Edna St. Vincent Millay

The Spring and the Fall
In the spring of the year, in the spring of the year,
I walked the road beside my dear.
The trees were black where the bark was wet.
I see them yet, in the spring of the year.
He broke me a bough of the blossoming peach
That was out of the way and hard to reach.
In the fall of the year, in the fall of the year,
I walked the road beside my dear.
The rooks went up with a raucous trill.
I hear them still, in the fall of the year.
He laughed at all I dared to praise,
And broke my heart, in little ways.
Year be springing or year be falling,
The bark will drip and the birds be calling.
There's much that's fine to see and hear
In the spring of a year, in the fall of a year.
'Tis not love's going hurt my days.
But that it went in little ways.
EDNA ST. VINCENT MILLAY (1923)

Memory of Cape Cod

The wind in the ash-tree sounds like surf on the shore at Truro.
I will shut my eyes ��.��.��. hush, be still with your silly bleating,
��sheep on Shillingstone Hill ��.��.��.

They said: ��Come along! ��They said: ��Leave your pebbles on the sand and come ��along,�� it�s long after sunset!
The mosquitoes will be thick in the pine-woods along by Long Nook, the wind�s
��died down!
They said: ��Leave your pebbles on the sand, and your shells, too, and come along, ��we�ll find you another beach like the beach at Truro.

Let me listen to wind in the ash ��.��.��. it sounds like surf on the
��shore.

Sonnet XI
From �� "Fatal Interview"

Not in a silver casket cool with pearls
Or rich with red corundum or with blue,
Locked, and the key withheld, as other girls
Have given their loves, I give my love to you;
Not in a lovers'-knot, not in a ring
Worked in such fashion, and the legend plain--
Semper fidelis, where a secret spring
Kennels a drop of mischief for the brain:
Love in the open hand, no thing but that,
Ungemmed, unhidden, wishing not to hurt,
As one should bring you cowslips in a hat
Swung from the hand, or apples in her skirt,
I bring you, calling out as children do:
"Look what I have! ~~ And these are all for you."

Edna St.Vincent Millay

Sonnet XVI
From �� "Fatal Interview"

I dreamed I moved among the Elysian fields,
In converse with sweet women long since dead;
And out of blossoms which that meadow yields
I wove a garland for your living head.
Danai, that was the vessel for a day
Of golden Jove, I saw, and at her side,
Whom Jove the Bull desired and bore away,
Europa stood, and the Swan's featherless bride.
All these were mortal women, yet all these
Above the ground had had a god for guest;
Freely I walked beside them and at ease,
Addressing them, by them again addressed,
And marvelled nothing, for remembering you,
Wherefore I was among them well I knew.

Edna St.Vincent Millay

Ebb
I know what my heart is like
Since your love died:
It is like a hollow ledge
Holding a little pool
Left there by the tide,
A little tepid pool,
Drying inward from the edge.

Edna St.Vincent Millay

Dirge Without Music
I am not resigned to the shutting away of loving hearts in the hard ground.
So it is, and so it will be, for so it has been, time out of mind:
Into the darkness they go, the wise and the lovely. Crowned
With lilies and with laurel they go; but I am not resigned.

Lovers and thinkers, into the earth with you.
Be one with the dull, the indiscriminate dust.
A fragment of what you felt, of what you knew,
A formula, a phrase remains,--but the best is lost.

The answers quick and keen, the honest look, the laughter, the
love, --
They are gone. They are gone to feed the roses. Elegant and curled
Is the blossom. Fragrant is the blossom. I know. But I do not
approve.
More precious was the light in your eyes than all the roses in the
world.

Down, down, down into the darkness of the grave
Gently they go, the beautiful, the tender, the kind;
Quietly they go, the intelligent, the witty, the brave.
I know. But I do not approve. And I am not resigned.

