Dani s Infernos

Dani's Inferno

Dani’s Inferno was a column Dani used to write for Metal Hammer.

 


Pact II
Pact VIII
Pact XV
Pact XVI
Pact XVII
Pact XVIII
Pact XIX
Pact XX
Pact XXI
Pact XXII
Pact XXIII
Pact XXIV
Pact XXV
Pact XXVI

 

 

 

 

 

 

In the name of Satan's portion...
Pact Two - A Cat Amongst A Haunt Of Wolves

Greetings from my deathbed.
Normally I would appreciate the rampant ovation that accompanies such a statement, but my head is feeling like one of those Japanese paper lanterns today and about as stable as the fission reactor at Chernobyl was seconds prior to meltdown. In short, I am obviously terminally ill, so please honor a dying man's wish by bearing with me, because the paragraphs that lie ahead are rocky and fraught with danger and according to my Penguin Book Of Serious Ailments, I am suffering from excessive evacuation of verbal faeces - only I'm not just talking shit, but I'm passing it unbottled as well.
This month's classic adventure in Chunderland comes courtesy of that which is usually strictly anathema to the hallowed pages of Metal Hammer - the Kerrang! Music Awards. Taboo-pooper that I am (and because Music For Nations had kindly gotten the Right Reverend Nicholas Bastard and myself invitations for the evening), I decided that it would be an ideal opportunity for me to do a bit of investigative journalism, get exceedingly drunk and annoy as many of my potential peers as possible.
Well, two out of three would still make for an interesting evening...I've never been much of a journo, so I borrowed a few introductory cards from flame-haired reviews guru Dan Silver, adding the word 'Filth' to his name in biro for further effect. Dan 'Silver' Filth. Sounded good - very metal, and dead suave to boot. I broke my Dictaphone out of perpetual retirement (i.e. I put some batteries in it) and like a gangly-legged spider, scurried out with the intention of ensnaring anyone of notoriety that came writhing my curious grasp. And would you Adam and Eve it, it bloody well worked.
Despite the same crappy question, "Can I ask what you thought of the Kerrang! Awards tonight?", I had brief but eloquent conversations with a plethora of exotic stars, most of whom were unaware of my true identity as Chaos Lord Thule, Progenitor and Archdeacon Of Fear to Hell and all it's tireless minions.
Among those worth hollering about were Page 3 dream queen Jo Guest (her "it was really nice" hardly reeks of verbosity, but as someone witty once said, "Who wants to shag Bamber Gascoigne?), Joe Elliott (complete with new frightwig), Julia Valet (I could've been cruel and asked her about music), Lemmy, LG Petrov (who was nursing a hangover at the beginning of the evening), Jonathan Davis, Bruce Dickenson, etc.
Former Big Breakfast host Zoe Ball was obviously having herself a good time, judging by the comment she made that she was feeling "loose" - something, admittedly, she did correct rather quickly, bless her heart... though you should've been witness to the expectant rapture that came across our drummer's suddenly cherubic face for a few magical moments.
I won't bore you frigid with the awards results themselves, but the usual slew of artistes gathered their trophies: Jon Bum Gravy, Marilyn Manson, The Prodigy, et al. Although some of the bigger names didn't pick them up in person, they did interrupt their holidays to grace us with a little speech on the video wall (and that's possibly why there were very few spare invites floating around for the likes of me).
Fair enough, I am being sarcastic, although by no means am I attempting an underhanded slur on Kerrang! or the awards ceremony at all... For the most part, it was an extremely prestigious event; the atmosphere was eclectic, the food, and especially the drink, was abundant, and most importantly, everybody appeared to be having an enjoyable time, which is the main reason that we're in this fair game, industry, press and bands alike (although, you might argue, cash 'n' all.)
I would conjecture that all's well that ended well, but it seems somewhat ironic that if I hadn't been mixing my drinks like henbane and rue for a good 11 hours that night, I might very well have felt human today. So, before I depart to view whatever fresh cruelties nature has inflicted upon my insides (via my mouth, of course), I will finale with two further items of interest.
Firstly; early morning-ish, Columbia Hotel, Hyde Park, Henry from pist.on (our table companions for the show) slaps Ricky Warwick for telling him to keep his noise down at so late an hour... (well, I thought it was funny). And secondly...
Does anybody remember the altercation 'twixt Cradle Of Filth and the band formally known as Manhole? There's no point in resurrecting it now, but let's just say Nasty Spice Tairrie B was one of my targets for questioning. And instead of the rottweiler-on-Red-Bull attitude trip I had come to expect, I found her to be sweet and charming. Thereupon, we sorted out all differences and kissed and made up (sorry, Mr. Bell, the man to my perpetual left, just a slip of the tongue).
Anyway, all is now well, so I guess it's time to refrain from being so frightfully nice and start making a few new enemies... (Apart from my liver - at this precise moment, I really need to improve my relationship with that part of my body).
Until next time we sail upon the blighted hulk ship 'Psychobabble',

Your fiend,
Dani

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My God, the ants! They're enormous! it's...
Pact Eight - Coming Clean With The Filth

The night is cold, dark and mercenary, the moon hangs in the clouded sky like a rotted wedge of cheese. The wind throws the gnarled, twisted branches of trees into a frenzy, their skeletal fingers claw against your windows like a necrophile buried alive, scratching at the lid of his rigid lover's coffin. You stoke the open fire from ember, sending a blaze of glowing sprites scurrying up the narrow chimney and into the dark beyond, their swiftly snuffed trails of indication to whatever horrors are abroad that tonight, on this Eve of Dead Souls, you're home alone. Soon, you fear, those unseen terrors that prowl the perimeters of your foulest dreams will know your flesh - from the inside out.
Desperately trying to keep your imagination from straying off its leash, you attempt a whisper of interest in the current issue of Metal Hammer, thumbing through its crinkled pages (the result of a date in the lav with dominatrix Val Ium) in the vain hope that another interview with Dave Mustaine might deliver you swiftly to the oblivion of sleep. But alas, even mister mundane seems to quicken your pulse tonight - so much so, you toss his semblance on the floor (please...this is meant to be dramatic), silently cursing the Elizabeth Taylor rehab center as the cause of his once-great band's decline.
Strange then, that whilst your eyes glance over the words of Dani's Inferno that read like hieroglyphs drawn by a spastic Pharaoh, the all too familiar stench of shit should assail the remainder of you senses, before...TOO LATE! you realize that, in your terror at Metal Hammer's favorite guest column (by default only; unfortunately I don't possess a pair of breasts), you have inadvertently crapped yourself.
Now, as if in mocking response, the elements renew their fearful clangour, the sickly moon begins howling in her axis whilst arcane symbols scrawled in blood appear on walls and windows... and as the final candle winks out and plunges you into jet black darkness, your last trace of sanity screams out, over and over again like the thin red repeats of a butcher's knife, the guttural words, 'column fucking eight and it's still a bunch of old arrrrrsse...'
I must apologize for the length of introduction but I do like a big entrance (and more often or not, the tradesman's), so now I'd better finish this as painlessly as possible if I'm to catch last orders. Right, here you go you merciless bastards...
Since the event has long since troubled anything other than my damaged pride, my esteemed counsel (the Rev. Rudus Priest) has convinced me with his almost fanatical faith in the Lord to confess to the facts (and not the flimsy cover up) concerning last year's Venom launch party in London. Those of you without brains caved in by glue and ganja may recall the story surrounding the car crash suffered by Nicholas Bastard and myself, on our return by car down a dark country lane.
It is true that the police escorted us to Colchester hospital, where Nick was treated for a cracked egg (sorry, I meant head), and I was prodded for concussion. However, the facts beg quite a different explanation concerning the cause of our injuries.
Grimewatch now reports...
That evening we arrived at the Venom club in Soho with the band's American drum tech and my girlfriend Toni. As any denizen of the countryside will tell you, if someone invites you to the Big Smoke for a night of free booze and metal - the action is go! And you invariably end up both rowdy and pissed, which of course (only five weeks prior we were tied like a gimp to album rehearsals) we undertook with near fatal expertise. Cue Nicholas Bastard, now on his 12the tequila slammer and slightly uncoordinated, bringing the glass down violently on his hand - whereupon it smashed and slits open three of his fingers, spilling blood everywhere (highlight of the party if you ask me).
A bouncer then takes him next door to a convenience store with the intention of getting his hand bandaged before calling an ambulance. However, Americans being the lovable loudmouths they are (even more so after supping three pints of vodka), our drum tech lurches after them and accuses the six-foot something bouncer of throwing Nicholas out with a non-optional beating.
Luckily, after salvaging our relationship from the brink of near divorce (having publicly argued about how drunk one another were), my girlfriend and I stumble out and manage to salvage the situation before it goes red, promising to get Nick to a hospital just as soon as we escaped London.
Drunk beyond measure and a tad disappointed at the lackluster of what promised to be a good do, we teetered off through the throng of late night revelers until, five minutes up the road and less than two beggars from a tube, disaster struck Nicholas over the head with a Grolsch.
Take one pissed-up twat with a gang of equally smashed mates, a derogatory comment, an exchange of words that culminates in blows and abracadabra: you have a one-sided fight that results in a brave but unfortunately, vicious and rather bloody defeat.
We regroup further along Charing Cross Road with my girlfriend, who thankfully had walked on blissfully unaware and was now convincing Nick that somewhere midst the drama, a glass bottle had been smashed over his head. Hence the blood-streaming impression of a Cenobite from Hellraiser (guesses, please, on a postcard to...)
So, to cut a long story short, it was a miracle of Rudus Priest's god how we managed to get from Central London to Colchester hospital without Nicholas bleeding to death, although at one point there was enough blood on the train carriage floor for me to slip on and it and black my other eye.
It was then that Toni had the driver tear through several stops so we might reach our police escort to hospital before Nick ran dry.
I hope people will forgive us our trespasses in respect of our little white lie, but the truth was concealed out of pride... dramatically, a high speed car smash lends itself to being far more metal than having your cunt kicked off. Until the next time I have my monthly emission...

