America's favorite "everyman" is now coming to Japan in his first license deal.

Ziggy has millions of dedicated fans. The numbers prove it!

30 years of popularity and growing

Appearing daily in 600 newspapers

50 million greeting cards sold every year

40 books in print

People love Ziggy because he speaks to us in his ernest efforts to make it through this thing called life - with a smile on his round face and love in his heart.

For licensing information in Japan please contact me.

[email protected]

To see more of Ziggy, please visit his official web sites.

www.ziggy.com

www.ziggyzone.com

For a few chuckles to brighten your day, have a look at the Ziggy panels below.

Warning! You are entering a laugh zone!

About Tom Wilson

The creator of Ziggy

Time and again, Tom Wilson has demonstrated his vision in anticipating future trends in the marketplace. For over thrity-five years, he served as a creative head at American Greetings where he was responsible for the development of many breakthrough card lines.

A veteran of the licensing business, Tom headed up the creative team that developed such character licensing blockbusters as Strawberry Shortcake and Care Bears.

Like Ziggy, Tom is shy about relating his accomplishments. he is a talented painter, whose works have appeared in exhibitions throughout the United States, including the Cleveland Museum of Art and the Society of Illustrations annual show in New York. he also has made his mark in animation, with the Emmy Award winning special, "Ziggy's Gift".

But perhaps most memorable of all, Tom gave us Ziggy.

Tom Wilson on Ziggy

I wanted Ziggy to be the little guy in the big world much like I felt as a kid. in fact, I've often said that growing up is a Ziggy experience, and one that I wouldn't care to repeat...so I made him clumsy and unsure, yet wide-eyed, and full of wonder.

I wanted Ziggy to appeal to everyone, regardless of gender or generation, so I was careful to avoid specifics regarding age, occupation, background, etc...

I wanted him to be loved, so I designed him in somewhat rounded teddy bear proportions to make hime more huggable. I wanted readers not just to laugh at Ziggy, I wanted them to know him, to empathize with him, and of course, to enjoy him. To help achieve this, I tried in many of the daily panels to establish eye contact between Ziggy and the reader. my objective was to create an emotional rapport between Ziggy and his audience.

I felt that if I wanted Ziggy's readers to be aware of his presence and to feel they were a part of his life, I should make Ziggy aware of their presence. For this reason, the cast of characters in many of the panels is two, the reader, and Ziggy, with Ziggy directly sharing one of life's daily mishaps or an exaggeration of something we have all experienced.

When Ziggy communicates, he connects with people. Ziggy speaks to us and for us in sharing our feelings. Whatever we want to express--humor, friendship, love or good wishes-- Ziggy says it in a way people respond to and remember.

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