Peacock as an Anti-Romantic

Thomas Love Peacock is perhaps the least read of the Romantic writers. He was a close friend of Percy Shelley, and they spent many happy hours together. In Peacock’s novel Nightmare Abbey, the main character, Scythrop, is based upon Shelley, and Shelley wrote to Peacock, after the novel was published, that he “knew not how to praise sufficiently the lightness, chastity, and strength of the language.” Peacock can be seen as an Anti-Romantic, in that he satirizes his Romantic contemporaries in the novels Nightmare Abbey and Crotchet Castle, but he can also be seen as having Romantic leanings, since these novels have a few Romantic descriptions as well as romances in them.

There are a few Romantic passages in Peacock’s novels. These can be seen in two ways, either as satire on the Romantics, or as his Romantic side. These passages occur most frequently in Crotchet Castle. The novel begins with a description of where the castle is located:

"In one of those beautiful valleys, through which the Thames…rolls a clear flood through flowery meadows, under the shade of old beach woods, and the smooth mossy greensward of the chalk hills…in one of those beautiful valleys, on a bold round-surfaced lawn, spotted with juniper, that opened itself in the bosom of an old wood, which rose with a steep, but not precipitous ascent, from the river to the summit of the hill, stood the castellated villa of a retired citizen."

Another Romantic passage occurs when Mr. Chainmail is exploring the countryside:

"The pass opened on a lake, from which the stream issued, and which lay like a dark mirror, set in a gigantic frame of mountain precipices…Mr. Chainmail…sat down on a large smooth stone; the faint murmur of the stream he had quitted, the occasional flapping of the wings of the heron, and at long intervals the solitary flapping of a trout, were the only sounds that came to his ear."

Both of these passages are unquestionably Romantic, but they leave the question as to what purpose Peacock intended them to serve.

Also, each of Peacock’s novels contains a romance. In Nightmare Abbey, Scythrop has to choose between two women, but ends up choosing neither of them. In Crotchet Castle, there are two romances, between Captain Fitzchrome and Lady Clarinda, and between Mr. Chainmail and Miss Touchandgo. These romances can also be seen as either Peacock’s Romanticism, or just satire.

Of course, the obvious satire in Peacock’s novels results from his characters. In each book, he draws his characters from his Romantic contemporaries, such as Coleridge, Byron, and Shelley. When they talk, they often quote things that they have written. When Byron appears in Nightmare Abbey as Mr. Cypress, the things he says are largely taken from the fourth stanza of Childe Harold, which Byron had just written. Shelley (Scythrop) is in love with two women in Nightmare Abbey, just as Shelley was in real life. Coleridge (Mr. Flosky and Mr. Skionar) is always mumbling about metaphysics, and quoting poems like Christabel or Kubla Khan. Peacock’s other characters are largely based upon other lesser-known contemporaries, such as J. F. Newton (Mr. Toobad and Mr. Ramsbottom), Robert Owen (Mr. Toogood), Tom Moore (Mr. Trillo), Sir Lumley Skeffington (Mr. Listless), Benjamin Collins Brodie (Mr. Henbane), and J. R. McCulloch (Mr. Mac Quedy). Other characters are either a mixture of a few people or speak for Peacock himself.

Using these characters, Peacock has discussions about many different subjects, ranging from education (as one group visits Oxford) to Athenian theatre. Each character only exists to insert his views on the subject being discussed or to be part of a romance. These discussions are highly amusing, since characters like Mr. Toobad will say things like “the devil is come among us,” while other characters will spot mermaids or ghosts.

Peacock also satirizes the German novel in Nightmare Abbey, similarly to Jane Austen’s Northanger Abbey. The novel is set in an ancient country house, where Scythrop lives in a tower. He builds secret passages, in which he later hides Stella. At the end of the novel, he threatens to kill himself just as Werther does in the German novel The Sorrows of Young Werther, by Johann Goethe. Also, references are made to the play Stella, also by Goethe. The character based upon Shelley’s second wife, Mary Godwin, is named Stella, since in the play, the hero is trapped between two women, just as Scythrop is. Also, at the end of the novel, after Scythrop asks the servant for a pistol and some wine, Mr. Glowry tells him he cannot have both of the women, “Both! That may do very well in a German tragedy…but it will not do in Lincolnshire.” This may either be a specific reference to Stella, or it may just refer to German literature in general.

In Peacock’s novels Nightmare Abbey and Crotchet Castle, he satirizes his Romantic contemporaries and their views by using them the sources for his characters. He also includes romances as well as scenic descriptions that could be seen as either Romantic or more satire. These all combine to form an amusing read, full of witty comments and sly jibes at the world in which Peacock was living.

Bibliography

Marilyn Butler, Peacock Displayed: A Satirist in His Context (Routledge and Kegan Paul, 1979).

A. Martin Freeman, Thomas Love Peacock: A Critical Study (Martin Secker, MCMXI).

Howard Mills, Peacock: His Circle and His Age (Cambridge University Press, 1986).

Thomas Love Peacock, Nightmare Abbey/Crotchet Castle (Penguin, 1969).

J. B. Priestley, Thomas Love Peacock (Macmillan, 1927).

Lorna Sage, Editor, Peacock: The Satirical Novels-A Selection of Critical Essays (Macmillan, 1976).

Raymond Wright, Introduction and Notes, Nightmare Abbey/Crotchet Castle (Penguin, 1986).
 

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