[i]After watching a disturbing promo from Ken Kaze, while he was watching the infamous, Japanese, anime, cartoon show, Dragonball Z, all of us have begun to wonder about him. His current girlfriend, Krystal, has been wondering about him, also. She has been wondering if he really [u]is[/u] not all there, or is it just a big hoax that he likes to put up whenever a camera is on him. Well, she has decided to put this [u]burden[/u] onto her shoulders and try and help him. Will she be successful? Or, will she just have to accept the truth; that her boyfriend is basically, a clumsy, stupid bastard.[/i] [color=black]The scene opens up inside of a hallway, which appears to be at least 15 feet long. The two walls, which stand parallel from each other, are about 3 and a half feet apart. The two walls are both white. Half way down the hallway is a door; the door to a bathroom. At the end of the hallway are two [i]more[/i] doors, which are on opposite sides. The floor looks to be a tannish-type of color. The ceiling is white. All of a sudden, the door on the right side swings open and Ken Kaze is seen walking out, with Krystal following behind. Ken is wearing baggy, light, blue, jean pants, a black, plain t-shirt, light, brown, Timberland boots, his diamond, crystal earring in his left ear, his diamond, crystal necklace with the diamond, crystal gear as the charm, and has a pair of clear Oakley sunglasses folded up, hanging off of the neck of the shirt. He lets his half-wet, black hair hang down onto his shirt. Krystal is wearing skin tight, leather pants, a light, blue, silky shirt with some cleavage, and black, high, heel shoes. She has her brown hair up in a ponytail. [color=blue] �So.. where are you exactly taking me?� [color=black]Ken asks Krystal, trying to think of where he is going. [color=purple] �You�ll see.� [color=black]Krystal says, as her beautiful voice keeps ringing in his mind. He lets Krystal walk ahead of him. She steps in front of him as they advance through the hallway. Ken, momentarily, stops and looks at his girlfriend�s butt. It is as if he were in some kind of trance. He tries to snap out of it, but his eyes are locked on her butt. After taking a couple seconds of checking his own girlfriend out, he catches up to her as she turns the corner, to the right and walks out of the front door. [color=blue] �Can�t you just give me the least bit of hint?!� [color=black]Ken asks, while giving Krystal the fake sad, puppy-dog eyes. Krystal rolls her eyes and ignores him. She walks up to Ken�s bright, yellow, Ferrari F50. He opens up the driver�s-side door for her. She steps inside and he shuts the door for her. He walks to the other side of his Ferrari and opens up the passenger�s-side door. He steps inside and shuts the door. Krystal turns the ignition on as the loud, booming noise from the motor bounces off of the house and off the other houses; like pinball. [color=blue] �Puh-weez?!� [color=black]Ken asks, with the [i]cutest[/i], little, kiddy voice Krystal has ever heard. [color=purple] �Okay.. okay. I am taking you to.. not-going-to-tell-you-land!!� [color=black]Krystal says, while chuckling to herself. Ken looks at her with a bit of disappointment, wanting to know where he is going. The scene then fades to black.