Dani

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More rotten than a month old corpse its...
Part Fifteen-Video Nasty

As you puny Earth-monkeys hadn't drunk enough from the golden font that is Cradle of Filth for one issue, up pops my column once again like some bi-monthly time machine bringing alien fauna and flora to a barren planet rock. Leaping deftly from the early-80s thrash movement and stopping for nothing, save a red vinyl import of "Reign In Blood"(a much needed antidote for the current metal world's decline), the Starship Inferno touches down, all too unfamiliar terrain - the making of our first official video, 'From The Cradle To Enslave'.
Now, when I'm probed by Joe Public in the street on the subject, no longer do I scream, turn heel and wobble away like some great tide bound jellyfish; I reply, "Yes for the love of all the screws in Prisoner Cell Block H, we have a fucking video!" Christ alive, the mere discussion of it with three young lovelies the other weekend in Camden practically ensured a four-way fandango for our director Alex. Well almost, though I'm sure twixt the folds of his highly fertile imagination it was gonna be tits, clits and twister boards. Anyway
Y'see, Alex 'Hand' Shandon, the aforementioned director of what can only be describes as the weirdest promo this year, is utterly butterly mad. Per example, not two weeks ago he was filming a shoal of children from a friend's balcony while urging them to chorus, "Cradle Of Filth are fucking great", when an adjacent window opened and a furious mum appeared. Subsequently, the chant became "Cradle Of Filth are effing great", with Alex being heard to mutter, "A month to submission and we're already under censorship!"
Not only did he have the better part of the band tortured or killed, coax a female actress into 50 gallons of cold, sloppy blood and secure a 6:66pm appointment with the Devil, he also helped assemble a jamboree of little people, amputees, and a curiosity robbed from a raid on Roswell for the shoot. Mr. Shandon, star in the ascendant, I take my skin off to you and the rest of the 30-strong crew who fetched, filmed, propped and slopped their way through umpteen litres of blood and a million monster makeovers. The smack obviously works
So, is the finished short movie an abortion, worth a portion, or the money spent on it extortion? Personally I think it's a roller coaster ride full of macabre ideals vexed to sinister life. It's the video Geri Halliwell should have made to poo-poo the trappings of her nice-girl image. It's the video the Lice Boys had to make.
The storyboard reads thus: band enters a temple of madness sunk deep 'neath the bowels of a church wherein instruments are discovered on a vast dais inscribed with a goat's head insignia. The band begin to play within the confines of this seal, as strange misshapen creatures who've been watching from the shadows start the cogs whirring of ancient hidden mechanics, which in turn drag a huge demonic presence into view (at this point a parody of a monk slips between the freaks and the darkness, and lights six white tapers, presumably representing the players).
The band are evidently performing for the demon, who in turn gazes deep into the psyches of each individual. Six successive scenes are then played out, each linked by their courtship of horror and by the goat's head symbol carved into the floor. For example, in once scene this symbol is discovered upon the body of a busty, witchy nymphets, who is promptly tied to a stake, fondled by leggy inquisitors and beheaded by our new drummer, Dave C**t (as opposed to the former Nicholas Bastard).
Pleased by the level of depravity the demon unveils in each of our minds, a signal is given to the ever-congregating mass of inhumanoids who brave the edge of the circle to watch the temple floor, in a blaze of mephitic unlight, drop away, carting the approved band straight off to the pleasures of Hell. The monk reappears, the candles are snuffed, the horrors retreat and the floor reascends to leave the viewers staring (or gaping) at the solitary goat's head symbol. Magic. Along the way we meet an obviously unqualified Zombie dentist, and amid the hubbub of little people, a bum faced dwarf who, on the day of shooting was intent on calling Louie (the one-legged amputee and a man nearly thrice the others' stature) "Capitain Pugwash". There's also a veritable boudoir of sexy sirens, including Emily Bouffante (star of Pervirella) and Razorblade Smile darling Eileen Daly (which I'm not at all surprised she does, judging by the weight of her two big hits) and finally, several myth-making nasties which were brought to life by the SPFX Frankenstein responsible for the schlock Aphex Twin 'Come To Daddy' video. Much of the blood was left over from the filming of Event Horizon, the fake chest I had to don for the scene in which my heart is torn out and forced down my throat was a cast of Robert De Niro's (and subsequently too big for me); props were borrowed from the set of The Legend Of Sleepy Hollow; another FX fellow, whose expertise in prosthetics earned him work on the Hellraiser series, worked on set just for the love of scary forces; and I'm pretty sure we had the run of Bow Church based on a capital lie. I could sit here and sell you the video all day, but I have to pick my bribe up from the record company. All said and done it will delight some, sicken others and hopefully marvel more. Beam me up, Spotty..

Dani
 

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Trinkets and strangely shaped baubles for all... it's
Pact Sixteen - Heavy Metal Xmas

This month's sojourn into mental suffering comes courtesy of the three-day Dynamo extravaganza in Holland and the inevitable kidney failure that followed. Upon this particular crest in rock pisstory, over 80 bands took to four stages whilst a record 45,000 fans converged to eat, sleep and shit that most poignant of Hermaphrodisiacs - Heavy Metal Music. This pursuit obviously sat hand in leather gauntlet with that of lager, drugs and shouting (well it did in the backstage area, at least) but as the Shite Rev. Rudas Priest (alias Lez, Lector, knackered ol' cunt and one still commiserating the death of Sir Ollie Reed in similar fashion) so expertly diagnosed, since the demise of that other celebrated boozeatheon Donington, the annual Dynamo music festival has taken over definitely as Heavy Metal Christmas.
I certainly managed to iceberg the proverbial boat and of the six bands I actually dragged my sorry carcass to see, five, - Marduk, Sodom, Biohazard, Monster Magnet and S.O.D. were right crackers, whilst Metallica, headlining what must have been Heavy Metal Boxing Day, were definitely a roast prize-winning turkey. Hearsay that they were paid a $250,000 to perform aside, not only did they play a relatively snoozy set, but they also had a dozen tour buses, including ours, relocated from behind stage to what seemed like the border of Belgium, just so that their fleet of hairdressing salons could be tailored in (for legal persuasions, that may be an exaggeration).
Attempting to return to our travel-coffins after our post-show piss-ups), myself and new drummer Dave tried a shortcut by clinging to the rigging of a passing P.A. truck, only to bail out 30-odd meters up the road when the bloody thing sped to a breathtaking ten maybe 15 miles per hour. Imagine our embarrassment on picking ourselves up off the asphalt only to find ourselves at the feet of a few fans who'd obviously used their initiative to stand by a festival bus stop! Such blatant twattery on our behalf was fuelled further by making an introduction.
"Hello (adopting novelty English gentry voice), we're from (hic) Cradle Of Filth don't you know?"
"Yes (responding in a relatively normal English accent) we (hic) guessed." Ironically though, Metallica still had to endure the ten-ton heap of twiggy compost that had been thoughtfully dropped in the bus park, deliciously fragrant on that first day's hot summer air when the only thing between it and our tour bus was another tour bus and our namesake Cradle Of Filth cast our personal hygiene into another light, especially when friends and staff had to brave the flies to visit. In all truth, the whole site had a faint pongy whiff to her, nestled as she was between countryside, golf course and silage dump. And Every now and then, when another punter walkway needed some more muddy stuff underfoot just in case it should rain (which thankfully it didn't), a JCB digger would come, eat a bit, then disappear whilst a fresh load was delivered by truck. Bizarre. Pervaded by shit the breeze may have been. Pervaded with shit the actual weekend wasn't. Of the many incidents I amazingly can still remember, there were several incidents worth mentioning. Firstly, standing a tad too close while singing to flame cannon as they lit up front stage and then pretending not to lose the contents of my poo-tract in the process (my eyebrows would have been a bonus); drinking with the tallest man in Holland and miraculously convincing a few drunker people that he was my son (despite his age and let alone his height); watching Manowar prepare to go onstage after us riding four Harley Davidsons (whilst we gleaned clearance to use two golf carts for the job, right up until they obviously got wind of your comical little scheme - which was a pity, imagining the metal warriorness of it all, spiky guitars held aloft to a thundergods whilst we pootled in on electric two-seaters!); the undertaking of a brief photo shoot in the driving seat of a new VW Bug Dutch police car with pockets crammed with class A weed; S.O.D.'s faintly xenophobic 'Speak English Or Die' being played to a vast crowd, 99 per cent non-compliant; falling into a ditch, pissed midafternoon on the Sunday, attempting to cross it to get to the loos; and finally, though the mental list goes on... seeing a coachful of children who'd alighted from the ferry gantry directly before us, being frisked while our busload of dirty metal hybrids, no doubt returning from Holland laden with goodies was spared ever a second glance. As hinted at earlier, the first faint strains of chaos calling, Lez's alter ego Rudas Priest made an unsurprising appearance Heavy Metal Xmas Eve. Stumbling round the backstage bars with Anathema keyboardist Martin, declaring to all and sundry that he and his mate alone harnessed the true power of rock (organs being the new guitars in metal - his slurs, not mine) whilst the next couple of nights, Heavy Metal presents obviously opened and forgotten, bore witness to a self-declaration of benderness, an attack on a fishy wheelie bin with Martin inside it and 'incidents' involving wrestling innocent by-standers to the ground including several bemused girls. Thankfully now back in England, Lez has man-handled the sodden priest back into his box where he sits, rocking back and forth, awaiting Cradle Of Filth's next European campaign, which would presumably be Heavy Metal's New Year's or Easter... Until next we mate, Eighties disco dancing on a Sealink dance floor,

