Austin Reviews

 

SAHARA

[ http://imdb.com/gallery/ss/0318649/SaharaFINALCOMP1_3_05.jpg ]

 

    Ok, so last weekend we rented three movies—Sin City (crap), National Treasure (yawn) and a movie that I’d really wanted to see in the theater, but never got off my butt and did it.

 

    Having read Clive Cussler’s novel Sahara several times over the years (I’ve actually read almost all of Cussler’s books and am a fan of the Dirk Pitt series) I was nervous about how they were going to make a movie from a book that is only about ten percent dialogue. You see, Cussler tends to be very descriptive in the way that he tells a story, and without a voice-over, a lot of the story can be lost when somebody tries to make it into a movie, which is largely a visual medium.

 

    If you want a perfect example of how badly a movie can be when compared to the book upon which it was based, read Clive Cussler’s Raise The Titanic and then go find the 1980 movie of the same name ( http://imdb.com/title/tt0081400/  ) and watch it as soon as you finish reading the book.

    The book is really fun.

    The movie is devastatingly bad.

    Super-bad.

    Head-shakingly bad.

    Dirk Pitt comes off as this whiny, wishy-washy little geek who—for some reason—has a beard. The only good part about Raise The Titanic is Jason Robards. The rest of it serves as a perfect example of what I feared would happen with the movie version of Sahara.

 

    Fortunately, Sahara did not disappoint me with cheese. It was actually really quite good, even if one of the most important and fun elements of the novel was omitted from the movie. I’ll give you a hint—it involves Abraham Lincoln. Go read the book BEFORE you watch the movie… if you haven’t already seen the movie, that is. If you’ve already seen it, go read the book anyhow. You’ll see what I mean.

 

    If you have not read the book or seen the movie, here’s the basic premise: There’s a plague running amok… somewhere… in Africa (?) and a couple of U.N. doctors have been nosing around trying to find the cause/origin of the plague. In doing so, they stumble upon a kind of cover-up conspiracy to keep the source of the contagion (which is pretty nasty) a secret. The problem is that the projections are that the contagion, if allowed to continue spreading, will ultimately wipe out all life on Earth.

 

    Neat, huh?

 

    So, foxy lady doctor (Penelope Cruz http://imdb.com/gallery/ss/0318649/Ss/0318649/020_S-C1219-03.jpg?path=gallery&path_key=0318649  ) finds herself being menaced on a beach someplace by Bad Men when this... guy... literally comes running out of the surf and deals with the nasty guys—thus enters our hero, underwater salvage engineer Dirk Pitt (Matthew McConaughey http://imdb.com/gallery/ss/0318649/Ss/0318649/sahara2.jpg?path=gallery&path_key=0318649  ).

 

    Dirk Pitt, who works for the National Underwater and Marine Agency (NUMA) is in the vicinity working on a project rescuing artifacts from the ocean floor blah blah blah yadda yadda yadda and just happens to be nearby when Doctor Foxybritches starts screaming for help, which he does.

    The movie then takes us on a roller coaster ride of an adventure that is two parts Indiana Jones and one part James Bond with a hint of any halfway decent buddy movie you’ve ever seen. The can-do attitude of Dirk Pitt is fun to watch and McConaughey’s portrayal of Pitt is really pretty damned good, even if he does need a haircut. I doubt that the ladies will mind, what with McConaughey spending half of the movie with his shirt off (calm down, ladies).

            The casting of this movie was pretty good, considering the nearly impossible requirements set by the novels. It would be nearly impossible to find someone who looks like Cussler’s description of Pitt’s right-hand-man, Al Giordino, so the casting director said “screw it” and shot for finding the most likeable guy they could come up with. The result was Steve Zahnhttp://imdb.com/gallery/ss/0318649/029_S-C1392-15.jpg ] (Saving Silverman), who plays Giordino with such enthusiastic verve and panache that you find yourself wishing you had a buddy like him (fortunately, I have several). The interplay between Zahn and McConaughey was excellent and made for some very funny moments. In the special section of the DVD, you find out that a fair amount of the verbal back-and-forth between Pitt and Giordino was actually made up by McConaughey and Zahn, which gives it an even more lively believability. It’s fun to watch these guys work together and I hope they make more Dirk Pitt movies with these two as the stars.

 

    William H. Macy http://imdb.com/gallery/ss/0318649/Ss/0318649/038_S-C1377-20A.jpg?path=gallery&path_key=0318649 ] (Mystery Men, Fargo) plays Admiral James Sanddecker (Ret.), who is the head of NUMA and more or less the boss of Pitt and Giordino. I’m still not sure if Macy was the right guy for this role, but he’s such a likeable actor that I’m willing to let him grow on me. At least he’s got the right color hair.

 

    Pitt purists will almost certainly have problems with this movie, but they need to get over it. This was a fun movie. Certainly a lot more fun that National Treasure. I just wish that the director had gone to the trouble of  including the WHOLE story from the novel in the movie itself. Trust me… if you’ve read the novel, you’ll know what I mean and you’ll agree. If you haven't read the book-- go buy it and read it right now. Trust me. You'll like it.

 

    Go read the book. It’s got the typical Clive Cussler “surprise” plot twists and developments (which were omitted from the movie) that make the books so much fun to read. It also gives a lot more of a description of how/why Pitt and Giordino manage to build themselves a “ride” out of the desert using only their hands, their brains and a crashed airplane that looks to be about forty years old.

 

    I really liked this movie. It was fun and I’ll certainly watch it again when I get the chance. What makes it really nice is that, at the end of the movie, Pitt and Dr. Eva Rojas do not wind up doing the clichéd “making passionate love in the surf” routine, but rather are simply horsing around, splashing and having a super-fun time together which, in a way is so very much more symbolic of a happy ending than anything else that I’m surprised that more film-makers don’t do this. Mad props to director Breck Eisner for doing something so refreshingly believable and mood-boosting. Heck, I only just realized that this movie is even pretty kid-friendly. I don’t remember any swearing or nudity at all. That’s how good this movie is. It doesn’t need boobs or f-bombs to be a lot of darned fun. I give it four out of five stars.

 

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