Education
& Qualifications
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page
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Ph.D. examining questions of
gender, culture, nationalism and the avant garde in relation to fin de
siecle culture in the 1890s, Centre for Australian Studies, School
of Australian and International Studies, Deakin University
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Honours Fine Art (Art History)
with German, University of Melbourne
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Graduate Diploma of Museum Studies,
Deakin University
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Member of the Australasian Victorian
Studies Association, the Australian Art Association and the Women's Art
Register
Areas
of Scholarly Interest:
Nineteenth early twentieth
century sculpture, European and Australian
Nineteenth and early twentieth
century women's art,
"Academic" and "Official"
art of the nineteenth century
Women in Australian cultural
mythology
Women in early modernism
The Australian plein air/impressionist
artists - the so-called Heidelberg School - especially the female
members of the movement
Interrogating the misogyny
of Australian left wing nationalist culture
Masculinism in Australian
historical memory, fear of weakness and contagion
Cultural symbolism of women
in relation to theories of state and nationhood
"Royal" women as performers/embodiments
of the feminine vision of the state, and symbols of feminine subjectivity
against the "rationalism" of male institutions
Dolls as cultural signs
in nineteenth and twentieth century culture
Dress and fashion as sites
of women's history
Interrogating the self righteous
and co-opting authority of the "avant garde" in twentieth century cultural
memory
Art as a site for consolidating
the collective "writing" of nation and culture.
Decorative arts, applied
arts, design and popular culture as sites of historical discussion alongside
the fine arts
Professional
Activities:
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Scholarship from the Henry Moore
Foundation, Leeds, Britain, to travel to England to take part in the Pre-Raphaelite
Sculpture Conference, Leighton House, October 1991
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Documented the Australian work
of Pre-Raphaelite associates, Thomas Woolner and Bernhard Smith.
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I have worked consistently as
a freelance and guest curator and writer in Australian state and
public art galleries since 1986
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Guest edited Artlink
1995 and Craft 1997, currently Victorian editorial consultant
for Artlink
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I have been a regular guest
lecturer on 19th century sculpture and women artists for the Fine Arts
Department, University of Melbourne since 1987
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Completing the Picture: Women
artists and the Heidelberg Era - devised exhibition, which toured to
five Australian states, 1992-1993, and was instrumental in causing a re-evaluation
of the women artists associated with this most popular area of Australian
art history.
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I have produced scholarly articles
and papers on the "Mount Rennie Outrage "a sexual crime that was read traditionally
by left wing historians as a miscarriage of justice against working class
men. I have recast this debate as discussing crimes against women, and
in terms of the symbolic myths woven by white collar radicals, who saw
the crime as an escape from feminine power and constraint, and also as
an insult to the dominant power of Queen Victoria/Britannia. The Oxford
Companion to Australian History (p 444) Revised edition 2001,
notes" feminist analysis by Juliet Peers, Australian Cultural
History (1993), examines the impact of the crime on the victim".
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Guest of Visiting Scholars'
Program, Centre for Cross-Cultural Studies, Australian National University,
Canberra 2001
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Interests span both classical
art history (covering design and applied art as well) and contemporary
art/design Widely published as classical art historian in Australia, as
well as British publications including Pre-Raphaelite Sculpture
and the Dictionary of Women Artists, also published many essay relating
to contemporary art and feminist studies in Australia.
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Fellowship
from Beverley Wilson Architectural Foundation to present a paper
at 60th Annual Meeting (Conference) Society of Architectural Historians
(USA) Pittsburgh Pennsylvania April 2007
Lecturing
:
I have taught
the history of art and design from ancient times to
c.1940 to Textile
Design students at RMIT University since 1994.
1994+ During the 1990s I
supervised third year students in their major
research projects.
I seek to make students aware
of the major movements in decorative art
and fine art history in
the West and also to gain some awareness of
non-Western traditions as
well. In all cultures the role and development
of textiles in design, fashion,
social life, religious practice,
industrial production and
international commerce is highlighted.
I also seek to make students
conversant in the visual history of
textile design as a source
for their own practice in future years.
