It is dark outside the door. Dark and cold. I wonder if she will recognise me. It's been so long, nearly twenty years. I pull the coat closer, trying to keep warm. I'm not 20 anymore, and I feel it, especially on days like this. Maybe I can go south this winter. Maybe they'll let me. As I get into the car, I take off my coat. It's going to be warm enough after a while, but right now the steering-wheel feels like a ring of ice. My hands shake as I turn on the headlights. It's almost spooky how much they look like the searchlights from the black, soundless helicopters who destroyed the POW-camp and got us out. They were like black angels as they hovered above the camp. I still remember how Chi Minh, the captain, curled up in a ball and wet himself as they landed. I remember thinking that he had become too used to working with prisoners, powerless creatures, whom he could order around at whim. I guess the thought of us as people was too much for him. It was a horrible time, and he did horrible things to us. We were always hungry, always dirty and always lower than even the dirt under his boots. I close my eyes shortly to wipe away the vision of the camp. It's going to be a long drive.
The sun is rising in the east as I drive through the city. It's a pretty city, I still think so, even though I've been living here on and off for the past five years. The broad streets are lined with old trees, and at night, if it is really quiet, you can hear nightingales sing in the park. I look at all the people I pass on my way and marvel at the confidence with which they do everyday things. Here, a woman carrying her infant and a bulging bag out of the supermarket. There, a young couple, lost to the world on a park bench where people pass all the time. They don't know the pain of standing outside. Don't understand the loneliness of knowing. Shock hits me like a fist in the stomach when I drive through the rundown part of town. In front of a crumbling building with huge red and black banners stands a Chinese man. He looks a lot like the cook that kept us alive through the five years we spent in that bloody camp. Hunger was an everyday event in the camp, but he always made more food than he had to, always gave us more than he was allowed to. Always disgusting, but at least it resembled food, and we ate it, even with gratitude after a while. I remember him well. Too well. I can still see his legs kicking when he was dangling from the dead tree they had kept for just such occasions. There was no room in the camp for people who thought we were worth keeping alive and well. I cut him down afterwards and buried him, trying not to look too closely at his neck, where the rope had tightened.
I'm well out of the city before I get the last of that memory away. Out in the open land. Fields to all sides, only the highway in front of me. It fills me with a feeling of freedom, as if I could just continue, never look back. But I know that freedom is an illusion for me. A brief dream, doomed to turn into pain if I don't push it aside. When I look out at the cornfields, they disappear in flashes, turning themselves into rice-fields. Tranquil as they always were with the sense of eternal patience over them, but also with the hovering fear. Always we were afraid. No one ever knew when a peaceful rice-field would turn into our little corner of hell. Out of nowhere a machine-gun would begin to rattle its song of death. Screams from those who were hit, the quiet moaning from those who were dying. Shouting, as the orders fell, and then we'd return the fire. Lying on our stomachs in the murky water that was slowly turning red with our blood. And suddenly it was all over and the world was quiet again. With our ears ringing from the gunfire, we would shout a row-call, trying to figure out who was hurt and who was dead. I always thought that there was no worse fate than bleeding to death in one of those rice-fields so far from home. I've learned to imagine worse things. To live them, even. Then I blink once or twice, and that image is gone too. Over the years I've grown very good at getting those memories to go away. The problem is, they always seem to come back.
Like her face. It never quite disappeared. It's grown dimmer over the years, and I remember more feelings, situations, than actual images. Like the day I left. I remember the tears in her eyes, I remember the pain of leaving her, and I very clearly remember the bitter sweetness of her lips as we kissed goodbye. But no matter how hard I try, I cannot recall her face on that very day. I wonder if she has married again. I could understand that, and I've convinced myself that it would have been the best thing for her to do. The last thing I want to do is intrude on her, to devastate the life she must have now. I told the colonel that I would only look. That I would stay in town for only one week and not talk to her. He was worried that she might recognise me.
