The Hallway

The Conservatory

I Know (Jude Christodal)

You've got such a pretty smile
it's a shame the things you hide behind it
Let 'em go, give it up for a while
Let 'em free and we will both go find it

I know there's nowhere you can hide it
I know the feeling of alone
I know you do not feel invited
But come back, come back in from the cold

Step away then from the edge
Your best friend in life is not your mirror
Back away come back away
Come back away come back away
Come back away come back away
I am here and I will be forever and ever

And I know that there's nowhere you can hide it
I know the feeling of alone
Trust me and don't keep that on the inside
Soon you, you'll be locked out on your own

You're not alone, you're not alone

And don't say you've never been told
I'll be with you 'til we grow old
'Til I'm in the ground and I'm cold
I'm not sittin' up here on some throne
I'll be with you till we grow cold
Like a dog you can always come home
Dig up a bone, look around
round baby down down now just
hold what ya gonna find now now --
bap bap badap bap 'n de now 'n dow 'n dow
now now now now
This will be about music and me
This will be about musicians I like and admire
My lyrics will be here

Ebony and Ivory

Bartolommeo Cristofori's
pianoforte (Italian for "soft-loud")
was a marvel of its time as the
first keyboard instrument capable of responding
to the instrumentalist's touch with a seemingly
vast range of volumes -- hence the name "piano
forte". A harpsichord, a similar instrument,
has a single volume, no matter how the keys
are struck, because the key introduces a
plucking action. The clavichord, its strings
struck by a brass tangent attached directly to
the keys, has its own dynamic range, but it is
a muted instrument, its loudest volume enough
to fill only a small chamber.

By contrast, the pianoforte, with its ability
to play to even a large hall either solo, with
accompaniment, or as accompaniment, has a huge
advantage over its predecessors. With two to
three strings tuned in unison to each pitch, a
seven octave range, and a hammer action that
responds to changes in finger pressure on the
keys, the piano has gained status for its
versatility.

Heart-strings

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