Nah.

NAN:

There’s a stuffed one at my grandfather’s. It’s not as scary as the real one though. Is it true you lived on the streets of Boston?

DAN:

Uh huh.

NAN:

You been in jail?

DAN:

Yeah.

NAN:

Where are you parents?

DAN:

They’re dead.

NAN:

My mother’s dead, too. She got the fever. How did your parents die?

DAN:

I don’t know. I was too young.

NAN:

My mother was very pretty. She was always sick. My father doesn’t really like me. He says I talk too much.

DAN:

What a surprise.

NAN:

There. Do you think you can walk on it?

NICK:

Dan!

DAN:

It’s Nick.

NICK:

Nan!

NAN:

We’re over here!

JO:

[As she and Nick find Dan and Nan.] What happened?

DAN:

I landed hard on my ankle.

NICK:

I don’t think it’s broken. You just twisted it. Does it hurt bad?

NAN:

He hardly made a sound.

JO:

Don’t you ever run away like that again. Do you hear me?

NICK:

[Helping Dan to his feet.] Come on.

SCENE 27: INT. PLUMFIELD – BOYS’ BEDROOM (Same night)

JO is wrapping DAN’s ankle again.

JO:

How’s that?

DAN:

It’s okay. What kind of a punishment are you gonna give me?

JO:

The pain you’re feeling is punishment enough.

SCENE 28: INT. PLUMFIELD – NAN’S BEDROOM (Same night)

NAN sits on her bed, waiting for JO.

NAN:

Are you gonna whipme?

JO:

No. We don’t do that here. But you will be punished.

NAN:

I don’t see what all the fuss is about. All kids run away at one time or another.

JO:

Oh, no, that’s not true. Not all kids.

NAN:

You never ran away?

JO:

Well, yes. Several times actually.

NAN:

Tell me about it.

JO:

There was this one time, I had just gotten a new pair of shoes and I wanted to show them. Though I was told not to leave the garden, I wandered about the city all day long. I played with a little Irish beggar girl in the park. We sailed boats in the Black Bay with strange boys. And I was finally found on a doorstep, asleep with my arms around this large, filthy sheepdog.

NAN:

That sounds wonderful.

JO:

Well, it wasn’t wonderful the next day.

NAN:

Did your mother whip you?

JO:

No. No, actually she asked me what I thought my punishment should be.

NAN:

She asked you?

JO:

Yes, and I told her that I’d learned my lesson and I promised never to do it again.

NAN:

That sounds fair.

JO:

Well, it didn’t sound fair to my mother. She sat me down and she asked me how I would treat a bad little puppy dog who kept running away from home.

NAN:

You could just tie it up.

JO:

That’s what I said, and that’s exactly what she did to me with a long string to the bed post, and there I stayed, all day long. But I’m not so sure that same punishment’s going to work with you.

NAN:

Sure it would. It’s better than a whipping.

JO:

Well, if you think so. [She pulls some string out of the desk.] Now, tie this around your waist and I will give you enough slack to move around the room. You can read, you can sew and you can sleep. I’ll have your meals brought up to you and I’ll return at the end of the day to untie you.

NAN:

Sounds fair.

JO exits, closing the door behind her.

NAN:

Why wait until tomorrow when I can just untie it right now?

JO returns, knowing that NAN was going to try untying herself.

JO:

Because by waiting until tomorrow, you will have proven yourself an honourable young girl. Therefore, you will have earned my trust. Whatever you decide about it is entirely up to you.

SCENE 29: EXT. PLUMFIELD – FRONT PORCH (Same night)

JO walks out onto the porch to find NICK.

NICK:

How’s Dan?

JO:

He’s better.

NICK:

Look, I’m sorry. I told you I’d watch the kids and I didn’t.

JO:

It’s a difficult job, one that requires a great deal of responsibility. They’re good children, but sometimes they let their curiosity get the best of them, especially when they’re being told stories of adventure.