Your fiend,
Dani


 

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Sifting the cods from the wallop, it's... it's
Pact Seventeen

Maybe it's the heat (my brains, usually a coagulating stew on simmer, now drying under the summer sun to the consistency of Weetabix) that has edged your favorite mud-slinger, Monsieur Filth, into mentalism, or perhaps it's the two-years-out-of-date Nicorette® patch I slapped on my arse this morning (to avoid smoking myself into my Father's Kingdom a few years too early) that has whetted my fever - I don't know and I don't really care.

Points of origin have never really been a primary concern of mine; I have never doubted a Big Mac, couldn't give a shit about Brian Warner, I still adore black pudding, and have certainly never divined the future by examining my own poo in the bog-pan.

All I know is that a calendar month has passed since I last put the fear of God into you (and Christ alone knows how much my nob hurt after that...) and in that time, despite Prince Edward capturing the nation's heart by marrying the Jill Dando/Princess Diana look-alike (luckily for him, public opinion hadn't ebbed ow enough to warrant him wedding a Mother Theresa), England failing at football, and the Aussies scooping the cricket (no change there then), I have nothing of real merit to report, other than the replacement of Dave Cunt by a sleeker, more experienced drummer (whose identity for the sake of the universe must remain anonymous at this present moment... and no, it's not Darth Vader) and 30-odd days of odder dazes, full-moon phases and swear-heavy phrases. The UN may have delivered the Serbs a hefty kick in the Balkans of late, but my proverbial balls have rarely left their pockets; it seems that only my marbles have gone astray. (Astray? Sounds like "ashtray". Eurggh" Damn you to hell, Nicorette® patch, you and your ten milligrams of insidious venom...)

The catalyst for this, my squillionth attempt at quitting fags (cigs not men, though Lecter tells me that the latter sit for longer in our mouth) has more to do with smoking dope than straights. This self-ultimatum thrust itself on me (leave it) one evening, when, after a hefty session of Dynamo skunk, none other than Tony Iommi, bedecked in an angel's finery, appeared to me, and haven given me the stiff middle finger (oh, where will this end?) bequeathed the revelation that Sabbath's forthcoming shows in England will be their last. Of course I knew I had taken leave of my senses (better for me to take leave of the Senses) after mulling over His Lordship's words, for who in their right mind would believe me? Last shows indeed! Whatever next, Ozzy on the wagon? Fuck off!

So, pursuing the old saying, 'One thing leads to another' (another of Lecter's), I am now a few days into kicking the habit, preferring now to extricate my lungs and beat them soundly with a stick in order to relax (these previous weeks had been so maddening that I'd started a 20-a-day routine... plus I'd been smoking...), thus benefiting my voice, and in respect of the ganja, my, um...er, what's it called..um...memory.

Anyway, where were we? Ah yes, fleeing the asylum grounds... This month has been seminally weird, although not very exciting, the highlight being my purchase of an original John Wayne Gacy painting for my daughter's nursery. And if this particular artist is as far away in recognition for you as Cradle Of Filth are from a healthy chart entry, then let me enlighten you. Gacy, (also dubbed the "Killer Clown") was a serial killer who still holds the official (ie, proven) all-time USA Body Count Championship for his rather impressive, but naturally sick, 33 slayings of male victims whom he disposed of by burial in and around his Chicago home, having lured them under false pretenses only to chloroform and buttfuck them before counseling them in biblical merits while he strangled their still-pleading carcasses. Pleasant I know, but little Luna loves his almost child-like artistic integrity, even at the tender age of five months. Trust me, I can tell; I'm her doting daddy.

Purchasing this requisite didn't come cheap, for despite the asking price, myself and my lovely girlfriend Toni had to spend a night in the company of our good mate, the video director Alex Chandon (see Pact Fifteen for phenomenal horror rating). Not that his company isn't marveloso - it is - but the weekend jaunt involved to separate fines for supposed fare evasion from the wanker Travel Police (20 notes for dodging 50 pee), another journey into Hell (though at the time it was hilarious) wherein Alex, on returning to his gaff, decided to ride bareback through Hampstead atop his friend's vulva (sorry, Volvo) screaming, "I'll kill you, all you filthy motherfuckers." Finally, arising clammy-mouthed and bleary next morning, only to be subjected to a selection of his private reading material (two titles standing out in particular: the £85-a-throw Prosthetic Rehabilitation, which he 'borrowed' with lithe precision from a renowned medical books supplier, and in direct contrast. though not in subject matter, the utterly essential coffee table browser, Color Atlas Of Rheumatoid Hand Surgery, which he picked up in a car boot sale for £1...). All this made me wonder if I'd be better off with a collage of bogeys and dog cum by Chandon than the oily monsters painted by Gacy. After all, there's plenty of time for Alex to begin a lengthier murder spree, if he hasn't already. As noted, last month was a headfuck, but at least I got to see the new Star Wars movie five or ten times on pirate. I would review it in this issue, but I don't really want George Lucas on my arse (he's a tad overweight and hairy). So, until next week, lightsabre duelling on the dust planet of Tatooine. May the sauce be with you...

