JUNGLE BOOK 3
a fanfic/mock film script by Timothy C. Shanahan/cyberpunk92708
(NOTES: This is all kind of first draft-ish. Also, due to the violent/erotic nature of certain scenes, I am *definitely* not sending it to Disney.)
We open on the jungle skyline, and pan down to an ext. shot of a village in India, protected from the jungle by a wall of bamboo. Dissolve to an int. shot. Everyone is going about their everyday business: farmers are getting crops, there's maybe a market, and we see a storyteller entertaining children. We stop at a village hut. A young woman is getting out of it. Those who've seen The Jungle Book 2 may recognize her as Shanti, and boy, has she grown. She's wearing an outfit similar to the one she wore in the last film, but her generous adult endowments are straining against her halter and skirt. She's carrying a water jug.
SHANTI: Mowgli? I'm going to the river now.
Mowgli speaks in a somewhat deeper voice than we're used to, indicating that he's now an adult himself.
MOWGLI: (o.s.) All right, Shanti, goodbye!
Shanti walks offscreen. We then cut/dissolve to her being at the river, filling the jug with water. She's happily singing or at least humming to herself. From these idyllic, almost Disney-like first few minutes, the tone of the movie changes. We pan up, following the sound of Shanti's singing/humming as it echoes off the tree tops, until we reach a large shape in the trees, coiled around itself. The shape stirs, revealing its head. It's Kaa, from the first two Jungle Books. His yellow eyes blink as Shanti's music disturbs his nap.
KAA: Now, who could be s-so rude as-s to dis-sturb my nap?
Kaa cocks his head down, and we cut to an almost-POV (except we are next to/behind Kaa's head) shot of Kaa seeing Shanti from the trees. Cut to a CU of Kaa wrapping the tip of his tail around his lower jaw (or where it would be if he had one). He seems to be remembering her from the second movie.
KAA: There's-s s-something s-strangely familiar about this-s one...
Arching his "neck" in the closest approximation to a human shrug, Kaa waves his tail-tip dismissively.
KAA: (cont.) Aahh, thes-se humans-s all look alike to me.
He moves forward, and we cut to Shanti as she finishes filling the jug. She hears a noise as Kaa pushes up through the leaves. Her reaction isn't fear, though, just curiosity. She looks around.
SHANTI: Hello? Is anyone there?
Kaa chuckles, and Shanti turns toward the sound. She gasps in surprise. It's a deja vu moment as we see Kaa descending from Shanti's POV like in JB2, his eyes glowing hypnotically.
KAA: Hello, there.
Again like in JB2, we see from Kaa's POV as Shanti's initial expression of fear morphs into a dreamy smile, her own eyes throwing off colored rings to show her hypnotized state. Due to Shanti's adult body and the more mature nature of this script, we may even see her nipples push against her halter, as if the hypnosis were sexually arousing.
KAA: (o.s.) Your mus-sic woke me.
We cut to a medium shot of Kaa facing the hypnotized Shanti.
KAA: I'm rather an accomplis-shed s-singer mys-self. Would you like to hear my s-song?
Shanti nods dumbly, and we pan with Kaa, his eyes still hypnotic, as he moves backward until Shanti's out of the shot.
KAA: Ahem...(starts singing to his old song "Trust In Me", with a stronger, more erotic beat) Trus-st in me, jus-st in me...
We see an ECU of Shanti's chest.
KAA: (o.s.) S-shed your s-skins-s...
Shanti removes her halter, revealing her round, firm breasts, then we dissolve to a shot of her removing her skirt, exposing her curvy hips and rear.
KAA: (o.s. cont.) ...and danc-se for me.
Dissolve to the naked Shanti, still smiling, still hypnotized, as she sways to the rhythm of the music, her eyes glued to Kaa's.
KAA: You may danc-se, s-safe and s-sound...
Kaa's tail wraps around the dancing Shanti's shapely nude body, but not constricting, letting her continue her dance.
KAA: Knowing I am arous-sed -- I-I mean around.
We cut to Kaa's face, as instead of continuing the song, he slithers closer to Shanti. An erotic montage begins: Kaa licks Shanti's face, nipples and belly as his coils slide around her breasts, buttocks and labia, constricting, then releasing repeatedly. Shanti's dance becomes an erotic grinding against Kaa's coils, and she begins to moan and gasp with stimulation. Soon she's about to come, and Kaa's coils tighten as she writhes, enhancing the orgasm while keeping the resulting scream down to a croak. Finally, Kaa turns to Shanti.
KAA: (singing) Trus-st in me, jus-st in me, now lie down, and pleas-sure me.
