With all the many references to musical instruments, there is one instrument that is NEVER mentioned! The DRUM! Why is that? The drum was a very common instrument in Egypt and the lands around Israel. And yet the DRUM is NEVER mentioned in a King James Bible.

"[Drums] represents the beat of the heart and is played to summon up magic powers." (Miranda Bruce-Mitford, The Illustrated Book of Signs & Symbols, DK Publishing, 1996 p.80)

"The shaman was the original 'long hair', the first rock star draped in leather, dancing POSSESSED to a rhythm banged out on A DRUM." (Danny Sugerman, Appetite for Destruction, p. 208)

In Siberia, in northern Asia, drums are used in shamanic rituals to heal people. It is believed that the shaman can communicate with the spirit world THROUGH DRUMMING. (Louise Tythacott, Musical Instruments, Thomas Learning, 1995, p. 37)

"Pagan dances and rituals are always accompanied by the incessant BEAT of DRUMS. Rhythm plays a major role in these demonic activities." (Hart, Lowell Satan's Music Exposed, Salem Kirban Inc., 1980 p.71)

"Bata drums [drums used in voodoo], sacred to the Yoruba people of Nigeria and Cuba: Their push and pull provided a template for the inner rhythms of rock and roll." (Palmer, Robert Rock & Roll An Unruly History, Harmony Books, New York, 1995 p.46)

Palmer describes how drums are used in "voodoo" possession — and the same drum patterns are part of the basics of rock 'n' roll and CCM!

"Bata drummers tap out their toques, or rhythm patterns, like signals to the realm of the gods, inviting and enticing them to come on down and mount or POSSESS their horses, or devotees. . .The specific drum patterns or toques include some riffs and licks basic to the rock and roll vocabulary." (Palmer, Robert Rock & Roll An Unruly History, Harmony Books, New York, 1995 p.62)

"I remembered a conversation I'd once had in Cuba with a reporter from The New York Times, 'Stay away from those drums,' he had told me, referring to the ones said to call down the gods in Santeria's sacred ceremonies. 'If I ever really gave in to those DRUMS, my life would change in ways I'm not prepared to take on,' he had added. I knew what he was talking about. It was all there in the drumming. Listen long enough, and some energy field, some kind of interconnectedness, became palpable. I was hungry for those drums. Yet I still ran from them." (A Shaman's Story, by Elizabeth Hanly (A Vodoun priest leads the author on a journey of understanding, New Age Journal, March/April 1997 pp.56-57)

"My true belief about Rock ‘n’ Roll — is this: I believe this kind of music is demonic . . . A lot of the BEATS in music today are taken from voodoo, from the voodoo DRUMS." (Charles White, The Life and Times of Little Richard, p. 197)

"The shaman was the original 'long hair', the first rock star draped in leather, dancing possessed to a rhythm banged out on a DRUM. . . To these people, communication with the gods was synonymous with DRUMS . . .the body can become the conduit for a deity, a deity not necessarily the same sex as the worshiper, and DRUMS are the catalyst for the whole process. The trance of the RHYTHM then begets the hysteria, which begets what Westerners simplistically call 'possession'." (Danny Sugerman, Appetite for Destruction, p.208, 181)

"The arrival of African slaves has had one of the strongest influences on North American music. In the seventeenth and eighteenth centuries, millions of African people were taken as slaves to the U.S. to work on plantations in the South. They brought many of their own traditions with them but were forbidden to play their DRUMS." (Louise Tythacott, Musical Instruments, Thomas Learning, 1995, p.19)

When the first blacks from Africa were brought to Americathey knew the power and evil influence of DRUMS. And the converted blacks strictly forbid the use of drums! They referred to the drums as "the Devil's drum". (Martha Bayles, Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music, p. 138)

And when he had removed him, he raised up unto them David to be their king; to whom also he gave testimony, and said, I have found David the son of Jesse, a man after mine own heart, which shall fulfil all my will.
Of this man's seed hath God according to his promise raised unto Israel a Saviour, Jesus: Acts 13:22-23

that is cunning in playing, [good musician]
and a mighty valiant man, [valiant-heroic, courageous]
and a man of war, [how did they know that? David hasn't fought Goliath yet]
and prudent in matters, [prudent - wise and disciplined in conduct]
and a comely person, [comely - fair, handsome, modest]
and the LORD is with him. [The world knew David was dedicated to God]
1 Samuel 16:14-18

In the Old Testament the Levites had a special place with the Lord. They were the spiritual leaders. And do you know who God told David to choose for musicians! THE LEVITES!

God did NOT allow just anybody to be His musicians! Apparently the Lord took His music very serious! For when He choose His musicians — He SPECIFICALLY choose the most dedicated and consecrated tribe in all of Israel — the LEVITES! WOW! The Levites were separated for the service of the sanctuary. The priests were also chosen from the Levites.

Here's a summary of Bible guidelines for Music: