The trees along this city street,
Save for the traffic and the trains,
Would make a sound as thin and sweet
As trees in country lanes.
And people standing in their shade
Out of a shower, undoubtedly
Would hear such music as is made
Upon a country tree.
Oh, little leaves that are so dumb
Against the shrieking city air,
I watch you when the wind has come,--
I know what sound is there.
���
THE BLUE-FLAG IN THE BOG
Ah, could I lay me down in this long grass
And close my eyes, and let the quiet wind
Blow over me--I am so tired, so tired
Of passing pleasant places! All my life,
Following Care along the dusty road,
Have I looked back at loveliness and sighed;
Yet at my hand an unrelenting hand
Tugged ever, and I passed. All my life long
Over my shoulder have I looked at peace;
And now I fain would lie in this long grass
And close my eyes.
������ Yet onward!
������������ Cat birds call
Through the long afternoon, and creeks at dusk
Are guttural. Whip-poor-wills wake and cry,
Drawing the twilight close about their throats.
Only my heart makes answer. Eager vines
Go up the rocks and wait; flushed apple-trees
Pause in their dance and break the ring for me;
And bayberry, that through sweet bevies thread
Of round-faced roses, pink and petulant,
Look back and beckon ere they disappear.
Only my heart, only my heart responds.
Yet, ah, my path is sweet on either side
All through the dragging day,--sharp underfoot
And hot, and like dead mist the dry dust hangs--
But far, oh, far as passionate eye can reach,
And long, ah, long as rapturous eye can cling,
The world is mine: blue hill, still silver lake,
Broad field, bright flower, and the long white road
A gateless garden, and an open path:
My feet to follow, and my heart to hold.
���
EEL-GRASS
No matter what I say,
All that I really love
Is the rain that flattens on the bay,
And the eel-grass in the cove;
The jingle-shells that lie and bleach
At the tide-line, and the trace
Of higher tides along the beach:
Nothing in this place.
���
ELEGY BEFORE DEATH
There will be rose and rhododendron
When you are dead and under ground;
Still will be heard from white syringas
Heavy with bees, a sunny sound;
Still will the tamaracks be raining
After the rain has ceased, and still
Will there be robins in the stubble,
Brown sheep upon the warm green hill.
Spring will not ail nor autumn falter;
Nothing will know that you are gone,
Saving alone some sullen plough-land
None but yourself sets foot upon;
Saving the may-weed and the pig-weed
Nothing will know that you are dead,--
These, and perhaps a useless wagon
Standing beside some tumbled shed.
Oh, there will pass with your great passing
Little of beauty not your own,--
Only the light from common water,
Only the grace from simple stone!
���
THE BEAN-STALK
Ho, Giant! ���� This is I!
I have built me a bean-stalk into your sky!
La,--but it's lovely, up so high!
This is how I came,--I put
Here my knee, there my foot,
Up and up, from shoot to shoot--
And the blessed bean-stalk thinning
Like the mischief all the time,
Till it took me rocking, spinning,
In a dizzy, sunny circle,
Making angles with the root,
Far and out above the cackle
Of the city I was born in,
Till the little dirty city
In the light so sheer and sunny
Shone as dazzling bright and pretty
As the money that you find
In a dream of finding money--
What a wind! What a morning!--
Till the tiny, shiny city,
When I shot a glance below,
Shaken with a giddy laughter,
Sick and blissfully afraid,
Was a dew-drop on a blade,
And a pair of moments after
Was the whirling guess I made,--
And the wind was like a whip
Cracking past my icy ears,
And my hair stood out behind,
And my eyes were full of tears,
Wide-open and cold,
More tears than they could hold,
The wind was blowing so,
And my teeth were in a row,
Dry and grinning,
And I felt my foot slip,
And I scratched the wind and whined,
And I clutched the stalk and jabbered,
With my eyes shut blind,--
What a wind! What a wind!
Your broad sky, Giant,
Is the shelf of a cupboard;
I make bean-stalks, I'm
A builder, like yourself,
But bean-stalks is my trade,
I couldn't make a shelf,
Don't know how they're made,
Now, a bean-stalk is more pliant--
La, what a climb!
���
WEEDS
White with daisies and red with sorrel
And empty, empty under the sky!--
Life is a quest and love a quarrel--
Here is a place for me to lie.
Daisies spring from damned seeds,
And this red fire that here I see
Is a worthless crop of crimson weeds,
Cursed by farmers thriftily.