I remember the first time I saw the colonel. He was one of the men in those night-black choppers who took us away from hell. Just to see the face of someone not dirty or Asian, made us all feel better. He smiled, and we were too happy and too exhausted to notice that the smile never reached his eyes. But when I look back, I can see that the smile is not a friendly one. All in all the colonel doesn't have a friendly face. Hard, would actually be a better description. Narrow grey eyes under black hair that was already then spotted with white and a firm jaw. And you never saw him smile. Or, rather, you could see him smile, if you didn't look closely. If you did that, you would see something that could be described as a the look on the face of your cat when it has just eaten your favourite parakeet, just to upset you. But how could we know then, what he had in store for us?
Once more I turn my attention to the landscape I'm driving through. Now I'm in the foothills of those mountains ahead. It's rugged terrain, and I wonder if there are any training-camps like the one we were in up there. The desolate and wild surroundings would fit it. Then I discard the thought and think about my wife.
When I left to fight in the war she was twenty-four. We were happy together. And she was so beautiful. I can't help but wonder if she has married someone. All of our family was told we were dead. It was better, more comforting, than being "missing in action". At least that's what they told us. I'm not entirely sure I believe in it anymore. I've worked for them for too long, done too much of their dirty work. We are getting old. All of us. Even the colonel.
I look in the rear-view mirror and see my own eyes. I still, very clearly recall the first time I looked into a mirror after I woke up. The pain of recognising nothing of the face I saw in it. Nothing except the eyes. The colonel told me that it was too risky to change the eyes, but my old face was gone. The innocence that once belonged to the young man I used to see there, my firm jaw that I was so happy about, the soft lips that she loved so much. All gone. He told me it was necessary for our work. Told us all, that there was no point in running away now, because our families would not recognise us anymore. And we were all so shocked that we believed him.
Now I'm driving through the mountains. I drive along a gorge with almost vertical sides. It makes me think of the training. It was much harder than the training we had got before going to war, but nobody complained. The colonel never told us what we were being trained for, and we were still in shock from the camp and the surgery that had been performed without our permission. Without even telling us about it. I guess that it was the ultimate way of showing us that we had no control over our own lives. That they owned us. The colonel never used those words, but it was an undertow in everything he said. Not that we saw too much of him. We were simply trained. The men who trained us wore military uniforms without insignia, but I don't think they were professional soldiers. To this day, I don't know who they were, or where they came from, but they certainly didn't belong to Pentagon. Maybe Langly was a better bet, but I don't know. Even we have heard too many conspiracy theories to be completely immune. The difference is that we know more than the rest, and I don't seriously think that the CIA was involved. This is much to covert and they are far too public.
I don't know what we were thinking. I know that I never gave what we learned a second thought. But we learned, and we learned well. All of us. They taught us to be killers. Assassins. We would also have made excellent spies, because we learned how to pretend being someone else. That's always a good way of getting close to your victim. And we were taught to make bombs, use all kinds of different weapons and fight without weapons, if it came to that. Eventually, I guess some of us figured out what was happening. So one day, the colonel gathered us all. It was a scorching day in the late summer and the "parade grounds", our rather impressive name for the space between our barracks and the office was red and dusty.
- Someone has asked me: - Why are we being trained like this? The colonel started. He had a voice like the bellow of a bull when he wanted too, but he rarely raised it. It had a certain cold quality to match the rest of him.
- And I have one answer: because your country needs you! He looked at us, and even though he didn't say anything, we all got the distinct feeling that he was disappointed.
- You are being trained to do what your country needs you to do, and you will do it. Noone drops out of this training, noone quits. You are the Omega corps, and you will do what we tell you to do, because we give you the orders! Is that understood?
