Basic vocabulary of Aikido
Abara = Ribs
Ago = Jaw Aiki otoshi = Entered deeper than takes to uke by the legs. Agatsu = "personal Victory" According to the founder, the true victory (masakatsu) it is the victory that is obtained on one same one (agatsu). By this one of the famous phrases of the Founder of the Aikido agatsu was "masakatsu" - " true victory of the automatic control."
Aikido = "the aikido" word is formed by three characters (kanjis) Japanese: ai - harmony; ki - spirit, mind, or universal energy; do - way. Then Aikido means "the way stops in contrar the universal energy." By another part, aiki can be interpreted like "adaptation to the circumstances." This last interpretation is not very common, but aid to avoid certain Metaphysical definitions and ratify the physical and psychological sense very well of the different facets from the Aikido. Aikidoka = The one that practices Aikido. Aikikai = "Aiki Association." It is the usoado term to designate to organization who created the founder for the dissemination of the Aikido. Ai hanmi = the mutual position in where, as much uke as nage, has same foot advanced (right-right, left-left). Ai nuke = "mutual Escape". It is when in the result of a duel, participants escape unharmed. This agrees with the ideal of the Aikido, which it says that the conflict must be solved without hurting to no of the parts involved.
Ai uchi = "mutual Homicide". It is when in the result of a duel, all participants die. In the classic Japanese fencing, he animated myself his pracicantes to that at least ai was obtained uchi (that somebody muera).La resolution to gain the duel still acosta of the own life helped to cultivate one single attitude of concentrating itself in cutting to the enemy. This attitude is exemplified in the technique of Aikido, ikkyo, in where it must enter the attack rank of the enemy to make the technique effective. Arigato = Thanks (informal) Ashi = Leg. Ashi kubi = Ankle. Ashi sabaki = "Work of feet". An appropriate work of feet is essential stops desarrllo of a good balance and to facilitate a smooth movement but. Asoko = On that. Atama = head.
Atemi = (lit. Golpear to the body). Direct blow to the attacker in order to unbalance it or to distract it. The Atemi is vital to turn aside or for "cutting step "of the attacker of natural way in the techniques of the Aikido. First that people do, when she feels that its body is being manipulated of a form a the one that is not customary, she is to contract his extremities and to lower his center of gravity outside the person who the this making technique. With the wise person application of atemi is possible to create a "opening" in the natural defenses of the attacker facilitating the application of a technique of Aikido. Atemi-waza=Técnicas of I strike to key points of the body. I tie = To move backwards. INDICE Bokken = bokuto = wood Sword. Many of the movements of the Aikido they derive from the traditional movements of the Japanese sword. In avazado training more, arms as they bokken, is used to learn subtilities of some movements, displacements, the relation between techniques with and without arms, defense against arms and other things of the sort. Budo = "Way of the Japanese Martial Arts". The character japones "bu" (martial) it is derived from the character that means "stop" y(un weapon like one) "halberd". Therefore, altogether, "bu" means to stop the halberd ". In Aikido, is assumed that the best way to avoid a violent conflict is to emphasize the development of the individual character. The way (Do) of the Aiki is equivalent to the way of the Bu, in the sense to prevent or to avoid the violence to where it is possible. Chokaku = right Angulo. Direct Chokusen =. Thus they chokusen not irimi = entered direct. Chototsu = Atemi to the key point that is between the eyes. Chudan = "Average Position". Thus they chudan kamae = Is not a position that it characterizes to have the hands or the On guard central sword with respect to body. Chushin = Center. Mainly, the center of the movement or balance. INDICE Daitai = Thigh They give = Degree of black belt. In the IAF of Aikido, the degree higher than it can obtain is ø give. But aikidokas are aogunos whatever that have 10o they give. These degrees were granted by the founder before their death and no they can be retired. The ranks of the white tape are called degrees kyu. Denko = Atemi to the key point located in the floating ribs. Do = "manera/el way". The character japones "DO" is equal to the Chinese character for "TAO" (of the Taoismo). In Aiki-do, the connotation that occurs him is the one of " way to obtain the illumination "or" the way to improve our character through aiki ". Dojo = Literally the "place to practice the route". Also the "place for illumination ". The place where the Aikido practices. The traditional label us it says that the reverence is due to do, in direction of an altar (kamiza) or of of the place that is designated as the front of dojo (they shomen), whenever one enters or it leaves dojo. Dojo cho = the head of dojo. A title. At the moment, Moriteru Ueshiba (grandson of the founder) cho in the World Aikido Headquarters is dojo (hombu dojo) in Tokyo, Japan. Dokko = Point of pressure that is detras of the ear. Gozaimashita arigato dome = In Japanese means "thank you very much". At the end of the each class, most appropriate is to make a reverence and to thank for the founder, who left like legacy the Aikido us, to the instructor, who teaches the route to us, and those with which one trained. Doshu = the head of the Route (At the moment Moriteru Ueshiba, grandson of the founder of the Aikido, Morihei Ueshiba). The official authority