Dani

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Talking bollocks? No, just a laughable penis! It's...
Pact Eighteen - Untitled for want of a better title

My monthly emissions are always red (but probably never read). Suffice to say this statement doesn't actually mean that I undergo periodical bleeding of the vulva, it means that I am loathe to write my column with about three hours to spare before the magazine goes to print, leaving me having to write a seemingly non-related load of old rollocks, like the six, maybe seven, lines you've just ingested (in order just to fill space). Henceforth my patience wears thinner than the pitiful excuse used to 'postpone' the English Ozzfest and temper simmers at about one shade lighter than supernova (my apologies - that would mean my monthly emissions were actually yellow and my vulva rife with gonorrhea, which would mean at least, if anything, I'm infectious).
So, if you're listening, Grand Overlord Robyn Doreian, and if you're not to taken with storming about 'Hammer Towers' punishing cringing minions with a lash of your mutated claw-like fronds, then I, Keeper Of The Cupboard Infernale, require some form of stability. I do not possess a Jedi's ability to predict the near future, nor is my name Bruce Foresight. All I require is an advance warning of deadlines, so that I might aspire to writing a font of wisdom (rather than a well of wank) for my devout congregation. I dream, nay I... I... I... euurghh!! (cough, choke, the sound of a sinuous talon being dragged across backbone)... yesss mistress, I will crawl back to the hole that spawned me. No, I won't dare speak ill of you again or, under any circumstances (lest you repeatedly play me the new Def Leppard album all the way through) will I tell my readers how the Ozzfest had only sold a few thousand tickets anyway, and that it may have sold more had the original 'proposed' Iron Maiden line-up been confirmed as the special guests ... oh, you tire of my torture now and intend giving me to your fledgling vivisectrix Val Ium instead? Well, in that case...
As well as suffering from various Val Iergies (one in particular, involving stiletto-sized stigmata all over my testicles, making for uncomfortable mountain biking), I have also been prone to a nasty bout of technofear of late, hence my computer, very much like me at the Metal Hammer offices, being confined to an unproductive life under the stairs. Which makes it even harder, attempting to write this free hand, when one has just spent a birthday weekend in London, getting cuntoxed. My hands are actually still shaking (fair enough, the right one because I masturbate continuously while I'm trying to be creative), although not from the DT's born of a three-day boozing spree, but from the cost of getting a decent round in. No wonder I choose to live in the countryside; you need the equivalent of a Third World National Debt just to get significantly ratted in the smoke. Two pauhned eighty for a facking Guinness, guv'na? Not on your Jellied Eels.
Which brings me to the hub of this issue's less-than-perfect verbal expulsion - The 'Grasspop music Festival Mishap', scarring as always, Cradle Of Filth. Now, I know I've been relatively cruel about Belgium within these fair pages in the past (something about it's population hung upside-down on crosses with their faces put to fire, or some such harmless reproach, but I must congratulate it's existence for what turned out to be quite an adventure. The festival itself routine, loads of top bands - Danzig, Immortal, Mercyful Fate to name but a few - rainfall on a biblical scale, portaloos crammed with foul-smelling foreign meaty poos and, of course, the aftershow Rudas Priest entertainment at the aftershow bar. in essence Heavy Metal Pancake Day. However, dear old dribbling Rudas is not this tale's star. Remember me mentioning a new drummer who couldn't, for various reasons, be as yet named? Well, for the sake of his identity, we shall refer to him solely as Adrian From At The Dates.™
On our return to the hotel (a few of us seeking further lubrication at an all-night bar) and finding the rest of our troupe smoking weed in the lobby, we decided with sozzled logic, not only to rearrange the furniture, but to barricade a snoring Rudas in his room, after burying him muddily under as many plants as we could pull from their pots. Painting, cabinets, even the hotel's cigarette machine joined the makeshift wall, as we scoured the corridors looking for fresh heavyweight objects, crippled with hysterics. It was only when we took the destruction back to the lobby that Adrian From At The Gates™ noticed the Securicam and decided that, to avoid morning incrimination, he should rip it from the wall, which seemed a brilliant idea - until the actual morning when we, nursing hangovers, were being questioned by the Belgian Police (well, all save Rudas, now back to Lez, who from being freed from his room had fled, having been smuggled into Europe without his mislaid passport in our coaches hold, and subsequently didn't want arresting...).
Of course, we all blamed imaginary bands called 'Obsession' and 'Horrible Angel' (from Lithuania) for the carnage, and Adrian From At The Gates™ believed he'd got away with destroying the camera, until dragged off to a backroom and being shown videotaped footage of his heinous deed by two unamused looking cops. Talk about You've Been Framed... on second thoughts, don't bother. 'Who's Been Maimed' would be more watchable.
Well, that's shit for another calendar month. So, until next we meet, twelve hundred quid down for criminal damage, sleep tight and don't let the bedbugs bite (let alone bury you in potted plants and barricade the doors)...

Your Fiend,
Dani
 

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Filling The Heavens With Dirty Great Balls it's...
Pact Nineteen - Eclipsing All Else

August. Hardly a majestic or venerable month, inscribed as it was with a tyrannous nature more in keeping with namesake Caesar assailing us with hails (geddit?), earthquakes, floods, twisters, heat waves... if I didn't know better I'd say Ming The Merciless was abroad with a target: Earth Death Ray.
There was the solar eclipse on the 11th, which in all fairness, and despite garnering profound astrological significance, was about as exciting as wiping your arse with your other hand. In truth, the more I think about it the more it seems that prophet Nostradamus has got something there ... wiping your (or 'thy', as I believe he phrased) arse with the other hand can be fairly revelatory, especially if your imagination lends credence to the fact that this rarely performed act could actually be someone else wiping your bum for you. So with this in mind (after sitting on my digits for 20 minutes for that benumbing authenticity), first up with the job with the slidy school toilet paper (or better still, the new Coal Chamber album) would have to be Patrick Moore, for all his bumbling eclipse rhetoric over the passing few moons (I'd certainly log onto his Website). Jack Koschick - promoter of this years Milwaukee Metalfest, who didn't even have the decency to provide a rider, or the venue with a PA that worked. And finally (for the perviness of it all), Jane Seymour, who could pamper me like a baby whilst tending to any other basic necessities I so desired...
Mmm, Jane Seymour. Doctor Quinn.
Anyway, dickstrations aside, August was a relatively extreme few weeks all round, and it hardly seems appropriate that I should ramble on about myself and my experiences in lieu of the recent devastation caused by the earthquakes in Turkey. But I will. It's my fucking column!
Not one usually to sit at home blowing my own trumpet but, if anthropologists are to be beloved, that one restrictive little vertebrae in the male spine is the next thing to go in the evolutionary chain, thus rendering most men hermitic and women unneeded (though this is where Val Ium interjects by mentioning the dildo...), but last month was a blinder. Then again, perhaps I shouldn't have stared so vehemently at the eclipse, but I didn't want to miss it and there was this big fucking round thing in the way, and by the time it drifted past the eclipse was over. Typical. Patrick Moore, wipe my arse.
Things didn't exactly get off to a flying start when two little hoodlums pranged my girlfriend's brand new car, and then grew progressively worse when their parents claimed I'd assaulted the brats with their own football boots! Now you know as well as I do I'd never stoop to such a thing (possibly because they were about the same height as me), but the general animosity soon simmered down and the matter was resolved, at least I don't expect the six sets of graves to be stumbled upon just yet...
Lughnasadh gone, the great witchy periodical Lammas found the band ensconced in the great USA for not only the Metalfest, but a string of club dates, culminating over the Canadian border in Toronto. I remember this day vividly, because of the advance Misfits album I received from Roadrunner, which rocks like King Kong in a cage (and the new Coal Chamber, which is not so much a roller coaster as a coffee coaster), and the fact that this was the beginning of a week's worth of anti-gravity, depravity and snorting in the lavatory. Well, just about doing anything, and everything, including the rare onboard-a-tour bus phenomenon of taking a poo. Oh yes, our bus was like a three-star of David Hotel in heaven compared to the traveling hippy commune we're familiar with in Europe. Air-con, two full entertainment systems, rear lounge, kitchenette - it was enough to bring rudas out from the husk of his keeper, take three acid blots and hide himself in what was a more than ample sized closet for storage.
Still reeling from jetlag and duty free, we literally had to be peeled from bed the next morning after our return to face an in-store signing session as part and parcel of another magazines award week. We weren't alone - we would sign; Feeder, 3 Colors Red and 'A' would play, and after watching the Circus Of Horrors perform, all would regroup for a Barbie on the rooftop patio. Good plan in theory, but never grant near-dead menthe promise of booze... especially that which is free.
Two hours is a long time for anyone sitting, signing and swilling a lethal concoction of Absolute and JD, and by the time we eventually made it back to our (which according to Music Week and The Daily Star - must be true! - we wreaked, having all ready tossed pictures out into the street below, narrowly missing security and a distressed store rep...) there was a spreading pool of pee in the corner of the Video Department, two bemused and abused Deejays who'd attempted interviews, and a drummer so drunken that he was wobbling astride industry people's tables at the barbecue screaming "Wankers!", and throwing the universal sign of metal in their astonished faces. Police and the Fire Department were eventually alerted, whether it was for us of the Circus, who's also revolted, I can't rightly remember - we made good our escape during the mêlée.
And finally, the awards ceremony itself. Not much to say here, apart from an impressively spooky decor and an abundance of people with colds in the toilets... though it does show the current clime in our beloved scene when B-movie actor David Soul received the loudest response of the evening!
'Til next time we meet, dwelling on reasons why there appears to be too many pop bands winning awards from heavy metal magazines...
Yours in disgust

Your fiend,
Dani

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Bi or just curious? It's...
Pact Twenty - Alcoholocaust