[b][color=orange]**30 Minutes Later**[/b]
[color=black]The scene opens back up, but this time at a different location. It is outside of a rather large, brick building. Right below the roof, but above the glass, double doors is a sign. The sign reads �Mental Disabilities.� A bright, yellow, Ferrari F50 is seen pulling into the parking lot of the building. The Ferrari, obviously Ken�s Ferrari, pulls up to the building and parks right in front of it. At this time, many things are rushing to Ken�s head. [color=blue]-{ I don�t have any mental disabilities!! Why am I here?! Ooooh!! Man.. I am so dense! Krystal is the one who needs help! }- [color=black]Ken thinks to himself as he opens up the passenger�s door. Krystal turns the ignition off and opens up the driver�s door. They both step out simultaneously. Krystal places the keys into her right, front pocket as they both walk through the glass, double doors. As they step inside, Ken, thinking that he is there only for Krystal, leaves her side and walks over toward his left where 5 chairs are lined up in a straight row. He sits down in the middle one. All four walls have flower wallpaper on them. On the opposite side of the room, from Ken, is a television set in the corner. In front of him are 6 chairs. Three chairs face him, the other three face in the other direction; making the backs up against each other. On the wall opposite of Ken are five more chairs. An obese lady, wearing skin-tight, jogging pants and a huge plain, white t-shirt sits down 4 chairs from the TV, with her pocketbook across her lap. Krystal walks up to the reception desk, which is directly straight from the glass, double doors. Ken concentrates on one of his favorite moves, �Ms. Doubtfire.� Krystal grabs a pen and signs a white, piece of paper. She then begins to speak to the woman receptionist. [color=purple] �Yes. I would like for my boyfriend over there..� [color=black]Krystal says, then momentarily pausing while pointing out Ken. [color=purple] �..to take the Rorschach test.� [color=red] �Lets see.. I think Dr. Tooley has a patient right now. I�ll come and let you know when he is available.� [color=purple] �Okay, thank you ma�am.� [color=black]Krystal says with her beautiful voice. She begins to walk towards Ken. She takes a seat down, right next to him. [color=purple] �Honey.. I was wondering..� [color=black]Krystal says, then pausing. [color=blue] �Yes sweetheart?� [color=purple] �Well.. how do things look so far about your match with this Oracle guy?� [color=black]Krystal quickly attracts Ken�s attention. Ken then jumps up from his chair. His shoelace gets caught underneath the front, right leg of the chair and causes him to trip and fall on his face. The obese woman on the other side of the room, as well as Krystal, laugh at him. Ken slowly rises to his feet and yanks his shoelace from out the chair. He then looks at the obese woman with a cold stare. He then turns his attention back to Krystal. [color=blue] �Uh.. sweetie. Oracle.. isn�t a.. guy.� [color=purple] �WHAT?! You mean you are facing a little boy?!� [color=black]Ken, slowly, takes a big gulp. [color=blue] �Nope, not a little boy either.� [color=purple] �Are you going to be fighting a [i]thing[/i]?� [color=black]Ken then gets a straight-face expression of confusion, and a little bit of fear, on his face. [color=blue] �Hon.. it�s a woman.� [color=purple] �A WOMAN?!?� [color=black]Krystal screams, as the obese woman and the woman receptionist look at Krystal as if she were crazy. [color=purple] �Sorry. A woman?!?� [color=black] Krystal says in a lower, more calm voice. [color=blue] �Yes. But.. but.. but it wasn�t my idea! It was my teacher�s! Hardcore Isosceles Trapezoid! You see.. along time ago, before I met you; I used to date Oracle.� [color=black]Krystal then gets an angered look on her face. [color=blue] �BUT BABE! I AM WWAAYY OVER HER NOW!! I promise you. I wouldn�t leave you for anybody in the world!� -{ Except maybe.. Pamela Anderson. }- [color=black]Ken thinks to himself. [color=blue] �But, look at it this way babe. She�s a PCW superstar. I am a PWA superstar. I [i]want[/i] to be a PCW superstar. She is my ticket to the PCW!! Just think about it!! If I can defeat her, they would definitely let me into the PCW!� [color=purple] �But why? You�re a man, she�s a woman.� [color=blue] �No, no, no. You see, they don�t think of each other like that. They aren�t classified as men and women, only as PCW superstars. They are all equal. So, this is obviously the day God wants me to shine! It�s just perfect! And, plus, I [b]must[/b] get revenge for HIT. She did a freaking hurricanrana on him, from the top rope!!