Captain America doesn't feature heavily in the story-lines, he's really only in it for the big fight. There are many reasons for that, firstly his history is not as impressive as Batman, and many modern viewers don't even know anything about him anyway. It also didn't bring anything extra to the plot to include them.
There is an important scene, where we discover that Captain America's Shield has controlled a Magnetic charge built into it. This is important as it explains why when bullets are targeted at his legs, they still hit his shield, even though it is tiny compared to the size of his overall body.
I have not included any classic Batman villains, such as Joker, because there are tons of fan-films featuring these characters, I wanted to make something different. In this feature we have a marvel product versus a DC product. Two heroes from two different dimensions. This is a film that we are unlikely ever going to see in the box office, as they exist in different copyright licences. If your going to make a fan-film, then make something which can never be made by somebody else.
In the film itself, there will be a selection of other superheroes from the Hulk to Spiderman, Superman to Wonder-woman. All appearing for brief moments in the background. they will not have a role in the story, but if you look for them, you can find them. Just a fun thing to add for the sake of it!
Enjoy!
Total = 21 pages
This is a project for a University course, and in no-way is intended to infringe on any copyrights. It will never be sold by myself, and will only be used to obtain a grade for my University course.
My e-mail: [email protected]
BATMAN VS. CAPTAIN AMERICA
WRITTEN BY STEPHEN ABLETT
FADE IN:
EXT. GOTHAM CITY - NIGHT
The bright lights of the city illuminate the dark alley's
that somehow haunt Gotham. A huge skyscraper tower is the
centre of out attention on this clear night.
INT. SKYSCRAPER 30 TH FLOOR - NIGHT
A night watchman is walking down an office corridor and
shining a flashlight. He looks down a corridor, then walks
back. Second later the air vent opens and down drops
batman.
BATMAN
I'm in
INT. BATCAVE - COMPUTER ROOM (CON'T)
ALFRED
Very Good sir, now turn to face
the south east corridor and it
should be the third door on your
left.
INT. BUILDING
BATMAN
I'm there, Give me a second to
pick the lock.
Batman knells down and takes out a lock-pick from his belt.
He starts picking the lock.
INT. BATCAVE
A SCREEN SHOWS A RED DOT MOVING TOWARDS A GREEN DOT THAT
REPRESENTS BATMAN.
ALFRED
Sir someone is heading in your
direction.
BATMAN
How long?
ALFRED
About 8 seconds sir.
INT. TOWER
Batman picks the lock, then ducks inside the room and
closes the door just before the security guard turns the
corner. He shines his light and sees the air vent open.
INT. ROOM IN TOWER
Batman runs to a computer and starts typing. It asks for a
password, upon which he takes out a small flash drive unit
and plugs it into the side slot. A number generator appears
on the screen, and inputs the password for him. Which opens
a file.
BATMAN
I have the data, transmitting it
now.
He presses a button on the flash drive and it starts
flashing a red light.
INT. BATCAVE
ALFRED
Receiving Upload. (Pause) Upload
complete. Mission successful sir.
INT. TOWER
The door handle to the office is turned, but whoever is
turning it finds it is locked.
SECURITY GUARD (FROM OUTSIDE)
Locked, Do you have the key?
GUARD 2
Yeah, just give me a minute to
find it here.
He shuffles through the keys. Take sone of them and opens
the door. Inside the room is empty however, but the window
is left wide open. As they run to the window, they see The
Batman swinging away on a grabble line.
SECURITY GUARD
That was the Batman!
GUARD 2
Do you think we should call the
boss?
SECURITY GUARD
I think he already knows...
(Looking up at the camera) I'm
getting out off here.
GUARD 2
Where to?
SECURITY GUARD
Japan, Israel, Afghanistan, where
ever. Stick around here and we'll
be dead men.
They both run back to the elevator, get inside and press
the button to the ground floor. We watch from outside at
the elevator door closes and the number go down, first
slowly, until they move a super speed, resulting in a big
crash at the bottom. The two guards end up dead.
INT. THORNE'S HOUSE
We are looking at several security monitors, showing
pictures of the open window, the corridor and the elevator.
THORNE
Incompetent Fools.
FADE OUT.
FADE IN.
EXT. THORNE TOWER - MAIN ENTRANCE
Commissioner Gordon drives up to the front of the tower in
an old brown car, and parks over the no parking sign space.
As he gets out, a bellboy runs up to him.