more discharge in the Hombu Dojo. Dozo = Please begins. INDICE Embu gi = Uniforme of demonstration Empi = the belt Engi = the interdependent origin (Sanscrito = pratityasamutpada). In Buddhist philosophy, the phenomena, does not have an immutable being. Rather, these they originate and they exist by virtue of the material and of accidental conditions. Without material and without these accidental conditions, cannot have phenomena. In addition, conditions and the matter on which the phenomena are based, that are in constant movement, in where they are a one and all temporary one. By this one concludes that nothing is permanent and that depends on the others for its absolute exstencia (in other words, nothing is completely real), and this obeys to the fact that phenomena (to which ordinarily they are called cosas)no to him have a state absolute or independent existencial, so that they are empty. To cultivate a state cognositivo of which the manifestation of the things is the emptiness, is to pronounce a the illumination. When it is arrived at the illumination, a certain degree is acquired of cognocitiva freedom and espontaniedad, and this, among other benefits (and debatablly more importantes)nos give greater facility to respond before circustancias of changes to repentinos.(ver ku) Enten-jizui = To move and to turn freely. Eri = Lapel, necklace. Fudo shin = "the immovable mind". A mental state of ecuanimidad and serenity. mind, in this state, is in calm and concentrada(metafóricamente speaking, immovable). Fudomyo is a Buddhist protective deity that loads a sword in one hand (to destroy the enemies of the Buddhist doctrine), and in the other one rope (to rescue to the pecadores of the hole of the desilución, or the states of Buddhist hell). Therefore, it represents both ideal of the buddhism, the wisdom (the sword) and the compassion (the rope). To cultivate the Fudo is to cultivate the mind so that it can adapt to the changing circumstances of the life without to become attached itself to strict principles. Fukushidoin = I title formal whose approximate translation is the one of "instructor to help ". Fukushiki kokyu = abdominal Breathing. Fukuto = Atemi to the located key point on the knee. Furi kaburi = Movement to raise the sword. This movement becomes generally in ikkyo, iriminage and shiho nage. INDICE Expensive Ganmen =. Ganseki otoshi = Throttling with the arm to the elbow. Gedan = low Position. Gedan kamae is not then the position with the hands or with the sword put at a low level. Gekon = Key point that is underneath the lip. Genshin = Intuition. Gi (do gi) (keiko gi) = Traje of training. Also the suits of judo or of karate is accepted in most of the dojos of Aikido, as long as they are of cotton white color. (Please not to use suits of satín black with dragonsitos). Giri = To have, to do what it must do. Gokoku=Punto of pressure located in the fleshy part that this between the finger thumb and indice. Gokyo = ö principle, also known like kuji osae. Gomen nasai = Disculpe please. Gyaku hanmi = opposite Position (if uke has the right foot to the front, nage has the left one to the front, if uke has the left foot to the front, nage has the right to the front). Gyaku uchi = Any reversivo blow. Gyakute dori = Agarrar the hand of the turned around opponent, to happen to take hold his left hand with the right and the right with the left. Hai = If. Haishu = Reverso of the hand. Guiding Haito = Mano. Haiwan = Before arm Hajime = Empezar Hakama = Trousers skirt with (5) divisions, used generally by the degrees black tape. In some dojos, the women can use hakama in nobody degree, in other dojos, all the medical instructors can use it. Hakyo = 8o principle. Also known like kote-ori-kakae-kimi, kuji-dori, it is a espcie of nikkyo in where its elbow this in your armpit, and its hand this pushing forwards, holding its hand with your foot. Hanashi waza = Technical which they serve to free itself of you take hold, also well-known like hazushi waza. Hanmi = triangular Position. In most of the techniques of Aikido, uke and nage, is in predetermined positions. This is for facilitating learning of the techniques and certain principles of position and displacement with respect to the attack. Later, when it is arrived at a higher level, this position it loses importance. Hanmi handachi = Position in which nage is seated and uke stopped. To train in hanmi handachi is a good form to practice technical thinking to have a long opponent but or alt. This type of training also emphasizes the movement with center (hara). Hanshi = I title but high, one is due to have but of 55 years and being 8vo gives. Hantai nor = To the other side Happo = 8 directions; like in happo-undo (exercise of 8 directions) or happo-giri (to cut in 8 directions with the sword). The connotation that occurs him it is to be in all the directions. In aikido, one must be prepared stops to turn around to any direction. Happo alert Baraki = Estar in all directions. Hara = the center of our corporal mass, located to 6 centimeters under navel. Formerly one thought that it was in where it was located espíritu/mente (source of the ki). The techniques of Aikido must be executed using but possible hara. Hasso not gamae = "Position in figure of eight". The figure of eight does not correspond to 8 the Arabic, if not to the character (kanji) Japanese for 8, that is looked like the ceiling of one it marries. In hasso not kamae, the sword is maintained next to the head with the relaxed elbows downwards and outside the line of the sword doing model of kanji Japanese for 8. Fast Hayaku = Heijoshin = "permanent Peace of the mind". Cognositiva Ecuanimidad. One of goals of the training of Aikido are the cultivación of a mind that can to face several types of adversities without disturbing itself at the same time. One mind that cannot facilmente be shaken, is a mind that will be able to respond indeed before fisicas or psychological threats. Parallel Heiko =. Henka waza = technical Variety. It is when a technique begins and to half of this changes to another one. Example: To begin with ikkyo and to finish with iriminague