Shanti gently drops to her knees, then to her back, Kaa's thick coils cushioning what little impact there is. We cut to a CU of Shanti's face staring at Kaa's erect penis. She sucks on it, beginning another erotic montage as Kaa's body reacts, causing another session of constriction/massage. Kaa writhes under Shanti's ministrations, grinding against her erogenous zones and making her writhe and flail as well. The buckings build in intensity, until Kaa hisses orgasmically, while Shanti's own scream of ecstasy is muffled by the climaxing cock in her mouth. Finally, we CU on Kaa's satisfied face.
KAA: Ohhhh...that was-s delis-cious-s. (thoughtfully) Hmmm...are there any more like you?
We pan/backtrack until Shanti's smiling face is in the same shot. The combination of hypnosis and orgasms have thoroughly seduced her.
SHANTI: (dreamily) The...village...over there.
She manages to get a hand free, indicating. We cut to a POV shot of the village, then back to Kaa and his plaything. Kaa looks like he's planning something, his tail-tip again under his mouth.
KAA: Really? Hmmm...perhaps-s they are getting worried that you are gone for s-so long. You s-should put your s-skins-s back on and return to them.
Shanti nods, and Kaa uncoils. We see a CU of Shanti retrieving her garments while Kaa slips into her water jug.
Int. shot of the village. We see Shanti walking in with the water jug over her head, fully clothed and her eyes looking normal even though she is still hypnotized. Mowgli meets her at the gate. He's gotten better-looking, too: buffed and athletic.
MOWGLI: (conversationally) So, what kept you?
Int. shot of the water jug. Kaa's head is hidden in the shadows.
SHANTI: (o.s.) I just lost track of time, admiring the beauty of the jungle.
Kaa smiles evilly as his slave repeats her post-hypnotic suggestion. Cut back to Mowgli and Shanti. Mowgli looks suspicious at first, but then dismisses it.
MOWGLI: Well...okay. Let's go home.
Fade or dissolve to the interior of Mowgli and Shanti's hut at night. Mowgli is asleep in bed, but judging from the way the sheets are arranged Shanti has snuck out. CU of her bare bottom and legs, standing over the jug.
SHANTI: You may come out now, O Kaa. The coast is clear.
Kaa rises cobra-like from the jug, smiling.
KAA: Good. Go back to s-sleep, and go about your daytime life as-s if nothing was-s wrong. But when night falls-s, I will call on you to s-serve me.
Cut to medium shot of Shanti's head and bared breasts. She nods, and walks away. Returning to Kaa, we see him slither up to a window, then stretch himself as he enters the window next door. He slips over onto a neighboring woman's bed. CU of her eye opening sleepily, the widening as she sees Kaa. But before she can scream, we see her pupil expand into hypnotic colors. We see a montage of faces: Mustapha and his wife from JB2, the storyteller, the market peddlers, even the village chief -- all with Indian skin tones and features, all staring mesmerized. We end the sequence with a panoramic shot of various teenage girls and adult women, all of whom are staring up at Kaa's eyes and swaying. Cut to show that Kaa is in some kind of girls' school. Kaa smiles.
KAA: Good. Very s-soon, my dears-s, your education will begin...
Fade/dissolve to the next day, as we pan through the village. At first, everything is the way it was at the beginning of the movie, but the storyteller and the little children are missing (possibly eaten by Kaa). In their place are several of the adults/near-adults from the girls' school, scantily clad. They have gone into a writhing belly dance performance. Mowgli is outside, staring at the whore-like women. He's scratching his chin in a "Something is rotten in the state of Denmark" reaction. Just then, Shanti bumps into him.
MOWGLI: Oof! Bit of a rush, aren't we?
SHANTI: (speaking quickly) Sorry, Mowgli, but I need to go to market. I'll make it up to you when I get back.
Despite the sexual connotations of that last part, Mowgli is confused as Shanti rushes out.
MOWGLI: Go to market? But we bought a week's supply of food already!
Track with Shanti through the marketplace. Interspersed with her walk are the various nods she gets from the whores, the peddlers, etc. indicating that they, too, have become Kaa's slaves. Cut to Mowgli on his own, secret trek through the marketplace. Although he's lost Shanti in the crowd, we do see (through his POV) shots of signs of Kaa's influence: whores, scowls from unfriendly converts, and at one point he passes by the girls' school, from which can be heard sounds of women having sex, as if at an orgy. Finally, Mowgli stops by the chief's lodge, and reads the sign posted there.
MOWGLI: (reading) 'Celebration given tonight at 7 p.m.'? (confused) Celebration of what?
