Interpretation

wandering about for a great many things

looking for answers, searching for inspiration

my red hand scratching, leaving traces

of ruby rubbed fragments, skids of bloody pigment

(universal ? particular)

style and function, some kind of contemplation

stratigraphy my consciousness, excavation my unconscious mess

 

When did they become so? Not so much why for but by whom? These etchings chipped from the varnished patina to protect the predecessors from themselves, scratched into God’s flesh: in desire for Her tears in anticipation of Her decay in desperation for Her nourishment lactated from oozing cactus gardens.

piled fragments of

stones and bones

remains the ancients

spiritual footprints

spiraled galleries

birds eaten by snakes eaten by birds

handprints and fingerpaints

square-faced masks

anthropomorphs

quadruped lurching upward

horned serpents

geometricisms

the endurance of stone

 

bulletholed

 

 

 

Extrapolation

wandering about for a great many things

dreaming up questions, denying the inspiration

my red hand spraying, leaving negative space traces

of rubbed ruby figments, squirts of spray-can imagination

(particular ? universal)

contemplation of some kind, scope of stylistic: deviation, addition, choice

double articulation, eliminating the referent, presupposed comprehension, pre-disposed to apprehension.

When did they become so? Stigmatized and despised. Metonymy, the hidden transcript-out in the open under dank stone bridges and along sheer poured rock walls not gazed upon. Scratched into Homo’s flesh, signs from the currents, markers of place, proofs of identity, covered-up and made over, lactated from oozing aerosol cans.

applied fragments of

tagging

streetsigns

piecing

dark alleyways

throwing up

billboards and busses

biting

norfeast from soufwest

going over

underpasses

dissin’

writers’ status

 

whitewashed

 

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