Dramatis personae:

LILIA, 19, a feisty novice priestess

MAD MADAME MIMM, 87, a blindfolded, wizened old witch-woman

INSOMNIAC, a malevolent spirit who keeps its victims awake at night

GWYNNE, 23, Lilia’s levelheaded friend and fellow novice

The Innkeeper, 40-something

Inn patrons, all between 18 and 27

Demons in Lilia’s head planted by the Insomniac

 

 

SCENE 1

Setting: St. Gonzo of York Temple and Seminary, in some parallel universe

At rise: 11:00 PM. Lilia is sleeping—or rather, tossing and turning and shifting her weight uncomfortably every 15 seconds—in a hammock strung between two trees in the temple courtyard.

Lilia. AAAAAAAaaaaaargh! [hauls herself out of the hammock] I give up! [tears it off the trees] Who sleeps [throws it on the ground] in this stupid thing? [stamps her foot on it and jumps up and down on it, ranting about how she hates hammocks, hammocks are the scum of the earth, etc.]

[Sleepy-eyed Gwynne, roused by Lilia’s ranting, pokes her head out from an upper-story window.]

Gwynne. You know, girl friend, I know a great place for you to sleep: in your bed, in your room! So come inside, be quiet, and let the rest of us sleep for once!

Lilia. [pout] But I hate sleeping in my room! It’s just so boxed in, so…suffocating!

Gwynne. [skeptical] How do you mean?

Lilia. It’s tiny. I keep waking up in the middle of the night coughing and heaving like a fish out of water.

Gwynne. It’s got a roof over your head and a window; ever thought of that?

Lilia. [paces back and forth, ignoring Gwynne] And whose idea was the whole “no stuff on bedroom walls” thing? Half my luggage when I moved here were my posters and wall scrolls!

Gwynne. Gods, Lilia, would you SHUT U—

Lilia. THAT’S IT! I DON’T HAVE TO TAKE THIS ANYMORE! All I ask is ONE GOOD NIGHT’S SLEEP, and I CLEARLY won’t be getting it HERE!

[Before Gwynne can say anything, Lilia storms back inside, then back out and offstage with staff in one hand and overnight bag in the other.]

Gwynne. [sigh] Yep, that’s our Lilia. [closes window]

 

 

SCENE 2

Setting: The Stinky Sweatsock Inn

At rise: 11:15 PM. Lilia stands at the door of the Inn, whose interior is pitch dark.

Lilia. [grossed out] Yeesh…this place better not live up to its name. At least it’s quiet…I think.

[Gingerly she grasps the doorknob and enters. Light falls upon the interior of the Inn, revealing a taproom occupied only by the Innkeeper, a blindfolded old crone in a rocking chair, and two patrons chugging booze and giggling like children who’ve just heard their first dirty joke. The crone eyes Lilia through the blindfold.]

Innkeeper. What’ll it be?

Lilia. Show me the comfiest room I get for this much. [shows him a silver coin]

Innkeeper. Right this way.

[He leads her to a lower-story room and lets her have a look inside. Lilia inspects the room perfunctorily and her face twitches slightly. Whoever does the housekeeping on this floor evidently isn’t getting paid as much as he/she would like.]

Lilia. On second thought, how about the comfiest, cleanest room I get for this much. [holds out two gold coins]

[He leads her upstairs to another room. Lilia is pleased to find a big-screen TV on the dresser, a twin-size bed, and no vermin to speak of.]

Lilia. This one will be fine.

Innkeeper. Thanks and good night. Wake-up call is 9:00. [leaves with Lilia’s two gold]

[Lilia sets her things down in the closet, flips off the light, and jumps into bed. A few minutes pass as more guests arrive and fall to carousing. Lilia is seconds away from peaceful slumber when some drunken idiot in the taproom produces a boom box and switches it on.]

Boom box. [really, really loud] ♪ Y’ALL GONNA MAKE ME LOSE MY MIND, UP IN HERE, UP IN HERE! Y’ALL GONNA MAKE ME GO ALL OUT, etc. ♪

[She sighs, shuffles back to the taproom (now packed with patrons dancing their butts off) with all her stuff, and snatches her two gold coins from the innkeeper. The blindfolded crone merely sits there and continues to eye Lilia.]

Innkeeper. HEY!

Lilia. [groggy] On…third…thought…I want the comfiest, cleanest, MOST SOUNDPROOF room THIS MUCH [shoves the two gold coins plus a handful of ten more back in his face] pays for!

Innkeeper. [astounded and annoyed] Geez, you are a picky little hussy…[Lilia slaps him] A’right, a’right.

[He leads her to the third floor. This monstrosity of a room is more than fit for a king. The bed could very well have been stolen from a giant’s lair (and vibrates at the push of a button), the TV might as well be called a moving mural, and beside the nightstand sits a minibar containing every kind of food, drink, and liquor imaginable. But most importantly, the melodic strains of DMX’s “Party Up” are no longer audible.]

Lilia. Whoo! I like this one!