We all bellowed YES SIR! and he turned around and disappeared into the office. After that, nobody went to him with their questions. But the way we were being trained had been brought into the open, and we discussed it amongst ourselves. Some of us became more and more upset, they couldn't cope with the strain of being that much under somebody else's power. But what could we do? Our every move was observed, and the camp perimeters looked like those of a concentration camp. Row after row of barbed wires, towers with guards. At night men with dogs patrolled, and I know now that all of that only was a diversion. We were being guarded by measures that later became famous because they surrounded area 51. There was effectively no way out, but some just couldn't adjust. Mack was one of them, and he was the first to disappear. One moonless night, he left the barracks and I heard him leave. While people around me snored, I heard distant gunfire. And Mack never came back. The colonel never explained, and we never asked. Two more disappeared during the training. Maybe they were the only ones who couldn't adapt, or maybe their disappearances scared us all, but nobody else left.
I pull over high above a valley covered in forest. Now this is a place I remember all too clearly. I did my first "job" here. Shooting a man. I had killed during the war, off course I had, but this was different. In war, you are caught up in a frenzy. It is a question of killing as many of the others as you can, because if you don't, they will. It was the first time I ever shot a man who wasn't in any way threatening me. Actually he was begging for his life. And I shot him anyway. I've never stopped to wonder why. I guess I'm afraid to. I was never told why he had to die. I never heard about a murder here, just some articles about a missing person. As far as I know he is still buried in that mountain slope over there. That's what my life has been for the past ten years I suddenly realise with a bad taste in my mouth. Killing people I didn't know for reasons I was never told. Spying on my own countrymen. When I had first been told that would be required of me, I had refused. But the colonel was not a man who would accept a no.
- This is the reason you are still alive. This was why we got you out of the POW camp. And that's why you have a new face. We didn't post five years of expensive training into you for nothing. This is what your country needs you to do. And there is no way around it, no way out of it.
How could I not believe his icy voice? And his steel-grey eyes told me beyond any doubt what the result would be if I refused. Death was lurking in those eyes and his scythe sang in the colonels voice. Off course I accepted. The drive to survive is strong in all of us. Even when you have been through hell and can see no way out, the last emotion that leaves you is hope. Against all common reason you hope. As I hoped. That one day, maybe, I could go home to the woman I loved. That some day it would end. Now I know that there is no way out but death. And still I go on.
We were given our freedom. Something so alien to us after ten years of camp-life where we had no choices, that we were afraid to do even the most simple things. Buying the daily groceries among all those strangers was a horrible experience. In ten years the world had changed, and I had to change rapidly to follow it. I was amazed by how naturally people did everything. Perhaps I saw that, because I had to struggle to do the simplest things. I wanted nothing more than to buy a house with a huge garden and a wall around it. Somewhere I wouldn't have to deal with all those strangers. Somewhere I could live out the rest of my life in peace. But they wouldn't let us, and they used us as only they could. So many things were done. I read about many of them in the papers, as small articles on page three or four. Nobody would have recognised our prints on those cases. I only did, because I did the same kind of jobs. Assignments, as the colonel called them. So much death, so many disappearances, and still I only noticed a fraction of them. Yes, they have used us well.
As I leave the mountains and drive into the town at the foot of them, I know that she will not recognise me. I'm no longer the man I used to be. That man had died somewhere along the line. When I went to war I had been young, innocent, idealistic. If I had still been that man, I would have died long ago. All the terrible things I have done has not only stained my innocence but completely erased it. The ideals I once had, that I never thought I would abandon has gone missing. Suddenly I feel a thousand years old. The realisation of what I have become lands on me like a ton of bricks. Like the world on Atlas' shoulders. I pull over, wanting to turn around and drive back. Return to the job, where all the decisions are made for me, where I don't have to worry about hurting anybody. The people I kill never feel anything and neither do I. Not anymore. But she still does. The last thing I want is to hurt her. But as I start the car again I realise, that I want to see her once more. Just to see how she is doing. I may not be the same man who left her, but I still care about her.