Therefore I survey such
issues as revivals of design, adaptations of
designs or cross cultural
borrowings
2005 In the school of architecture
and design, I have lectured on fashion
history to first year students
since 2005
I have also taught elective
subjects including "Family Portraits",
"Fashion and Design: Australian
Icons"
I am co-teaching the Poise
studio at SIAL with Mark Burry, Alison
Fairly and Dominik Holzer
in 2007
2007: August In Conversation
at Heide Museum of Modern Art sympoisum on
modern style in 1930s Melbourne
on panel with Nanette Carter, Harriet
Edquist and Jennifer Phipps
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I also have taught for two
years at Whitehorse Institute: History of
mainstream European
dress and fashion from ancient times to the present
day and the history of Australian
art and
design from pre-1788 to
the present. 1997-1999
Major
Publications
2007 Girl
Culture: An Encyclopedia in two volumes. Edited by Claudia A.
Mitchell, professor in the Department of Integrated Studies in Education
at McGill University in Quebec, Canada. And Jacqueline Reid-Walsh, adjunct
professor in the Department of Integrated Studies in Education at McGill
University in Quebec, Canada
published Greenwood Press
Westport Connecticut 2007.
Two extended critical overviews
of Doll Culture and Ballet and Girl Culture, general essays on Mattel and
various dolls including Blythe, the Flavas and Razanne
2007 Essay for Bendigo Art
Gallery exhibition The Long Weekend on Australian artists in France
1920-1939
2007 Essays for Art Gallery
of New South Wales Bertram Mackennal retrospective opening August
2007
2006 "Paris or Melbourne?"
Garments as ambassadors for Australasian Fashion Culture" Generation Mode
edited by Susanne Anna, Eva Gronbach, Hamburg: Hatje Crantz published
in English and German
2005 "The Heidelberg
School in a new Millenium" in Radical Revisionism In Australian Art
ed Dr Rex Butler (UQ) Brisbane: Institute of Modern Art Publishing
2005 Guys n' Dolls: Art,
Science, Fashion and Relationships exhibition exploring dolls and their
interaction with contemporary art Brighton Museum and Art Gallery, UK,
23 April - 12 June 2005 catalogue isbn 0 948723 57 2 , essay by Juliette
Peers on "Doll History and Fashion Theory"
2004 The Fashion Doll-
From Bebe Jumeau to Barbie : Berg
Publishers ISBN 1859737382
2004 One chapter onWoolner,
Smith and La Trobe Bateman in Australia in Worldwide Pre-Raphaelitism,
(Suny
Series, Studies in the Long Nineteenth Century) by Thomas J. Tobin (Editor),
New York University Press; (November 2004) ISBN: 0791462668
2004 Online essay written
for ARCO contemporary Art Fair Madrid 2004 [ Annette Bezor ]
2003 Essay on Neoclassical
and Romantic Sculpture in The Encyclopedia of Sculpture
3 Volume Set, edited by
Antonia Boström. Publisher: Fitzroy Dearborn, Chicago
2003 Catalogue essay for
Janet Cumbrae Stewart (1883-1960) The Perfect Touch, Mornington
Peninsula Regional ArtGallery ? first contemporary survey exhibition of
this important Australian woman artist, curated by Rodney James and other
curatorial staff of MPRG
2003 Essays on Bertram Mackennal,
J.J.Hilder, Max Meldrum, Charles Web Gilbert, Joy Hester, Robert Prenzel
for Treasures- Highlights of the Cultural Collections of the University
of Melbourne edited by Chris McAuliffe and Peter Yule Miegunyah - University
of Melbourne Press
2003 Annette Bezor Catalogue
essay for Florence Lynch Gallery, New York solo exhibition of Annette
Bezor, Australian artist, May, 2003
2002 Extended essay and notes
of selected artworks for catalogue The Full Majesty of Nature: The
Collection of Dr Samuel Arthur Ewing" Ian Potter Museum of Art, University
of Melbourne and touring regional venues
2002 essay on exhibition
curated by Vivonne Thwaites, essays by Mary Eagle and Stephanie Radok,
additional material gathered by curators at Bundoora Homestead Federation
Centre for the Arts, Home is Where the Heart is for the Craft Victoria
online
journal Craft Culture .