Hera = part lasts later of hakama. Hombu dojo = used Term to talk about to dojo central of the organization. It is used generally to talk about to the Aikido World Headquarters. (to see Ailkikai) Left Hidari =. Hiji = Elbow Hiji dori = Agarre of the elbow. Hiji zume = Atemi to the point of pressure of the elbow. Hiki = Empujar Hineri = Giro Hitai = in front Landmark-and-My = Amenazar. Hitoemi = equal Distance, parallel feet to the front. Hitori waza = "Companion of invisible practice" INDICE The IAI goshi = Hip down, stable position. The hiza IAI, hiza Tate = To kneel down in single pantorrilla. Ibuki = Metodo of breathing with one releases exhalation followed of a short one tosido in order to clean the lungs. Ichimonji = an air line. Gone = Movement Idori = Technical practiced in zeiza. Iie = No Ikki-nor = In a sigh, very instantaneously. Ikkyo = First principle, also known like oshi taoshi and ude osae. Ima = Now In-ibuki = Breathing (of calm) commits. Ippon-ken = Of a single blow, or to the first blow. Irimi = (lit. "Entered corporal") Movement of entrance. Many aikidokas they think that the movement of irimi expreza the true escencia of the Aikido. idea of irimi is to put itself in a place in where the attacker is incapable to attack indeed, and this way we to be able to control the balance of attacker (to see shikaku) Irimi nage = Entrar and to throw (technical of 20 years)
Practical Jiju waza = of techniques free style. It is generally a set of techniques or attacks, unlike randori where everything is allowed. Jinchu = Point of pressure located between the lip and the nose. Jinja = Sanctuary (shintoista). Jinja located in Iwama is a Aiki, in prefecture of Ibaraki, Japan. Jinkai kyusho = Key points of the human body. Jintai = the body. Practical Jiyu waza = of tecnicas to the free style. This involves a generally but of an attacker who I could attack of the form that is happened to him. Jo = wood Cane of 1.2m of length and 2.5cm of wide approximately. Jo it was originally a cane to walk. But later it was gotten up to the Budo and to aikido. Mu8chos of the movements of jo comes from the fight with lances traditional Japanese, others have come from jojutsu, but many seem to have be inovaciones of founder. Jo is used generally for the practice outpost. Jodan = high Position. Jodan kamae is not, therefore, when the hands or weapon estan maintained in the high position. Joseki nor king = Reverence to the high section of dojo. Juizo = Area of the kidneys. Juji nage = (juji garanmi) Tenth projection, in where the arms are crossed in it forms of kanji for number ten in Japanese (+). INDICE Kachihayabi = "Victory at the speed of the solar light" Deacuerdo with founder, when the control (on one same one) total has been reached (agatsu)y he is one in perfect harmony with the fundamental principles that they govern universe (specially those of ethical interaction) will be able to be had the power of universe to its whole disposition, will not have plus some real difference between universe and one same one. In this advanced spiritual state, the victory is instantaneous. The intention of the attacker of a violence act, breaks with harmony of the fundametales principles of the universe, and nobody will be able to manage to go in against of these principles. The expression of the fundamental principles of universe in the human life is the love, and the love, according to the founder, no it has enemies. When one does not have enemies, one does not need to fight, and by that reason one simpre emerges victorious (to see agatsu and masakatsu) Technical Kaeshi waza = reversiva. (uke becomes nague and visceverza). This acostubra to make outpost actually. The practice of Kaeshi waza aid a to obtain a sensitivity to the changes of resistance and direction in movement of our companion. This training serves to anticipate and to prevent the application with the Kaeshi waza towards us, improving ours ukemi, and it helps much to polish our abilities in the techniques of Aikido.
Kaiso = the founder of the Aikido (Morihei Ueshiba). Kaiten juki = the axis of the rotation of a technique. Kaiten nage = rotatory Projection. Uchi kaiten nage and grove kaiten nage (by down and by outside) Kakato = the heel of the foot. Kakuto = reverso of the wrist (for a blow). Kamae = a position or position with or if it arms. Kamae also can be appropriate distance (ma ai) with respect to the companion. Kamae also talks about to the physical position, in Aikido there is an important parallelism between physical well-being and the psiclógica pressure. Adopting one furte physical position us aid to adopt a psychological attitude hard. It is important to try to maintain a mental and hard positive attitude in Aikido. Kami = a divinity, living force, or spirit. In agreement with shinto, natural world is full of kamis, which are receptive and sensible of human actions. Kamiza = a small temple, place of the Gods, that frequently is to the front of dojo, and even, framing the photo of the founder, or some handwriting. A reverence to the kamiza is due generally to do when it enters and it leaves of dojo, or to the mat. Kan = Institution, place. Kansetsu waza = Technical of manipulation of joints, to dislocate them.