The city is strangely like I remember it. It's not really changed that much in twenty years. I still know my way around and I take a tour of the city. As I drive around, I can't help but look at every woman I pass on the way, just to check if it's her. But everywhere I go, they are all strangers. It is as if the car knows the way and I'm only following it around. I drive past the university and I wonder if any of her children will be going there soon. When I spot the cafeteria she used to work in, I decide to go inside for a cup of coffee. It has changed. Where the old jukebox used to be, now stands a modern version of it. A horror of shining chrome and screaming plastic. From it flows a steady stream of music that has no meaning, no point. As I look around, I notice that the interior has changed as well. Everything is chrome and plastic. The kids who works there, hasn't changed all that much, though. I guess they are more or less the same everywhere at all times. It's quite sad to see how much it has changed, how our old, cosy place has turned into something almost alien. But I suppose I should have known. Off course it has changed. It's been twenty years since I was here last. It's just that seeing this place makes me really feel how long I've been away.
I check into a motel just outside town. It is old and shaggy, but it presents a bed and a telephone, and that is all I need. Fortunately it doesn't remind me of the bunkhouses we lived in at the camp. They had been too naked compared even to this standard. Outside my window the neon-sign begins to send it's Morse-code into the night. Before I go to bed I go outside in the cold evening air. On the highway cars rush by like ghosts. In the hall hangs a rundown telephone, tilting tiredly to one side. I open the heavy and smelly phonebook and look up her name. There is half a page of them. I tear it out and fold it neatly while I leave the booth. The man at the teller looks at me shortly, but he doesn't even bother to say anything. I guess he's afraid to. Some of the men I have killed have been paralysed by my eyes. Almost as if they were snake-charmed. I don't really care. As I go back to my room I suddenly feel tired. I do every once in a while. Feel so damn tired. In a matter of minutes I'll be so weary of all the killing. So tired of all the death that I will fall apart in tears. Even that I've grown accustomed to. Amazing really, what people can adapt to.
In the early hours of the morning I wake up like I always do. Like a spring released I am wide awake, almost before I've shook the last of the morning's dream. I never seem to dream anymore. Or at least I can't remember them. Sometimes I think that's all for the best. That's usually when I wake and the bed is damp with sweat.
I scratch my chin, feeling my fingers being stung by the stubbles there. It's a good feeling. Over the years I've grown accustomed to that way of waking so that now, when I wake, I can settle down into a morning routine that is very close to a normal one. I take my time to shower and shave. Then I eat a miserable breakfast without even noticing what I eat. And then I begin my search. All morning I go over the roads in the eastern part of town. Talking to neighbours, trying every way I can imagine to find out where she's living now. I pretend to be a friend of her husband. An old veteran from Vietnam who had a good relationship with him over there. There is one who almost fits the description and I can hardly conceal the hope that surges in me. But it isn't her. Her husband had been lost in Vietnam. But she has two sisters. Not like my wife who only has one brother. I go back to the old cafeteria for lunch and feel incredibly sad by seeing that it has changed so much. Even the food has changed. At least I don't remember it to have been this dull. Sitting in a booth and eating the wet and flat hamburger I look out the window at the square outside. Suddenly I feel hit by a hammer. I stop chewing. I even stop breathing. Across the road stands a woman who looks so much like her. She scans the road and then she flags down a cab. Only after she has got in and the cab has pulled away in the heavy traffic I react. But in stead of rushing out the door and start a chase I would lose anyway, I take time to finish the unappetising hamburger and consider, what I actually saw. She looked like her, that's true. But she looked like she had done more than twenty years ago. No, this beautiful young lady couldn't be more than twenty.
With a newfound energy I go over the western side of town that afternoon. Once more I seek - and find - inconspicuous ways of talking to the neighbours and finding out what they know. Two women fit the description of her to the letter. One live close to the centre of town and the other at the town limits, not very far from my motel. I drive back to the centre of town and park my car in a parking lot, not too far from the house of the first one. Then I pick out a disguise from the trunk which I often find very helpful. Electricians are almost always let in and no one suspects anything as long as I can find a good story. Now I just hope she is home.
