Surrealism

 

The artistic style of surrealism began as an official movement shortly after the end of the first world war. In its infancy, it was a literary movement, but soon found its greatest expression in the visual arts. In general, the style focuses on psychological states which resemble dreams and fantasy. The artists were influenced by psychological research of Sigmund Freud and Carl Jung, who sought to explain the workings of the mind through analysis of the symbols of dreams. Instead of using psychoanalysis to cure themselves of any disturbances, the surrealists saw the unconscious as a wellspring of untapped creative ideas. "A dream that is not interpreted is like a letter that is not opened" is a famous quote from Freud. The surrealists were less interested in interpretation of their dream symbols than they were in the expressive capacity of such states.

The surrealists admired the artwork of the insane for its freedom of expression, as well as artworks created by children. They admired previous artists such as Henri Rousseau, whose naive and self-taught works always contained an element of surreal fantasy. In addition, they looked for inspiration from masters of the Renaissance such as Hieronymous Bosch and Pieter Brueghel, whose fantastic elements can easily be described as surreal. The word "surreal", in fact, means "above reality". In other words, the artists believed that there was an element of truth which is revealed by our subconscious minds which supercedes the reality of our everyday consciousness.

Surrealism Background Information Taken From:

http://www.eyeconart.net/history/surrealism.htm

 

Important Literary and Surrealistic Literary Elements

 

Surrealism - Pure psychic automatism, by which it is intended to express, verbally, in writing, or by other means, the real process of thought. Thought's dictation, in the absence of all control exercised by the reason and outside all aesthetic or moral preoccupations. – Andre Breton

http://pers-www.wlv.ac.uk/~fa1871/whatsurr.html

 

Automatism - is a surrealist technique involving spontaneous writing, drawing, or the like practiced without conscious aesthetic or moral self-censorship.

http://en.wikipedia.org/wiki/Surrealist_automatism

 

Displaced Objects – Placing seemingly unrelated objects together in an artistic creation in order to create a new perception of reality.

 

Metamorphosis - Merging or transforming one object into aanother.

(Example – A mermaid could be a fish merged with a woman, or a woman transformed into a fish.)

 

Conflicting Images – to create images that seem out of place, out of order or out of scale, in order to force readers or viewers to question their fixed sense of reality.

 

 The Dominion of Light – to use a combination of light and dark images in order to help a viewer or reader understand new realities that they cannot comprehend in their everyday life. Rene Magritte created sixteen paintings titled the Dominion of Light that are based on this theme.

 

Absence and Presence – Using viewers’ or readers interaction with a text or visual in order to question the absence or presence of objects in a literary or artistic work. Revolves around the idea that every person will interpret a literary or artistic creation differently, based on their own sense of reality.

 

Cubism – An art movement in which artists made paintings and collages using geometric shapes such as cubes, cylinders and cones.

 

Paranoiac-critical method – a phrase invented by Dali to describe pictures that can be seen in two completely different ways.

 

Works Referenced

 

Bolton, Linda. Surrealism. New York: Peter Bedrick Books, 2000.

 

Cameo. Magritte. New York: Harry N. Abrams, 1995.

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