BELLBOY
Sir, you can't park there!
Commissioner Gorgon gets out of his car, and shows him his
badge.
COMMISSIONER GORDON
Commissioner Gordon, Gotham City
Police. I've investigating the
double homicide that happen here
last night.
BELLBOY
But I was told that's an
accident.
COMMISSIONER GORDON
Where did you hear that, son?
BELLBOY
It was in the local paper.
He picks up a newspaper of the counter which has 'tragic
accident at Thorne tower' written across the front of it.
Then shows it to the commissioner.
COMMISSIONER GORDON
Don't believe everything you read
lad.
BELLBOY
Okay sir.
COMMISSIONER GORDON
Oh, and keep an eye on her for
me, would you. (Looking back at
his old car).
BELLBOY
Err. Yes Sir.
MOVE TO:
INT. THORNE TOWER - GROUND FLOOR
The Commissioner walks inside of the tower to the crime
scene which has been cornered off by police tape. There are
officers taking photographs of the scene, and removing the
bodies from the debris. Detective Bullock is making notes
on his pad. He approaches him.
COMMISSIONER GORDON
So what have we got?
DETECTIVE BULLOCK
C.S.I. reckon the ropes were
blown.
COMMISSIONER GORDON
How about the emergency brakes.
Why didn't they kick in?
DETECTIVE BULLOCK
Never activated.
COMMISSIONER GORDON
Sounds like a professional hit,
or an inside job...
DETECTIVE BULLOCK
Well the guards were nobodies. No
red flags or anyone who would
hold a grudge.
COMMISSIONER GORDON
So inside Job then.
DETECTIVE BULLOCK
Perhaps, but there are over 300
people working in this building.
Where do you start an
investigation like that?
COMMISSIONER GORDON
At the very top.
The Commissioner walks around the corner to the see a
second elevator. He looks at it, and the doors open, and
someone walks out. He looks back at the crashed elevator,
and decides to take the stairs instead. He walks further
along and enters a door marked stairs.
Labelled on the wall, is a plaque which says Floor 1. He
starts walking up the stairs.
CUT TO:
INT. THORNE TOWER - FLOOR 50
Commissioner Gordon has walked all the way to the top. He
has removed his jacket, and is carrying it over his
shoulder, and opened up his neck tie. As he reaches the top
step, he takes a moment to catch his breath. He looks at
the plaque on the wall, which says 'Floor 50'. He then
proceeds through a door, into a small room, minded by a
female secretary in her early twenties.
SECRETARY
Hello Sir, Do you have
an appointment?
He ignores her and just walks straight past her to a room
at the back, which has 'Rupert Thorne' written across it.
SECRETARY
Sir, You can't go in there...
Sir!
She gets up off the chair and chases after him, but she is
a step behind him.
The Commissioner open the door to Thorne's Office, and
walks in.
MOVE TO:
INT. THORNE'S OFFICE
It is a large office space, with a city view through the
large glass windows. Thorne has his back towards us, he is
looking out the window.
RUPERT THORNE
Commissioner Gordon, How nice of
you to visit. (He then turns to
show himself, suggesting he knew
he was coming).
SECRETARY
Sir, you cannot see him without
an appointment...
She burst in after him.
COMMISSIONER GORDON
I'm here to talk.
SECRETARY
I'm sorry Sir, he just barged
right in.
RUPERT THORNE
That's alright my dear, you can
make it up to me at home later.
SECRETARY
Yes Sir.
RUPERT THORNE
Now Commissioner, what gives me
the honor?
SECRETARY
Oh, and Mr. Thorne, you wife
called to ask...
RUPERT THORNE
Whatever, just send her another
necklace or something. Now get
out.
COMMISSIONER GORDON
Nice, you treat all your
employees like that?
RUPERT THORNE
What can I do for you
Commissioner?
COMMISSIONER GORDON
You are aware of the double
homicide that happened here last
night aren't you?
RUPERT THORNE
I was led to believe that it was
an accident. A malfunctioning
elevator.
COMMISSIONER GORDON
Just because you leak something
to the papers for your own P.R.,
Don't make it true. I know your
responsible Thorne.
RUPERT THORNE
That's Mr. Thorne to you
Commissioner, and be careful what
you say. Slanderous remarks like
that can cost a person their job,
and you never know who's
listening in these days now do
we.
COMMISSIONER GORDON
I'm bringing you down Thorne.