It is nearly eight P.M. when I press the doorbell at the door to her apartment. I can hear a shuffle of feet on the other side of the door and a sensation of being watched follow. Then she opens the door without removing the chain and asks me what I'm doing there.
- I'm sorry to bother you this late, but we have been having some troubles lately with the electricity in this block. I just want to check your installations to see if they are all right.
- I haven't had any problems with them, if that's what you mean. Say isn't it a bit late for you to be working.
- It is. I've been going over all the outside and inside installations in this house today and yours is the only one I've got left. If you want to, I can come back tomorrow.
Shamelessly using every bit of charm and innocence I am in possession of, I can see her defences fade.
- All right come on in.
She close the door and I hear the rattle of the chain on the other side as she opens it. Then she opens the door wide, and I get a good look at her out of the corner of my eye before I go into the drawing room. She doesn't even look like my wife. I'm almost relieved. After all the excitement, after all that time, I'm not even sure I would react if I really did find her. And even though I want to see her again, I don't mind waiting. Through a long life I've learned that the sweet expectation is usually better than getting what you want. This way I can be nervous and excited another night.
I spend some time systematically going over her installations without actually knowing what I'm doing. I can rig a bomb to an electrical network or make an installation short-circuit without blinking. I've done that more frequently than I care to admit - even to myself. A couple of memories tries to get the better of me, but I push them behind me. I haven't got time for this. Then I get up off my knees and smile to her. She really is pretty. I'm glad I wasn't here to kill her.
- Is that it? she asks innocently. I can always hear the innocence in the voices of people who have never killed.
- Yes. Everything seems in order. You're taking good care of your installations. That's a rare thing. I small-talk all the way to the door and just before she closes the door behind me I can hear her sigh with relief.
Early the next morning, just before the sun rises, I get out of bed. I just can't wait any longer. I take the car and drive out to the address I was given. I park just around the nearest corner and begin the long watch. It's boring, but when you do it often enough you get used to it. It is all a question of developing the right state of mind. Only this morning, it's harder than usual.
Then, at a quarter to seven, I can see the lights being turned on around me. People are beginning to get up, and I start the first round. I get out of the car, dressed as I am in a jogging-suit. I've often used that for stakeouts. I run back and forth past the car very quickly a couple of times. And then I start jogging through her street. It's a good disguise. Especially in the morning. Nobody notices a jogger taking a slightly different route. And if they do, they forget him just as quickly. There's still no light on at her house. I jog back to the car and wait for another hour. Around me people are driving away in their cars. I guess it's a quiet little suburb I've found here. When most of the houses are empty, I take another run past hers. I see the girl from the cafeteria get out of the house in a rush and hop into a car parked outside. The man inside greets her with a kiss and I take it from the way the look together that they are more than friends.
As I sit in my car again, I can't quite make the pieces fit. This girl is old enough to be my daughter, but we never had any children. And for her to be somebody else's, my wife would have had to remarry very soon after I had been reported missing in action. And I can't believe that. I begin to think that this woman probably isn't my wife. That I've come all this way and gone through all this trouble for nothing. The idea appears that maybe, just maybe the colonel had been lying to me. He could do that. Very easily even. Nobody could ever tell weather what he was saying was true or not. I make the wow that if he has been lying to me, if she doesn't live here, I will kill him. It will be difficult, that's true. Even for a pro like me. But when you don't care whether or not you get away alive, it is amazing what you can accomplish. While I plan the attack in every blood-dripping detail, I start the car and drive up her street to park at the other end. I've always been amused by the films where the heroes are on stakeouts and stay in the same place for whole days. Every child can figure out that that's too conspicuous.
