BLACK BELT
PATTERN INTERPRETATIONS
 
 
Kwang-Gae

Kwang-Gae is named after the famous KwangGae-Toh-Wang, 19th King of the Koguryo Dynasty, who regained all the previously lost territories including the greater part of Manchuria.

The Diagram represents Chinese character ( + ) for the expansion and recovery of this lost territory.  The 39 movements refer to the first two figures of the 391 A.D., the year he came to the throne.

Po-Eun

Po-Eun is the pseudonym of the loyal subject and famous poet Chong Mong-Chu (1400).  His poem, I Would Not Serve A Second Master Though I Might Be Crucified A Hundred Times, is known to every Korean. He was also a pioneer in the field of physics.  The Diagram ( -------- ) represents his unerring loyalty to king and country towards the end of the Koryo Dynasty.

Gae-Baek

Gae-Baek is named after Gae-Baek, a great general in the Baek-Je Dynasty (660 A.D.)  The diagram ( | ) represents his strict and severe military discipline.

Eui-Am

Eui-Am is the pseudonym of Son Byong-Hi, leadr of the Korean Independence Movement on March 1, 1919.  The 45 movements refer to his age when he changed the name of Dong Hak (Oriental Culture) to Chondo Kyo (Heavenly Way Religion) in 1905.  The diagram ( | ) represents his indomitable spirit, which he displayed while dedicating himself to the prosperity of his nation.

Choong-Jang

Choong-Jang is the pseudonym given to General Kim Duk-Ryang who lived during the Yi Dynasty, 14th century.  This pattern ends with a left had attack to symbolize the tragedy of his death, in prison at the age of 27 before he was able to reach full maturity.  The diagram is a capital “T”.

Juche

Juche is a philosophical idea that man is the master of everything and decides everything.  In other words it is the idea that man is the master of the world and his destiny.  It is said that this idea was rooted n Baekdu Mountain, which symbolizes the spirit of the Korean people.  The diagram represents the Chinese character for Baekdo Mountain (               ).

Sam-Il

Sam-Il denotes the historical date of the Independence Movement of Korea which began throughout the country on March1, 1919.  The 33 movements stand for the 33 patriots who planned the movement.  The diagram is a plus sign ( + ).

Yoo-Sin

Yoo-Sin is named after General Kim Yoo-Sin, a commanding general during the Silla Dynasty.  The 68 movements refer to the last figures of 668 A.D., the year hat the three kingdoms of Korea were united.  The ready posture signifies a sword drawn on the right rather than the left side.  This symbolizes Yoo-Sins mistake of following his king’s orders fo fight with foreign forces against his own nation.  The diagram is a capital “I” with small “v ‘s” at the top and bottom (       ).

Choi-Yong

Choi-Yong is named after general Choi Yong, Premier and Commander-in-Chief of the armed forces during the 14th century Koryo Dynasty.  Choi Yong was greatly respected by his subordinate commanders headed by General Yi Sung-Gae.  General Yi later became the first king of the Yi Dynasty.  The diagram is a plus sign ( +  ).

Yon-Gae

Yon-Gae is named after a famous general during the Koguryo Dynasty, Yon Gae Soon.  The 49 movements refer to the last two figures of 649 A.D., the year he forced the Tang Dynasty to quit Korea after destroying nearly 300,000of their troops at Ansi Sung.

Ul-Ji

Ul-Ji is named after general Ul-Ji Moon Dok who successfully defended Korea against a Tang’s invasion force of nearly one million soldiers led by Yang Je in 612 A.D., Ul-Ji employing his and run guerilla tactics, was able to decimate a large percentage of the force.  The diagram ( + ) represents his surname.  The 42 movements represent the author’s age when he designed the pattern.

Moon-Moo

Moon-Moo honors the 30th king of the Silla dynasty.  His body was burried near Dae Wang An (Great King’s Rock).  According to his will, the body was placed in the sea, “Where my soul shall forever defend my land against he Japanese.”  It is said that the SokGul Am (Stone Cave) was built to guard his tomb.  The Sok Gul Am is a fine example of the culture of the Silla Dynasty.  The 61 movements of this pattern symbolize the last two figures of 661 A.D. when Moon Moo came to the throne.

 

 

 

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