RUPERT THORNE
How many times must we do this
dance? You know that you'll never
pin me to anything. Arrest me
again, I dare you. I'll be
released before we get out my
office doors. I'm untouchable.
COMMISSIONER GORDON
Mark my words Thorne, If I find
one shed of evidence that pins
you to last night...
RUPERT THORNE
You'll do what?! My lawyers are
on speed dial, and there good.
Very good. But you know that now,
don't you.
COMMISSIONER GORDON
Some day...
RUPERT THORNE
Perhaps before you accuse me of
every act of graffiti in Gotham,
you should take a look at this.
Thorne picks up a remote, and presses play on the remote to
activate the TV set in the wall.
It shows the batman breaking out the vent, entering the
room, the security guards going in after him, then leaving
and going into the elevator, resulting in their death.
RUPERT THORNE
It looks like your pet bat is
your lead suspect Commissioner.
COMMISSIONER GORDON
I'll need that tape.
Thorne moves to the video and presses eject, taking out the
tape and giving it to the Commissioner.
RUPERT THORNE
Sure, I have a few hundred copies
anyway.
Commissioner Gordon takes the tape from him.
COMMISSIONER GORDON
I'll be in touch.
RUPERT THORNE
Tar Tar, now Commissioner.
Commissioner Gordon exits the office and walks past the
secretary who watches him walk by. He goes back to the top
of the stairs, pauses, then starts walking down them.
FADE OUT.
FADE IN.
INT. BATCAVE
Bruce Wayne is looking at a computer monitor, looking over
the files he obtained last night. Alfred walks in with a
pot of tea, and a cup on a tray.
ALFRED
Your tea, master Bruce.
BRUCE WAYNE
Thankyou, Alfred.
Alfred starts to pour the tea from the teapot into a cup.
ALFRED
I trust the information you
obtained has been fruitful?
BRUCE WAYNE
Crime lords aren't known for
leaving a trial that anyone can
follow, but a number of names do
concern me. James Earl Jones for
instance.
ALFRED
The High Court Judge?
BRUCE WAYNE
I suspected he was on Thorne's
Payroll since he let him off that
Murder charge several months
back. But this proves it.
ALFRED
Well I'm certain the Batman will
have a few busy evenings to
follow, but right now, Bruce
Wayne has aboard meeting in half
an hour.
BRUCE WAYNE
My attention is needed here.
ALFRED
The files will still be here when
you get back, and this meeting
may prove to provide hundreds of
jobs.
BRUCE WAYNE
But...
ALFRED
Taking down Crime lords may be
good for the Bat, but unless the
people you wish to make save have
a job to go to, you'll simply be
trading one criminal for
hundreds. There's more to playing
the hero than with bumps and
bruises Master Bruce.
BRUCE WAYNE
Your right Alfred, you always
are.
He stand up, and Alfred takes a tie from the desk, and puts
it over Bruce's neck.
ALFRED
If you say so Master Bruce.
BRUCE WAYNE
But its going to be a short
meeting.
ALFRED
I'll bring the car to the front
then sir.
Alfred leaves Bruce to tie his tie, and heads towards the
staircase.
BRUCE WAYNE
Oh, and Alfred...
ALFRED
Yes, Master Bruce?
BRUCE WAYNE
It really is a great cup of Tea.
Alfred smiles and walks off.
Fade out.
Fade in.
INT. POLICE HEADQUARTERS
Commissioner Gordon is watching the security tape on a
small television. Detective Bullock walks in, eating a
large jam doughnut.
DETECTIVE BULLOCK
Looks bad for the Bat, hey
Commish?
He awaits a response, but doesn't get one.
DETECTIVE BULLOCK (CONT'D)
Yeah, well. I always knew one day
he'll go over the edge. The guy
looks like a bat for crying out
loud!
COMMISSIONER GORDON
He was framed.
DETECTIVE BULLOCK
Sure Commish. We've been here
before. But how many times must a
guy be framed before we start
questioning it?
COMMISSIONER GORDON
I don't... I don't know.
DETECTIVE BULLOCK
Way I see it, innocent or not,
he's a vigilante who takes the
law into his own hands. If he
wanted to help, he would have
joined the force like each one
us. But he didn't. He's just as
bad as every one of those nut
cases out there, worst since he
gets away with it. That's why he
went mental and whacked those two
cops-for hire. He hates Cop as
much as he hates crime-lords
because he wants to be the only
power in this town. Another nut
job wanting to be the king of
Gotham.