But here, unhated for an hour,
The sorrel runs in ragged flame,
The daisy stands, a bastard flower,
Like flowers that bear an honest name.
And here a while, where no wind brings
The baying of a pack athirst,
May sleep the sleep of blessed things,
The blood too bright, the brow accurst.
���
PASSER MORTUUS EST
Death devours all lovely things;
Lesbia with her sparrow
Shares the darkness,--presently
Every bed is narrow.
Unremembered as old rain
Dries the sheer libation,
And the little petulant hand
Is an annotation.
After all, my erstwhile dear,
My no longer cherished,
Need we say it was not love,
Now that love is perished?
���
PASTORAL
If it were only still!--
With far away the shrill
Crying of a cock;
Or the shaken bell
From a cow's throat
Moving through the bushes;
Or the soft shock
Of wizened apples falling
From an old tree
In a forgotten orchard
Upon the hilly rock!
Oh, grey hill,
Where the grazing herd
Licks the purple blossom,
Crops the spiky weed!
Oh, stony pasture,
Where the tall mullein
Stands up so sturdy
On its little seed!
���
ASSAULT
I
I had forgotten how the frogs must sound
After a year of silence, else I think
I should not so have ventured forth alone
At dusk upon this unfrequented road.
II
I am waylaid by Beauty. Who will walk
Between me and the crying of the frogs?
Oh, savage Beauty, suffer me to pass,
That am a timid woman, on her way
From one house to another!
���
LOW-TIDE
These wet rocks where the tide has been,
Barnacled white and weeded brown
And slimed beneath to a beautiful green,
These wet rocks where the tide went down
Will show again when the tide is high
Faint and perilous, far from shore,
No place to dream, but a place to die,--
The bottom of the sea once more.
There was a child that wandered through
A giant's empty house all day,--
House full of wonderful things and new,
But no fit place for a child to play.
���
SONG OF A SECOND APRIL
April this year, not otherwise
Than April of a year ago,
Is full of whispers, full of sighs,
Of dazzling mud and dingy snow;
Hepaticas that pleased you so
Are here again, and butterflies.
There rings a hammering all day,
And shingles lie about the doors;
In orchards near and far away
The grey wood-pecker taps and bores;
The men are merry at their chores,
And children earnest at their play.
The larger streams run still and deep,
Noisy and swift the small brooks run
Among the mullein stalks the sheep
Go up the hillside in the sun,
Pensively,--only you are gone,
You that alone I cared to keep.
���
ROSEMARY
For the sake of some things
That be now no more
I will strew rushes
On my chamber-floor,
I will plant bergamot
At my kitchen-door.
For the sake of dim things
That were once so plain
I will set a barrel
Out to catch the rain,
I will hang an iron pot
On an iron crane.
Many things be dead and gone
That were brave and gay;
For the sake of these things
I will learn to say,
"An it please you, gentle sirs,"
"Alack!" and "Well-a-day!"
���
TO A POET THAT DIED YOUNG
Minstrel, what have you to do
With this man that, after you,
Sharing not your happy fate,
Sat as England's Laureate?
Vainly, in these iron days,
Strives the poet in your praise,
Minstrel, by whose singing side
Beauty walked, until you died.
Still, though none should hark again,
Drones the blue-fly in the pane,
Thickly crusts the blackest moss,
Blows the rose its musk across,
Floats the boat that is forgot
None the less to Camelot.
Many a bard's untimely death
Lends unto his verses breath;
Here's a song was never sung:
Growing old is dying young.
Minstrel, what is this to you:
That a man you never knew,
When your grave was far and green,
Sat and gossipped with a queen?
Thalia knows how rare a thing
Is it, to grow old and sing;
When a brown and tepid tide
Closes in on every side.
Who shall say if Shelley's gold
Had withstood it to grow old?
���
WRAITH
"Thin Rain, whom are you haunting,
That you haunt my door?"
--Surely it is not I she's wanting;
Someone living here before--
"Nobody's in the house but me:
You may come in if you like and see."
Thin as thread, with exquisite fingers,--
Have you seen her, any of you?--
Grey shawl, and leaning on the wind,
And the garden showing through?
Glimmering eyes,--and silent, mostly,
Sort of a whisper, sort of a purr,
Asking something, asking it over,
If you get a sound from her.--
Ever see her, any of you?--
Strangest thing I've ever known,--
Every night since I moved in,
And I came to be alone.
