The Cloister Walk - Kathleen Norris

Even most christians today seem to find the idea of the monastery archaic, extreme and unappealing. Here, Ms Norris, a hesitant believer, makes the convent seem appealing, beautiful and full of wisdom.

Once you get past the gimmick - a modern poet finding centering in a monastery - there is still much to like about this book. It is a combination of a lot of things - a painfully personal journal, a catalog of discoveries and musings, a polished essay on laundry that was published in the New Yorker, and several brilliant pieces that stand as academic writing, ready for a feminist publication or academic journal.

I think the latter were my favorite. It is informative and enjoyable to find Ms. Norris taking on the virgin martyrs, looking at catholic history and practice with a modern feminist eye, and finding much to like, and much to weep over. Another similar essay comparing the role of biblical prophets and modern day poets (both dwellers on the "margin" of society, yet deeply necessary to that society) is also excellent.

Norris' respect for the Word is wonderful, as well. She writes much and often about the poetry of the Bible - psalms, Jeremiah - and how they fit and fill her life. She brings new life to what, for many of us, have been wrongly dead words.

Her reflections on the monastery are good. She gives monks and nuns an earthy reality, talking about their quirks, their sense of humor, their doubts and struggles as well as their achievements, discipline, and success. She spends a fair amount of time digging into the heritage and history of monasticism and christianity - apparently she is reading Christian classics as she is living at the monastery - and I learned much about ancient monks, martyrs, and saints.

There is much wisdom in this book, and I appreciate Kathleen Norris' awareness and poet's sensibility. It reveals a richness in the Christian tradition that I gladly and happily claim as a follower of Jesus. It's not all WWJD bracelets and "Left Behind" novels.

A passage:

"Not long ago I accompanied a Trappist abbot as he unlocked a door to the cloister and led me down a long corridor into a stone-walled room, the chapter house of the monastery, where some twenty monks were waiting for me to give a reading. Poetry does lead a person into some strange places. This wonderfully silent, hidden-away place was not as alien to me as it might have been, however as I'd been living on the grounds of a Benedictine monastery for most of the last three years. Trappists are more silent than the Benedictines, far less likely to have work that draws them into the world outside the monastery. But the cumulative effect of the Liturgy of the Hours - at a bare minimum, morning, noon, and evening prayer, as well as the Eucharist - on one's psyche, the sense it gives a person of being immersed in the language of scripture, is much the same in any monastery. What has surprised me, in my time among monastic people, is how much their liturgy feeds my poetry; and also how much correspondence I've found between monastic practice and the discipline of writing."
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