|
|
|
Commands /Actions/ Responses
|
|||
|
|
||
|
|
|||
~ Sliding forward slowly until breasts push against the cold stones... strawberry tresses flutter forward over gentle shoulders as girl's head turns to the left, right cheek placed upon the ground, slender arms slide down to the sides bending at the elbows so wrists cross upon lower back, long slender legs straightening and crossing at delicate ankles. *In this position the slave falls to her stomach face down to the floor and turned to the left, crosses her wrists behind her back and similarly crosses her ankles her legs straight in preparation for binding. Position also used for : punishments, display or transportation of slaves* "Bara, Kajira!" he said. She rolled quickly
to her stomach, placing her wrists behind her, crossed, and crossing her
ankles, ready to be bound. "Bara," said Mincon to Tula. "Bara," said I to Feiqua.
Both slaves went immediately to their bellies, their heads to the left,
their wrists crossed behind their backs, their ankles also crossed. It
is a common binding position. We did not bother to bind them, however.
It was enough that they lay there in this position. When a blanket or cloak or covering of any sort is thrown over a slave girl she may not speak or rise; she must remain silent until the blanket is lifted by a free person. ( not a position, but is a response to having a blanket upon her and then removed) ~ Looks up, face creased with the lines of millions of shameful scared tears, hair tangled, knees together, red from kneeling so long, afraid to even tremble, hands shaking upon tight sore thighs, back slow to straighten as a crack is heard, creases from the weight of the blanket visible upon damp silks and back. blue-grays eyes wide begging mercy, small lower lip quivering in shallow breath, cheeks flush, looking in horrifying remembrance of what a girl did ~ water from the soul streaks down tender rose cheeks, as merciful eyes
look up, trembling in fear of never being forgiven, shame filled and terrified,
a pitiful slave looks up, heart pounding in pain, lower lip quivering,
body showing how much she "I then threw the second blanket, the top blanket over her, covering
her completely. When a blanket, or cloak, or covering of any sort, is
thrown over a slave like this she may not speak or rise. She must remain
as she is, silent, until the master , or some free man, lifts the covering
away." ~ a willowy form falling to cold stones, gentle forehead pressed flat against the surface, gentle arms clasped upon small of back, straining to keep knees off the floor, a girl wiggles by crawling with toes and forehead to her Master, whimpering in submission *A form of obeisance position with a girl on her belly and her head to boot or floor, palms pressed flat to floor; variations can include kissing the Master's boot. * "Now," I said, "for a third form of obeisance. You may
'belly' to me." "I do not understand," she whispered. "There
are various forms of bellying," I said, "and bellying may be
suitably and pleasingly combined with other forms of floor movements,
approaching the Master on all fours, turning to your sides and back, writhing
before him, and so on. We will take a very simple variation, suitable
for an ignorant free female who has not yet even begun to discover the
depths of her sexuality." She looked up at me. "On your belly,"
I said. She backed off a bit, and went to her belly. Her hair was before
her face, as she now on her belly before me, looked up at me. "Now
inch forward," I said, 'remaining low on your belly, and when you
reach my feet, once again, as before, lifting your head a little, tenderly
and humbly, and beautifully, as though you were a slave, lick and kiss
them. Good. Good. Now take my foot and place it gently on your head. Very
good. Now place it again on the mat, and kiss it again. Good. You may
now belly back a little, humbly. I have not yet given you permission to
rise of course." "Approach me on your belly," I said. She squirmed
to the table, her hands still behind her. Refers to a slave being commanded to hold position, as though bound, hands clasping opposite wrists until she is released. Hold whatever position and put hands wrist holding wrist until released. "Stand," he said. We both stood. "Belt," he said.