Innkeeper. You better! One more word out of your mouth tonight and you can sleep on the sidewalk without a refund! [slams door]

[Lilia sets her stuff down again and settles into the gargantuan bed. As she reaches for the light switch, there is an explosion as a purple mushroom cloud erupts in the center of the room. Lilia yelps and dives under the covers. The purple smoke clears, revealing the old crone from downstairs.]

Lilia. [fearfully peering out at the crone] You—you’re—

Crone. [curtsy] Mad Madame Mimm, at your service!

Lilia. [nervous] Um, yes, pleased to meet you. Why were you just looking at me downstairs?

Mme. Mimm. [to audience] I am a seer. It’s my job to see what your problems are, problems that only I can get rid of for you!

Lilia. Excuse me, I’m over this way.

Mme. Mimm. [to wall] Beg pardon?

Lilia. You’re talking the wrong—[exasperated] Here.

[She bends down and reaches for Mme. Mimm’s blindfold, and gets a whack on her fingers for her efforts.]

Mme. Mimm. Ah ah, don’t touch the blindfold. [to ceiling] As I was saying, I can see you are deeply troubled, young one.

Lilia. It’s nothing serious, really; I just can’t sleep tonight.

[Silence. Mme. Mimm turns to Lilia and peers through the blindfold.]

Mme. Mimm. [to self] Then that clinches it. I knew I sensed something ill about you.

Lilia. Eh?

Mme. Mimm. [again to self] Yes! Yes, of course! What else could it be, I ask you?

Lilia. What else could what be?

Mme. Mimm. [still to self] Hmmm, yes, you’re wrong, child. This is quite serious. I hope I won’t have to apply the—

Lilia. [shaking Mme. Mimm by the shoulders] WILL YOU [censored]ING QUIT MUSING AND GET TO THE POINT???

[No reply. Mme. Mimm stares at her blankly.]

Mme. Mimm. I…I forgot.

Lilia. URRRGGGH!

Mme. Mimm. Let me backtrack and see…what was I just thinking? It had something to do with some spirit…the spirit of someone who died from lack of sleep and wants to exact revenge on the living by keeping them awake…and…[loses it] Oh, dear.

Lilia. AND?

Mme. Mimm. An Insomniac. There’s one in your head right now.

Lilia. [skeptical] Oh, come on. I wasn’t ranting at the innkeeper over some evil spirit’s doing, unless you count DMX’s music when it’s turned up loud enough to wake the dead! And it wasn’t even a very good song in the first place!

Mme. Mimm. Huh? Wait, what do

Lilia. Look, this whole magic show is all very entertaining, but if you’ll excuse me, I’ve got a lecture to go to tomorrow morning. G’night! [crawls into bed]

Mme. Mimm. WAIT!

[Lilia glares at her.]

Mme. Mimm. What did you mean DMX’s music? That was “Hard Day’s Night” by the Beatles if I ever heard it.

Lilia. [incredulous] Are you joking?! Or just deaf?

Mme. Mimm. Neither. Madame Mimm hears all as well as sees. Believe you me, I heard that Insomniac screaming that rap music in your brain as sure as I heard you yelling and stamping your feet in the courtyard of St. Gonzo’s.

Lilia. [astounded] … [more interested] You heard that too? Then…what did the Insomniac do that time? Make my hammock feel like a bed of spikes?

Mme. Mimm. Yeppers.

Lilia. [unsure how to take all of this] Sheesh. So, can you exorcise me?

Mme. Mimm. I can, child, but I need your help. See, the Insomniac isn’t like most spirits. The reason you see and hear a Shade, for instance, is because it visits itself upon the visual and auditory parts of your brain.

Lilia. Mm-hmm.

Mme. Mimm. Now, the Insomniac roots itself right in your subconscious, so a mere exorcism won’t do it. This needs special treatment.

Lilia. What kind?

Mme. Mimm. Unfortunately, child, therein lies the catch-22…or catch-ZZ, as it were, heh heh. You can’t sleep until we get that Insomniac out of there, right?

Lilia. Yeh

Mme. Mimm. Well, guess what—nothing short of unconsciousness will expose the subconscious to magic from the outside world. That’s right; to get the thing out, I need you asleep!

Lilia. [chagrined] Oh, gods! What am I supposed to do then?!

Mme. Mimm. But all is not lost. A little general anesthesia should help us clear that barrier for a while. [produces an IV drip]

Lilia. [relax] I hope so.

Mme. Mimm. But now that’s where you come in. Not even a drug-induced sleep is completely safe from this creature unless the sleeper fights it. I hope you’re up on your staff fighting, girl.

Lilia. …Okay, so you’ll put me to sleep and then magick the SOB out while I beat its butt. Sounds like a plan.

Mme. Mimm. Precisely. Now let’s get started. Lie down, if you would…

[Lilia obliges. Mme. Mimm hooks a tube with a needle to the IV drip. Lilia only flinches a little as the needle enters her arm and is taped down. Slowly fade to black as Mme. Mimm produces various magical paraphernalia…]

 

 

SCENE 3

Setting: Lilia’s mind

At rise: Spotlight on Lilia lying prone at center stage. As she awakens, the whole stage dimly lights up, revealing the multitude of interconnected rooms that form the very LSD-trippy and multi-tiered maze of her subconscious. She looks all around, astounded.

