| Everclear | Song From An American Movie Pt. 1 |
| Everclear | Here We Go Again |
| Everclear | AM Radio |
| Everclear | Brown Eyed Girl |
| Everclear | Learning How To Smile |
| Everclear | The Honeymoon Song |
| Everclear | Now That It's Over |
| Everclear | Thrift Store Chair |
| Everclear | Otis Reading |
| Everclear | Unemployed Boyfriend |
| Everclear | Wonderful |
| Everclear | Annabella's Song |
Review from CDNow
Though Everclear didn't win any originality contests
with its radio-ready punk pop, the combination of the trio's neo-grunge
and frontman Art Alexakis' brooding pathos proved irresistible to many
an alt-rock fan.
For the last few years, it has been Art against
the big, bad world, so it's both refreshing and a bit off-putting to hear
Alexakis in such a newly contented state of grace: Songs from an American
Movie Vol. One: Learning How to Smile finds the singer disarmingly sentimental,
as he waxes nostalgic for classic AM radio, Chinese food in bed, and the
comfort of a Frasier-like favorite chair.
No longer playing the underdog, Alexakis basks in his role as proud papa (the first track), and the intense, sensitive leading man you don't want to let get away ("Unemployed Boyfriend"), though he delivers the latter with a wink and a smirk.
Though the standout "Wonderful" follows the winning blueprint of Everclear hits like "Santa Monica" and "Father of Mine," the band eschews its usual infectious, guitar-driven rock -- turning its attention to harmonies and intricate string arrangements, and tossing in random samples and dialogue bits. They tackle Hawaiian-flavored honky-tonk successfully, and take a disastrous stab at classic funk. In what is no doubt meant to be an homage, they face the formidable task of covering Van Morrison's "Brown Eyed Girl."
While convincingly earnest and certainly ambitious,
the result is formulaic, and lacks the free-wheelin', soulful magic of
the original -- which brings us to the bottom line. If there is one thing
from which this record suffers, it's that its reach exceeds its range.
If Alexakis continues to confront such musical giants, he may not lose
his underdog status after all.