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The House

In dreams
the same bad dream goes on.
Like some gigantic German toy
the house has been rebuilt
upon its kelly-green lawn.
The same dreadful set,
the same family of orange and pink faces
carved and dressed up like puppets
who wait for their jaws to open and shut.

Nineteen forty-two,
nineteen forty-three,
nineteen forty-four...
it's all the same. We're at war.
They've rationed the gas for all three cars.
The Lincoln Continental breathes in its stall,
a hopped up greyhound waiting to be sprung.

The Irish boy
who dated her
(lace curtain Irish, her mother said)
urges her through the lead-colored garages
to feel the patent-leather fenders
and peek at the mileage.
All that money!
and kisses too.
Kisses that stick in the mouth
like the vinegar candy she used to pull
with her buttery fingers, pull
until it was white like a dog's bone,
white, thick, and impossible to chew.

Father,
an exact likeness,
his face bloated and pink
with black market scotch,
sits out his monthly bender
in his custom-made pajamas
and shouts, his tongue as quick as galloping horses,
shouts into the long distance telephone call.
His mouth is as wide as his kiss.

Mother,
with just the right gesture,
kicks her shoes off,
but is made all wrong,
impossibly frumpy as she sits there
in her alabaster dressing room
sorting her diamonds like a bank teller
to see if they add up.

The maid
as thin as a popsicle stick,
holds dinner as usual,
rubs her angry knuckles over the porcelain sink
and grumbles at the gun-shy bird dog.
She knows something is going on.
She pricks a baked potato.

The aunt,
older than all the crooked women
in
The Brothers Grimm,
leans by a gooseneck lamp in her second floor suite,
turns up her earphone to eavesdrop
and continues to knit,
her needles working like kitchen shears
and her breasts blown out like two
pincushions.                                                                                                            
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