Following 'Er next door's sporadic but commendable thesis on female hatred last issue, I was aroused enough by the full use of her eloquent tongue to get something similar nature off my tiny-titted, yet highly sensitive chest this month. Whereas Val despises women, I , on the other have a deep throated (sorry, rooted) hatred of men. Not any breed in particular, just the whole fucking deal. Men are libidinous, obnoxious, and chauvinistic...and if that's not enough they're hairy, rough, muscular and endowed. No, I hate them. Give me a good-looking woman any day...actually strike that comment, cap'n - just any kind of woman any day (mantelpieces et al). So you're not alone, young lady. Calm down, perhaps take a valium or two and learn to vent your anger elsewhere (Crack! Brzzzzzz! Sudden sounds of bullwhip and a 13-inch anal desecrator revving up, minus the fizz of amyl-nitrate for comfort).
Limping on, though eager not to suffer a similar fate, I must also commend the words of the headmistress for the kind words in her editorial last month. Firstly, I never cackle demonically (well, not unless I'm hunched over a light box on behalf of Metal Hammer, scouring for photos of rock stars looking chubby...), and secondly, my column was late because I genuinely had a kidney infection. No shit! Plenty of pee though, and I was half tempted to send in a vial of it as proof. 85% fuckin' proof!
Anyway, more on the subject of alcohol abuse later, but for now just abuse, for also in her editorial, the grand inquisitor branded me as an arsehole, which given the circumstances I've just described is, I think, a little unfair...I'm actually a total wanker. Evidence of this can be found not only be catching having a quick five-to-one with 'Palm of the Handerson' in the church every Sunday (come on, isn't that the sole reason priest have you close your eyes and bow your heads for prayer - so they can ease the old fellow out of the cassock and toss at the choirboys?), but also on a new T-shirt by Glue Grape in America with my face on it and the word 'wanker'. Charmed I'm sure. Wanker, maybe; arsehole, not. That term is exclusively reserved for PROPER journalists. Take one particular specimen who I shall refer to as 'P.E.' (for his initials are this).
First off, on a recent homeward-bound plane journey, much throwing of the horns and head banging was undertaking when we realized we were traveling at 666mph. Our friend Lex then coined the phrase "faster than the speed of evil" when our velocity increased. As bands are prone to do, the phrase was bandied around with much mirth. And that's how, at a certain awards ceremony, Shane Embury (of Napalm Death) was able to joke with said journalist, 'P.E.', that he was currently listening to what would surely become a monster hit album, 'Faster Than The Speed Of Evil' by (the fictitious) Absolute Power.
And lo and behold, what appeared on 'P.E.''s personal play list the following week but 'Faster Than The Speed Of Evil' by (you guessed it) Absolute Power. Advance demo version. How hip. Sounds like Dan Silver.
Secondly, the same journalist reviews our 'PanDaemonAeon' video release a week later, this time for Q magazine, which obviously being a non-metal publication requires a more cooler-than-thou mentality. Hence, it's a touch sarcastic, culminating in the statement that: "low budget it may be, but The Blair Witch Project it is not," implying that, well, it's just not scary.
Fair enuff, he's entitled to his own opinion, but has he actually seen Blair Witch, or is he just going on hearsay from Stateside, where the movie is currently showing (it doesn't come out here until October 29...)? Because I've seen it and - oh God! - how I wanted this film to live up to its boast of being the most frightening movie since The Exorcist, leaving American audiences speechless and aghast. Well, speechless only because American audiences must be dumb! I'm sorry, but how anyone can rate this film is beyond me. I was praying that the student union cast would be killed off every step of the way - it was either that, or put out my own eyes to relieve boredom.
OK, perhaps there were a few moments of suspense, but my main point here is: don't believer everything you read, especially when it's from the inkwell of someone who writes out of their arse. What next, COF involved in gay porno? Oops!
Finally onto the promise of alcohol. No, it's not my round; I'm to relate to you the perils of Red Bull and vodka on special offer, hence the aforementioned big, bad kidney incident. It was a foggy moonless Eve...sorry. Luna was at her Grandma's and seeing as it was our night off, Tone and I decided to get horribly drunk. However, I'd forgotten about the Red Bull and voddy binge in Salzburg a few years back that the band barely lived through, which had culminated in a full bus brawl and our tour manager having a nervous breakdown. I'd sworn and oath never to touch the lethal brew again... This palatable warning drifting back to me the following morning when I awoke to what looked like a Bosnian bombsite and a pounding ache in my lower back.
Apparently, on returning home late I had dozed off in the shower, deciding at about four or five in the morning to crawl out and listen to Slayer. Two tracks into 'Show No Mercy' there was an almighty crash likened to several hundred CDs falling to the ground and a dull, resigned thud. When Toni thundered downstairs to witness what fresh idiocies I'd inflicted (and no doubt to turn the taps off and punch my lights in), there was I, buried under a mountain of shelves and discs, most of which I'd collapsed upon, after pulling them down by walking into a wall.
There's definitely another lesson to be learned here, but seeing as it was the first time in my boozing career that I'd blacked out, I couldn't possibly remember what it could possibly be. Ah that's it...don't try this at home, kids - go round someone else's.

Yours desperate for a less destructive vice, perhaps heroin or murder,

Dani
 

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The current affairs column with the biggest fattest tits and arse. It's
Pact Twenty-One - Wank, Suck and Fuck With Me

Salutations from the sewer creepy-crawlers, underworld trawlers and fellow coprophagists, I trust that your Halloween was as unconvincing as my own, despite the fact that at the time of writing it hasn't even occurred yet; such is the urgency of delivering my goetry and prose to you every month, my humble but fleet-footed flock. No grisly yet beautiful teen murders, no bobbing for severed heads, no insurrection of the walking dead? Obviously no fucking fun then...
Forgive me my trespasses (but the windows were unlocked), I know I'm a total cynic when it comes to predicting much-touted future events -possibly something to do with a scuffed crystal ball and too many towers in my tarot - but it's as plain as the witch teat on your thigh that the millennium will come and go a disappointment and All-Hallows Eve, that most ardent of non-Xmas festivals, will have been celebrated by no more than a two pence-off-a-Guinness - offer, a few manky pumpkins and a passing cheesy grin from a Hammer film. Here in good ol' England we seem to pride ourselves on our lack of enthusiasm for this sort of thing, preferring to let the pomp and ceremony that the Americans bestow upon Halloween pass us by, while all the time pining the values that apparently once made this country great. Bollocks. It's all bollocks.
In fact it reminds me of a saying that we used to share as children, as we humped huge vats of boiling pitch to the edge of the castle ramparts to see off wondering friars and taxmen...
"Sod your Epiphany, your Advent, your Lent, Pancake's day is shallow and Easter is bent.
Give us three witches, hob gobbles and frights, for Christmas is ages and the rest of the year's shite."
Traditional.
Put a marked improvement for All Hollow's Eve in your constitutional mandate Labour government and you've got my vote. Maybe call it 'The Blair Witch Project'?
Back on the subject of millennial brain fever, someone was adjudged insane enough to include our new video in the Millennium Dome Experience - I kid you not. Apparently, to co-demonstrate the use of eloquent language in youth culture (?), a part of the film will be shown to the unwitting public when it eventually opens on the Eve of the forth millennium. Talk about Jeckyl and Heidi. Anyway, it's not as if the words will be that apparent from the video anyway - we're hardly S-Club Seven (more the Cess Pub Six). In hindsight it's a pity we didn't shoot a promo for the EP track 'Of Dark Blood And Fucking'...now that would have been worth seeing, if not starring in.
Move shitly on and to put the intended record straight, Cradle Of Filth have parted company with long term guitarist Stuart Antis and everybody's favorite pastor of disaster, Lecter (whose triple exploits have long defaced the annals of the cupboard 'infernal') due to increasing personal differences, including that of a common musical goal. Like and expensive sex toy, I thought it well worth bringing to the public attention seeing as the much-loathed industry gossip-mongers have already vultured enough rumors about their departure to warrant a novella, an idea, which, like the tory, tickles me pink every time I dwell on it, especially the imaginary first chapter heading of 'Stress, and how to deal with the bullshit'. Like the aforementioned genital pleasure, Stuart and Lez will be sorely missed, after all, replacing Rudas was always going to be sticky (unless of course TV's Father Jack is available, conscious and a grade eith pianist), but the guitarist situation has been righted by the gaudy return of the swashbuckling Gian Pyres and 'The Principal Of Evil Made Flesh's' valiant Paul A. So, onwards and upwards as the vicar instructed the petulant choirboy. Finally, on a lighter, more sensual note...If you're looking for nothing better than suicidal and fucking savage underwater massacre this weekend (as you do), then check out the Jaws wannabe Deep Blue Sea at your local flicks. Lacking all the suspense of Spilberg's original fishy masterpiece, Deep Blue Sea swims around the ludicrous plot of an undersea research team attempting to 'train' great white sharks. Pony, I know.
Where it wins you however are the extremely graphic shark attacks and especially the death of lead honcho Samuel L. Jackson, which could turn out to be a piece of schlock-cinema history. Halfway through the film, Jackson, sho up to now has been team-leader, is just sinking his teeth into a rousing, survivalist speech worthy of a cheap Grammy (a hammy), when a fuck off Great White bursts out of the water and sinks it's teeth basically all over him.
He is then promptly dragged below and torn in bloody two. Hoorah!
Either he couldn't stomach the plot (not that he had much of a stomach left) or he appeared for half his normal fee, but either way, what an exit. Which is where I am prone to falter...
I would write more this issue, but I have a certain crawling Miss Luna bashing at my ankles with a walk-along Goofy, builders are about to take the roof off my kitchen and I have a driving lesson in Ipswich within the hour. How could Hell be any worse? (Wll, other than Luna not being there).

