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When toddler Olivia disappeared
one summer night while sleeping in a tent with her sister in her Cambridge
family's garden, her treasured blue toy mouse vanished with her.
That mystery - which effectively wrecked her already dysfunctional
family and finished off her mother - occurred more than 30 years ago,
according to the subtitle "Case History No 11970" in the
first chapter of Atkinson's ripping new yarn.
Move through a few more "Case Histories" and we come to
the present day and private investigator Jackson Brodie, who has been
contacted by two of Olivia's sisters. Visiting their much-disliked
father on his deathbed, they are disturbed by something they've found
locked in his study while clearing out the house: Olivia's blue mouse.
Both sisters, now in their 40s - Amelia unloved and prickly, Julia
slutty and boisterous - want Jackson to investigate. But as well as
the sisters' concerns about their father, the Cambridge PI has other
cases on hand.
There's obese Theo, who has never got over the murder of his beloved
daughter in his law office 10 years ago. Who was the man in the yellow
golf shirt who ran in shouting his name then sliced her throat? The
descriptive power of that scene alone is one of the most potent pieces
of writing I've shuddered over for quite some time.
Then there's Michelle, leading the so-called good life with her annoying
husband and new baby in the countryside, going quietly mad in an environment
where implements such as axes are easily available. We discover later
she has a connection with another, more monied, country lady, Caroline,
and a street waif befriended by Theo.
Jackson has his own secrets and problems, not least of which is his
new status as single man and weekend father. He keeps up a tenuous
friendship with Binky, an elderly woman who wants him to trace a missing
cat. But when she introduces Jackson to her "Sarth Efrican"
nephew who worked in the diamond mines "in charge of the blecks",
bad things start to happen.
Atkinson, whose memorable debut Behind the Scenes of the Museum won
the Whitbread Prize in 1995, is back in charge of her craft after
wobbling badly in the most recent Emotionally Weird.
Here, she slickly spirals people in and out of time and narrative,
without confusing the reader. Although Case Histories deals with the
grimmest elements of modern life - incest, murder, loneliness, paranoia
- Atkinson has an unerring eye for the absurd.
As a bonus, Jackson is a first-rate character in the tradition of
the rumpled middle-aged detective, better at solving other people's
problems than fixing his own life.
Although Case Histories feels almost like a detective novel, it's
more than that. Not every case is solved neatly by the end, but Atkinson
does present an entertaining tale - sometimes shocking, sometimes
laughable - of how our lives intertwine and actions reverberate.
- Copyright © 10 October
2004, Linda Herrick.
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