Levi R. Stahl: The Blog
A record of opinionated, poorly researched, and abrupt thoughts.
Long Live the Coens

I recently ordered three movies from Amazon that will round out my Coen Brothers collection (except for The Ladykillers... maybe later): Blood Simple, Miller's Crossing, and Barton Fink. It's almost too much quality movie to be getting all at one time. Frankie and I started watching Barton Fink, and it promises to be excellent.


I'm hoping to do some sort of Coen Brothers marathon sometime, maybe the first four movies. Or the first seven, arguably the best seven-movie run any filmaker has ever produced. It includes the three I just received, plus Raizing Arizona, The Hudsucker Proxy, Fargo, and The Big Lebowski.


I sometimes come under fire for my admiration of the Coen Brothers, but I think it's because most people are familiar only with their latest offerings: O Brother, Where Art Thou?, The Man Who Wasn't There, Intolerable Cruelty, and The Ladykillers. And maybe The Big Lebowski was a little too hyped for them. While these are all fine films, they lack the edge of the first seven. The odd hilarity. The melodrama. The strange symbolism. The decidedly picturesque cinematography. Ok, well, The Man Who Wasn't There has all those things in spades. But raise your hand if you've seen that one..... that's what I thought.


In any case, I wait with baited breath for the next three offerings: No Country for Old Men, Hail Ceasar!, and Suburbicon.

2006-08-17 20:29:34 GMT
Comments (8 total)
Author:Anonymous
Stanley Kubrick's 8 film stretch of Lolita, Dr. Strangelove, 2001, A Clockwork Orange, Barry Lyndon, The Shining, Full Metal Jacket, and Eyes Wide Shut blows the Coen Brothers out of the water.

also Hitchcock has a better stretch. And Kieslowski. And probably a couple others.
--lucas
2006-08-22 21:51:36 GMT
Author:Anonymous
Kubrick's run was a great one. I forgot about him. Hitchcock was the reason I said "arguably." He stretched cinema with each film. Challenger in the making: Wes Anderson.
--Levi
2006-08-22 22:37:46 GMT
Author:Anonymous
I like the Coen brothers too (as you know), but you do have to be in the right mood to watch one of their movies. They can be pretty strange at times. I love you, bebe.

Frankie
2006-08-24 17:39:26 GMT
Author:Anonymous
I just did the math. Kieslowski's run of great films was 14 (excluding shorts), ending with "Three Colors: Red", which got him an Oscar nomination and was his final film.
--lucas
2006-08-25 15:43:30 GMT
Author:Anonymous
After an IMDb search, I can safely say I have never seen any of Kieslowski's films. I am intrigued by how he grouped them, though. White, Blue, Red, the Ten Commandments, etc. I am generally a fan of projects of ridiculously epic scope. Band of Brothers, for example (what's that, 12 hours?). And Milton's Paradise Lost.
I'll come to your 2-day Kieslowski marathon if you come to my 15-hour Coen marathon.
--Levi
2006-08-25 20:03:53 GMT
Author:Anonymous
i have most of Kieslowski's stuff, if you're interested.
--lucas
2006-08-26 22:36:23 GMT
Author:Anonymous
The Coens reference Kubrick films in several of their own films... incidentally. The one I can remember is the "P.O.E, O.P.E" graffiti in Raising Arizona. I think they have lines from "Clockwork" in one films somewhere, too.
--Levi
2006-09-09 16:55:46 GMT
Author:Anonymous
For the record, I came across a really odd reference of the same type. What made it odd was the movie: RV with Robin Williams. In one scene in a RV park bathroom, the camera pans past pencil-etched graffiti on the wall: "O.P.E, P.O.E."
I had to stop and think - are they (whoever the heck made RV) referencing Strangelove directly or Raising Arizona?
It was quite bizarre and completely unexpected.
--levi
2006-09-28 13:11:04 GMT
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