| Well fuck me right up the arse sideways with a large greased meerkat if it isn't actually some sound. About time as well. This band has been going for longer than is wise, frankly, and it's taken till now to get some sound shenanigans down here. These recordings were made in September 2001 in KGA's Westgate studio's where such illustrious names as 'Jonnyhead's Other, Slightly More Serious Side Project Which Doesn't Have A Name Yet' have recorded their five tracks. The recordings were not fraught with soul-searching, tantrums and Radiohead-esque periods of writer's block and indecision, given that they were recording by one guy one his own who doesn't have very high standards. Eh, ladies? I said I don't have have very high standards. Hint hint. KGA's Debut Single: 'U Can't Touch This G_[ravel Pit], Fool! (Psychotic Cushion PCR002) (all files are in RealMedia format - if you don't have realplayer, go fuckin get it, and while you're at it, they've invented this thing called 'the wheel' as well, you Luddite fuck!) 1. U Can't Touch This G_[ravel Pit], Fool! This will go down in history as KGA's first official recording, and is limited to however many copies people want. So far there is one. I have it. Anyway, this track is inspired by The Wu-Tang Clan's recent hit Gravel Pit. It was selected because G_[wrd] famously has a gravel pit in his spacious back yard which he uses like a human cat litter for fecal deposits and burying mofos who disrespect him. Allegedly. It is also in part inspired by MC Hammer's hit-which-was-a-bit-bigger-than-'Pray', 'U Can't Touch This'. Mr T makes a special cameo courtesy of his bad self. We tempted him with milk. Milk is good. 2. Harry Manback's Theme Heavy as fuck art metal quartet Tool are massive in America, but almost unheard of here. Why? Cos you're all fuckwits, essentially. Y'all buy Toploader and Texas records instead, unaware that you're heading straight for a date with Beelzebub, forced to sail the River Styx for all eternity wondering why you made such unwise entertainment choices. This track is based on an interlude on Tool's '96 masterpiece, 'Aenima', entitled 'Message To Harry Manback', and foregoes the original's piano/death threat vibe in favour of a drop-D-riffin'/samples from 'Spaceballs combination, to almost blasphemous effect. This track has been described by cool people as 'bitchin'', 'harsh', 'hectic' and 'biffin''. Bo! |
| SONIC SHENANIGANS |