2001: Monograph by Telos
(British publisher on textile arts) on Australian Textile Artist Anne-Marie
Power for the Portfolio Series of leading international textile artists
2001: Article on Rose Soady
(Mrs Norman Lindsay) for the Dictionary of Artists? Models London
Fitzroy Dearborn
2001: Article on Margaret
Preston for Delia Gaze ed. Concise Dictionary of Women Artists. London:
Fitzroy Dearborn
2001: Revised the biographies
of Australian/British sculptors Charles Summers and Sir Bertram Mackennal
for the Oxford University millennial project the New Dictionary of National
Biography
2000 chapter "White Roses
and Eating Disorders: A Feminist Re-reading of Kaiserin Auguste Viktoria
of Germany" (1858-1921) Europe: Divided or United Anthology published
for the Australian Association for European History, by Department of History,
University of Western Australia and Southern Highlands Press. 89-107, 18
pp highlighting the hitherto overlooked links between Auguste Viktoria
and Diana, Princesss of Wales.
1999 chapter "Place Aux Dames"
in Anthology Past/Present edited Joan Kerr and Jo Holder, published
Craftsman House, Sydney, a feminist exposé of the politics
of art history and curating, anthology surveys women's art in studio and
gallery practice in Australia organised by Professor Joan Kerr
1999" "Violet Teague - A
Life for Art" chapter in Violet Teague edited by Felicity Druce
and Jane Sutherland Sydney Beagle Press 1999
1998: Chapter "Neither to
praise or to Bury: Contemplating the Art of Anne Graham" in A Garden
for All Seasons: An Artists View of the Royal Botanic Gardens, Melbourne,
Paintings by Anne Marie Graham, Australian artist, other chapters by Jane
Clark and Helen Cohn
1998: contributed to catalogue
for National Gallery of Victoria exhibition Beyond
Belief: Art and the Religious Imagination in the Twentieth Century essay
on Max Ernst
1997: Dictionary of Women
Artists 1200 to the Present Day 2 vols. ed.Delia Gaze published London,
Fitzroy Dearborn:
Major essay: historical
overview of women artists in Australia and New Zealand 1788 to the present
day.
Major entry Margaret Preston
Two standard entries: Jane
Sutherland, Ethel Carrick Fox
1996: Chapter "You Can Bloody
Well Shoot: The Case of Ethel Herringe 1902" in The Thing She Loves:
Why Women Kill edited by Kerry Greenwood, Sydney Allen Unwin
1996 - This was the first book by Australian academics to examine the issue
of women murderers in Australia, past and present.
1996: Chapter "Accept Any
Woman's Word? Rape and the Republic: The Body Beneath the Foundation Stone"
in Vox Reipublicae, Feminism and the Republic, edited by Jeanette
Hoorn and David Goodman, published by La Trobe University Press and the
Journal of Australian Studies
1995: Chapter "Among the
Forgotten People: A Femme Not Quite So Fatale "in Singular Women
ed Jocelynne Scutt Melbourne Artemis Publishing. This is part of the series
of books on modern Australian feminism, compiled by Australia's leading
woman barrister
1995: Heritage: the National
Women's Art Book, published by the Dictionary Of Australian Artists
in association with Art and Australia, I contributed twenty seven biographies
and essays on art works - major album of Australian women's art from the
1780s to the 1950s
1994: Release of Film A
Parade, examining issues of Nationalism and Gender Identity in Australian
Nationalism, shown at Brisbane Film Festival and Cork Film Festival (Republic
of Ireland)
1994: More Than Just
Gumtrees: A Personal, Social and Artistic History of the Melbourne Society
of Women Painters and Sculptors published by the Melbourne
Society of Women Painters and Sculptors
1992 Completing the Picture:
Women Artists and the Heidelberg Era Hawthorn, Artmoves, Essay, catalogue
notes, biographical research
1991: Two Chapters for Pre-Raphaelite
Sculpture: Nature and Imagination in British Art 1848-1914 published
London, Lund Humphries in Association with the Henry Moore Foundation -
This was the first survey of the overlooked sculptural component of the
original Pre-Raphaelite movement
1989: Sculpture McClelland
Gallery. Complete collection of McClelland Gallery and essay on Australian
Sculpture pre 1945. With Jennifer Ross and Lenton Parr.