I reached behind me to undo the double belt of coins, with its two loops,
one high one low. The coins on the belt, as well as those on the necklace,
would be counted by Mints. "You look well with your hands behind
your back," he said. I looked up. "Your hands are now bound
behind your back," he said. "Yes, Master," I said. I must
now keep my hands or wrists in contact with one another and behind my
back. I was now "bound by the master's will." I could not separate
my hands or wrists from one another now without permission. There are
many ways, of course; of "binding by the master's will." The
behind-the-back position is one of the simplest and loveliest. This exposes
the girl, frames the beauty of her breasts and makes her helpless. That
the bond is a "will bond," too, makes clear to her the power
of the master over her. Another common bond of this sort is when the girl
must kneel, grasping her ankles. Another is when she is forced to sit
and reach forward between her legs, passing the right arm from inside
the right thigh to outside and beneath the right calf, to grasp the right
ankle from the outside, and the left arm from inside the left thigh to
outside and beneath the left calf, to grasp the left ankle in the same
way. In this position she is helpless and cannot rise. Too, after a time,
it becomes apparent to her that she also cannot close her legs. A girl
may be kept in such bonds for hours. Too, of course, she may be tied in
such positions. There are also, of course, different ways of decreeing
such bonds. For example, with the behind-the--back-hands-tied bond in
which I had been placed I could have been informed, but had not been,
that my shoulders were pulled tightly back, which, of course, forces the
breasts forward for the pleasure, or attentions, of the master. "I
think I shall find it difficult to remove the belt," I smiled, "bound
as I am." He stood close to me, and put his arms about me. "I
shall remove it," he said. Tupita came then through the beaded curtain.
She glanced at me. She was not pleased to see me in the arms of Mints,
who was a desirable male, and first among my master's men. She looked
at me in hatred. She did not think twice about the position of my hands.
She could see. I had been "bound by the master's will." It could
have been done as easily to her, at a word. Bracelets, or Chaining Position The slave girl on command thrusts her hands behind her back wrists together in preparation to be braceleted. -Standing- -Kneeling- "Bracelets," he snapped. She put her head in the air and placed
her hands behind her back. He had removed a pair of light bracelets, joined by about five inches
of light chain, from his pouch. "Slave bracelets," he said.
"Turn around, facing the door, your hands behind your back."
A slave will sometimes be chained naked under the 3 moons of Gor. It gives her time to reflect on her actions, gives her time to think. Usually results in the girl to the 'dance of madness of her need'. Then I began to dance the madness of my need, writhing beneath the moons
of Gor, clutching at them, turning, stamping my feet, swirling, crying
out. Collaring Position - Submission of the Gorean female The slave kneels before the Master, back on her heels, arms extended, head down between her arms, wrists crossed as though for binding. "She came and stood before me, and then dropped to her knees, resting
back on her heels. She lowered her head and extended her arms, wrists
crossed, the submission of the Gorean female." "Assume the posture of female submission," I told her. She
did so, kneeling back on her heels, her arms extended, wrists crossed,
her head between them, down. She was weeping." He took his strap off her throat, and unbound her hands."Submit"
I told her. She knelt before me, back on her heels, arms extended, head
down, between her arms, wrists crossed, as though for binding. "I
submit to you, Master," she said. I tied her hands together; she
then lowered her bound wrists; I pulled up her head. I held before her
an opened collar, withdrawn from my sea bag. I had had one prepared. "He twisted her hair more. She winced, her back bent painfully.
"Do you wish me to submit to you now?" she begged. "Do
so," said he. She fell to her knees before him, and lifted her head
to regard him. "I will be your slave," she said. Then, she knelt
back on her heels, lowered her head, and lifted and extended her arms,
wrists crossed, as though for binding. She was very beautiful. "I
am your slave," she said, "- Master." Common Capture Tie (also known as theWaist Tie ) The current position of her left hand is just above her left hip and
her right hand just above her right hip. The tie is accomplished as follows
: one wrist is tightly encircled by the cord and bound within it, about
18 inches in from one end of the cord. The longer length of the same cord
is then taken about her belly and the other wrist is then tied within
it, on the other side of her body, leaving some 18 inches of cord on the
other side of the tie. The cord is then drawn back about her belly and
the two free ends tied together behind her back. The result is that her
hands are held apart, on opposites side of her body, and that neither
hand can reach a knot, either at a wrist or behind the back A basic command given for a slave to crawl. "I pointed to the stones at my feet. "Crawl," I said, in Gorean. The
girl slipped to her belly, and, as a slave girl, crawled to my feet. She
put her lips to my foot; I felt her hair over it." A command given for a slave to display her beauty and willingness to be found desirable. ~ standing, feet a little more than shoulders width apart, shoulders rolled back, fingers laced behind neck, face turned to the left, eyes lowered Inspection Similar to display however the hips are tilted towards the free, one leg is moved to the side, knee bent, with toe pointed, this opens up the slaves flower for better viewing and inspecting. *Inspection similar to display however the hips are tilted towards the free, one leg is moves to the side, knee bent, with toe pointed, this opens up the slaves flower for better viewing and inspecting.* "The auctioneer did not strike her with his whip. He merely took
her arms and lifted them, so that the position chain, attached to each
side of the sales collar lay across her upper arms. Then he had her clasp
her hands behind the back of her neck, so that the chain, on each side
of the collar, was in the crook of her arms, and she was exposed in such
a way that she could be properly exhibited." When a slave is told to eat pastry in this fashion, she knows that she
is too barely touch it, and then only once in while, with her small teeth.