"Thin Rain, hush with your knocking!
You may not come in!
This is I that you hear rocking;
Nobody's with me, nor has been!"
Curious, how she tried the window,--
Odd, the way she tries the door,--
Wonder just what sort of people
Could have had this house before . . .
���
BURIAL
Mine is a body that should die at sea!
And have for a grave, instead of a grave
Six feet deep and the length of me,
All the water that is under the wave!
And terrible fishes to seize my flesh,
Such as a living man might fear,
And eat me while I am firm and fresh,--
Not wait till I've been dead for a year!
���
MARIPOSA
Butterflies are white and blue
In this field we wander through.
Suffer me to take your hand.
Death comes in a day or two.
All the things we ever knew
Will be ashes in that hour,
Mark the transient butterfly,
How he hangs upon the flower.
Suffer me to take your hand.
Suffer me to cherish you
Till the dawn is in the sky.
Whether I be false or true,
Death comes in a day or two.
���
THE LITTLE HILL
OH, here the air is sweet and still,
And soft's the grass to lie on;
And far away's the little hill
They took for Christ to die on.
And there's a hill across the brook,
And down the brook's another;
But, oh, the little hill they took,--
I think I am its mother!
The moon that saw Gethsemane,
I watch it rise and set:
It has so many things to see,
They help it to forget.
But little hills that sit at home
So many hundred years,
Remember Greece, remember Rome,
Remember Mary's tears.
And far away in Palestine,
Sadder than any other,
Grieves still the hill that I call mine,--
I think I am its mother!
���
DOUBT NO MORE THAT OBERON
Doubt no more that Oberon--
Never doubt that Pan
Lived, and played a reed, and ran
After nymphs in a dark forest,
In the merry, credulous days,--
Lived, and led a fairy band
Over the indulgent land!
Ah, for in this dourest, sorest
Age man's eye has looked upon,
Death to fauns and death to fays,
Still the dog-wood dares to raise--
Healthy tree, with trunk and root--
Ivory bowls that bear no fruit,
And the starlings and the jays--
Birds that cannot even sing--
Dare to come again in spring!
���
LAMENT
Listen, children:
Your father is dead.
From his old coats
I'll make you little jackets;
I'll make you little trousers
From his old pants.
There'll be in his pockets
Things he used to put there,
Keys and pennies
Covered with tobacco;
Dan shall have the pennies
To save in his bank;
Anne shall have the keys
To make a pretty noise with.
Life must go on,
And the dead be forgotten;
Life must go on,
Though good men die;
Anne, eat your breakfast;
Dan, take your medicine;
Life must go on;
I forget just why.
���
EXILED
Searching my heart for its true sorrow,
This is the thing I find to be:
That I am weary of words and people,
Sick of the city, wanting the sea;
Wanting the sticky, salty sweetness
Of the strong wind and shattered spray;
Wanting the loud sound and the soft sound
Of the big surf that breaks all day.
Always before about my dooryard,
Marking the reach of the winter sea,
Rooted in sand and dragging drift-wood,
Straggled the purple wild sweet-pea;
Always I climbed the wave at morning,
Shook the sand from my shoes at night,
That now am caught beneath great buildings,
Stricken with noise, confused with light.
If I could hear the green piles groaning
Under the windy wooden piers,
See once again the bobbing barrels,
And the black sticks that fence the weirs,
If I could see the weedy mussels
Crusting the wrecked and rotting hulls,
Hear once again the hungry crying
Overhead, of the wheeling gulls,
Feel once again the shanty straining
Under the turning of the tide,
Fear once again the rising freshet,
Dread the bell in the fog outside,--
I should be happy,--that was happy
All day long on the coast of Maine!
I have a need to hold and handle
Shells and anchors and ships again!
I should be happy, that am happy
Never at all since I came here.
I am too long away from water.
I have a need of water near.
���
THE DEATH OF AUTUMN
When reeds are dead and a straw to thatch the marshes,
And feathered pampas-grass rides into the wind
Like aged warriors westward, tragic, thinned
Of half their tribe, and over the flattened rushes,
Stripped of its secret, open, stark and bleak,
Blackens afar the half-forgotten creek,--
Then leans on me the weight of the year, and crushes
My heart. I know that Beauty must ail and die,
And will be born again,--but ah, to see
Beauty stiffened, staring up at the sky!
Oh, Autumn! Autumn!--What is the Spring to me?