Edna St.Vincent Millay

The Ballad of the Harp-Weaver
"Son," said my mother,
When I was knee-high,
"you've need of clothes to cover you,
and not a rag have I.

"There's nothing in the house
To make a boy breeches,
Nor shears to cut a cloth with,
Nor thread to take stitches.

"There's nothing in the house
But a loaf-end of rye,
And a harp with a woman's head
Nobody will buy,"
And she began to cry.

That was in the early fall.
When came the late fall,
"Son," she said, "the sight of you
Makes your mother's blood crawl, --

"Little skinny shoulder-blades
Sticking through your clothes!
And where you'll get a jacket from
God above knows.

"It's lucky for me, lad,
Your daddy's in the ground,
And can't see the way I let
His son go around!"
And she made a queer sound.

That was in the late fall.
When the winter came,
I'd not a pair of breeches
Nor a shirt to my name.

I couldn't go to school,
Or out of doors to play.
And all the other little boys
Passed our way.

"Son," said my mother,
"Come, climb into my lap,
And I'll chafe your little bones
While you take a nap."

And, oh, but we were silly
For half and hour or more,
Me with my long legs,
Dragging on the floor,

A-rock-rock-rocking
To a mother-goose rhyme!
Oh, but we were happy
For half an hour's time!

But there was I, a great boy,
And what would folks say
To hear my mother singing me
To sleep all day,
In such a daft way?

Men say the winter
Was bad that year;
Fuel was scarce,
And food was dear.

A wind with a wolf's head
Howled about our door,
And we burned up the chairs
And sat upon the floor.

All that was left us
Was a chair we couldn't break,
And the harp with a woman's head
Nobody would take,
For song or pity's sake.

The night before Christmas
I cried with cold,
I cried myself to sleep
Like a two-year old.

And in the deep night
I felt my mother rise,
And stare down upon me
With love in her eyes.

I saw my mother sitting
On the one good chair,
A light falling on her
From I couldn't tell where.

Looking nineteen,
And not a day older,
And the harp with a woman's head
Leaned against her shoulder.

Her thin fingers, moving
In the thin, tall strings,
Were weav-weav-weaving
Wonderful things.

Many bright threads,
From where I couldn't see,
Were running through the harp-strings
Rapidly,

And gold threads whistling
Through my mother's hand.
I saw the web grow,
And the pattern expand.

She wove a child's jacket,
And when it was done
She laid it on the floor
And wove another one.

She wove a red cloak
So regal to see,
"She's made it for a king's son,"
I said, "and not for me."
But I knew it was for me.

She wove a pair of breeches
Quicker than that!
She wove a pair of boots
And a little cocked hat.

She wove a pair of mittens,
Shw wove a little blouse,
She wove all night
In the still, cold house.

She sang as she worked,
And the harp-strings spoke;
Her voice never faltered,
And the thread never broke,
And when I awoke, --

There sat my mother
With the harp against her shoulder,
Looking nineteeen,
And not a day older,

A smile about her lips,
And a light about her head,
And her hands in the harp-strings
Frozen dead.

And piled beside her
And toppling to the skies,
Were the clothes of a king's son,
Just my size.

Edna St.Vincent Millay

A Visit to the Asylum
Once from a big, big building,
When I was small, small,
The queer folk in the windows
Would smile at me and call.

And in the hard wee gardens
Such pleasant men would hoe:
"Sir, may we touch the little girl's hair!" --
It was so red, you know.

They cut me coloured asters
With shears so sharp and neat,
They brought me grapes and plums and pears
And pretty cakes to eat.

And out of all the windows,
No matter where we went,
The merriest eyes would follow me
And make me compliment.

There were a thousand windows,
All latticed up and down.
And up to all the windows,
When we went back to town,

The queer folk put their faces,
As gentle as could be;
"Come again, little girl!" they called, and I
Called back, "You come see me!"

Edna St.Vincent Millay

Copyright � 1996-2000 ourplace. All Rights Reserved.

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