This review was published in Aftenposten, Norway's largest quality newspaper

Crazy horrornovel

Date:940509, Edition: Aftenposten (Morning), Page 17
Subject: Bookreviews, Aln Category: Literature, Area: Norway

Nick Cave AND THE ASS SAW THE ANGEL Novel, Aschehoug. Translated from English by Herbert Svenkerud.
Surrealistic horrornovel and a mythic-visionary epic.
Reviewed by ELIN BRODIN
This burlesque novel is Nick Cave's second literary publication. The Australian multi-artist, who has also appeared in various movies, is probably best known for his efforts as a rock-artist in the groups The Birthday Party and The Bad Seeds - and his fame as vocalist, lyricist and soundtrack-composer was hardly an obstacle when it was necessary to create publicity around his latest creative efforts: Many of the most positive reviews occured in magazines that for the most part deals with music.
The publisher presents "And the Ass Saw the Angel" as a Surrealistic horror-novel and a mythic-visionary epic". This is perhaps a fair description, even though it might seem a bit high-flying in this context. One thing is certain: the horror-effects are fully present, and we recognise the macabre views from the authors earlier songwriting.
The main character of the novel is the physically handicapped and mentally confused Euchrid, the son of an alcoholic mother and a sadistic, twisted father who has dedicated his life to refined abuse of animals. The child is treated very badly, and is terribly harrased in his nearest surroundings. Euchrid's growing up is a gigantic story of suffering, thouroughly painted with, at times, an almost parodic amount of blood-dripping adjectives.
His surroundings are not less bizarre. Euchrid's hometown is a fictional Southern town, governed (terrorized) by religious fanatics, who will walk over corpses to protect their principles. At it's best, the book sizzles with a crazy and weird apocalyptic mood that reminds you of Latinamerican fiction. Some passages show intensity and lushness, and one does not get the impression that the author has any speculative motives. The novel has its entertaining sides, and you can detect a sincere nerve to it.
Still - as a whole, this project is too pompous and fuzzy. The author lacks self-discipline. Effects and powerful symbolism is poured out without being put in perspective or context; the reader is bombarded with myths, frightening images and strange events that ought to have been presented and built up in a far more conscious way. Even though Cave has a basic linguistic talent, he has to be more self-critical if he is to apply it effectively. This nightmarish story indicates a vivid imagination, but sometimes the depictions of horror have no other function than that to make the reader ill at ease. The magazine Elle has printed that this book represents "the second greatest story ever told". Such a claim can easily become counter-productive: one becomes embarrassed, and wonders how many storys the reviewer has read. "And the Ass Saw the Angel" has its funny elements, but if you want to put it forward in some sense, it must rather be as the most grotesque and crazy story that you have read for quite a while.


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