I wait, rather impatiently, for another half hour. Then I decide it's time to take a different approach to things. Out of the trunk I pull another disguise that's also good. A man from the local waterworks. Wearing a discrete grey suit and a big, brown briefcase, I know from experience that I can pass as almost anyone. And when I play my part convincingly enough, I usually get inside. Driving the car down her street again, I park right in front of the house. As I cross the well-kept lawn, I take a good look at the house. From what I can see from the outside there is no security installed. But I know that looks can deceive. The area around me is quiet and the air is warm and stale. It's really a pretty house. I can't help thinking that it was such a house we had dreamt of buying before I went to 'nam. But I quickly reject the thought. It's good to expect as many things as possible, but it can be fatal to be prejudiced.
I knock at the door in an official way. I've learned that such small things add to the picture. Nobody answers. I listen to hear if anyone is inside, but I hear nothing. I wait a little while, before repeating the knock. The next-door neighbour, apparently retired, comes to the edge of the porch and asks me what I'm doing there.
- I was supposed to speak to the people who live here. You wouldn't happen to know where they are, would you?
- She's at work. Rita, that's her daughter, she's just gone away on a holiday with her boyfriend.
Aha, that explained the girl at least.
- Do you know when she'll be home?
- She's usually home at five in the afternoon.
- Thanks for the help. I turn around to return to my car. But the man next door doesn't seem to think the conversation is over.
- Can I tell her you were here?
- No, it isn't that urgent. I'll be back another day.
Safely back at the motel, I take off the fake beard and sit for a while, wondering what to do next. No doubt the neighbour has a good relationship with her and I am afraid that he'll tell her that I'd been there. But I suppose my disguise was good enough to handle that. While I eat my lunch, I suddenly see what the next logical move on my part is. With the daughter out of town for God knows how long and no apparent security-system, it should be easy for me to get in. I finish my lunch quickly and get my gear together. When I return to the neighbourhood, I park the car on a parkinglot not too far from her house. I dress up as a plumber. It gives me a good place to hide my tools. The ones that don't fit into the secret pockets in my overall, that is. I go round to the backdoor. It faces the garden, which is shielded by fairly high hedges and trees. Nobody will be watching. As I suspected, a small security-system is hidden. It's been done by a professional, but it's no match for my tools.
Then I stand in her kitchen. It's tasteful. A bit messy, but I think that it's Rita's mess. I continue to the living-room. A standard-room, but it's cosy. I take a good look at the shelves in the room after having discovered that there's no photographs on the walls. There's a couple of family-albums and I take them down and leaf through them. My black gloves look like black holes against the happy pictures in the album. There's pictures from Rita was new-born, and all the way to her graduation. But there's not a single picture of her father. I find that odd. Even if her father had died when she was very young or perhaps while her mother was pregnant, there would be all the more reason to have pictures of him in the albums. I think about that oddity, while I enter the bedroom. As tastefully decorated as the rest of the house, I can tell that she's got good taste. I still haven't found a picture of Rita's mother and that bothers me. But this has become something more. I feel the same kind of sick curiosity I always get when I'm wandering about the house of a complete stranger. To be on forbidden ground, to enter their most private places, is one of the things I like - and hate - most about what I do. I know it's wrong, but I can't help myself once I'm inside. I never stop until I have learned everything I can about the inhabitants as from the interior of their house.
I search the bedroom thoroughly. And in the back of her closet, I find something interesting. I find a small box hidden behind a loose board. I take it to the window before I open it. The contents hit me in the face like a wet glove. I know the pictures inside. I took many of them when we were young. And some of them picture me. Not the face I see now every time I look in a mirror, but the face I once knew. I never thought I should forget how I once looked, but I discover new things as I look at these pictures. Things I actually had forgotten that I knew. But what strikes me more about them are my eyes. They look so innocent. Filled with the innocence I have lost.
I can't help it. I know it's dangerous and probably foolish too, but I take one of the pictures of me and her together and put it in my pocket. I can't explain why to myself. But I have to. Then I leave the house after having made sure that no trace of my visit is left.