Karami = Arrest. Karui geiko = Light, practical smooth. Karuma = Like waki gamae, horizontal edge. Continuous Kashaki uchi = Ataque. Kashi = legs Kasumi = crossed Arms that hide a technique. Kata = Is a "form" or the model of a pre-established movement, in aikido it practices with jo. (in Japanese also means shoulder, but it depends on kanji) Kata dori = Agarre to the shoulder. Kata ga tame = Variation of kaiten nage in where instead of projecting it immobilizes by the shoulder to the ground. Katame waza = Technical for "maintaining down" (fixation), that consists of kansetsu waza, osae waza and shime waza. Katana = To which vulgarly sword is called to him "samurai." Katate = a hand. Katate dori = a hand maintaining at another hand. Katate uchi = a hand maintains and the other strikes. Katsu jin ken = "Sword that saves the life." Like the Japanese skilled swordsmen they influenced each you see more and more by the Buddhism (mainly the Zen buddhism) and Taoísmo, these began to be interested more in adhering ethical principles to his disciplines. So that the masters of the skilled swordsman is consumed, according to some medical instructors, this one must be able to use its nonsingle sword to kill, if no also to save lives. Also it was a species of justification of fencer, according to this, when killing to somebody very harmful of the society, was saved the life of the rest of the town, for that reason was the sword that gave the life (to majority). The concept of katsu jin ken brought with himself some applications you specify for the discovery of techniques which do not use the part sharp of the sword to be able to strike or to control the opponent, instead of to kill it or to kill it. The influence of these techniques can be seen in Aikido, like techniques that were conceived so that a disarmed person (or somebody that it does not want to use a weapon) can disarm to another Navy. These techniques very they are practiced in Aikido (to see setsu nin to). Keichu = Atemi to the key point located in the nape of the neck. Keiko = Training. The only secret to be good in Aikido. Ken = Sword. Kenkokotsu = Orilla of shoulders. Kensho = spiritual Illumination (to see mokuso and satori) Kesa = Lapel, part of the suit of a gravy that adjusts of the left shoulder. Ki = Mind. Spirit. Energy. Vital force. Intention. (in Chinese = chi) For many aikidokas, the main goal of its training is the extención of the ki, or to apreneder to control or to direct the ki of others. Interpretaciónes are two of ki, the "realist" and the "antirealist". The realistic ki, takes the being from the ki, literally, like a species of "thing", "energy", or "vital force" that flows within the body. Desarrolando or increasing our own ki, according to definition of the realistic ki, for aikidoka, to increase to the power and control of his body, and also brings benefits in its health and longevity to him. According to the ki anti realist, the ki concept understands an ample range of fenpomenos psico-physical, but are not objectively the existence of something material or power. The concept of antirealistic ki creates, for example, that to extend the ki it is only adopt a certain positive psychological combat formation and to correlate it with the combination of the balance, the relaxation, and the judicious one application of the physical force. The ki concept, has many definitions, but no is committed to bind it with some definition or scientific theory. Kiai = Is a shout that becomes in order all our energy in single movement. Even though the sound "kiai" does not appear in Aikido, must to try to preserve the feeling of this shout in the crucial points of techniques. Kihon = Something that is fundamental. There are many forms to make a technique of Aikido but to see the foundations of the techniques is to include/understand kihon. Ki musubi = ki musubi = Literally "not to anudarse/ligar itself to the ki".
It is the act or process to be related and to maintain the movement and intention of the companion to principles of the application of a technique of Aikido. In order to obtain an appropriate one ki musubi requires a mind that this clear, flexible and letter (to see setsuzoku) Kiza = Andar on the knees but with the raised heels. Kohai = the student with less time of practice with respect to one. Koko = Area between the thumb and the index. Kokoro = "Heart" or "mind". Japanese psychology does not do a clear one distinction between the emotional position and the intellectual position since it does western psychology.
Kokoro Gamae = Attitude metal. Kokutsu = To recharge itself backwards. Kokyu = Breathing. Part of the Aikido that discovers the "Kokyu ryoku" or "to be able respiratory ". This is, the coordination of the breathing with the movement. prosáico example is: when a heavy object rises, it is generally but easy when the breathing is maintained. The control of the breathing also it facilitates to increase the concentration and it eliminates estress. In many forms of traditional meditation, focusing in the breathing serves to reach one high concentration or mental ecuanimidad. Also this is made in the Aikido, as kokyu is the case of the called techniques "ho" or "exercises of breathing ". These exercises have been thought to develop kokyu ryoku. Dosa Kokyu = Movement of power breathing. (of seiza) Kokyu nage = Projection of breathing. (There are million variations of this technique, which derive from this basic technique) Komi = Acercarmiento or to maneuver close. Kongo = Vertical section to the front of the face. Koryu = To the old style. Kosadori = Agarre of the hand (katatedori ai-hanmi). Koshi nage = Derribe with the hip. Koshiita = hard Part of back of hakama. Kote gaeshi = Torcer, to cut of wrist Kote = Wrist Kotodama = a practice that consists of intoning several sounds (component phonetic of the Japanese language) in order to produce mystical states and to discover the secrets of the universe. The founder of the Aikido had great interest in the practical mystics of shinto and neon-shinto, and incorporated a great number of them in its personal training. Koutai = Change Empty Ku =. According to the Buddhism, the fundamental character of the things is absence (or emptiness) of immutable and individual escencia of the things. Occurring it counts of the existence of escencia of the things, is not what allows culture of a not-fastening psychology, and this takes to the ecuanimidad cognositiva. When it is recognized (insight) the emptiness is arrived at the illumination. This is in the Aikido with the ideal to discover a mental ideal of opening, allowing that one can respond immediate and very intuitively a changing circumstances (to see mokuso) Kubi-naka = Atemi to the registration point of the skull Kubi = Neck. Kujiki = Tension Kukyo = ø principle, is nanakyo invested Kumijo = Exercise of jo or defense against jo with a companion. Kumitachi = Exercise of sword or defense against sword with a companion. Kushin = Pivotear to the attack Kusshinuke = Evadir an attack