Your contemplating the new cradle line-up changing it's name to 'Insanus'...
Dani

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Go Go Gadget Verbicide! It's...
Pact Twenty-Two - Game, Set And Snatch

This month's rpride through the cake-filled colon of Hell comes courtesy of a three-week month crammed with more ups and downs than a liftshaft fuckathon, which thankfully left most of the wankers I've dealt with on the ground floor awaiting come-uppance.
(Now, you know me. I have a big bowl of moral fibre for breakfast every morning. So I refuse to sink to 'their' level and mention any names, but nature being what it is, one hefty bowel to sink to 'their' level and mention any names, but nature being what it is, one hefty bowel movement and it all may very well come out...)
Firstly, the thinning of the band that I delicately touched upon last issue was further rubbed the wrong way when a rival magazine (which, for legal purposes, we shall refer to as 'Meringue!') decided on a course of paparazzi-style provocative journalism by phoning me at home the night prior to when their poop-scoop with our former guitarist was to be printed. The journo in disrepute - we'll refer to as 'mud' - felt it absolutely necessary to tell me all of the bad things spat about me just before my response, obviously in the vain hope that I'd verbally retaliate, and therefore create them a rather contentious and contemptible news piece.
Thankfully, I didn't rise to the challenge, remaining as tight-lipped as a lezzer in Burtons (a crude analogy I know, but after all the things I've been dubbed in the past month, being branded a homophobic, on top of everything else, would be about as unpleasant as handing back the golden ticket to Willy Wonka's Chocolate Factory...), which I did by keeping my head down, trying not to rock the throat and praying that a sticky situation wouldn't come out of it. It didn’t, or at least no further fuel was added to the pyre, until 'Meringue!'s cover story with C.O.F a fortnight later (supposedly pivoting around a bright new future, and not the events surrounding the shite now past) which, surprise, it did in typically sensational style.
An apparently harmless photo shoot werewolfed into what can best be described as a very obvious dig a the Ex-Wives Club ('Dani Shoots Back') and the interview... well, let's just say that the ten minutes spent sidestepping the recent rather shady issues fleshed out the bone of the write-up, whilst the other good two ours spent in-depth chatting about the new line up ended up being dead time on a Dictaphone.
Talk about soap opera. This was getting worse than Falcon Crest.
Luckily for all concerned, holding such a prominent position as I enjoy at Hammer HQ (next to the spare Hoover bags and a nestful of spiders) I am able once and for all to lay bad ghosts to rest (my witch-doctor always pushing me to exorcise).
Firstly, and definitely foremost, my jokes are bloody terrible, and secondly, the parting with old band mates is totally amicable. There are no grudges or pithy last comments, at least not from our side of the proverbial grave.
We actually wish those departed well and no amount of shit-raking guttersnipe journalism will sect respect their readership enough not to have them bombarded with lewd, tenuous hype and personal propaganda - an if you don't believe, check out next issue somewhere between the ads, the posters and the 72-page Slipknot feature, Douche!!!
Apologies must be made to that most illustrious of rock DJs, Tommy Vance, who bravely invited Adrian, Paul and I onto a recent episode of his VH1 rock show, where it may have appeared that we were taking the right royal piss. I can assure you, we weren't. Five whiskey and cokes apiece, before going on left us a tad more inebriated than we first gave credit for, and subsequently we appeared on TV as three rather slow, dim-witted characters. It didn't help matters that we were wearing all the same clothing, which, by chance configuration of ill-fated stares that morning, gave us the appearance of the three mongoloid stooges. Poor Mr. Vance seemed at a loss to know what to do with us, whilst all we could do to redeem the situation was to have him repeat his time-honored phrase 'rockkkk!' and 'Gillette - the best a man can get' in his low down grunt of a voice. I even went on to express the opinion that he would have made a more convincing narrator for Walking With The Dinosaurs (the natural history program and not another documentary on Black Sabbath) then Kenneth Branagh - an act deserving of 'imbecilic comment of the millennium' alongside Jesus Of Galilee's "come on the, I fucking dare you" when he knew damn well it was Easter weekend.
Last month also bore manna for me with a role being offered for a bloodthirsty gangster movie entitled Glass House, in which I'll be playing an evil little fucker (hmm - sounds familiar) called Christ (so named for his penchant for wearing all white, and the fact that his shot-through hands resemble stigmata). But of course I'll keep you up to date as things develop. No, not the genital warts, the film...
And finally, this months reading recommendation comes courtesy of Deborah Addington's frank yet sensuously elegant 'A Hand In The Bush ' The Fine Art Of Vaginal Fisting', available now via the Greenery Press. All you've ever wanted to know abut this somewhat sticky I slovenly handled through step-by-step instructions and diaphragms (sorry, diagrams) and over 30 graceful line drawings to ease you past your initial discomfort and into a newfound euphoria. All in, this is an essential read for all, but don't just take my word for it. The former Albanian Missionary once described the book as 'uplifting', whilst both HRH Princess Ann and Dame Thora Hird declared publicly that "It fucking pisses on the bible"...which in all fairness is quite some selling point.
Until the next millennium, if we're not wondering scorched earth, suffering from radiation sickness.

Your F..F..F..Fiend,
Dani
 

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Somewhere between Heaven and the Tesco's cheese counter it's...
Pact Twenty-Three - A Marriage Made By Seven

I take a brief slaycation from the perils and the pitbulls of professional journalism and what transpires in my absence? Inhuman kind enters its final millennium, and if that wasn't bad enough my T.A.R.D.I.S. (Time Amid Rural Dementia In Suffolk) materializes at what is supposed to be Hammer Towers, only to find the broom cupboard infernal swept, free of Deathwatch beetle, and currently storing back issues of Paperclip Weekly.
As it goes, it would seem that the stench of bureaucracy has once again permeated the séance between us. A staff meeting in a boardroom long since exorcised of breathable air confirmed the worst. The Imperial Daemonarch, Robyn Doreian, vast leathery wings unfurling to knock the Lemsip from Malcolm Dome's hoof, announced a takeover bid by another publishing group based in Bath, which therefore meant immediate relocation of the magazine or (and this is where eyes went a ravening black...) voluntary redundancy.
Now, no offense to the illustrious city but Bath is hardly the Mecca of rock, and despite it's overpriced, overpopulated, over-polluted and 'over there - just near the Thames River, you can't miss it, mate' - drawbacks, being based in London did allow for once Cyclopean eye to be kept on the very heart of gigs and begwig ligs. Which is exactly where you'd expect to find the world's biggest monthly metal publication and not, as stuffy executive wank managers decree it be, in sodding Bath.
Now, if it were Nottingham on the other hand, it would be a completely different Cradle Of Fish altogether as a recent wedding we attended there was to testify. The place just reeks of nostalgia for the ageing metal fanatic. Mullets roam the city in much the same way as migrating shoals of Bill Wards might have once done in the late Cretaceous era, whilst bullet belted thrash fanatics rub boulders with preened and predatory glamsters just like the good ol' days of the burgeoning '80s. (Brief pause for a recollective weep).
One such watering hole for these creatures, the extremely welcoming 'Tab And Tumbler' was fortunately just outside our hotel, whilst the rear of the building and our room afforted views of the myriad rooftops of Rottingham Knock City - easily the best club on these fair shores.
The wedding itself, that of one Willy Evans (one of the 'little' people from our last promo video) and his bride-to-be Stephanie was surreality itself and despite a late night and a 9ammm roll call for the cathedral next morning, it proved to be one of those rare precious memories you take to the grave.
The band invite was only accepted by three of the Filth -Adrian, Gian and myself accompanied by my wife-to-be Mizz Filth who drove; the marriage held in Nottingham, because of the pantomime 'Snow White And The Seven Dwarvers' (that Willie was performing in at the Theatre Royal). This meant that many of the guests were either co-stars or held some connection with the industry, hence an invite being extended to Alex 'Out Of Hand' Chandon and chums, whom we'd arranged to fandango with up there. In fact, we gave it so much large the night before at a lethal mix of pub 'n' party; the only thing holding us up the next morning was the bravado of our cheap suits.
Alex, who'd evidently been on everything other than sleep, burst into director mode on arrival and proceeded as if the ceremony itself was his next film, resulting in a steam of madcap incidents like standing on the bride's train, close-up filming of ex-page three girl Linda Lusardi's enormo-cleavage, the heckling of panto star Lionel Blair as he finished his speech (though obviously Lionel didn't view the festivities as much to make a song and dance about, and so forsook his infamous patent leather white shoes), the circling of the wedding party like crow whilst they addressed their vows and, finally, bursting into tears at what Alex described as "the sheer emotion of it all."
As further psychosis ensued, he would take that camera to the city centre and film himself sexually abusing modern sculpture, being run down by oncoming traffic and shouting at shoppers and fellow drinkers. A good friend he my abe, but buying him vodka is akin to leaving your kids with Myra fucking Hindley!
All in all, the wedding was very light-hearted - the service itself undertaken mostly in costume, Willy and Steph being accompanied by six other little men and a sparkling Snow White. In fact, my highlight (other than falling down the stairs into the reception) was at the end when the bridal entourage trooped out to panto music and just when the procession drew alongside our relatively blackened few pews, Willy, hand on hips, groin thrust our in our general direction should out "Filth" in tee of the gathered TV cameras. A little star like him deserved the top day it turned out to be.
And lastly...whilst wedding pics were being snapped, two of Alex's tribe, Dom and Matt, stole back into the church entrance to look over a small art exhibition being displayed there. The priest joined and talked them through the paintings that appeared to them rather too tortuous for a cathedral, proclaiming that, funds allowing, he was going to relocate and hang them closer to the front. However, on closer scrutiny they discovered the artist somewhat unhinged. In one written self-observation, he described the world being 'as a diseased egg, that begs to be cleansed', and in another (a Boschian hellscape). Heaven being a place he likened to 'a mutual mass gang-rape'. They didn't let on...