COMMISSIONER GORDON
He ain't like that. All he wants
to do is help.
DETECTIVE BULLOCK
He's going to get himself killed,
along with half a dozen cops
while he's at it. We didn't have
any of these psycho nut-jobs
before he came along. He's like a
magnet to these freaks. But cut
of the head honcho, and we'll be
back to us cops versus Thugs. The
way I like it.
COMMISSIONER GORDON
You can't honestly believe that
he's responsible for all them!
DETECTIVE BULLOCK
There drawn to him like a moth to
a flame. A new one shows up each
week! When you going to learn
that its because of him. He needs
taking down.
COMMISSIONER GORDON
You honestly think you could take
down the Batman?
DETECTIVE BULLOCK
I'm still a cop, and a damn good
one. Give me control of the task
force, and I'll give you the Bat.
COMMISSIONER GORDON
Err...
DETECTIVE BULLOCK
He's a wanted suspect in a double
homicide, a vigilante who takes
the law into his own hands. I
have a case file of charges
including assault, resisting
arrests, speeding, flying an
unorforized vehicle in restricted
airspace, the list goes on!
COMMISSIONER GORDON
Fine. You have your task force.
But I want him in alive. You got
that.
DETECTIVE BULLOCK
Loud and clear Commish. Whatever
you say.
Bullock leaves the office with a big smile on his face. The
Commissioner looks concerned. He goes to his desk, and
takes out a red phone that was in his draw. He lifts the
receiver.
COMMISSIONER GORDON
Get me the president.
Fade out.
Fade in.
EXT. EVENING - GOTHAM CITY
Batman is driving the bat-mobile across town. He dials the
cave on his video phone.
ALFRED
Yes Master Bruce.
BATMAN
Another dead end. He must have
emptied the safe-houses the night
I got the data. I picked up a few
specs of hair and dust, but
nothing sequential.
ALFRED
Well the analysis on the paper
you sent in came back.
BATMAN
And...
ALFRED
Treasury Mint. It looks as though
Mr. Thorne was printing money.
BATMAN
It's not proof of murder though.
ALFRED
Unfortunately not, but it might
get him ten years in jail. Makes
the streets safer for some more
years.
BATMAN
With a judge on his payroll,
he'll be out in a week. No, I'll
need something more substantial
before I can take him down.
ALFRED
Well you could...
The conversation is interrupted by a flashing alarm on the
dashboard.
BATMAN
One second Alfred.
He presses a switch and the radio broadcast signal plays
through the speakers.
RADIO
'All units, we have a Joker
sighting at Ministry Church, Down
town. Officer in need of
assistance, repeat, officer in
need of assistance'.
ALFRED
The joker? I was led to believe
he was still locked up in Arkham?
BATMAN
He is. There's something very
wrong with this.
ALFRED
Could be a man in bad make-up.
BATMAN
Perhaps. Either way, I have to
check it out,
ALFRED
Please be careful Master Bruce.
BATMAN
I always am.
The car drives off into the distance.
DISSOLVE TO:
EXT. MINISTRY CHURCH
The bat-mobile drives up to the main doors. Batman gets out
and sees a Police car alone in the road with its sirens
flashing and doors open. A cop is flying unconscious at the
side of the car. He checks his pulse, and sees he is alive.
BATMAN
Hmm. No Joker gas...
He goes inside the church. When his back is turned, the cop
opens his eyes, and watches him going in. He then lifts up a
radio from his hand, and presses a button.
COP
He's on his way in.
CUT TO:
INT. CHURCH
The church is off the old-fashioned nature. With upper
balconies and large stain glass windows. There is no
indication of a Joker presence. As he approaches the centre
of the room, he hears a click. He turns, but in mid
sentence he hears...
DETECTIVE BULLOCK
Now!!!
From all around him, several figures in military gear step
out from behind the rafters and pillars. Each one has a
laser targeted rifle pointed at his chest. The batman
emblem is covered with several red dots.
DETECTIVE BULLOCK
That's as far as you go.
Murderer.
BATMAN
What's the meaning of this?
DETECTIVE BULLOCK
The great detective wants me to
spell it out to him. Your under
arrest bat-freak for the murder
of the two security guards back
at Thorne Tower.
BATMAN
I had nothing to do with that.