1986: Charles Douglas Richardson
1853-1932 - first retrospective survey of this important turn of the century
artist, held at University of Melbourne Gallery (Now Ian Potter Museum
of Fine Arts)
Journal
Articles and Reviews:
2007:
Artlink vol 27 no 1 "Getting out from under: the cultural meaning of Glory
Glory Glory"
2006 Artlink Vol 26
no 4 . the old magic - elders of the artworld
2006 Artlink Vol 26 no 1
- Art History: Go Figure reconfigures Austrralian art history. "Catatonnic
Curating" Missing in Action in the History Wars
2005 Artlink vol 25 no 2
I Wanna be in Pictures- The 14th Annual Linden Postcard Show
2004 Artlink vol 24 no 4
If it is Tuesday it must be a conference on contemporary art and globalisation
2004 Artlink vol 24 no 3
Three Colours: Gordon Bennett and Peter Robinson at Heide Museum of Modern
Art
2004 Artlink vol 24 no 2
How much is that artwork in the window? notes on Australian art and shopping
- thematic essay
2004 Artlink Vol 24 no 1
- review of contemporary Australian sculturre exhibitions at Heide Museum
of Modern Art and McClelland Gallery
2003 Artlink Vol 23 no 4
review of Hothouse - Monash University Gallery touring exhibition
2003 Artlink Vol 23 no 3
Sideways Glances: South Africa, Australia and Intersections thematic essay
2003 Artlink Volume
23 no 2, 2003 Review "Mightier than the Sword: Arabic Script, Beauty
and Meaning" Ian Potter Museum of Art, University of Melbourne 22 March
- 23 May 2003
2003 Artlink Volume 23 no
review of The Carpet Wars
2003: essay for the art
catalogue of the Melbourne Fashion Festival
2002 Artlink Volume 22 no
4 Fashion infiltrates the galleries ? extended survey of art events and
exhibitions associated with the 2002 Melbourne Fashion Festival
2002: essay for catalogue
for Centenary Exhibition of the Melbourne Society of Women Painters and
Sculptors 1902-2002, Castlemaine Art Gallery (public art space in Regional
Victoria)
2002: Artlink Volume 22
no 2 "Living the Lie" interview with Carmen Grosstal and overview of her
project "Lie of the Land" at Gabriel Gallery, Footscray Community Arts
Centre
2002: Artlink Volume 22
no 1 Review "Animal Magnetism: Sharon Goodwin and the Eternal Romance of
the Bestial" 64-67 4pp
2002: Artlink Volume 22
no 1 Review "Burning Memories Lily Hibberd TCB Gallery " 93-95 3 pp
2001: " The Emperor of Signs?
Representations of gender and governance in popular imagery of Wilhelm
II and Auguste Viktoria of Germany " Australian and New Zealand Journal
of Art Volume 2 no 1
2001: Review of exhibition
Another
View: Women Artists of the 1950?s at Heide ArtlinkVolume 21
no 1
2001:Review of books on
Hilda Rix Nicholas and William Frater - Australian artists of the interwar
period for Art and Australia March
2000 "Violet Teague: The
(Woman) Artist as Critic" Australasian Victorian Studies Journal volume
6
2000: Artlink Volume
20 no 4 69-70 2pp Review "Celebrating the Exquisite Corpse"
2000: Artlink Volume
20.no 4 "Unchain my Art: Notes on the Role of myths and Preconceptions
in Shaping Perceptions of Women's Art"
2000: Artlink Volume
20 no 3"The Past is My Country and the Wench is Not Yet Dead - The Past
in Artlink and Artlink in the Past" survey of Artlink over the past twenty
years and the role of museums and a sense of history in shaping an intellectual
notion of "Australia"
2000: Artlink
Volume 20 no 3 Review "Little Rippers: Australian Fringe Pop and
Fluxux in Germany 1962-1994: A Long Story with Many Knots"
2000: Australian and
New Zealand Journal of Art Volume 1 no 1 "I am Woman Hear me Weep"
Review of the Clarice Beckett retrospective, Ian Potter Museum of Fine
Arts and the Walter and Marion Griffin Retrospective, Powerhouse Museum.
1999: article "Faites Vos
Jeux: The Aesthetics of Kennett's Victoria" in press in Artlink
Volume 19 no 4,
1999: catalogue essay for
2 Pi R group of artists, exhibition at Span Galleries October 1999
1999: Artlink Volume
19 no 3 Review of National Gallery of Victoria Red Events Contemporary
Art Forum and Exploratory Behavior exhibition of contemporary acquisitions,
National Gallery of Victoria.
