Date |
Title |
Venue |
Label |
Media |
Video |
||||
| 1/9/70 | Royal Albert Hall | London | Celebration | 1DVD |
| '75 | Earl Court | London | 1DVD | |
| 7/17/77 | Live at Seattle Kingdom | Seattle | Celebration | 2DVD |
1968 |
||||
| 12/30/68 | Gonzaga '68 | Gonzaga | Zeppelin Digital | 1CD |
1969 |
||||
| 4/24/69 | Fillmore West '69 | Fillmore West, San Francisco | 1CD | |
| 8/31/69 | Texas Pop Festival | Motor Speedway, Dallas, Texas | 1Tape | |
1970 |
||||
| 1/9/70 | Royal Dragon | Royal Albert Hall | Tarantura | 2CD |
| 3/21/70 | Whole Lotta Zep | Canada | Turtle | 1CD |
| 6/28/70 | Bath Stop | Shepton Mallet | Image Quality | 2CD |
| 9/4/70 | Blueberry Hill | Ingelwood Forum, Los Angeles, Ca. | Roundpin/Sanctuary | 2CD |
1971 |
||||
| 9/9/71 | Zeppelin Digital | Hampton | 2CD | |
1972 |
||||
| 6/25/72 | Heartbreak Hotel | Missing Link | 3CD | |
| 10/2/72 | Dancing Days | Silver Shadow | 2CD | |
1973 |
||||
| 7/12/73 | Motor City Daze | Cobo Hall, Detroit, MI. | Antrabata | 3CD |
| 7/28/73 | The Final Statements | Madison Square Garden, NYC. | Antrabata | 3CD |
| 7/29/73 | Firepower | Madison Square Garden, NYC. | 2CD | |
1975 |
||||
| 2/8/75 | Philadelphia Special | The Spectrun, Philadelphia, PA | 3CD | |
| 2/12/75 | Can't Take Your Evil Ways | Madison Square Garden, NYC. | TDOLZ | 3CD |
| 2/12/75 | Flying Circus | Madison Square Garden, NYC. | Empress Valley | 3CD |
| 2/16/75 | Oh Dear, I've Known Him Since He Was A Child | St. Luis | Led Note | 2CD |
| 3/17/75 | Gallery Of Soldiers | Seattle Coliseum, Seattle, WA. | Power Chord | 3CD |
| 3/21/75 | 207.19 & 214 | Seattle Coliseum, Seattle, WA. | Cobra | 4CD |
| 3/27/75 | Tour De Force | LA Forum. | Rabbit | 3CD |
| 5/23/75 | Physical Express | Earls Court Arena, London. | Jelly Roll | 4CD |
| 5/24/75 | Odysseus Earls Court | Earls Court Arena, London. | Celebration | 4CD |
1977 |
||||
| 4/27/77 | Destroyer | Richfield Coliseum, Cleavland, Ohio. | Shout to the Top Records | 3CD |
| 6/21/77 | Listen To This Eddie | Inglewood Forum, Los Angeles, CA. | Jelly Roll | 3CD |
1979 |
||||
| 7/23/79 | Copenhagen Warm-ups Night I | Falkoner Theater, Copenhagen, Denmark | 2CD | |
| 7/24/79 | Copenhagen Warm-ups Night II | Falkoner Theater, Copenhagen, Denmark | 2CD | |
1980 |
||||
| 6/21/80 | Rotterdam | Swinging Pig | 1CD | |
Misc/Compilations |
||||
| --- | Cover Versions | Fancy Pantry | 1CD |
Date |
Title |
Venue |
Label |
Media |
| 9/19/70 | New York | Madison Square Garden, NY | ||
| 5/31/73 | Bonzo's Birthday | Los Angeles Forum |
Currently I am using Sony CD-Rs.
1. When trading bootleg for bootleg I usually trade 1:1. Thats one disc for one disc of bootleg.
2. When trading blanks for bootleg copies I ask for 1:1, thats one blank per one disc bootleg. I also require cash postage so I can send the copies back to you. When burning the bootleg copies I burn them on the discs you send me, so make sure they are good enough for you.
3. When trades have been accepted please let me know when you plan, and when you do, send the CDs as I will do the same for you.
4. I like to know the labels, how many discs and the actual titles of each show.
5. I do not send covers with my discs so I do not require you do either.
6. If we have traded and you want your email placed on my site let me know. (Only for people who have traded succesfully with me)
Name |
Site |
|
| Bob Blagdon | [email protected] |
"At our very worst, we were better than most people. And at our very best we could just wipe the floor with the lot of them." John Paul Jones on Led Zeppelin's live ability.And now that we can't see Led live anymore, all we have is the few live studio tracks they officially released, and the hundreds of live bootlegs of them live in concert! Who could resist.
In an interview with Jimmy Page we can learn a little about how he feels. Should you be to lazy to click the link lets highlight something:
"While Page says he has no problem with devoted fans exchanging home-made concert recordings, he has little sympathy for professional bootleggers, who he says have been brazen in their attempts to get at his unreleased work."
"It's a bit different from someone taping at the back of the concert and having an exchange between other like-minded people and there's no money, just cassettes passing. But when people get on more ruthless footing, stealing from out of studios and you are having a hard time keeping things together, you've got another thing to worry about, which is the security of your tapes."