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The Doors consisted of Jim Morrison – lead vocals, Ray Manzarek – keyboard player, John Densmore – percussion and Robby Krieger – guitar.
The Doors created many albums
from 1967 until Jim’s death in 1971. These include: The Doors, Strange
Days, Waiting for the Sun, The Soft Parade, Morrison Hotel and L.A. Woman.
Lyrics found on Waiting for the Sun but not produced on any studio album
are included at Celebration of the Lizard. Near the end of Jim’s
life, a recording was made of his poetry and produced along with music
by the surviving Doors as An American Prayer.
1943-1971
(Original Elektra Records Biography, 1967)
Full Name: James Douglas Morrison
Birthdate and Place: December 8th, 1943, Melbourne, Florida
Personal Data (height, weight and coloring): 5’11”, 145 lbs., brown hair, blue-gray eyes
Family Info (names of parents, brothers or sisters): dead
Home Info (where located and description): Laurel Canyon, L.A. – nice at night
Schools Attended: St. Petersburg Junior College, Florida State University, UCLA
Marriage Info: Single
Instruments Played/Part Sung: lead voice
Favorite Singing Groups: Beach Boys, Kinks, Love
Individual Singers: Sinatra, Presley
Actor and Actress: Jack Palance, Sarah Miles
T.V. Shows: news
Colors: turquoise
Foods: meat
Hobbies: horse races
Sports: Swimming
What Looked for in a Girl: hair, eyes, voice, walk
What Do You Like to Do on a Date?: talk
Plans/Ambitions: make films
“You could say it’s an accident that I was
ideally suited for the work I am doing. It’s the feeling of a bowstring
being pulled back for 22 years and suddenly being let go. I am primarily
an American, second, a Californian, third, a Los Angeles resident.
I’ve always been attracted to ideas that were about revolt against authority.
I like ideas about the breaking away or overthrowing of established order.
I am interested in anything about revolt, disorder chaos – especially activity
that seems to have no meaning. It seems to me to be the road toward
freedom – external revolt is a way to bring about internal freedom.
Rather than staring inside, I start outside – reach the mental through
the physical. I am a Sagittarian – if astrology has anything to do
with it – the Centaur – the Archer – the Hunt – But the main thing is that
we are The Doors.
“We are from the West
The whole thing is like an invitation
to the West
The sunset
This is the end
The night
The sea
“The world we suggest is of a new wild
west. A sensuous evil world. Strange and haunting, the path
of the sun, you know? Toward the end. At least for our first
album. We’re all centered around the end of the zodiac.
“The Pacific
Violence and peace
The way between young and the old.”
1939-Still Living
Original Elektra Records Biography, 1967
Full Name: Raymond Daniel Manzarek
Birthdate and Place: February 12th, 1939, Chicago, Illinois
Instruments Played: Keyboard
Schools Attended: UCLA Film School
“I grew up in Chicago and left when I was
21 for Los Angeles. My parents gave me piano lessons when I was around
nine or ten. I hated it for the first four years – until I learned
how to do it – then it became fun, which is about the same time I first
heard Negro music. I was about 12 or 13, playing baseball in a playground;
someone had a radio tuned into a Negro station. From then on I was
hooked. I used to listen to Al Benson and Big Bill Hill – they were
disk jockeys in Chicago. From then on all the music I listened to
was on the radio. My piano playing changed; I became influenced by
jazz. I learned how to play that stride piano with my left hand,
and knew that was it: stuff with a beat – jazz, blues, rock.
“At school I was primarily interested in
film. It seemed to combine my interests in drama, visual art, music
and the profit motive. Before I left Chicago I was in theater.
These days, I think we want our theater, our entertainment to be larger
than life. I think the total environmental thing will come in.
Probably Cinerama will develop further.
“I think The Doors is a representative
American group. America is a melting pot and so are we. Our
influences spring from a myriad of sources which we have amalgamated, blending
divergent styles into our own thing. We’re like the country itself.
America must seem to be a ridiculous hodgepodge to an outsider. It’s
like The Doors. We come from different areas, different musical areas.
We’re put together with a lot of sweat, a lot of fighting. All of
the things people say about America can be said about The Doors.
“All of us have the freedom to explore
and improvise within a framework. Jim is an improviser with words.”
1944-Still Living
Original Elektra Records Biography, 1967
Full Name: John Paul Densmore
Birthdate and Place: December 1, 1944, Santa Monica, California
Schools Attended: Santa Monica City College, California State Northridge
Instruments Played: Percussion
“I’ve been playing for six years. I don’t really have too much to say about all of this. I took piano lessons when I was ten. They tried to get me to play Bach. They tried for two years. When I was in junior high I got my first set of drums. I played symphonic music in high school (tympani, snaredrum), then I played jazz for three years. I used to play sessions in Comptonand Topanga Canyon. Since last year it’s been rock’n’roll and these creeps.”
1946-Still Living
Original Elektra Records Biography, 1967
Full Name: Robert Alan Krieger
Birthdate and Place: January 8th, 1946, Los Angeles, California
Schools Attended: UCLA
Instruments Played: Guitar
“The first music I heard that I liked was
“Peter and the Wolf”. I accidentally sat and broke the record ( I
was seven). Then I listened to rock’n’roll – I listened to the radio
a lot – Fats Domino, Elvis, The Platters….
“I started surfing at 14. There was
lots of classical music in my house. My father liked march music.
There was a piano at home. I studied trumpet at 10, but nothing came
of it. Then I started playing blues on piano – no lessons though.
When I was 17, I started playing guitar. I used my friend’s guitar.
I didn’t get my own until I was 18. It was a Mexican flamenco guitar.
I took flamenco lessons for a few months. I switched around from
folk to flamenco to blues to rock’n’roll.
“Records got me into the blues. Some
of the newer rock’n’roll, such as the Paul Butterfield Blues Band.
If it hadn’t been for the Butterfield going electric, I probably wouldn’t
have gone rock’n’roll.
“I didn’t plan on rock’n’roll. I
wanted to learn jazz; I got to know some people doing rock’n’roll with
jazz, and I thought I could make money playing music. In rock’n’roll
you can realize anything that you can in jazz or anything. There’s
no limitation other than the beat. You have more freedom than you
do in anything except jazz – which is dying – as far as making any money
is concerned.
“In The Doors we have both musicians and
poets, and both know of each other’s art, so we can effect a synthesis.
In the case of Tim Buckley or Dylan you have one man’s ideas. Most
groups today aren’t groups. In a true group all the members create
the arrangements among themselves.”
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