Kuzushi = Principle to destroy the balance of the companion. In Aikido, one technique cannot well be applied if not desbalancea to our companion. In order to do kuzushi in Aikido well, one must be concentrated first in position and the rate, instead of using the fisica force. Kyoshi = Titulo of 7o. gives. Kyu = white tape Degree (any degree under shodan)jukyu, kukyu, hachikyu, nanakyu, rokyu, gokyu, yonkyu, sankyu, nikkyu, ikkyu. Kyusho = Key point of the body. INDICE Ma ai = Distance or appropriate rate with respect to our companion. Like techniques of Aikido vary according to the circumstances, is very important to understand as the differences in the starting point affect the rate and the application of the techniques. Mae = To the front. Then mae ukemi = fallen or rolled towards the front. Mae-no-sen = Tomar the initiative, to act at the moment of which the opponent thinks in attacking. Maki = To surround it around Maki otoshi = When despues to throw to uke, nage finishes in a knee in the ground holding its shoulder. Masakatsu = "true Victory" (to see agatsu and kachihayabi) Massugu = Ir advanced. Bush = the thigh; ingle. Matadachi = Pliegue of the side of hakama Kill = Esperar Mawashi = Rotation, a turn. Mawatte = Girar around. Men-uchi = Blow at the top Expensive Men = Michibiki = an aspect of the movement of Aikido that involves directing, in place to push or to haul, to the companion. Like many other concepts in Aikido, it is the physical and cognositiva dimension of michibiki. Physically one can to direct subtly to the companion guiding it or redirigiendo the movement of attack. Psicologicamente can be directed to the companion eludiendolo(presentando apparently opportunities for the attack). As much the psychological form as physics is frequent mind used at the same time: for example: if uke looks for the wrist of nage, nage can move its slightly right wrist when a goes to take it uke, deceiving it and making think the companion who or she goes a to take hold, following it towards where nage wishes it. Right Migi =. Mikazuki = Atemi to the corner of the jaw. Mimi = Eyes Ritual Misogi = of purification. The training of the Aikido I could be seen Aikido like the purification of one same one; eliminating the faults that we have as much mental as of our personality. Nevertheless there are exercises e´pecíficos to practice misogi, like exercises of breathing, certain way, each aspect of the practice of the aikido one can be considered like misogi. This becomes with the intention of improving our attitude and ours training, but that like an objective of the training like so. Mokuso = Meditation. The practice begins and finishes generally with a small one space for the meditation. The intention of the meditation is to clarify the mind and to develop the mental ecuanimidad. , but perhaps important, the meditation is one opportunity of which the conditions of the mental arqueotipos and of behavior can be modified, be eliminated or be put in practice. In addition, the meditation can cause experiences of insight in several aspects of Aikido (or, if the Buddhist beliefs are accepted, in the true structure of the reality). With luck, the culture of a mind and meditativo approach, can llevarte at a level of greater practice to the one of the rest, collapsing the barrier between the meditativo mind and the normal mind. Moku roku = Catalogue of techniques. Mon = familiar Standard of the uniform Montsuki = Ample pechera with the shield of the family. Morote = Two hands. Morote dori = Two hands takes hold one. Mudansha = Students who do not have the black tape degree. Mukozune = Atemi to the midpoint of the shinbone Mune dori = One or two hands taking hold the lapel. Mune tsuki = Court atraves of the fastening of obi. Mune = Chest. Munen mushin = Golpear without conscience. Munen muso = the goal of zazen. Murasame = Presionar the points of each side of the part of back of the bone neck. Mushin = Literally "nonmind". A state of cognositivo knowledge characterized by the absence of discursivos thoughts. It is a mental state in which the mind reacts without hipnotismo concepts. Mushin is, erroneously, also known as espontaneidad. although the espontaneidad is characteristic of mushin, is not exactly the same. It could say that when is in state of mushin, he is free to use concepts and distinctions that not him apply. Musubi = "To bind" "Union". One of the strategic targets of the Aikido is to unite (atravez of musubi) and to redirigir the aggressive impulse (ki) of an attacker stops to control it. Then the "ki musubi" or "ki musubi" is not one of the goals of Aikido. There are two aspects of musubi the physicist and the cognositivo. The ideal is that, at the beginning of the advanced levels of Aikido, it is learned to detect aggression signs before the opponent attack. If one learns to identify the attempts of aggressiveness and to vlover them diffuse or to redirigir them before attack is sent, one can ensure the victory without the physical confrontation. Also, developing a greater sensitivity to the signals that can precede to an attack, one can gain a strategic advantage, making the action possible preventive or, talvez, the escape. This high sensitivity to the signals of aggression is single possible by means of the training of the conscience asi like of the technical abilities. Nagare = Fluir. One of the goals of the training of the Aikido is to learn to no to oppose the physical force with the physical force. Instead of that, one must make an effort to flow itself with the physical force, redirigiendo it to our convenience. Nagashi waza = Fluir from a technique to another one. Naike = Point of Pressure within the ankle. Naka = Center Naka nor = To the center. Nanakyo = 7o. pricipio, is yonkyo but applied to the back part of wrist. Naname = Diagonal. Nage = The one that applies the technique. Ne waza = Technical of you take hold. Nikyo = ò. principle = kote mawashi, kotemaki. Ninjo = What it must do. Nobashi = To stretch Nogare = Method of breathing with one releases exalación and a cut inhalation.