1999: Artlink Volume
19 no 2 "One Pole Too Many?" Multicultural Artists Learning to Speak the
language of the Australian mainstream artworld
1999: Craft # 4 Review
of Melbourne Fashion Festival exhibition Male Order at the Ian Potter
Art Museum, University of Melbourne of contemporary men's wear inspired
by the collections and craftwork of Percy Grainger
1999 Australian
Journal of Art "The Leader Amongst the Lady Artists: Contextualising
Jane Sutherland's Oeuvre and Reputation"
1998: Dialogue
#11 "Brilliant Failure? Historical and Cultural Perspective on the Shifting
Aesthetics of Failure in Australia"
1998: Artlink
Volume 18 no 4 "The Wild[e] Colonial Boy" Review of Leigh Bowery, edited
by Roger Violette
1998: Imprint Volume
33 no 3 "Storming the Whitebread Castle: Deborah Klein Tattooed Faces and
Figures"
1998: Artlink Volume
18 no 3 "In a Barbie World" - sexual takes of Barbie and Ken, Queer culture
and Barbie, legal battles over the ownership of images and concepts, Mattel's
attempts to straighten and normalise Barbie with 1998's "reformed" version
with a more "natural" body
1998: Object review
of Naomi Ota's exhibition at Craft Victoria
1998: Artlink Volume
18 no 2 "From the Palace: From the Streets" examining the controlling and
editing of the culture of the working class through public art projects
and the "happening" Construction in Progress
1998: "Sugaring the Pill"
essay from the Anne Graham Touring exhibition, touring Regional
Galleries of Victoria, organised by La Trobe University Gallery
1998: Craft #3 Review
of exhibitions from the Melbourne Fashion Festival
1998: Australasian Victorian
Studies Journal Volume 3 no 2 "Unsuspicious and Innocent of Wrong: Reading
the Mount Rennie Outrage as a Romance of Victorian Gender Relations"
1998: Fibre arts
(USA) profile on Anne Marie Power, Australian Textile Artist
1998: Artlink Volume
18 no 1 Interview with Sr. Rosemary Crumlin on religion and art in the
twentieth century
1997: Australian Women's
Book Review Volume 9 no 2/3 "Bad Girls, Diana and the Media". Review
of Catherine Lumby's important book on popular culture, the media and feminism
in Australia
1997: Artlink Volume
17 no 4 Review of Crack! The Binary Code conference on digital art
1997: Craft #2 "Girl
Power Craft: the Material Girl as Maker"
1997: Exegesis "Purchase
Me Young Lady: The Bebe Jumeau as Third Republic Princess"
1997: Artlink Volume
17 no 3 "Another National Anthem: Three Fragments of an Aberrant Australian
Identity" Christopher Langton's surreal manipulation of tourist, nationalist
and patriotic iconography, gender dysphasia and world war two, Australian
Barbie
1997: Artlink Volume
17 no 2 "Liar Liar/Pants on Fire" review of Letters and Liars by Joanna
Mendelssohn.
1997: Australian Women's
Book Review Volume 9 no 1 "Kate Plain and Simple" Review of Janda Gooding's"
Kate O'Connor: Chasing Shadows"
1997: Artlink Volume
17 no 1 "Textile Design in 1990s Australia"
1996: Textile Fibre Forum
review of William Morris Centenary exhibition at the University of Melbourne
Gallery
1996: Australian Women's
Book Review October edition commissioned essay on the cultural history
of the Barbie doll.
1996: Textile Fibre Forum
review of Anne Marie Power
1996: Craft Victoria
review of Anne Marie Power, Australian Textile artist
1996: Artlink Volume
16 no 2/3 review of Next Wave Festival exhibitions National Gallery of
Victoria and elsewhere
1996: Women's Art Register
Bulletin "Think Pink" 2 part extended essay on cultural takes on Barbie
1996: Women's Art Register
Bulletin essay on Merren Jones, Australian textile artist - whose work
was removed from public show in Launceston,1995, as the town council responsible
for funding the public art gallery were "outraged" by her reference to
female sexuality.