NICK:

Like I said before, I’m not used to being around kids. My ship’s sailing in a few days. It’s probably best that I get going. I’ll finish the fence in the morning and then I’ll be on my way.

We then cut to see JO working at her desk in the parlour. She can see NICK through the window as he packs his things to leave.

SCENE 30: EXT. PLUMFIELD – FRONT PORCH (Next Day)

MEG and JO are having tea together.

MEG:

You can’t blame yourself, Jo. These things happen, especially when you have so many children under your care.

JO:

Fritz would have never let this happen. I’m fooling myself, Meg, thinking I can do this without him. Perhaps I should take Mr. McBride’s offer to buy Plumfield.

NICK, followed by JACK and TOMMY, come up from the barn.

JACK:

Nick, why are you leaving?

TOMMY:

Did Mrs. Jo fire you?

NICK:

Nah, I was only gonna stay a few days anyway, remember? I got a ship to catch. Be good now. Jack, don’t be teasin’ the smaller kids. Tommy, try not to burn the house down.

With a last look at JO, NICK leaves Plumfield.

SCENE 31: EXT. PLUMFIELD – FRONT GATE (Same Day)

As NICK is exiting the Plumfield gates, he passes Emil who has obviously been beaten badly. His face is black and blue.

NICK:

Emil? What happened?

EMIL:

I need to see Mrs. Jo.

SCENE 32: EXT. PLUMFIELD – FRONT PORCH (Same Day)

MEG and JO see EMIL and step down from the porch to greet him.

JO:

Emil. Oh, my goodness. What happened to you?

NAT:

Jack, Tommy. Emil’s back.

EMIL:

My uncle wants to send me to military school in Pennsylvania. I told him I didn’t want to go.

JO:

He did this to you.

EMIL:

He put me on a train. I jumped off half way there.

NAT:

How did you find your way home?

EMIL:

The compass Nick gave me. I want to stay here, Mrs. Jo. I know it was wrong to run away, but don’t make me go back.

SCENE 33: INT. PLUMFIELD – NAN’S BEDROOM (Same Day)

NAN is sitting amidst the clutter of her room, waiting to be untied. JO enters.

NAN:

Time?

JO:

Yes. The other’s are in school. You can join them after you’ve finished cleaning up this room. [She turns to leave.]

NAN:

I was winning. When Dan twisted his ankle, we were racing and I was winning. Not that anyone cares.

JO:

So that’s why you got lost. You challenged Dan to a race in the woods.

NAN:

He challenged me. I couldn’t back down.

JO:

It’s not easy being a young woman in a man’s world, is it?

NAN:

I do all right.

JO:

Yes, you do. And so do I. Sometimes even I need a little help, someone to tell my troubles to, share my secrets with. Someone who knows exactly how I’m feeling. Maybe you could be that someone for me.

NAN:

Sure.

JO:

And maybe I could be that someone for you.

NAN accepts the gesture of friendship with a nod and a smile.

SCENE 34: EXT. ROAD TO PLUMFIELD (Same Day)

As NICK makes his way back to town on foot, he is passed by several carriages heading back to Plumfield.

SCENE 35: EXT. PLUMFIELD – FRONT PORCH (Same Day)

CAPTAIN HOFFMAN marches up to the front door and knocks. ASIA opens the door.

ASIA:

Yes?

CAPT:

Where’s my nephew?

SCENE 36: INT. SCHOOLROOM (Same Day)

Class is in progress. CAPTAIN HOFFMAN enters the schoolroom, followed by another PARENT. The DEPUTY is also with him.

JO:

Captain Hoffman, may I help you?

EMIL:

Uncle.

CAPT:

I knew it. Emil, come here.

JO:

Captain Hoffman!

CAPT:

Not a word from you.

PARENT:

Come on, son. We’re going.

CAPT:

[To Jo.] This school is finished. [To Emil.] Did you think I didn’t know where to find you?