Nuki = Empujar Nuki Final you = of the fingers. INDICE Obi = a belt or tape. Oi-zuki = Blow advancing. Oji = Responder. Oji waza = Bloquear and to counterattack. Omote = "To the front"; there are certain movements in Aikido which nage enters by the front of uke. Omote waza = Technical that is revealed the public in general. Omotokyo = One of the calls "new religions" of Japan. Omotokyo is one sintesis of the Shintoísmo, mistisismo of Neo-Shintoi'smo, Christianity and religion Japanese folcklórica. The founder of the Aikido was great a devotee one of the Omotokyo, e its practice of Aikido incorporated some elements of this a. The founder he insisted, in which it was not necessary to be devotee of the Omotokyo to study or to include/understand the intention or philosophy of the Aikido. Onegai shimasu = "would be thankful to You that you trained with me", or literally "Respectfully I solicit...". This says to him to the companion when it begins practice. Osaewaza = Technical of prensión. O-sensei = Literally, "Great Teacher", in this case, Morihei Ueshiba, founder of the Aikido. Otagai nor king = Hacer reverence an a the others Otoshi = Tirar. INDICE Randori = Training "Free Style", "all participates". Some use it like synonymous of jiyu waza. The techniques of Aikido practice generally with single companion; but it is important to have in mind the possibility that one he can be attacked by several attackers. Many of the movements of the Aikido (tai sabaki) they were thought to facilitate the defense against several attackers. King = Reverence. Reigi = Etiqueta. To observe always the label rules specially (but the rules of label of dojo) constitute, to a large extent, the training of the techniques. The fulfillment of reigi demonstrates our sincerity, ours will to learn, and our recognition of the rights and interests of the others. Renshi = Titulo given to the degrees gives. Renshu = Arduous work in the basic ones. Ritsurei = Reverence of foot. Ritsuzen = Meditation of foot. Rokkyo = õ principle = hiji kime osae or waki katame or ude hishigi. Ryokata dori = Agarre to both shoulders. Ryote dori = Agarre at the two hands. INDICE Sabaki = corporal Movement. Saho = left Direction. Sankaku = Triangle. Sankyo = ér. princiio = kote hineri, shibori kime. Satori = Illumination. In the Buddhism, the illumination occurs to obtain conscience the absence of the immutable state of the phenomena. The phenomena are seen emptiness of escencia- the phenomenon exists in concecuencia of the interdependence (engi). For the founder, the illumination came with occurring account of the unit fundamental between one same and the principles that govern the universe. more important ethical principle for aikidoka would have to be to cultivate a spirit of protective love for all the things (to see ku and shinnyo) Seigan = fudamental natural Step, kamae. Seika-tanden = Under abdomen. Seiken = In front of the fist. Dorsal Seikichu = Espina.
Seiza = To seat of knees. With this seating acclimatization is acquired, but also one has stability and facility of movement to comparison to seat with the crossed legs. Seme-guchi = Opening to attack. Attacking Semete =. Sempai = a student with greater degree than one. Sen-no-sen = Tomar the right initiative when the opponent attack. Senaka = the buttock of the body. Senjutsu = Tactical. Masterful Sensei =. This term is most appropriate to talk about to the instructor duarante the practice, and time to use its name. If the teacher is the instructor permanent of dojo or the organization, most appropriate he will be to call it "Sensei" in tatami also. Sensei nor king = Reverence to sensei. Sente = Person who takes the initiative. Setsu nin to = "the sword that it assassinates". Although this concept can seem negative, is a positive connotation for this. Aside from the asumción of which to kill is "necessarily diabolic", this it can serve to kill and to avoid badly even greater, the concept to kill has a great variety of applications metafóricas. For example, to make an effort in "killing" injurious characteristics of person like the ignorance, egoísmo, or (excessive) competitiveness. Some exercises of misogi for sword, each piece of things involves imagining refusals of the personality cut by the sword. This way, katsu nin to and katsu jin ken (the rescuing sword) are united. Setsuzoku = Conección. The techniques of Aikido generally are thought stops to preserve the efficiency to traves of the union between our center (hara)y limit external external of the movement, or the one of our center and the one of companion. The Setsuzoku also can be referred to fluidity or continuity in technique. In the psychological level, setsuzoku I could be relation or action-reaction between us and our companion. Fisicamente, setsuzoku can to be taken like the application to use palaca for the best application of force or the task of controlling the balance and movement of the companion. Shi = Person. Shidoin = I title of formality, its approximate translation is the one of "instructor". Shihan = Titulo of formality whose approximate translation is the one of "teacher instructor "or" teacher of teachers ". Shikaku = Literally "mortal angle". A position relative to nustro companion in where one becomes difficult to him, to this, the one that continues attacking, and of where it is relatively easy to control the balance of our companion. Ceremonious Shikki =, with style, forms. Shikko = Walked samurai ("to walk with the knees"). The Shikko is very important to develop a strong conscience of our center (hara). Also aid to develop to force in our hip and legs. Shinai = Sword of bamboo. Shinkenshobu = Literally "duel of alive swords". The this express attitude that one must have in the training of Aikido, for example, one must to try to train as if it was in a real situation, in other words, a duel of life or death of true swords. These are that when concentrating in the training of Aikido practices single Aikido this, as if it was a combat of life or death, in where all our attention this in duel. Tambíen can be understood like when a technique practices and they prevent the movements in which nage can be attacked (cortar)al when uke it receives the technique. Shinnyo = a term commonly used in the Buddhist philosophy (specially in the Zen Buddhism) that deonta the character of vácío of the things (to see ku) Shinshin = Mind and body. Shinshin shugyo = Training of body and mind Shinshin toitsu = united Mind and body. Shintai = Body. Shinto = "the way of the Gods". Native religion of Japan. The founder was very influenced by the Omotokyo, a religion that to a large extent this founded on the misticismo Sintoísta. (to see kami) Shinzen nor king = Reverence to the temple. Shita = Down Shita hara = low Abdomen. Shita-no = In the low part. Shi waza = Against technique. Shizoku = safe Point (area). Shodan = First black tape degree (nidan = second black tape degree, and asi follows sandan, yondan, godan, rokudan, nanadan and hachidan) Small Sho =. Shomen = To the front or above of the head also is called to him thus to the front of dojo. Shoshin = Mind of the nascent one. When it is progressed in the training of Aikido it is required that one practices with a free mentality of mistaken predispositions. Although we can say that they always practice same techniques time and time again, against the same attack, this not always will be exactly equal, reason why the application of the technique is not the same one, although if it is it. There are small variations between the interaction of uke and nage. These small variations can be turned great differences sometimes. Aumir that knows the technique constitutes in if a mental block, in one predisposition that is in the lack of adaptability. Prejuzgar also can to avoid that we know the bases a new movement. For example, it is very common that when people see a menera different to execute a technique she says that she is mistaken. This judgment generally is based on a vision superfical of the technique, instead of delineating the technique segun its principles basic on that it is based. Shuchu = Concentration. Shugeki = Ataque. Shugyo = Discipline. Trip in búsca of the truth. The intention of Aikido, or of any martial art, as overcoming way goes beyond the training.