1996: Textile
Fibre Forum Review of Fashioned from Penury: Dress as Cultural Practice
in Colonial Australia by Margaret Maynard
1996: Artlink Volume
16 no 1 review of A Quiet Revolution by Christopher Heathcote -
Australian art 1945-1970
1996: Australian Women's
Book Review, Volume 8 no 1, review of All Things Opposite By
Dr M.E. Macguire - essays by Marxist commentator on Australian women's
art, race relations and social criticism
1995: essay on women, nationalism,
republicanism etc. for A Shadow in Our Tree, installation by Tony
Twigg, Queensland Art Gallery
1995: essay for Maidie
McGowan Retrospective, McClelland Gallery, Langwarrin
1995: Journal of Australian
Studies book review of Strange Women book of feminist art essays
edited by Jeanette Hoorn
1995: Artlink Volume
15 no 4 "Wer is Unschuldig?" - on class and cultural editing in Australia
and "Pretty Baby" - on dolls and images of women
1995: Artlink Volume
15 no 1 "The Company Store", reviews of publications on Australian corporate
art collections
Essays for exhibitions
during the National Women's Art Event Australia 1995
1995: catalogue essay for
La Trobe Valley Arts Centre exhibition Louie B. Riggall 1868-1918
- survey of the career of this impportant rregional artist
1995: catalogue essay for
Benalla Regional Gallery exhibition A L'Ombre des Jeune Filles et des
Fleurs - survey of Australian women artists 1850-1960s in the Benalla
Regional Art Gallery
1995: catalogue essay for
the National Gallery of Victoria Access Gallery
exhibition Bias
Binding
1994: Australian Cultural
History: Bodies no 13 "Bodily Excellence is Displayed" - on the
history of life models in Australia, the nude, public health discourses,
neo Fascist imagery and Australian identity in the 1920s and 1930s
1994: Artlink Volume
14 no 1 March 1994 "Heresies Ancient and Modern" on the recent historiography
of writing on Australian women's art and "Nourishment for Tough Times"
on Bring a Plate Feminist Conference
1994: Entry for the Australian
Dictionary of Biography vol 14 on Moya Dyring, artist, active in France
and Australia 1930s-1960s
1993: The Medal (published
London) "A Gift to Us From Australia: Bertram Mackennal's Olympic Medals"
1993: Australian Antique
Collector no 46 July-December "Jane Price and her Circle"
1993: Australian Cultural
History: Crimes and Trials no 12 "The Tribe of Mary Jane Hicks: Imaging
Women Through the Mount Rennie Rape Case 1886"
1993: Arts Gippsland
"Portia
Geach: Gippsland's Pre-Raphaelite?"
1993: Essay on the work
of Tony Twigg for installation at the Wollongong Art Gallery The Song
That We Sing is the Story that we Make, also seen at the Nolan
Gallery, (public gallery, Canberra, Australian Capital Territory) now on
permanent display at the Nolan Gallery
1992: The Medal (published
London) "A Rare and Difficult Art: The Work of Dora Ohlfsen, Australia's
First Art Medallist"
1992: W.A.R. Bulletin
no 14 "With Love From Ethel" - correspondence of Ethel Chapman with her
sister artist Alice Chapman
1991: Biography of Bernhard
Smith, Anglo-Australian artist and sculptor for Dictionary of Australian
Artists, Power Institute, Sydney (in association with Oxford University
Press)
1990: Women's Art Register
Bulletin Vol 3 no 2. June Stephenson
1990: Women's Art Register
Bulletin Vol 3 No 1. Anne Montgomery
1990: Australian Dictionary
of Biography entry on Isabel Hunter Tweddle artist 1877 - 1945
1989: Art and Australia
"Religious Images and the Heidelberg School"
1987: Art and Australia
"Angels, Harlots and Nymphs: Some themes in Australian Allegorical
Sculpture"
1987: Gallery "Fleur
de Lys" by Charles Douglas Richardson
1987: La Trobe Library
Journal "Ancient and Modern: Some Recently Catalogued Material
on George William Louis Marshall-Hall"
1986: Article for catalogue
of touring exhibition Wool quilts, Old and New - Regional Galleries
of Victoria.
1986: Australian Dictionary
of Biography entry on Edward Cairns Officer, artist, 1871-1921, plein
airist active in Australia and France
1985: This Australia
"Victoria's Forgotten Sculptors
1983: Biography of John
Richardson, artist, 1818-1862 for Dictionary of Australian Artists,
Power Institute, Sydney
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