PARVUM OPUS

Number 18


LANGUAGE THROUGH THE LOOKING GLASS

Istory in the Making

A TV listing for the movie, The House of Mirth, calls it a "historical drama". Just because it is set in the past, the past being before the writer was born, or maybe before movies were invented, that doesn't mean it's "historical". Neither the movie nor the book was about a "historical" event or person. The story was fiction. "Historical" refers to actual, factual events in the past, or at least what we think happened. Movies about Pancho Villa, Abraham Lincoln, and Queen Elizabeth the First are legitimately called historical dramas, however far they may stray from the facts, but not the story of poor Lily Bart.

By the way, I'd like to know why people write or say "an historical" rather than "a historical". I always pronounce the h, and the only reason to use "an" would be to lead into a word that starts with a vowel. The h is frequently softened in "historical", but it shouldn't disappear, particularly when it's heard clearly in "history". The Oxford Pocket Fowler's Modern English Usage says: "Practice differs with h-words in which the first syllable is unstressed: a (or an) habitual criminal; a (or an) hotel. There is evidence, especially in written English, for the continued use of an before . . . historian, historical . . . but the choice of form remains open." Well, of course they're British, aren't they? But in Cockney speech, dropping the h in the wrong words is the mark of someone who is of a lower class and less educated than those who remark on this sort of thing. How do they distinguish then? Besides that, I don’t see the logic. Why should written English vary from spoken in this case? Did anyone grow up aspirating the h in history, but omitting it in "historic"? And where did that American aitch go? I suppose I think it's an affectation because I first heard "an historical" uttered by an American who'd traveled in England, cultivated British literary celebrities, and was an arse.

Tubal Locution: War Reporting

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Copyright Rhonda Keith 2003. Parvum Opus or part of it may be reproduced only with permission, but it is permissible to forward the entire newsletter as long as the copyright remains.

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