The word "shugyo" denotes the effort to reach the excellence in performance of the technique and the person. The Keiko, or training, is the unique one component of this effort. The objective of the Aikido like via, requires continuous reexaminación and correction of one same one, our attitudes, reactions, dispositions to which we like or displease, etc. Shuhai = Part of back of the hand. Shuto = Edge of the hand. Sode = Sleeve. Sode dori = Agarre to the sleeve. Soke = Lider of the style of the martial art that practices. Sokei = Ingle. Soko = That. Sokuso = Ball of the foot. Sokutei = Heel. Sokuto = Edge of the foot. Grove = "Outside." There are certain movements of Aikido that are executed outside of arm of the attacker (to see uchi) Repetitive Suburi = Practical to strike and to aim with jo or bokken. This no it gives ability us to strike with a weapon, but also it gives mobility us corporal that is palicable to the training at free hands. Sudori = Moment. Sukashi waza = Technical made not to allow that the attacker completes take hold or you initiate a blow. The ideal is that one is sensible to the position and movements of the attacker before the attack completely is mounted. Suki = an entrance or opening where he is vulnerable even attacks or application of a defective technique. One of the goals of the training is to feel suki from our movement or position, or also to detect suki from the movement or position of the companion. The ideal would be that the teacher of Aikido developed its ability if to matter that it sends or not true suki. Sukui = Cucharear.(con the hand to do kokyu for example) Sumi gaeshi = Corner to throw Sumi otoshi = Corner to spill. Sumimasen = Disculpame please. Sutemi = Literally "to undress of the body". Actitude of car abandonment personnel in the execution of a technique (in the judo are techniques in where he must sacrifice the balance to throw when uke)(ver aiuchi). , In aikido sutemi can be understood like the lack of fear when it is attacked to receive a technique without thinking about our security (to attack sincerely). Far from being simply confused, sutemi is a commitment in between uke and nage stops to be able to neutralize the attack. The techniques of Aikido cannot be applied tentatively if they are not effective. Instead of that, one must respond very instantaneously and to take a decisive action. This way nonsingle one undresses one of the body if not also of the ego. Suwari waza = Technical executed when uke and nage estan of knees. These techniques have their historical origin (partly) in which samurais tenian that to seat and to move with the knees when they were opposite of daimyo. In theory, this made more dificil for anyone, to attack daimyo (noble). But this single one was a position form to receive guests (of who all were not of FIAR). In the modern Aikido, suwariwaza serves to learn a to use our hip and legs. INDICE Tai atari = corporal Contact. Tai-atari uchi otoshi = Of yokomen-uchi, to enter and to block, uke is demolished by back Tabi = Japanese Sandals. Tachi = a type of Japanese sword (tachi tori = sword that is taken). Tai-chikara = muscular Force. Tai-no-henko = Voltear the position of the body. Tachi dori = Technical with sword. Taijutsu = "corporal Arts" like the practice without aramas. Tai henko = tai does not tenkan = Practical of basic union that it involves a turn of 180 degrees. Tai sabaki = corporal Movement. Takemusu aiki = a famous phrase of the founder who means "movement infinitely regenerative of the martial art of the Aiki ". also he is a synonymous one of Aikido. The reach of the Aikido is not reduced single to practices it of the techniques, since these techniques sircen as it bases to accesar to principles but fundamental (kihon). Unoa time that one has internalizado in kihon, is possible to generate an infinite range of new techniques of Aikido that adapt a new conditions. Tanden = Abdomen. Taninsugake = Training against many attackers, generally attacks of take hold. Also known like Tai not geiko. As much = a dagger. Tatchi waza = Technical On guard of foot. Taoshi = On the end. Tatami = Long cushion. Tateki uchi = Pelear Co many attackers. Tatte = To stop itself. Tegatana = "Hand sword" the edge or edge of the hand. Many movements of Aikido emphasizes expresiòn of tegatana. Also there are many similarities between the techniques of epada of Aikido with the principles of the application of tegatana. Tenkan = Movement of turn, to turn the body 180 degrees (to see tai they do not tenkan) You not hira = Palm. Tenshin = a movement in where nage draws a movement of 45 degrees was of the attack. Literally it means sky-earth. You ura = inner Part of the wrist. You waza = Technical of hand. Tonomo = long Sleeves. Tori (- dori) = Tomar, to hold, like so much-tori (tamando as much). Tegatana = Arm of sword. Teisho = Ball of the hand. Tekubi = Wrist Tenchi nage = Derribe of sky earth. Tenkan = Pivot. Tento = Atemi to the superior part of the head. Tenugui = Small cleaning trapito of the face, also used underneath the helmet of kendo. Tettsui = Fist of hammer. Tsukami = Agarrar and to immobilize Tsuki = Blow or empuje(un