� [color=purple] �Okay, okay. Just go easy on her. I don�t want to have to bail you from jail for killing a woman in front of millions and millions of people around the world.� [color=black]Krystal says nervously. [color=blue] �Don�t worry. This match with Oracle won�t be nothing more than a cakewalk!!� [color=black]Ken says confidently. All of a sudden, an average-sized woman dressed in a white dress, with a name tag hanging down from her neck that reads �Tammy� on it, walks up to Ken and Krystal. In her left hand is a clipboard. [color=red] �Uh.. Kaze? Is this Mr. Kaze?� [color=black]Ken looks at the woman confused. He then turns to Krystal. He then turns back to the woman. [color=blue] �Umm, yes ma�am. That�s me. But I think it�s her you want.� [color=black]Ken responds. The woman looks at the clipboard once more, then turns back to Ken. [color=red] �No sir. It states clearly right here, Ken Kaze. And I am pretty sure this lovely, young lady�s name isn�t Ken.� [color=blue] �Bu- bu- but I�m not sick or nothing!� [color=red] �Well, this isn�t the doctor you come see when you�re sick physically, only mentally.� [color=blue] �WHAT THE H*LL?!?� [color=black]Ken screams, wondering why he is exactly here, and also offended by the comment made by the woman. He grows more confused by the second as he slumps back in his chair trying to think of why he is there. [color=red] �Sir! Please! Do not use bad language in here! We do not tolerate it!� [color=black]The woman demands. [color=blue] �Oh, well.. sorry.� [color=red] �Just!.. follow me sir.� [color=black]Ken stands up as the woman walks towards the reception desk. As Ken follows behind her, he looks back at Krystal in confusion. Krystal shrugs. The woman then turns to the left, next to the reception desk, and walks down a hallway. Ken follows her lead every step of the way. She stops at a door and then enters it. The room is very, very small. The woman is completely empty, besides the little table sitting in the middle of the room, with two chairs on opposite sides of the table. The floor, walls, and ceiling are all white. The woman walks over towards one of the chairs and takes a seat. Ken walks to the opposite chair from her and takes a seat. She then pulls out 7 cards from underneath the clip of the clipboard. She holds one card up, which has, what seems to be a big, ole, inkblot on it. [color=red] �What do you see in this card?� [color=black]The woman asks, as Ken stares into it with a lot of thought. [color=blue] �Err.. I see.. HOOTERS!!� [color=red] �Excuse me?!� [color=blue] �What are you deaf woman!? I said, I SEE HOOTERS!!!� [color=black]Ken yells out loud, as he chuckles to himself. [color=red] �Well, pardon me, sir!� [color=black]The woman then lays the card down and picks up another. She flashes it to him as he looks into it. [color=blue] �Oooh. This is a toughy. I am going to have to say.. a shoe factory?� [color=red] �A shoe factory?!� [color=blue] �GAWD D*MN YOU WOMAN! DO YOU WANT ME TO PIMP SLAP SOME SENSE INTO YOU?! GET THE FREAKING EARWAX OUT OF YOUR EARS AND LISTEN TO WHAT I SAY!! I said, I SEE A SHOE FACTORY!!!� [color=black]Ken yells at the woman. The woman looks at him angry. [color=red] �WELL, YOU WANT TO KNOW SOMETHING, YOUNG MAN! RESPECT YOUR ELDERS YOU F*CKING, A*S RAMMING, ANAL RAPING, SH*T EATING, JACKA*S!!!� [color=black]The woman screams at the top of her lungs. Her face is bright red as she storms out of the room. Ken just looks at her speechlessly. He begins to laugh to himself. [color=blue] �I�ll see to it her fat a*s gets fired! For sexual harassment!! Ha, ha!!� [color=black]Ken laughs to himself. All of a sudden, he suddenly falls down in his chair; from leaning back to far on the back legs. He then stands up and stares at the chair angered. He picks it up and begins to slam it onto the chair. [color=blue] �DIE B*TCH!! DIE!!!!� [color=black]Ken screams as he slams it onto the table. Then, he finally has hit the table too much, and breaks it into two pieces. He then gets even more frustrated, not knowing what to do, and throws it into the wall. The chair penetrates through the wall leaving a big hole in the wall. He looks at the big hole in the wall, afraid of what might happen to him. [color=blue] �OHHHH CRAAAPPP!!� [color=black]Ken yells, as he runs out of the room. The scene then fades to black. 1
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