| Smash Mouth | Who's There |
| Smash Mouth | Diggin' Your Scene |
| Smash Mouth | I Just Wanna See |
| Smash Mouth | Waste |
| Smash Mouth | All Star |
| Smash Mouth | Satallite |
| Smash Mouth | Radio |
| Smash Mouth | Stoned |
| Smash Mouth | Then the Morning Come |
| Smash Mouth | Road Man |
| Smash Mouth | Fallen House |
| Smash Mouth | Defeat You |
| Smash Mouth | Come On Come On |
| Smash Mouth | Home |
| Smash Mouth | Can't Get Enough Of You Baby |
Review from CDNow
It's a bit unfair to single out one band and
blame it for the demise of creativity on the radio today. It's unfair,
but apt. With Astro Lounge, Smash Mouth rehashes more of the stuff found
on its 1997 release, Fush Yu Mang, tossing in a few generic influences
it missed on its debut.
A title like Astro Lounge connotes exactly what
you'd expect: California-brand rock tempered with occasional cosmic George
Jetson sound effects. A prime example is the first song on the album, "Who's
There," which shoots for space age and ends up way-laid by its own devices.
"All Star" is the first single off Astro Lounge, and it's already saturating modern rock airwaves. A listener could insert lyrics from Smash Mouth's previous hits, "Walkin' on the Sun" or "Why Can't We Be Friends," and still come off sounding pretty darn close to the band's new material.
"Waste" finds Smash Mouth with its finest Stone Temple Pilots' "Wet My Bed" impersonation. It features unimaginative distortions and sounds as though vocalist Steve Harwell is singing through an industrial-sized hotel fan. DJ Homicide, from Sugar Ray, another band stretching out its 15 minutes of fame, is featured on the organ-fused "Stoned."
"Can't Get Enough of You Baby" ends the album.
After sitting through just a couple of songs on Astro Lounge, it's likely
that you'll have had enough of them, baby.