Rather, primarily, almost entirely, she is to address herself to it with
her tongue. This puts her under good discipline, is a good exercise for
the tongue and tends to increase sexual heat. In the case of the free
woman the tongue is usually something, which serves rather conventional
purposes, for example it helps her talk. In the case of the slave girl
however it serves other purposes as well. A command. When given this command a slave is forbidden speech. "When she had been used before my kennel, she had been under "gag
law," as is common when the guards use a girl, forbidden speech,
save for moans and whispers." *When in Gag, one whimper for "yes", two whimpers for "no"
A girl is arched backward and sometimes bound over an object for usage exposing her fully to the Master. "Under the torchlight Phyllis Robertson was now on her knees, the
Warrior at her side, holding her behind the small of the back. Her head
went farther back, as her hands moved on the arms of the Warrior, as though
once to press him away, and then again to draw him closer, and her head
then touched the furs, her body a cruel, helpless bow in his hands, and
then, her head down, it seemed she struggled and her body straightened
itself until she lay, save for her head and heels, on his hands clasped
behind her back, her arms extended over her head to the fur behind her."
"He thrust her two wrists, before her body, into the ring he had
cut from the Kur. He then tied them inside, and to, the ring. He then,
from his belt, took a length of binding fiber and doubling it, looped
it, securing it, at it's center to the ring, leaving two long ends. He
then threw her, on her back, over the body, head down, of the fallen Kur.
He took the two loose ends of the binding fiber and, taking them under
the body of the fallen Kur, dragged her wrists, elbows bent, over and
above her head; he then, bending her knees, tied one of the loose ends
about her left ankle, and the other about her right. It was the Gorean
love bow." Hair (see silent commands as well) ~ rising slowly and stands.. moving graceful form towards Mistress, approaching to the left side as to not interfere with Her dominant hand... crouching slightly a couple paces back, moving small arms carefully to the small twig-like spine, willowy form bent at small waist, head bowing deeply sending strawberry tresses cascading over softly rounded shoulders The slave follows the Master at his heel, 'where she belongs'. Slightly behind and to his left or right, depending on which side is his weapon hand. The distance behind varies. A coffle of girls being led through a city, may follow inches behind, while in an open field, she may be 5 to 10 feet following. "He turned about and, with his weapons, strode from the camp. I
followed him, at his heel, where a slave girl belongs." "The girl normally heels a right-handed Master on the left, that
she not encumber the movements of the weapon hand." "The Forkbeard turned about and, one arm about Pudding, the other
about Gunnhild, started from the dock. Hilda followed him, to his left.
'She heels nicely,' said Ottar. The men and bond-maids laughed. The Forkbeard
stopped. Hilda's face burned red with fury, but she kept her head high.
Pet sleen are taught to heel; so, too, sometimes, are bond-maids; I was
familiar with this sort of thing, of course; in the south it was quite
common for slave girls; in various fashions in various cities, to heel
their masters. Hilda, of course, was a free woman. For her to heel was
an incredible humiliation. The Forkbeard started off again, and then again
stopped. Again, Hilda followed him as before. 'She is heeling!' laughed
Ottar." "These things vary, I learned from city to city, and depend, also,
on such matters as context and conditions. In a market, in the crowding
and jostling for instance, a girl may follow so closely she pressed against
the back of his left shoulder. Girls seldom follow behind and on the right.
If she is thusly placed it is commonly a sign she is in disfavor. If more
than one girl is involved, she who follows most closely on the left is
generally taken to be in highest favor; girls compete for this position.