It takes me the rest of the day to settle down. I have found proof that she is the one I'm looking for. But the question is what to do next. I know I should leave town at once. I've found what I came for. But I can't. I've got to see her. The easiest would probably be to visit the place she works. The more I think about that, the more reasons I find not to do it. I take a good long look at myself and find out that I want to see her in her home. To get away from that sort of futile speculations, I take a walk and pick up the local newspaper. When I return to my room at the motel, I leaf through it without actually reading it. That's a trick you learn on stakeouts. Your mind can uphold a vigilance, while at the same time looking as if you are actually reading the paper in front of you. Right now my thoughts circle my current problem. And then, suddenly, my mind pulls me away from that line of thought. I look very carefully at the two pages in front of me. They're covered with advertisements. And right there, in the corner, there is a paragraph with her name below. She's looking for a handyman. It doesn't take me many seconds to decide that that's my chance. I'll go and see her about that job, and then I'll leave town.
Already that evening, I call her up. When I hear her voice memories threat to flood me, but I routinely shove them aside. I am as polite and kind as I can be, when I put my mind to it and she asks me to visit her home the next day after work and take a look at the garden.
Next day, I get up early. I call home to listen to my answering machine. The only message is from the colonel. He's got an assignment for me. It's just waiting for me on the Net, well-kept behind a long row of security-measurements. I find my portable PC and connect it with the phone in my room. It takes me some ten minutes to get in. I don't like this. I never have. On my special page, I find the information I need. A name, an address and a time-horizon. He's been generous this time. I've got two weeks to finish the job. There's nothing about why. Why he has to die, why just now. And I know better than to ask. It's not my business. All I have to do is kill him. I back out of the page and watches it lock up behind me. Whenever I want to, I can return to the page to learn more about the man I am going to kill. Everything I need to know. Where he works, who he sees, his daily routines. All the things that makes the perfect assassination possible. Everything, except why he must die. I leave the PC behind and go for a drive round the town. I see the sights while I wait for her to come home from work. And then, at last, I get into my car and return to her house. I've decided not to disguise this time. If I am to see her the way she is, she can also see me how I am now. Not all of me, off course. The whole truth of my life, I'll never allow anybody to see. It's enough of a burden for me to carry around. I don't want to impose it onto others.
She greets me in the door. She's aged. Of course she has. But she's as lovely as ever. I never stopped loving her. I kept the love alive. Nourished it. I couldn't let it go. For a very long time, my love for her was what kept me going. But I've changed. And I don't love her in the same way anymore. She invites me in, and as I walk past her, I catch the scent of her perfume. That hasn't changed. In the drawing room a hot cup of coffee is waiting for us. She smiles at me, as gently as ever. I could easily fool myself into thinking that nothing's changed. We talk for a while about this and that and then she leads me into the garden. I know it already. But I listen carefully to what she has to say about it, and I show genuine interest. I've passed as a gardener before. Before we say goodbye, I give her the number of my motel and she promises to call me. As I drive away, I feel totally exhausted. This half hour has been very hard to get through. I decide that I'll leave town first thing in the morning. I won't give her time to call me. I don't think I can handle that. It's easier to leave in silence, to live with the pain. At least now I know that she's all right. She sounded happy. That's good. I convince myself that's all I wanted. But I don't quite believe it. I want more. When I get back to the motel, the guy who works there catches me outside. He has a note for me. I take it without a word and enter my room before even looking at the paper. It's from her. She's hired me. I'm going to start tomorrow.
When I get into my car, shivering slightly in the cool morning air, I still haven't figured out what to say to her. I know that I should just have left town without warning her, but I couldn't. It's impossible. She's in a hurry when I arrive. All she does is throwing me the keys to the house and shouting that there's food in the fridge for my lunch. And then she's gone. I have little choice left, but to start working. I start by cutting her hedges. It takes me the better part of the day because of the tools I have to use. I'm not used to working with that kind of thing. Once I'm done with that, I decide to clean up and cook diner for her. She left a note on the kitchen-table that she wouldn't be home until six o'clock.
