Bartram , Catlin , Audubon, Directory

Audubon's Folly, the Paddlefish

Or, Audubon gets it wrong.

John James Audubon was not above trying to discredit his contemporaries when it appeared that they might be obtaining more praise and adoration than he. Read this to mean financial support, as money was always in short supply and there was never enough to share with contemporaries. In particular, he made a point of never mentioning the works of the Bartrams. Of course they preceded him in passage through the frontiers as did George Catlin and Hector St. John de Crevecoeur so the America they saw and painted in oil and prose were of a different time. And of course, their skills were more of a naturalist or writer than of an artist, so rivalry is easily understood.

As Peattie points out in his book, Audubon's America, Audubon enjoyed a good laugh, as a jokester he was not above planting seeds of a weed in another&rsquos garden so that when mature all could see the folly. (Not unlike the folly in LeDu's gardens in Maryland. At a distance, an awesome building appears on the grounds. However, on inspection it is a "folly", a miniature framed by the impressive plantings making it appear to be a grand structure.)

In such light, a recent article in Smithsonian Magazine praised Audubon and in the process became the subject of one of his practical jokes. Bil Gilbert (the author of the article) thought that Audubon was playing a joke on Rafinesque. The joke was actually on Audubon and Gilbert.

Audubon correctly judged that Rafinesque (in his desire to catalog all creatures, plants and other natural occurrences) would accept his drawings since Audubon had considerable standing as a naturalist. His hope was that Rafinesque would incorporate them into his writings and thus would be roundly criticized for such.

So Audubon "created" a mythical creature with strange features, not knowing that such a beast actually existed. (He had probably heard tales of such a critter from the locals but had never seen one. In many of his writings he captured the sense of the frontier by repeating such stories.) His drawing of a fish with a big nose and scales was accepted by Rafinesque. We now know that there are two different fish that somewhat fit this description. The "paddle-fish" of the Missouri pretty much fits the sketch by Audubon. These fish are in most of the tributaries of the Mississippi and Arkansas Rivers. They are also found in the head waters of the Missouri, in Montana and Wyoming. And, if that's not enough, the Ohio river has its own, "spoon-billed" catfish that sure looks like Audubon's drawing. Since Gilbert didn't look, he accepted Audubon at face value, becomes the victim of Audubon's pen, and Rafinesque is vindicated.

Don't want to make too much of this rivalry but just as today, the scientist had to publish or perish and was always looking for a leg up over the competition. Audubon also took on George Catlin who preceded him up the Missouri. When Audubon observed Indians pulling bloated buffalo from the river and eagerly using them for food, he was highly critical of their efforts and viewed them as savages. Little did he know that they had discovered a fact about the tenderizing action of enzymes. Once released from the tissues of the dead animal the enzymes digest the connective tissues making the meat much more flavorful and tender. (We now know this as "aged" in the case of beef.)

Audubon's statement bears repeating: "Ah! Mr. Catlin, I am now sorry to see and to read your accounts of the Indians you saw -- how very different they must have been from any that I have seen! We saw no 'carpeted prairies,' no 'velvety distant landscape'; and if these things are to be seen, why, the sooner we reach them the better." How sad that Audubon was right. After the plague of man and disease decimated the tribes, there was little of grandeur left for Audubon to see. It is fortunate that George Catlin did make his remarkable visits to the West and capture the Indians and their country as they can no longer be. And we owe Catlin further; he envisioned the National Parks as we see them today.

Nevertheless, Audubon provides us with some of the most beautiful drawings of the animals and birds and for this we should be grateful. And his writing skills were awesome. Too bad his pen was poisoned as he sought to destroy those who also were perhaps even more deserving of the title of "Naturalist". So the creature that Audubon constructed in Kentucky when viewed from a distance appears as Rafinesque's folly, but is Audubon's instead.

****

Joe Wortham's Home Page , About Joe Wortham

Hosted by www.Geocities.ws

1