In an open area, such as the fields in which we trekked, the girl is placed
some five or ten feet behind, and on the left. If he must move suddenly
she will not, thusly, constitute an impediment to his action. A display position in which a kneeling slave is braceleted and leashed and commanded to hold her head very high exposing her neck. "Lift your head, " he said. "Higher. Higher!" She
looked up at him, her head far back, the leash on her throat. "You
need not now keep your head in high-harness position," he said to
the girl. She moved her head. Karta / Tile (online/cyberism) Basic Position. Also commonly referred to as Obeisance, or karta (online term). "As we approached, she oriented herself towards us, palms of her
hands on the floor, and put her head to the tiles. But, as we neared her,
she lifted her head, desperately. "Hermidorus!" she cried, suddenly.
"Hermidorus!"
What is a Karta? (cyber-ism) Karta, begging and Obedience position A Karta is a position used when entering a tavern, inn, house, or to make a request of a Master. It is used to show respect and honor to the place that a slave is entering. If a Master, or Owner of the home is not pleased with the entrance and that is has not shown true submission and love, or respect, for the place one wishes to enter, they cannot allow a person to enter that space. It is still a good idea to make them as expressive and sensual as possible as to please those within and allow one entry. A karta also shows Obedience, in which you are showing yourself desiring to submit, and please. One bends to their kneels, usually slightly parted so their body can bend forward, sometimes laying flat on ones front. Hands are above the head towards the door, fingers spread, and forehead can be on the ground. It was made up originally because some of the girls were forgetting what their place in the home and society was. They started thinking that they could go anywhere they wanted and do anything they wished. The position was made up to remind them that they aren't better, and aren't allowed to do anything without permission. The position shows that you understand this and submit to it. Karta Example ~ The moonlight dances upon soft skin as a willowy form moves small thighs upon misty ground, the shapely form bending with arms sliding forward towards the open door palms kissing cold stones as fingers spread slowly, strawberry hair covering twinkling blue eyes as a whisper leaves supple lips like wind begging to enter.... Karta, to Full Karta ~ sinking lower at the entrance, sliding her long delicate finger's over the cold stones until her long delicate legs shift out and balance upon chilled ground, she lays flat on her tummy, breast and forehead all kissing the coolness her mind racing when she thinks of the many Master's who have crossed over the very place she lies, arms out reached in front of her, palms face down, finger's splayed she whispers... When to Karta / Whem not to One should enter the room and see what is going on. If a place or home stone was under attack one would not karta in the time of war. You would not karta if entering during a meeting, council or scene. You do no karta if you have just left and are not gone longer than 10 to 15 minutes. You karta when you first enter a room, and any time after that if gone for a long period of time. You karta each time you enter a new room. Yellow silk Karta ~ The moonlight dances upon silky skin, as a firm form moves sensual thighs upon the misty ground, the elegant form bending and pressing perky breasts against cold stones. Thin arms drift against creases of silk and move stretched to the door, damp fingers spread, supple lips pressing lightly upon the ground which Masters and Mistress have walked before in worship of them, blue portals peeking into the room slightly covered by strawberry wisps, the stones warm slightly in excitement from her heat, a soft gasp of desire leaves her lips… may a girl enter Red silk Karta ~ The moonlight dances upon a silhouette, bare feet step softly to the
place of entry, lowering instinctively into a kneel, supple thighs spread
wide, allowing the willowy form to bow forward until the creamy swells
of delicately rounded breasts press their heat against the very cool stones
as tiny arms snake up passed an undulating body, through strawberry tresses
of silky smooth mane until completely extended overhead, tender palms
face down with graceful fingers splayed in show of her submission or supplication,
in a harmonious whisper a girl begs the honor of entering this fine Home. The master takes the slaves hair in his hand and yanks back her head hard as he pulls back on her hair exposing her neck and face to him. He attacks her lips with his own kissing her passionately and powerfully, taking her top lip in his teeth he bites down on it and then takes her bottom lip and sucking on it bites down on it as well as he continues to kiss her.. He then kisses her exposed neck. and drags his tongue across her neck and into the warmth. Gorean position of the pleasure slave and usually the first slave position taught to a new girl. A kneeling slave is directed to straighten her back and sit on her heels, lifting her head, and placing her hands, palms down, on her thighs. There are a couple of examples which suggest a variation of uplifted palms, though this appears to be an exception to the basic position. "Nadu!" he snapped. She swiftly turned, facing him, and dropped
to her knees. She knelt back on her heels, her back straight, her hands
on her thighs, her head up, her knees wide. It was the position of the
pleasure slave. She knelt in the position of the Pleasure Slave but her hands on her
thighs had unconsciously, pleadingly, turned their palms to me, and she
no longer knelt quite back on her heels. It was as though she begged to
be allowed to lift and open her arms and rise and come to my arms. But
as I looked upon her sternly she turned her palms again to her thighs,
knelt back on her heels and dropped her head, holding her eyes as if by
force of will fixed on the plastic beneath my sandals. " Come now, my pretty slaves,' said Ginger, 'kneel straight. Back
straight, heads up. Back on your heels there! Spread those pretty knees.
Yes, that is the way men like it. Put your hands, palms down, on your
thighs. Good. good. Excellent!' The girls now knelt in the coffle as pleasure
slaves." "Kneel, back on your heels," said the trainer to the dark-haired
woman. "Straighten your back, suck in your gut, put your shoulders
back, thrust out your breasts, spread your knees, widely, lift your chin,
put your hands on your thighs. You are not going to be sold as a Tower
Slave, Lady Tina. You are going to be sold as a Pleasure Slave."
Seeing my eyes upon her she then knelt on the surface of the couch, kneeling
back on her heels, spreading her knees, straightening her back, lifting
her head, and putting her hands on her thighs. It is a common kneeling
position for a female slave. A command given, instructing the slave to nestle to her Master. "'Nestle' I told her. 'Yes Master' she said. She nestled obediently
in the crook of my left arm." A position of extreme deference which is described as a slave deeply bowing her head from the basic pleasure slave position, often flattening her palms against the floor and leaning forward to lick and kiss the boots of a Free person.
"There are many ways to perform obeisance. "I said. "I
am a free woman," she said, " I know none of them." "I
shall instruct you briefly in three," I said. " First kneel
before me, back on your heels, yes, with your knees wide, wider, your
hands on your thighs, your back straight, your breasts out, good, your
belly in, good, and now lower your head in deference, in submission."
"Now that," I said, " may not be exactly a form of obeisance,
for authorities do not all agree, but for our purposes we shall count
it as one. It is, at any rate, a beautiful position, and it is, certainly,
a common position of slave submission." A slave travels on knees, without standing, to fetch items or tend to
duties. Basic Command "It is almost universal, as far as I know, that a slave kneels in
one fashion or another when entering her master's presence, or if she
should find herself in his presence. She commonly kneels when spoken to
by any free person. This is simply a matter of respect. To be sure, she
can be slain if she does not do so. The kneeling position, of course,
which the master's, or free person's, permission, either tacit or explicit,
is usually required to break, is commonly an initial position. For example,
after its deferential assumption, she may be dismissed from it, to other
duties, such as cleaning, shopping or cooking. " A command given for a slave or slaves to kneel and prepare to be coffled. "Kneel to be coffled," said one of the men. The girls knelt,
closely, one behind the other, there were six wrist rings on the chain
he carried. He placed the girl who had been whipped by Lady Sabina first
in the coffle line. "Left wrist coffle," he said. They lifted
their left wrists, frightened. Interestingly, the man snapping the wrist
rings on the girls´ left wrists did not put the first girl in the
first ring, but the second. When the four maids were coffled there was,
thus, an empty wrist ring both at the head and rear of the line. "Stand,
Slaves," said the man. "Lower chain." The girls stood.
Then, ordered, the lowered their wrists. They were then in line, standing,
coffled." This command orders a slave to kneel, bowing her head to her knees, her wrists crossed under her as though bound. The position is intended to expose her back to the whip. "Kneel to the whip, Melpomene!' she ordered her. Melpomene then,
sobbing, knelt, her legs close together, her wrists held crossed under
her, as though bound, her head down, touching the floor, the bow of her
back exposed, a slave girl awaiting punishment." "Elizabeth, trembling, lowered her head to the floor and crossed
her wrists beneath her, kneeling, as it is said, to the whip." "I went to Targo, trembling, and knelt at his feet. I crossed my
wrists beneath me and touched my head to the floor, exposing the bow of
my back. It is the submissive posture of a slave girl who is to be punished.
