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# This file is the author's own work and represents their interpretation
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Estelle
By Dan Bern
Transcribed by Justin
Intro: G Am C D G G Am C D G
G
I was painting a still life this morning
Am
Of a throat lozenge sitting on a copy of Tropic of Cancer
C D
The only thing weird about it is that a year ago
G
I never thought I'd paint anything again
G
I decided I wasn't ever gonna paint again
Am
It didn't bother me too much, Warhol's dead,
C G
David Hockney's still alive, I don't need to paint
G
I painted over ten thousand paintings
Am
Sad ones, funny ones, dark ones, and light ones
C D
I've done haystacks and rich old ladies by their pools
G
Wearing nothing but a scarf
G
Am
I've painted everything there was to paint, now it was time to sit back
C D
Give interviews, get on the Internet, hang out at Club Med,
G
Take stock of what I've done
G
You know, the best friend I ever had was a dog
Am
It sounds like a cliche unless it's happened to you
C
D G
Some days that dog was the only reason I even got out of bed
G
That dog went everywhere with me, and then I heard the crack addicts
Am
Were stealin' dogs and selling them for animal research
C D
It sounded like an urban myth to me like the mouse in the Coke bottle
G
But I started leavin' her at home after that
G
You know, Paula was my wife for a while
Am
She ran off to Paris with the great grandson of Van Gogh
C D G
A cartoonist who did fashion graphics for Le Monde
G
When Paula left she took my dog
Am
I never saw her again except in the court during the custody battle
C D
She won and got to keep the dog
G
And I didn't speak to anyone for months
G
You know sometimes it feels
Bm
Like there's so much that you need
C Bm G
Sometimes the world is upside down
G
Sometimes it feels
Bm
Like the only thing you need
C Bm Bb C
Is holdin' someone's hand as you walk through town
G
I started hanging around with Dino
Am
He used to run a poker game back east
C D
Now he sells cappuccino to his old pals
G
Tommy Chicago and Jimmy the Wig and Ugly Rose
G
You know the best person I ever knew
Am
Was a Mormon woman named Estelle
C D
She still calls me drunk every few months and asks me stuff I don't want
to talk about
G
You can't talk to her very long unless you're drunk yourself
Then we go all night
G Am C D G
G
She says, "Why baby, why baby, why baby, why
Am
Have you turned your back on love?
C
D G
You had so many chances, why have you let them all go by?"
G
Well, one morning I was sitting in front of Dino's place
Am
With Jake the Shears, a guy from Philly who gives free mohawks
C D
And a couple of young painters I was hoping would come by
G
So I could give 'em some advice
G
Yeah, I was sittin' there updating my list of enemies
Am
When this girl walks in and the universe kind of stops
C D
Turned out she drank the same tea as me
G
It don't take more than that to start a conversation sometimes
G
She believed collage was the greatest of all the arts
Am
And was busy pasting pictures of horses
C D
Next to ads for laundry soap next to Mohammed Ali
G
She had a turquoise in her ear and said Rachmaninoff was always in her head
G Am
Later that day I was trying to describe her to Jimmy the Wig
C
D G
I couldn't find any words and I realized I'd started to sketch her chin
G
Somehow it didn't look right
Am
I scratched it out and tried it again
C
D G
I filled an entire pad, I threw it away, I never even came close
G
For six days I sat at Dino's place
Am
The rain wouldn't quit and no one came in
C D G
Finally on the seventh day it cleared and in she walked
G
I asked her to sit with me and I bought her a cup of tea
Am
And I asked her to model for me sometime
C D
That afternoon I was at a canvas, she was wearing a yellow dress
G
I swore if she let me, I'd get it right
G
I've painted over ten thousand paintings
Am
Sad ones, funny ones, dark ones, and light ones
C
D G
But sitting there, it was like I couldn't even write my own name
G
I apologized and said, "It's been a few months
Am
If you have patience, I'll get the hang of it again"
C D G
In the next few weeks, I painted her hundreds of times
G
If I get the nose right, the chin's too long
Am
If I get 'em both right, the face is too thin
C D G
But I keep after it and one day I'll get it all right
G Am C D G
G Am C D G
G
I painted a still life this morning
Am
Of a throat lozenge sitting on a copy of Tropic of Cancer
C D G
The only that's funny is I never thought I'd paint anything again
G
I think I might go visit Estelle
Am
Those Utah mountains are good for the soul
C D
I'll bring my brushes and some Jack Daniels
G
And we can make up for lost time
G
She said, "Why baby, why baby, why baby, why baby
Am
Why have you turned your back on love
C D G
You had so many chances, why do you let 'em all go by?
G
Why baby, why baby, why baby, why baby
Am
Why have you turned your back on love
C
D G
You had so many chances, why do you let 'em all go by?"
G
You know sometimes it feels
Bm
Like there's so much that you need
C Bm G
Sometimes the world is upside down
G
Sometimes it feels
Bm
Like the only thing you need
C Bm Bb C
Is holdin' someone's hand as you walk through town
G Am C D G
G Am C D G
G Am C D G
G Am C D G
Notes: This song is actually structured much more simply than I made it
look. It's the vocal phrasing that throws me off, but that's more
natural. Basically, except for the chorus, it's just two measures of G,
two measures of Am, a measure of C, a measure of D, then back to G, then
you just repeat it. So why did I bother to type the whole song out? I'm
asking myself the same question right now.
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