We then hear booming sounds, as of rolling thunder. Mowgli turns to see through the front gate. We shift to his POV to see that elephants have lined up at the gate to the village, with their backs to it. CU of Mowgli's surprised reaction.
MOWGLI: Colonel Hathi's elephants? What are they doing so close to the village?
He frowns, then jumps to grab the roof of the chief's lodge, something few civilized people can do but a fairly easy task for someone who's spent half his life in the jungle. Clambering like a monkey to the roof, Mowgli then turns and leaps to the top of the bamboo wall. He walks the thin edge of the wall like a circus acrobat balancing on a tightrope. When he gets to the gate, he leaps on an elephant.
MOWGLI: Hi. Mind telling me what's going on?
CU of the annoyed elephant.
ELEPHANT: (British accent, business-like tone) Orders from the Colonel, son. Strategic military outpost, martial law, blah-blah-blah. No one's allowed in or out.
Medium shot of Mowgli as the elephant's trunk wraps around him and hurls him back inside.
ELEPHANT: (cont.) That means you.
Int. shot of the village and Mowgli twists and spins himself into landing on his feet. Wide shot of him talking to the elephant from behind.
MOWGLI: But why?
ELEPHANT: As I said, orders from the Colonel.
MOWGLI: Well, why can't you just ask Hathi what's going on?
ELEPHANT: Sorry, son, but orders are orders. Can't abandon my post. It just isn't cricket.
CU on Mowgli as he frowns.
MOWGLI: (v.o.) So it's not just the people who are acting strangely...the elephants are working to keep any normal-acting ones from escaping, or from getting in. It's almost as if everyone was being controlled somehow...as if they were under some kind of spell...
Just as he's about to figure out what's going on, we pan to see Shanti next to him.
SHANTI: Mowgli? What are you doing here?
MOWGLI: (distracted) Uh? Shanti! Are...are you all right?
Shanti smiles seductively.
SHANTI: I'm just fine, lover. Let's go home and get to that making up I promised, shall we?
Dissolve to an ext. shot of Mowgli and Shanti's hut, then an int. shot of their bedroom. Montage of Shanti and Mowgli in various Kama Sutra-esque sex positions: sixty-nine, man-pushing-wheelbarrow, etc. Each of them cries out in at least one orgasm until the montage ends. Finally, the lovers drop, exhausted from their lovemaking.
Fade to Mowgli naked in bed, with Shanti gone. We hear some kind of chanting. The chanting wakes Mowgli, who finds Shanti's missing. He then notices a glow from the window outside. Medium shot on the window from outside as Mowgli goes up to it, then zoom in on him as he gapes in horror.
MOWGLI: (alarmed) Gods help us!
We jump to inside the house from where Mowgli's watching, then zoom outward to see what he sees. Torches have been set up in the village square. The curviest, most agile and flexible women dance and undulate for Kaa like his own personal harem; some, like Shanti, are in his coils, writhing in sexual ecstasy as they pleasure their master. Other slaves feed themselves to him. Still other people are engaged in an orgy, having sex to produce more slaves for Kaa.
Cut back to Mowgli's reaction. He's finally figured it out.
MOWGLI: Kaa! Now it all makes sense! Somehow, he's managed to take over the village! Somehow I've got to...
Suddenly, he turns in response to a knock at the door. CU of that door. CU of a knife, which Mowgli grabs, then back to the door. Mowgli, in the background, walks over to the other side of the door, away from the knob. He reaches over to turn the knob, hoping that the confusion of rushing into a seemingly empty room will stymie his "guest" long enough for him to fight or escape. Wide shot of Mowgli opening the door. One of Kaa's nude slaves, a powerfully built man, stands outside. Instead of falling for the trick, though, he punches his hand right through the wall of the hut, and grabs Mowgli by the neck, pulling him outside. Ext. shot of the hut, Mowgli and the slave wrestling. CU of Mowgli's determined face as he struggles against the powerful arms holding him. Then CU of the slave as he draws his hand back, then throws a lightning-swift punch at Mowgli. The resulting sound is like an explosion.
Fade to the climax (so to speak). CU of Mowgli's face; he has a coil wrapped around his eyes.
KAA: (o.s.) Wake up, Man-Cub.
Mowgli stirs. He struggles, but we cut to reveal that he's in Kaa's coils, unable to break free. He's lying on a dinner table in what appears to be the chief's lodge.
MOWGLI: What do you plan to do to me? Are you going to kill me, after all this time?
KAA: Not yet. Firs-st I intend to s-savor the s-satis-sfaction of finally having you in my power. Perhaps-s I'll make you another s-sex-s s-slave. Then I'll cons-sume you, s-swallow you alive and whole.