It is called Kneeling to the Whip." "I crossed my wrists beneath me and touched my head to the floor,
exposing the bow of my back. It is the submissive posture of a slave girl
who is to be punished. It is called Kneeling to the Whip. I shook, visibly,
at his feet. I whimpered. I waited for him to call a guard, to bring the
lash." Posture of a slave girl bending forward at the waist with her head at a master's hip so that he may grab her hair and guide her where he wishes her to go. "Leading position, said Drusus Rencius. I swiftly put my head down
and felt his fingers lock themselves deeply in my hair. I turned my head
and pressed my lips suddenly, helplessly, to his thigh, kissing him. He
twisted my head cruelly to the side, holding it there, turned, so that
my lips could not touch him. "`Leading position,' he said. Sobbing, she rose to her feet, and
put her head down, at what would be the height of a man's waist, her legs
flexed. A guard walked over and fastened his hand in her hair. `Have her
whipped,' said Policrates. `Yes, Captain,' said the man. He then left
the chamber, pulling the girl, sobbing, at his side." "I then snapped my fingers and held my right hand, open, at my hip.
Swiftly the girl rose to her feet and, half crouching, put her head by
my hand. I fastened the fingers of my hand deeply and firmly in her red
hair. She winced, and kissed at my thigh. I then, the goblet of paga in
my left hand, her hair in my right, dragged her beside me, her slender
chains rustling, to the nearest alcove." I held my left hand open, at my waist. She stiffened, and looked at me,
angrily. I opened and closed my left hand once. I saw her training in
Gorean customs had been thorough. But she never thought that such a gesture
would be used to her. She came beside me, and a bit behind me, and, crouching,
put her head down, deeply. I fastened my hand in her hair. She winced.
Women are helpless in this position." The slave remains standing or kneeling, depending upon her current position. She turns away from her Master, tilting up her chin and turns her head to the left as a leash is attached to her collar. Her wrists are extended behind her to be locked into slave bracelets or otherwise bound. "Lesha," snapped the second officer to the blond girl. She
spun from facing him, and lifted her chin, turning her head to the left,
placing her wrists behind her, as though for snapping them into slave
bracelets. A plea made by a slave, or command given by a Master She trembled. I now stood over her, the slave whip in my hand. I drew
it back, then I threw it aside, angrily. I crouched down. Then I jerked
her head up, by the hair "Permission to placate," she begged,
reaching for me with her lips and mouth. But I held her, by the hair,
from me. She whimpered, denied. Then I released her hair and permitted
her to touch me. "Thank you, Master," she whispered. She was
a slave. I would permit her to attempt to placate me, in one of the ancient
fashions of the female slave. Relieving oneself like an Animal: A man slid the bowl back to me. "Relieve yourself," he said. A command given to a slave. "I was amused, for she had run as a slave girl is sometimes taught
to run, with rapid short steps, her legs almost straight, her feet scarcely
leaving the ground, back straight, head turned to the left, arms at her
sides, palms out at a forty-five degree angle, more of a dancer's motion
than a true run." This a command for a kajira to place sandals on her master. The girl gets the sandals and kisses them. She then places the sandals on his feet, thonging them tightly, and kissing each knot as she completes it. After tying both sandals, she puts her head to his feet in a graceful gesture of submission I then began my journey. The kissing of inanimate articles, such as a
master's sandals, or the tiles on which he has walked, is used in teaching
a girl respect and reverence. There was something of this involved in
his command, the having to kiss the walls of his room, the furniture there,
and such, but the form of the command was presumably motivated primarily
by the consideration that compliance with it would guarantee a full and
adequate negotiation of the room's interior perimeter. Also known as 'assuming the modality of the she-quadruped.' In this position the slave falls to her hands and knees her head down on the floor her hindquarters upthrust for viewing and/or her Master's pleasure. She-quadruped a slave serve on their hands and knees, no voice or hands can be used, she must use her mouth. Some Master's will teach their slave to do tricks in this command much like a dog. "In this form of slavery, which is commonly used for disciplinary
purposes, or for the amusement of the Master, the woman is not permitted
to arise from all fours; similarly she is not permitted human speech,
though she may signify needs and desires by such means as cringing, and
moaning and whimpering. Not permitted the use of her hands, save as a
means of locomotion, she must also eat and drink from pans set on the
floor, or, sometimes to satisfy her thirst, she must lap the water permitted
to her from puddles or lick spillages from the tiles; too, it is no uncommon
to chain her near her master's feet, while he dines, that he may, if he
wishes, throw her scraps of food. She will also be taught tricks, through
which paces she may be put for the entertainment of her master's guests,
such things as begging, lying down, rolling over, and fetching his sandals
in her teeth. And, needless to say, when her master wishes to use her
sexually, it will be a position common to the she-quadruped." In this discipline the female is forbidden human speech. She is also
forbidden human posture, in the sense that she is not allowed to rise
to her feet. Her locomotion, unless commanded to roll, or put under similar
commands, suitable for a pet, will be on all fours. Her food will be thrown
to her, or put in pans on the ground. In either case, she must feed without
the use of her hands. She may also, of course, be fed by hand, but, again,
will not be permitted to touch the food with her hands. She may be taught
tricks. Sometimes these are taught as functions of arbitrary sounds, so
that she must learn them as any animal might, without the benefit of an
earlier understanding of the word used. If she is slow to learn, of course,
she is punished, as would be any other animal. When used, too, it will
commonly be in the modality of the she-quadrupled. This discipline is
often used as a punishment, but it may figure in the training of a new
girl. It helps her to understand what she now is, an animal totally subject
to her master. A naked slave in sleen collar, was ordered forth on her hands and knees.