Until we meet again, lashed together on an alter of madness - get three fucking wed!!!

Dani

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I am the God of Hellfire and I bring you...
Pact Twenty Phwoarrl - Fresh Fruit For Rotten Vegetables

Greetings from the pit, fellow suffers! Back on the games with a bigger set of balls and a more convincing pheromone aftershave, I return... The Witchfucker General.

Bad Manns from Heaven. So damned evil, even the light bulbs in my toilet are black, which wouldn’t account for the damp floor and the smelly brown smear down the back of my sheepskin leggings. And no, just because I went AHOL last issue, it doesn’t mean I’ve turned bi-monthly, quite the cuntrary. I definitely know which side my bread is buggered, and from henceforth the ´inferno´ shall be as regular as cockwork.

My previous month’s absence was due to my system still reeling from the departure of the Grand Despot, Mistress Doreian, from the Hammer Tower throne room, having rapidly resigned bodily functions just in time to see her winging her way violently back to Maggotropolis London, the carcass of a juvenile Cryptoclidus lodged, firmly in her craw. Oh and her leaving bash... which doesn’t immediately imply that I had a marathon hangover afterwards, because the chance would have been a fine thing had me and my swarthy bunch of angelic upstarts not arrived at exactly the precise moment the free drinks petered out and Londaan paab prices went into effect. Fortunately, Chris Ingham was propped at the bar with the company credit card, and it was all thanks to him that the night sallied along relatively shamously. Incidentally, I’d always wondered what Chris Ingham looked like (one of my naffer millennium resolutions, I know), mainly because I was under the impression (under Robyn´s tyrannous regime, it was demanded of him to wear a cordoroy face muzzle about the dungeon at all times) that he was hideously deformed, part man, part massive sex sprat - but I was thoroughly pisstaken. He looks like a cross betwixt Dexter Holland and a younger Avon from ´Blake´s Seven´. I hear Miss Guy quite fancies him. I certainly do. And so does our boyfriend, Grahame Bent.

Anyway, when the eviler me has finished trying to wreck this month’s column with her garrulous gibbery (I suffer from Jeckyl & Heidi syndrome) I shall mourn our previous editor’s passing for another 50, maybe 60, words and then her ravening appetite for cleaving nipples off by post abated, move onto less venomous topics.
Like Serial murder.

In all seriousness though, good luck to Robyn in whatever she pursues next, I dare say she could do with a break after five years´ hard graft working Metal Hammer out of the gutter (the complete opposite to me, although I prefer the neo-Gothicism of calling it a storm drain), we (and I certainly speak on behalf of myself, the dungeon cat, Dave Ling and some earwigs I’m attempting to bring back to life via Tantric Sex) wish her all the very best, and hope that Mick Taylor upholds her lotty standards of metal that fans have come to expect, nay demand! Cue Harrier flypast, Cue Manowar-style magnificent foppery, and cue a Viking send off. Cue change of subject...

Not much of significance has transpired since last we met, much of my time being meted out in pursuit of our new album ´Midian´. When one half practically wrote itself, the band decided to have a go at other, a decision costing us much of our usual time sitting around idly fingering wank mags.

Little Luna has learnt to walk, and so have our keys, wallets, phones, etc. all by themselves!

Alex Chandon has just put the crème-de-la-menses to his latest endeavor, Cradle Of Fear - a full lenght British horrorfest in which, guess who star? Alex´s first official comment regarding the censorship surrounding much of his work, and possibly this, was that he isn’t so much concerned with being banned from film distribution as he is from his local pub - The Beard & Clam.

I also had a strange experience on the stroke of the thirteenth hour of Leap Year’s Day when the space/time continuum wefted and I was thrown back to the fourth line of my last column (Pact Twenty Three), six words in and forsaking the comma...´ and if that wasn’t bad enough, my T.A.R.D.I.S (Time Amid Rural Dementis In Suffolk) materialized at what was supposed to be Hammer Towers, only to find the broom cupboard swept free of Deathwatch Beetle and currently storing back copies of Paper Clip Weekly´.

Had I taken one too many capsules and snoozed right through to an age governed by office tidy tactile primates? No, I remembered that their bid for evolutionary dominance had ended with our previous guitarists. Anyway, by this time I´d noticed the eight-page Coal Chamber featurette in said magazine and a quote lifted from the text had distracted my erection...

"I thought that our stand- in bassist Nadja Porombka was the perfect full-time replacement for Rayna. I just remembered thinking back then that Rayna wasn’t gonna have much time for paperclips once the baby arrived..."
Dez Falafel.

Jeez, some people. They’ll undertake anything to get in the public eye.

Incidentally, did I mention that during my leave I reviewed (alongside pop tart ´Lolly´ and Matthew from ´EastEnders´) the new Oasis album for Select undertook a band ´at home with Playstation magazine (issue 56), stripped naked for a US Goth rag (thankfully not a very well printed one), and played one of the best April Fool jokes ever conceived in a rival publication? I didn’t We’re on a different subject? I did the T.A.R.D.I.S. play on words bit? Knackers!!!

Yours, tempted to change the band’s name to ´Fisted Sister´.

Dani

PS: A brief film review for Luc Besson´s period Joan of Arc romp...
Joan of Arse.