EMIL:

I want to stay here, Uncle.

PARENT:

[To Captain Hoffman.] You didn’t tell us that you beat him.

CAPT:

He disobeyed me, a behaviour he no doubt learned at this school Discipline is one of the aspects they neglect to teach.

JO:

I assure of the discipline of this school over any other school of its kind.

PARENT:

There’s still no permanent teacher.

JO:

I know, but there will be soon. I promise.

FRANZ:

Until then, I will continue teaching the class. I sent a letter to Harvard telling them I will be delaying my education until a permanent teacher can be found here.

CAPT:

Fine. Keep your school, but Emil will not be attending.

EMIL:

Uncle, please, don’t make me go.

CAPT:

I’ll not have you disobey my orders. Now, come along! [He grabs Emil, and they struggle.] Emil, stop it.

NICK:

The boy doesn’t want to go.

CAPT:

[Turning to Nick.] Get your hands off me, sir.

NICK:

I will when you get your hands off of him.

CAPT:

Move, sir. [Captain Hoffman pushes past Nick, and Nick pushes back, causing Captain Hoffman to fall backwards.]

PARENT:

You’d better get the deputy to handle this.

CAPT:

How dare you strike me!

NICK:

Just showing you how your nephew feels.

DEPUTY:

That’s enough. [Grabbing Nick.] You’re coming with me.

EMIL:

I want to stay here, Uncle. Please, don’t make me go.

JO:

Please, give this school a chance to prove itself. When Emil finishes his education, if you aren’t completely satisfied, I’ll gladly refund his entire tuition.

CAPT:

One month. If the school is not running properly by then, I will remove Emil.

SCENE 37: EXT. PLUMFIELD – IN FRONT OF THE HOUSE (Same Day)

NICK is sitting, handcuffed, in the Deputy’s carriage.

NICK:

[To the Deputy.] Some law. It’s a crime to hit a man, but not a boy. Makes a lot of sense.

JO:

You didn’t have to hit him to get what you wanted.

NICK:

I wasn’t gonna take that chance.

The DEPUTY drives away, taking NICK to jail.

ASIA:

I guess we’ll be needin’ to find a new caretaker.

SCENE 38: EXT. CONCORD – OUTSIDE THE JAILHOUSE (Same Day)

NICK is escorted out to the street, by the DEPUTY. JO is waiting by her carriage.

NICK:

You gonna tell me what’s going on here?

DEPUTY:

Ask Mrs. Bhaer. [He leaves Nick to discuss the situation with Jo.]

JO:

I heard you pled guilty.

NICK:

Yeah, well, I figured my case was weak seein’ as there was a room full of witnesses. Mind tellin’ me what this is all about?

JO:

The judge is a close friend of my father’s. I’ve arranged for you to be released into my custody for the rest of your sentence.

NICK:

Your custody?

JO:

I guess this means you’ll be missing your boat.

NICK:

It wouldn’t be the first time.

JO:

Apparently not. I’ve been doing some checking. It seems this isn’t the first time you’ve seen the inside of a jail cell. Robbery -

NICK:

That was a mistake. That pocket watch belonged to me.

JO:

Assault on three occasions.

NICK:

I won’t turn my back on my friends.

JO:

Mr. Riley, I do need a caretaker, but I expect you to conduct yourself in a civil manner, especially in front of the children. If you don’t, you’ll find yourself right back inside that jail cell. Do you understand? You and I will probably never see eye to eye. We find ourselves at odds on nearly every issue.

NICK:

Except one. You put the needs of the kids before your own, and I’d be hard pressed to find fault with that. [Nick helps Jo into the carriage and then sits down beside her.] You know, we don’t have to be "at odds". We could even be friends.

JO:

I doubt that very much, Mr. Riley.

NICK:

Nick. My name is Nick.

JO:

Nick.

Nick:

[Taking the reigns from Jo.] There. That wasn’t so hard, was it? We’re already off to a good start.

THE END

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