When she pulls up, the diner is done. She's impressed, and invites me to stay and eat with her. I accept. How can I do anything else with those eyes looking at me? We spend a rather pleasant evening together and I learn that her daughter will be gone for the next two weeks.
Over the next week, we get closer. Slowly. Carefully. I learn a lot about her. I learn that she never married. I learn that her first love died in Vietnam. I learn that she never told Rita about him. And I learn that Rita is my daughter. I was paralysed when she told me that. I suddenly realise how long I've been gone. All the things I've missed floats past like images in a forgotten dream. The old dream of coming home surges to the surface. Coming home and being recognised despite the new face, loved despite it. But it's much too late for that. Ten years too late. Ten wasted years. A lifetime. My daughters lifetime. Then I tell myself that I never knew Rita, and that I never will. She's got a life, a history of her own. And I've got a secret. A secret that makes it necessary to live alone. I curse the colonel for what he's made me. A stone cold killer. And I curse myself for letting him. At that moment I feel it would have been better to die than to live to this day. She learns nothing about me. At the end of the first week I call home to check my answering machine. The colonel has called. He's angry that I haven't completed my job yet. And he reminds me that if I don't he'll have my head on a plate. That night I sleep with her for the first time.
One morning she calls me a name I haven't heard for a long time. Without knowing what I do, enchanted by her voice speaking that familiar name, I begin to move. And then I freeze, remembering that that's not my name anymore. She's very quiet for a while. So am I. Then she speaks, her voice hardly a whisper.
- You're him, aren't you?
My heart bleeds at the quiet pain in her voice. But I force myself to pretend that I never heard anything.
- What?
- Don't pretend. You haven't got his face. Still, It's you.
I act confused. I don't think I'm doing a very good job at it though.
- But you are supposed to have died in 'nam.
There's still a slight doubt in her voice. I decide I have to use that.
- I'll be leaving - today.
She's quiet behind my back.
- You're not the man I sent to war anymore - are you?
The last trace of doubt has vanished. I can't keep it from her anymore.
- How did you know? I have to ask.
- Your tone of voice. The way you move. The way you looked when I told you that Rita was your daughter.
- Are there really so many things that hasn't changed? Even I can her the disbelief in my voice.
- You have, she quietly asserts. There are no tears in her eyes when I turn towards her. But her face is lined with the scars of wounds I didn't even know I had inflicted. And it hurts.
- I will be leaving today.
- Why?
I can't decide whether her question is about my leaving now, or the fact that I didn't come home at the end of the war.
- I have a job to do. It's no lie, but I can see she isn't satisfied.
- You've been here all this time. I've told you everything. And you have told me nothing! In her voice are the first traces of anger I've heard.
- I can't tell you anything.
- Not even how you got out of 'nam. Not even why you didn't contact me then but waited for twenty years. What is so secret that you've had your face changed to fit it? What are you doing now?
She's really angry now and I understand her. But I can't help her. Maybe it's all for the best.
- Nothing. To tell you would be to put you in danger. I have done so already. I should have left once I knew you were all right.
- And never told me?
- Yes.
She turns away from me.
- I guess the man I knew died in Vietnam after all. There are tears in her voice, but even though my heart is breaking, I can't respond to it. Perhaps it's easier if she hates me.
- He died somewhere along the line. I'm not the man you once knew. What I do now... I would never have done when I left for the war.
She sits on a chair and I see her back straighten into a hard wall.
- Then go. Go and leave the memory of that man intact.
I go to her. Even reach out my hand to touch her hair. But then I think the better of it and leave the house. I can feel her eyes in my back all the way to the car. I never look back. And two days later I kill again.
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