 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
|
Sunrise In New York: |
|
|
|
Letters From A Satanic Angel |
|
|
| Suzanne M. Bendel is listed in stable condition in the women's ward of New York Psychiatric |
|
|
| Hospital. She is breathing normally but somewhat laboriously through six recently fractured ribs. |
|
|
| However, Suzanne or Suzy is elsewhere it would seem, at least, to her concerned attendants; she |
|
|
|
has not awoken for nearly seven days. |
|
|
|
Suzy isn't spending her free time wondering why things happened the way they did, or why they |
|
|
| happened at all. When her whole life collapsed once again into painful blackness and sleep, her |
|
|
| "I" fractured more than her ribs and now she is a wonderful array of snowflakes melting on a |
|
|
| street lamp on 34th street or upon the busy entrance to the Metropolitan Theatre. Except "where" |
|
|
| is not really of any concern to Suzy because the story is always the same, only the characters |
|
|
| change and sometimes the scenery falls apart to reveal a star or two breaking through the thick |
|
|
| clouds of unconsciousness. If she had any awareness to spare, she might ponder the irony of |
|
|
| finding greater sheer ecstasy in these dying moments of her life than she ever did turning a trick |
|
|
| and finding "the bottom of the ocean" as she called it, that warm dreaminess that always seemed |
|
|
| to envelop her when she was beyond the grace of any God she ever knew. |
|
|
|
 |
|