DETECTIVE BULLOCK
So says you. Now move an inch and
a dozen officers will take you
down before you even blink.
BATMAN
Your forgetting one thing,
Detective Bullock.
DETECTIVE BULLOCK
Oh yeah, and what's that?
BATMAN
I don't blink.
Batman has reached under his cape to his utility belt, and
removed a small pen like device. He presses the top, and
suddenly all the lights in the building go out. The device
has emitted a small E.M.P. throughout the room. All the
guns in the room start to fire.
At the same time, green lens appear over Batman's eyes,
helping him to see in the dark.
Only the moon beams through the window provide any light.
As the gunfire stops, there is a pause while Bullock takes
out a flashlight from under his jacket.
DETECTIVE BULLOCK
What happened to the lights? The
bat. Where is the Bat? Did anyone
see where he went?
He turns on the flashlight and looks for the Batman. He
shines it towards a pillar where he sees one of the police
officers, but in that same moment, he sees a fist hit the
officer, and him falling to the floor. Bullock moves the
light again, and sees the cape of Batman whizz by, as
another officer is taken down. As he moves through the
room, he sees his entire team taken out before him. Then he
loses track on where the Batman is.
DETECTIVE BULLOCK
Hello? Report. Anyone?
He senses something behind him, and so turns around to see
the bat standing above him, with his cape at full spread.
Bullock drops the torch, which starts spinning around the
room. Bullock drops to his knees and reaches for the torch,
as he picks it back up and tries to shine it at Batman, he
has gone. He is the only one left conscious in the room.
FADE OUT.
FADE IN.
EXT. CHURCH ROOFTOP
Batman emerges from the roof access door and exits onto the
roof. As he gets half-way, he hears the door closing behind
him. He turns back, to see Captain America standing before
him.
CAPTAIN AMERICA
Your under arrest.
BATMAN
Why are you here?
CAPTAIN AMERICA
To bring you in. A direct order
from the President.
BATMAN
I've been framed.
CAPTAIN AMERICA
I don't care. It's not my job to
judge, just to get you to court.
BATMAN
I can't let that happen, I have
to finish my work.
CAPTAIN AMERICA
Let the police handle it, that's
what their there for.
BATMAN
Its the police who tried to
arrest me, I have to do this on
my own.
CAPTAIN AMERICA
And I have to stop you.
BATMAN
Not today.
Batman takes out two bat-a-rangs and throws them at Captain
America's Legs. He raises his shield to protect his head,
but the bat-a-rangs bend in movement and end up sticking to
his shield.
BATMAN
Magnetic Shield.
CAPTAIN AMERICA
Attracts all metal, bullets and
bat toys.
Batman throws another bat-a-rang at his face, which he
again raises his shield to protect him. Meanwhile, Batman
has ran forwards and hits Captain America clean in the
face. Captain America pushes forwards on his shield and
drives Batman back. Batman knees the shield, and knocks it
out of his hands, which falls of the roof top. The two
opponents then stand face to face for a moment before
engaging in hand-to-hand combat.
A few upper-cuts disorients the Batman, but a few right
hits knock Captain America off guard. A number of high
kicks and aerobatics keep the fight physical for both
competitors. As they draw closer to the roof edge, the
fight becomes even more intense. Blocking each others
attack, and reversing them to counter-there own offence.
But ultimately, it is Batman who gets the upper hand in
this battle, and after a powerful high kick, knocks Captain
America from his balance, which sends him to the floor
below.
NOTE: WHEN FILMING, WE WILL SHOOT TWO ENDINGS TO THIS
FIGHT, ONE WHERE BATMAN WINS, AND ONE WHERE CAPTAIN AMERICA
WINS.
MOVE TO:
EXT. FLOOR BELOW.
Captain America is lying on the ground. He is breathing.
Batman comes up to him, and checks his pulse. Captain
America reacts by grabbing his wrist.
CAPTAIN AMERICA
Your under arrest.
Batman just shakes him off. Captain America coughs with
blood. He is too weak to pursue or engage.
BATMAN
Your hurt.
CAPTAIN AMERICA
I'll heal.
BATMAN
The one responsible for all this
is a crime-lord called 'Thorne'.
CAPTAIN AMERICA
Why you telling me?
BATMAN
I need twenty four hours to clear
my name. If I don't, then I'll
turn myself in.
CAPTAIN AMERICA
You have 12, then I come looking.
(Cough) Lucky shot by-the-way...
