tragedy

Nietzsche, "Geburt der Traegodie"
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��Apollo�]�y��N/�ڤۥ@�ɡ^��Dionysus�]�D��ı��N/�ڤۥ@�ɡ^

��Schopenhauer: ��Ҧ��H��M�ƪ��ݦ��º�ۼv�ιڤۡA�D�O�u��㦳��Ǥ~�઺�H�x�C(p.19)

��Schopenhauer:��W�A�@�ӤH��b�@��ۮ��Yŧ��p��W�A�ӫH��o��T��p��@�ˡA�ӤH�ǵۡ��u�ӧO�ƭ�z�v(Principium individuations)��A�è̿�L��R�R�a�m��o�@�ɪ��@�P�h�W��C(p.21)�]Apollo�^

��ǩM�Ӥ��A�C�ӤH��P�P��۽թM�A��ڤW�X��@��A�n��Maya��b��Q��}�A�u�ѤU�}�B�b�o��u�Ӥ@�v(Original Oneness)��ۼv(Vision)��e��H��C(p.22)�]Dionysus�^

��]Apollo�@�ɪ��y�k�ʡ^�GKnow thyself & Nothing too much(p.34)

��]Dionysus�^�u�D�ڤơv(un-selving)(p.40)

��Dionysus��H�A�i�H��OShakespeare��U��Hamlet�G��̳��`�`�a�ݨ�ƪ��u��A�L��ı��F�A�Ӥ��@�N�q�Ʀ�ʤF�C(p.54)

��u��֤H�Ө��A�u��v(Metaphor)��O��ǤW��A�ӬO��e�{�b�L��e�A�ΥH�N��H�x��ζH�C(p.58)

��T�ؤ�ơGSocrate�]�D��AAlexander�^/Art�]��N�۶H�AGreek�^/Braman�]�ΤW�w��ATragedy�^(p.119)

��dwell resolutely in the fullness of being�]�{�@�s�b�P��^(p.122)

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��King Midas ��Silenus��פH�ͳ̤j��H�u�̦n��n�X�͡A��n�s�b�A�n�k��L��A�Ӧ��n��ơA�h�O��I�h��C�v(p.29)

�󭵼ֻP�d�@��....�H�h�W��֪��E��֡A��ǳo�ئۮT�A��̬Ʀ��ҩ��u�i��a�@�ɡv��s�b��ȡC(p.160)

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�󴼼z��M�W�Q��V��H�F��z�O��۵M�ҥǪ��@�ظo��C(p.66)

��By a detour �]¶��^Plato the thinker reached the very spot where Plato the poet had all long been at home.(The Birth of Tragedy,14)

��But while the artist�]Dionysus�^, having unveiled the truth garment by garment,remains with his gaze fixed on what is still hidden, theretical man�]Socrates�^ takes delight in the cast garments and finds his highest satisfaction in the unveiling process itself, which proves to him his power.Science could not have developed as it has done of its sole concern had been ��that one naked goddess. (The birth of tragedy, 15)(p.101)�]��^

��Lessing: ��u�z��l�D��u�z��󭫭n�C(p.102)�]��^

��dwell resolutely in the fullness of being.. (The birth of tragedy, 18)

��u��@�f��G�ɡA�@�ɤ~�i�H�û��a�ҩ��X�z��....�@��»{��̡]Apollo�^�Ө��A�ڭ̵��P��P�ɧ@��гy�̩M�[��̪��誺�H�]Dionysus�^�۲V....�L�P�ɬO�D��M��H�A�֤H�A�t��M�[��C(p.43)
Only as an aesthetic product can the world be justified to all eternity--although our consciousness of our own significance does scarcely exceed the consciousness a painted soilder might have of the battle in which he takes part.(The birth of tragedy,5)

��@�ɧ@��P�{�H�C(p.157)

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��Schiller:��ڦӨ��A��̪�O�S��T��F��[��Ӥ~��͡A�̪�O�Y�ح��֪��F�ɦV�A��Ӥ~��͸֪��[��C(p.38)

��Whenever it engages in the imitation of music, language remains in purely superficial contact with it, and no amount of poetic eloquence will carry us a step closer to the essential secret of that art.(The birth of Tragedy,6) �]��ָ��֬��^(p.48)

�󭵼֤��O�{�H��...�ӬO�N�ӥ��....��֤��P��Ҧ��L��N�A�]��A�ڭ̥i�H�١G�@�ɬ��{��֡A��p�ڭ̺٥��{��N�ӡC(p.109)

��Wagner:��Q��֡]��þ��H�ϯ��ֶ��^�T�S�A��p�O��Q��T�S�@�ˡC(p.53)

�󷧩��O�u��ƪ��@�ۡv(universalia post rem)�A�ӭ��֫o��ڭ̡u��ƪ��@�ۡv(universalis ante rem)�A��b�@�ɫh�O�u�ƪ��@�ۡv(universalis in rem)�C(p.110)

��Music alone allows us to understand the delight felt at ��the annihilation of the individual.Each single instance of such annihilation will clarify for us the abiding phenomenom of Dionysiac art, which expresses ��the omnipotent will behind individuation, ��eternal life continuing beyond all appearance and inspite of destruction.(The birth of Tragedy,16)(p.111)�]��骺��ѡA�ë��N�ӡ^

��]��Socrates�ƫ׹ڨ��^�u�m�߭��֧a�I�v(p.100)

��y�zSocrates��ƯS��̦n��k�O�⥦�٬��q�@��ơC(p.123)

��Opera is the product of the man of theory, the critical layman, not the artist.(The birth of Tragedy,19)�]��PNietzsche��P�P�^�]�q�@�O�U��N�^

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��þ��d�@�i��G�qAppolo��v�l��Ҥ��_��ͪ�Dionysus�X�۶��C(p.60)

��[Socrates�樥��G�G�u�w��N�O��ѡF�Ҧ��o�c��_��L��F�ߦ��w�̤~�ּ֡C�v�o�T�y��[�D�q��ܡA�ۭP�F�d�@��`�C(p.98)

��d�@��ܳz�L�d�@�H��A��ڭ̱q�l�D�Х@��g��ѩ�X�ӡA�ô��ڭ��٦��t�@�ئs�b�M�󰪪��ּ֡C�d�@�^��z�L�Ѥ`�B�ӫD�z�L�ӧQ�A�ӷǳưl�D�o�اּ֡C(p.138)

��the dawn of a new tragic age is for the German spirit only a return to ifself, a blessed recovery of its identity.(the birth of tragedy,19)

��And this is, indeed, the punishment for the inner dishonesty�]��b��۹ꪺ�g�@�^ to which people grant expression under the guise of "forgetting," of erroneous actions and accidental emotions, a feeling which they would do better to confess to themselves and others when they can no longer control it. As a matter of fact it can be generally affirmed that every one is continually practising psychoanalysis on his neighbours, and consequently learns to know them better than each individual knows himself. �]��v�^The road following the admonition g n w q i s e a u t o n �]�{�ѧA�ۤv�^leads through study of one's own apparently casual commissions and omissions.

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��L�צ�ɡA��@�ӹ��`�`�a��Ĳ��Dionysus��ɡA�K�q�u��ơv��Ѳ�X�ӡA��͹�u�F�v��v��N�z�άƦܼķN�C(p.136)�]��^�]��b�ټM�~�N��ߤ@�u�ܡ^

2001.12.7
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