attacks cuerpo)También well-known as they chudan oi tzuki. Uchi = "Inside" a tècnica class in where nage moves on the inside (underneath) of brazo(s) of the attacker. Uchi deshi = The one that lives in the study. The student who lives in dojo and he dedicates to the training and the maintenance of dojo. (and sometimes to the service personnel of sensei of dojo) Uchi waza = Technical of I strike. Uchi = on the inside. Uchima = Place where you can strike with single a step. Uchite = the attacker. Ude = Arm. Ue = Arriba Ueshiba Kisshomaru = the son of the Founder of the Aikido and doshu of Aikido. Ueshiba Morihei = the founder of the Aikido. (to see Or Sensei and kaiso) Ueshiba Moriteru = the grandson of the founder and at the moment doshu of AikidoThe grandson of the to founder and current aikido doshu. Uke = the person who recive the technique. When a level of Aikido is had but stop, the difference between uke and nage becomes masked. Partly, this is because no longer it is left quièn clear initiates the technique, and also by the perspective that it is had, since nage and uke becomes aware independent. Ukemi = Literally "to receive with or by the body", this, the art to fall in respueta to a technique. Mae ukemi is rolled to the front, ushiro ukemi is rolled backwards. The ideal would be that one can do ukemi from nobody position and any direction. The development of the abilities in ukemi is so important comno the development of the abilities of the technique, and deserves same attention (perhaps more). When it is had ukemi better, one has opportunity of monitorear the form in which it is moved to know a clearly one understanding of the principles of the techniques of Aikido. Understanding techniques of Aikido give a strategic defense us against physical attacks, that it does ukemi, provides with estratégia to protect itself of the falls. (and even against the application of the technique of Aikido) Ura = "By atras" Is a class of techniques of Aikido that are done moving by atras of the attacker and turning. Accustom the techniques of Ura are called technical they tenkan (to turn). Uraken = Blow of reversa. Ushiro = Of back or back, like in ushiro ukemi, caida of back. Ushiro eri dori = Agarre of the neck by back. Ushiro kubi shime = Throttling by back. Ushiro ryote dori = Agarre of the wrists by back. Ryokata Ushiro dori = Agarre of shoulders from atras. Ushiro tekubi dori (ushiro ryote tori/ushiro ryokatate tori) = Agarre to wrist by back. Uwa gi = Top of practice. INDICE Waki = Side, armpit. Waki gamae = Sword aiming down and back for sutemi (sacrificio)waza. Generally the sword of the right side (migi waki gamae), has the foot left ahead so that the edge of the sword can be hidden, mainly it stops that this defeat is not seen that. Wakikage = Atemi to the point of the armpits. Waza = Technical. In Aikido also it must practice technical specific, the Aikido as manifestation of self-defense does not have to be looked like anything in individual or to a technique to estandar. This is because the techniques of Aikido they codify estratégias and types of movements which are modified by changing conditions (to see kihon) INDICE Yame = To stop. Yo-inbuki = Breathing (to be able) external. I = Begin positive of the nature. Ready Yoi =, prepared. Yoko = Side. Yokomen = Of side of the head. Yoko-furumi = Lateral motion. Yoko-uchi = Blow of side. Yonkyo = ô principle = tekubi osae. Yubi = Finger. < > P Carrying Yudansha = of the black belt (in any rank). Slow Yukuri =. Yumi = Arc (arcade) Yuru yaka nor = Smoothness. INDICE Zanshin = Literally "to maintain to the mind and the heart" Even despues of which technique of Aikido has been executed, one must remain in a state of balance and alerts. OF this form, zanshin means "to follow atraves" of technique, asi as also the guard stays so that it is possible to be prepared to respond but attacks. Zanshin has two connotations, psicologica and the physics. The physics is to hold a good position and balance after even completed the technique. The psychological one consists partly of to preserve the same mental state in all the phases of application of the technique. Also the one to extend the ki. Zen = Is a school that leaves from the Buddhism characterized by techniques that they produce the illumination. The Zen, in individual, emphasizes several types in meditation practice, which assumes that they lead the medical instructor to insight of the fundamental character of the reality (to see ku and mokuso). medical instructors of many martial arts, including aikidokas, think that if he adopts this mental attitude towards the training of the martial art, podra to obtain the illumination that offers you practice them meditativas traditional. Zekken = Patch embroidered in the chest with the name of the person and his dojo. Zengaku = Vista to the front. Zenpo = In front. Zenshin = the whole body Total Zentai =. Zenwan = Arm to the front. Zori = Sandals that are used in tatami to maintain this clean one. Count from the 1 to the 10 in Japanese: ichi, nor, san, shi (yon), go, roku, sichi (nana), hachi, kyu (ku), ju.
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