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More fun than an open-casket funeral (but not by much), it's...
Pact Twenty-Five

Greetings from all nice concentric circles of Hell, ten if you include, the M25 (Beelzebub himself presiding over the Brentford turn-off). Time once again to pull my insides outside my mouth and decorate these wipe-free pages with astral vomit, pith and nails, lactiferous outbursts and ectoplasm wrung from a soul sick with -fuck, cunt, shit-Torte’s Syndrome.
Fuck.
So welcome scum, and welcome to the column that pushes boundaries of shitdom to the very blink of feasibility, siphons it through the hairline cracks in sanity and then drops the whole steaming cess into the tiny manipulative hand of children everywhere.
Bow then (and while you're down there...), before the dark and ever shifting mirror that is the Inferno. Pray Enter...
This past month trespassing both March and April like some myxomatosed Easter Bunny - has had its fair share of ups and downs (NB - must oil that squeaking bedspring). The worst has been payment for three years' income tax to the parasitic Inland Revenue, which saw the small fortune I'd amassed for a boob job (just an inconspicuous one sewn on somewhere to toy with in privacy) whittled down from one handful to another, this time to the price in pence of a Big Mac, which ironically (and allegedly) is also made with silicone. As well as all the other appendages some witless fucks require inflating - lips, cheeks, teats and eyelids (whereas I would rather settle for my bank account).
There was also another late night excursion to A&E (that's accident and emergency you sick puppies) when baby Luna undertook her bi-monthly plummet on the head, though it was third time unlucky - she didn't get a lollypop despite having to undergo another X-ray to see if, like her father, she actually possesses a brain at all. Not the most thrilling of nights out; hours slouched abut staring at sick and injured people might be your idea of entertainment, but I'd rushed out without a packed lunch.
Still, compensation was accrued via a bout of about 13-month-old (unlucky for mum) madness, when Luna decided to destroy the children's waiting room, much to the horror of parents and their brats alike, and the increasingly hard-to-stifle amusement of myself and Toni, who repeatedly had to stop her wadding over to a child nearly thrice her age and lobbing plastic bricks at his face. Oh the wondrous joys of parenthood! On the plus side, this month did bless me with two rather biblical revelations.
Firstly (and obviously by the grace of God because my father used to know him), I passed my driving test with flying colors (rather than flying pedestrians), a feat that has opened up a whole new chapter in my life, one that is entitled 'Car Keys', and how to snatch them from my girlfriend's purse! No, she hasn't taken to secreting them between her legs to foil me, though it would make for an interesting discourse should I have to retrieve them without her knowledge. It's just that she needs the car on a daily basis for work etc, and I just wanna burn rubber baby! And until I buy another Munster mobile, completion for its use will be stiff and usually resulting in a toss-off, (I told you she was good at persuasion...)
Armed with ten years' hindsight, I would've learnt to drive a damn sight quicker had I become as dependent on it as I undoubtedly am now. Whereas before, if anything was required of the village shops (for example-shouls we need candles, bread, a replacement child and so on), I'd probably walk, jog -hell even unicycle- the 50 or so yards. Not so now. At the slightest sniff of an opening (oo-er!) to use the car, the tan-backed driving gloves are ferreted out, the CD player's put in, the seat and mirror are adjusted (I still drive like Mr. Magoo) and finally after edging out of the parking space smaller than the actual car itself, I'm off...only to repeat the procedure 30 seconds later down the road parked outside the Co-op. I can't help it-the driving bug has bitten a B-road right up my inside leg and grabbed me firmly by the short and curlies. The car is now an extension of my psyche. It's independence, it's freedom, it's ripping from the stereo thinking I'm mean motherfucking Nigel Schumacher. And what's a handbrake turn like at 60?
In short I'm addicted and I'm telling you (although legally only if you're old enough to believe me), smack would be safer. Anyroad...
The second wonder was that our year-long search pimping estate agents for a new home was over when we found a house in our favor and price range. the downside is (we are due to sign papers soon and seeing as my soul already belongs to another, I have to claim one on tick...) that we'll be moving from my beloved countryside to the smoke. The plus side is that the new house is by far big enough to accommodate the rollerdisks I've long since hankered for and the sanctuary for diabetic Shetland ponies that sensibility just demands I establish (proving they graze in a room 13x12).
Finally, some foreplay for the Cradle Of Fear film I touch upon briefly last month from the knackered biro of slaughter-auteur Alex Chandon:
"Cradle Of Fear is surprisingly enough, a twisted, deliriously sick 'n' sexy anthology horror film. Five tales of urban terror. A nightmarish tapestry of monsters and demons, killers and sadists, sex and lots of wet, red violence filmed in evil".
Shooting begins by the time the next column is milked onto paper, so maybe I'll have something decent to write about for a change. Probably not...Still, if it's any consolation, at least I still get paid for this crap, but only bad pennies and a nudey mag from the hairy '70s - still it's a living!

Your friend,
Dani

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Enough to make your knickers wet with foreign juices, it's...
Pact: Twenty sicks: Here comes the scum...

So summer is upon us again, descending like some flame-wreathed phoenix from the severed heavens, mantled in swelter welts and higher mortgage rates of cancer. Time once more for nonchalant sunglass fever, backdoor barbecues and Deejays regurgitating sad mantras about Ibiza and other atrocities. All radios double in volume and bass level. The breeze, thick with humidity unright for our climate is suddenly sickly sweet with the reek of factor fifteen on sagging cleavage, the youth become Californian, the elderly wear white in favour of grey. Squealing tyres, petrol mowers and carrion, migrant birds hog the roads and air. Pent up, cooked hormones congeal in flesh receptacles, a clicking insect libido when the lights and tights go down. Cabin fever. Bermuda contagion. Cloying sweat leaps from man to man as too does the notion that every woman in anything less than a late nineteenth century diving suit demands their utmost lecherous intent. Cities acquire the stench of abattoirs, brazen meat markets simmering to Maggotropolis. Coastline resorts threaten to break off under unwelcome attention and drift off into the ocean, leaving the Great British Isles with more the appearance of a basking beached whale than the temperated Dragon rampart the Euros once economically feared. Rover and Ford falter for not spewing out enough soft-tops geared toward the Internet Shares investor at this time of year, less informative highways crawl to a standstill with tin-opened BMW, VW and sporty, foreign fuck you's blaring the latest Speedhousedubgaragetechnodance craze, backseat speakers rife with electro-chitteringnonsense interrupted only by the microwave fuzz of in-car/in-ear/in-sane mobile drones. Even our beloved Metal scene seems to undergo a near-complete refurbishment beneath the glare of seasonal scrutiny. The Top Forty suddenly bears witness to an influx of pop-metal combos such as Terrorvision and Skunk 'n' Onion (sorry Skunk Anansie, it was just that I got a whiff of my summer armpits...!) all masquerading as alternative crossover. Don't get me wrong, they're good at what they do and, hell, I'd rather listen to them (well, bar that 'Tequila' abortion than something like say, Christina Agui- I'd have to remove my tongue to pronounce it properly-laryasshole, but at the end of the day, it's an embarrassment. Maybe I'm just riled because at last years 'Meringue' Awards Ceremony, Cradle of Filth came second to the jangly wet Stereophonics in the best British band category (which says a lot for said readership, voting for both of us!), but I believe (and say this with inward-studded codpiece thrust satanically towards an Apocalypse-ridden horizon-a sincerity beyond common sense) that metal need not prostitute itself unduly, if at all, just because everybody's walking around with sunstroke-etched grins and deeper tans from a bottle. Okay, so it darkens later and Angels always fall in love with the Humans in summer, but is this any need for more Fear Factory dance remix albums per normal one of their albums? Metal clubs incessantly spinning Travis and Oasis releases, badass dogtown attitude and keychains, Limp Wizzdick and, above all else of fate, Fucking Groop Dogrill? I think not.
Or is it because at the tender age of TwentySix, Six, Six, I'm just too old for this constant reinvention malarkey. Maybe that's why I've spent the last 500 words dissing the fortuitous shift in season, and why possibly my band will forever be nothing more than a sour taste in the Balearics to the majority of you. Perhaps I'm gay. Perhaps I don't appreciate the sight of naked nymphettes flaunting their ladylike bits openly in the street, the gaps in their cleavages glistening with beads of moist perspiration like a throat of low hung jewels, the sway of their barely covered hips a mesmeric pendulum inviting later appraisal in porcelain washrooms?
Perhaps I should just shut up...
I'm not going to be paid fully unless I end on a high note, or write at least nine hundred words, so I've opted for the latter and decided to introduce Cradle's latest acquisition-our new organist, Mike Powell, who is definitely The Man to usurp the throne of the late, great Shite Rev Rudas Priest. Being an eight-grade Pianist aside, Martin (formally of Scouse Scallywags, Anathema not only fills our precious keyboardist's shoes to near perfection, but urinates in them as well. Is it a case of guitar-envy or inherent musical brain damage that motivates the Rock Ivorytinkler to surpass decency, who knows or cares? Mr. Powell has lived up to the newly acquired moniker of 'Saint Disgustus' withour the faintest whiff or morality, or regard for personal hygiene. He first impressed me backstage at last year's Dynamo festival when he took my whole load in his mouth...Sorry, when he allowed himself to be thrust inside a fishy wheelie bin and then set on fire, but since becoming the Sixth Sense in the band, not only has he head banged solidity for six weeks, but in near white-out states of drunkenness we have bone witness to him licking kebab fat off the pavement, flossing his teeth with another's stalwart pubic hair (plucked from the back garden so to speak), eating lard sandwiches and, if that wasn't enough for the Plucky Northern dervish, devouring our bassist's birthday chunder for the paltry sum of sixty quid. The guy's a fucking animal. And there was I worrying...

Yours, brain friend to a sun-ripened raisin,
Dani

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