He looks up to see the Batman, but he has already vanished.
He looks around, but cannot see him anywhere.
FADE OUT.
FADE IN.
INT. COMMISSIONER GORDON'S OFFICE - POLICE H.Q.
Commissioner Gordon is sat at his desk, writing. The Thorne
video tape is on his desk. The window is open. He stops
writing, and begins to talk over his shoulder, apparently
to no-one.
COMMISSIONER GORDON
I didn't have a choice.
BATMAN
I know.
COMMISSIONER GORDON
He had you on tape, Thorne that
is. The whole department was
wanting to bring you in.
BATMAN
Captain America?
COMMISSIONER GORDON
My Choice, My decision. I knew
Bullocks goon squad wouldn't
stand a chance. Not without
killing you anyway. I figured he
might get the job done
peacefully.
He turns around to see Batman has already gone. As he turns
back to his desk, he sees the video tape has gone as well.
CUT TO:
INT. BATMOBILE
Batman presses the buttons on the video phone, and contacts
Alfred again.
BATMAN
I've triangulated the video
signals coming out from Thorne
Tower, it leads to a property on
the lower east side. The lease is
under the name Mr. Enroht.
ALFRED
Thorne, spelt backwards.
BATMAN
Exactly, its a simple code, but
effective. I want you to look up
anything under that name, see if
there are any red flags.
ALFRED
Certainly Master Bruce. And sir,
those cuts, they look bad.
BATMAN
Had a run-in with a Patriot. Its
nothing that will slow me down.
I'm heading to Thorne Tower,
contact me when you have
something.
ALFRED
Yes Sir.
CUT TO:
EXT. THORNE TOWER
INT. THORNE'S OFFICE
Thorne is sat at his desk. He is on the phone.
VOICE ON THE PHONE
We failed Sir.
THORNE
What do you mean... Failed. You
had an entire police tactical
team on him. How could you let
him get away!
Batman steps out from within the shadows.
BATMAN
A judge, a cop, politicians. Is
there anyone not on your payroll?
THORNE
Not in this town there ain't.
He pulls out a gun and aims it at batman, who
instantaneously throws a bat-a-rang and knocks the gun out
of his hand.
BATMAN
I'm here to make you an offer.
THORNE
What have you got to offer me?
BATMAN
turn yourself in now, and all
this end tonight.
THORNE
Is that suppose to be a joke?
BATMAN
Oh, I'm not joking. You see, the
court appointed judge you paid
for, I can offer him more. The
cop you who just gave you a call,
will turn in state evidence
against you. And your own
secretary is down at police
headquarters right now, giving
them every criminal act that
you've done in the last 3 years.
Thorne goes to his office door, opens it and sees an empty
desk.
THORNE
So what. Its still my word
against theirs.
BATMAN
I have treasury mint paper in my
possession which links you to a
printing money operation, and
those two security guards, you
decided to eliminate for fun...
The CCTV sulvalence tape you
kindly gave to the police picked
up the carrier signal that shut
down the emergency breaks, which
emanated from this very room.
Thorne looks at him, and panics. He runs through the door
to the elevator shaft and starts pressing the switch.
Batman turns and watches him.
As the elevator door opens, Commissioner Gordon steps out.
COMMISSIONER GORDON
Rupert Thorne. You're under
arrest for murder, and a whole
bunch of other stuff.
He starts to handcuff him.
THORNE
It wasn't me, it was the Bat...
He turns around to see the Batman has vanished from where
he was last standing.
COMMISSIONER GORDON
The Batman? I think you've been
reading too many comic books Mr.
Thorne. Everyone knows the Batman
is nothing more than an Urban
Myth.
As they both enter the elevator, the doors close, and we
see the shadow of the bat move across the office to the
open window, where his silhouette in the moonlight brings
us to a close.
END TITLES
After title sequence.
INT. THE BATCAVE.
We are looking around the batcave, at Mr. Freezes gun in a
display case, the giant coin, and dinosaur. We then See
Bruce Wayne preparing a new display.
ALFRED
You have a new piece for your
collection I see sir.
BRUCE WAYNE
That I do Alfred.
Bruce Wayne lifts up, from his feet, Captain Americas
Shield which he places into the display stand. He then
turns out all the other lights, other than the spot light
over the shield.
He then turns and walks away.
The last thing we see however, is red gloved hand lifting
the shield from the display. And taking it with him.
FADE OUT.
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