We cut back to Mowgli's face.
MOWGLI: (determined tone) Never! I won't look into your eyes!
KAA: My dear, s-silly Man-Cub...you won't *need* to, at firs-st. By the way, in cas-se you're wondering how I knew where you were...
CU on Shanti's face, staring at Mowgli's penis in the same shot.
KAA: (o.s.) ...S-Shanti told me.
Shanti begins to press her ruby lips against it, then to lick it, then to swallow it. Cut back to Mowgli's face as, against his will, his body is stimulated. Shanti begins to take Mowgli into her mouth up to his scrotum, licking and sucking. Mowgli writhes, at first to escape, but then because he can't retain control of his body. He grunts, his hips thrusting rhythmically, losing himself to lust as Shanti manipulates him. CU on Mowgli's face. As his body climaxes, the coil is lifted from his eyes as they snap open. ECU of Kaa's eyes, timing the hypnotic assault perfectly. Cut back to Mowgli, his eyes mirroring Kaa's as the hypnotism both heightens his pleasure and dulls his will. Cut to a shot of Shanti pulling her mouth away from Mowgli's after having swallowed all his cum except for perhaps a small drop which she suggestively licks away. Now Kaa and his latest victim are in the same shot.
KAA: I have a s-spec-s-cial treat in s-store for you, Mowgli.
Mowgli's head is in the foreground as Kaa gestures with his tail, signaling to all his women to come closer.
KAA: You get to have s-sex with all thes-se beautiful females-s.
Medium shot of a smiling Mowgli from the waist up, wrapped in Kaa's coils. We pan down to his penis, which is already hardening again. One after the other, starting with Shanti, all the women climb onto Mowgli to mate with him. Being entranced seems to give Mowgli superhuman, virtually limitless sexual endurance as he becomes their stud, coming inside them one after the other. Finally, after the last woman has mated with Mowgli and climbed off him, Kaa flows off him. Mowgli turns to face Kaa. CU on Mowgli's face as he watches Kaa.
KAA: (o.s.) And now...
We see from Mowgli's hypnotized POV as Kaa twists and coils his body, which seems to morph into a beautiful, curvaceous woman, the woman of Mowgli's ultimate erotic fantasies. Kaa's voice becomes feminine as he "transforms", a hypnotic illusion.
KAA: ...this-s one will bring you the greates-st pleas-sure of all.
Medium shot of Mowgli as he crawls toward what he thinks is a beautiful woman. CU of Kaa as he swallows Mowgli's erect penis. Back to the shot of Mowgli as he throws his head back, the silky grip of Kaa's mouth already bring him almost to climax. We see Kaa's coils wrap around Mowgli's waist and hips, trapping him. Mowgli throws his head back again, orgasming. We see his buttocks sink deeper into Kaa's mouth as he thrusts. Kaa continues to suck, causing Mowgli to start another rhythm as his orgasm just seems to lead to greater pleasure. Mowgli climaxes again, and thrusts again; this time his buttocks are almost completely in Kaa's mouth. Kaa moves his forked tongue to tickle Mowgli's anus. This sensation just causes more pleasure to build inside Mowgli, causing his hips to blur with the spasming. He thrusts again, screaming with ecstasy, as his hips are swallowed completely. His body is folded up, his feet on both sides of his head. With each orgasm, he is further swallowed by Kaa. Finally, at the end of this final montage, his hands are the last things to disappear into Kaa's mouth. As Kaa finishes off Mowgli with a loud slurping sound, he smiles with satisfaction.
KAA: (smiles) After all thes-se years-s...victory is-s truly s-sweet. (beat) I've done what no animal of the jungle has-s ever done before...I've become a ruler of humans-s.
Cut to elephants guarding the village, led by a hypnotized Colonel Hathi.
KAA: (v.o.) My village is well-protected from intruders-s...
Cut to villagers at orgy.
KAA: (cont.) My people believe in "Make love, not war..."
Cuts to Shere Khan's death in JB2, and to Mowgli being eaten (literally).
KAA: (cont.) My enemies-s are all dead...
Cut to villagers going about their daily lives.
KAA: (cont.) And I have not only a vas-st supply of food...
Cut back to the present. Int. shot the chief's lodge. Kaa is coiled around the women again, not sexually squeezing but just letting them relax and sleep in his coils.
KAA: ...but s-servants-s to entertain and provide for me.
He smiles sweetly.
KAA: Goodnight, my s-sweets-s.
He closes his eyes and sleeps.
THE END