Lilia. Geezthis is my head? [critically] Hmm…needs a paint job, if you ask me…

[She attempts to navigate the maze with spotlight trailing her, unknowingly retracing her steps several times. Eventually she starts to hear little voices softly whispering her name, and little streaks of light appear and begin to dance around. The longer she wanders, the louder the whispers get, the more her pace speeds up, and the faster and more numerous are the streaks of light. At length the whispers morph into terrified screams and agonized moans, Lilia collapses and clutches at her head, and the stage is a freakish disco ball.]

Lilia. [horrified] No…gods, make it stop! Please! Stop it! Stop trying to scare me awake and show your ugly mug already!!!

[As if in answer, darkness washes over the stage and all is suddenly silent. Spotlight on her, then on an image appearing directly before her: a man in white priest robes standing before an altar…with Lilia’s head sewn where his own should be.]

Priest. [Lilia’s voice, as if preaching] Lilia lilia, lilia lilia lilia lilia lilia,…

[Lilia stares at him/her wordlessly.]

Priest. Lilia lilia lilia!

[Spotlight on another image: a woman in Sunday clothes sitting in a church pew. Her head has also been severed and replaced with Lilia’s. She turns to Lilia.]

Woman. [also in Lilia’s voice] Lilia lilia.

Lilia. Lilia…lilia lilia—[gasp]

[As the “Lilia-Lilia-Lilia”ing slowly builds up, more spotlights all around, revealing more Lilia-headed parishioners of varying genders. At length the whole stage slowly lights up, revealing the interior of a church, and the parishioners join hands and sing:]

Parishioners. ♪ Lilia lilia, lilia lilia lilia… ♪

Lilia. LIILIIIIAAAA!!!!!

[She sprints for the church doors, but the parishioners block her way. When she tries to duck under their joined arms, they kick at her. In desperation, she pulls out her staff and clubs the nearest parishioner in the head. The singing continues, but all heads turn towards Lilia. They slowly advance on her like a mob of zombies, but Lilia fights them off as she makes her way to the door. When she finally stumbles through it, there is total darkness again.

[Slow, heavy breathing is the only sound. Fade into a dimly-lit chamber flooded ankle-deep with strange-colored water. The walls are like living flesh and giant stalactites protrude from the surface of the water. Spotlight on Lilia standing on a platform hovering in midair, then on a robed figure on another platform at the other end of the chamber. They eye each other without speaking for a moment. Finally Insomniac grins and throws off its robe, revealing a perfect likeness of—]

Lilia. GWYNNE?!

[The creature in her best friend’s clothing reaches out, and a long, wicked-looking staff flies straight into her grasp. Suddenly both platforms crumble beneath their feet, and both women land on their feet in the water. “Gwynne” launches the first attack, and the duel begins.

[At last Lilia deals one too many blows to the creature’s head, sending it sprawling facedown in the water. Gray tendrils of smoke rise from the corpse and begin to coalesce and take human form. But when multicolored lights fall all over the stage and Madame Mimm’s arcane chanting begins to echo through the chamber, the spirit freezes for a moment. Then it trembles and clutches vainly at its faintly glowing self, trying to keep from being torn apart. As the chanting grows louder, the spirit and the lights glow brighter and the smoke less human-shaped. Finally a blinding flash of white light, quickly followed by yet more darkness.]

 

 

EPILOGUE

Setting: St. Gonzo of York (courtyard and upstairs dorm rooms)

At rise: 12 AM. Gwynne tosses and turns in her bed. She starts to mutter in her sleep. The longer she tosses and turns, the louder she mutters, until finally she screams and sits bolt upright.

Gwynne. [pant, heave] Gods…what…a dream? [Enter Lilia via the courtyard, carrying her staff and overnight bag] Back so soon? No better place to sleep, I bet.

Lilia. Nope. [enters the dorm, emerges upstairs in her own room]

Gwynne. [through the little hole in the wall that acts as their “phone”] I just had the worst dream! You and I were in this…place, and we were—

Both. –clobbering each other.

Gwynne. [surprised] How’d you know?

Lilia. [climbs into bed] I didn’t. Just a lucky guess.

Gwynne. Mm.

[They lie awake on their beds for a moment without speaking.]

Gwynne. So…what was wrong with…wherever you went?

Lilia. Too noisy.

Gwynne. Uh huh.

[More silence.]

Gwynne. Then you’ll be sleeping in your room now?

Lilia. Yep.

[Even more silence.]

Gwynne. Hey, where exactly did

Lilia. Gwynne.

Gwynne. What?

Lilia. Go to sleep.

Gwynne. [shrug] M’kay. G’night.

Lilia. Night.

[Curtains as the two of them drift off into the most wonderful sleep ever.]

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