| don't worry, it's only harmless poetry. | |||||||||||||||||||||
| eating clouds one fine afternoon we threw life all over the ledge. it fell off and hit people in the hat and then it was thrown at them. it rained on them like sleet in the irritating sun first we gathered spilling fistfuls then scooped it up from our feet and eagarly set it to the air to land with the fallen leaves and mingle in the mud we threw life on our strangers. they refused to look up and open their hands. whatever was left we ate and left the crumbs for the wind |
|||||||||||||||||||||
| Momentum August and everything afterwards lets its presence be known sharp as tacks it attacks When you're all alone the sky grows darker inch by inch evenings hold more weight Time begins to separate between now and what's to come everything afterwards everything as the words Explain what already begun |
|||||||||||||||||||||
| Progression for mom The growing numbers hardly notice the candle diminish: Its flame burns as before, an azure diamond touched with copper swept into a golden tear. The numbers progress into empty prepositions and begin to expand into memories while the candle recedes into small pools of congealing wax floating high atop heavenly mounds. Melts into solemn drops of memory so sweet they cling to palms, lips and even numbers. Melts because it has to, because it waits for a breath devoid of anything but warm air, serene in the thick layers of innocuous cake. Melts when growing numbers have provided all there is to wish. |
|||||||||||||||||||||
True Confessions of the Down and Out Hipster My life's one long open mic night. I came for coffee: two sugars, no cream, one line of guitarists stroking their Gibsons, Fenders, their cracked Yamahas. Sugar settles at the bottom music wraps around my feet. I stay rooted in couch, ankle deep in sound fury an incomprehensible Dylan cover we all fake the words to. Heavily lined magnetic eyes two week old calluses stanzas of gibberish. Suddenly the coffee's finished, save the glazed over dregs too intense to handle. He rubs his guitar pick up each string in his vocal chords. I abandon the mug, ease to the door. It's open mic night Everyone knows I don't play guitar. |
|||||||||||||||||||||
| Juin It was 82 degrees. Her lips felt like melting off into pools of rouge and wax and lust to congeal into a fat pancake of desire to be wrapped in violet paper and smoked like a joint. The sun crept through the plumes of smoke and into his eyes like so much sunlight likes to do. It fastened itself to his lids, clung to his pupils dripped off his lashes. It rolled down his cheeks hung from his mouth. Now he tastes copper and platinum and amber. She closes her eyes quickly, before she, too, is enveloped. He tastes guilt so bitter it makes him shiver in the heat, head in his hands, lies at his feet. |
|||||||||||||||||||||
| 1996 I miss my old friends the boys and their chains dangling past their knotty knees. The closets. The significance of one hand-holding in the course of a walk on one shared neighborhood In their baggy pants and post-adolescent weariness. Those nights caked in the dirt of rolling around in front yards, in the tears of a failed romance. Gone, gone like those shaggy haircuts of self-reliance. Welcome to the world, better wise up. Cut that hair, Steves; lose those twinkling eyes. Welcome to tomorrow. |
|||||||||||||||||||||
| Untitled Nostalgic for my novice November: Nice nuances of ndecent noises and ntolerable naps on necks. Nine-- no, noon. Nderstanding. Numbers, neurotic nanoseconds naturally neglecting the notion that everything eventually N's. |
|||||||||||||||||||||
| the lucky ones like fingers or hair clippings or soul searching late night poetry that is read aloud and eaten for breakfast with a pill and a cup of milk. so the nails don't scratch, or the hair fall apart and the smile stays smeared on the faces of children who choose to remain passive in bed, and lie through their teeth while their milk falls from their cup, unraveling strands of hair from their hands and folding their fingers as a nearly impulsive afterthought. |
|||||||||||||||||||||
| one step back homewards | |||||||||||||||||||||