A sleen leash was attached to her collar and she was marched, as a she-sleen,
crawling, abused, to the rape-rack in which I had been earlier confined.
"'Kneel,' he said, 'swiftly, facing away from me,' I obeyed, in
terror, almost frenziedly. I now faced the door. 'To all fours,' he commanded
I obeyed, trembling. Twice more then he struck me, the second blow, as
I cried out with misery, sobbing, flung me again to the carpet on my belly.
'Kneel, as you were before," he said. I obeyed. 'All fours,' he said.
I went again to all fours. He then, crouching near me, reaching about
me, put the whip to my lips. I kissed it, frightened, again and again.
'kneel now, in the following fashion' he said. 'Do not waste time,' He
then had me kneel with my head to the floor, my hands clasped tightly
behind the back of my neck. I cried out, gasped, fixedly held, put to
his fierce, disciplinary purposes. He then drew back from me. I was now
on my belly on the rug, gasping in disbelief. I understood more of my
slavery then, than I had before" "He knelt me there. `Put your head down, to the floor,' he said.
`Clasp your hands, firmly, behind the back of your neck.' `Yes, Master,'
I moaned. He was then behind me. He put his hands, under my arms, on my
breasts, sweetly and firmly. Then he moved his hands back, caressing my
flanks. My head was down. My fingers were together, behind the back of
my neck." When this command is given the slave turns her head up to the Master her lips pursed in a sensual kissing position. She remains motionless her lips thusly puckered and may not move until she is granted the kiss of a Master. "A girl who is commanded to make slave lips, or who receives the
command, `Slave lips,' must form her mouth for kissing. She then, commonly,
is not permitted to break this lips position until she kisses or is kissed.
Needless to say, a girl cannot speak when her lips are in the unbroken,
fully pursed slave lips position. The command which commonly follows the
`Slave lips' command is, `Please me.'" "Similarly, I was not required to respond to certain sorts of commands,
for example, to make "slave lips," pursing my lips for kissing,
or to writhe slowly before my viewers." This is a disciplinary position wherein the slave is ordered to lie supine and motionless in preparation for usage. "You own me," I said. "I am Your slave." "Yes?"
he said. "But I am curious to know what my status is, Master."
I said. I would try slylyy to determine his feelings towards me. "Your
status?" he asked. "Yes," I said. "What sort of slave
am I?" "What do you mean?" he asked. "Am I a high
slave?" I asked. "Do you wish to be whipped?" he asked.
"No,Master!" I said. "Turn about," he said. "Kneel
down. Put your head to the ground, clasp your hands together, behind the
back of your neck." "Yes, Master!" I wept. I hastened to
obey. This is a common position for slave rape. "Lie down upon it," I told her, "on your back, your head
to the floor." She did so. "No, please," she said, "not
like this." It is a common position for a disciplinary slave rape.
In it the woman feels very vulnerable, very helpless. I then took her.
A method of touching without warning a slave girl who is being sold in order to exhibit her slave heat for potential buyers; also known as the Whip Caress as it is commonly done using a coiled whip. "Her movements were wooden. The crowd was not pleased. There was
only a two gold piece bid. Then taking the whip from the whip slave the
auctioneer stepped to the disconsolate girl; suddenly, without warning,
he administered to her the Slaver's caress, the whip caress, and her response
was utterly, uncontrollably, wild, helpless. She regarded him in horror.
The crowd howled with delight." Then, before I could realize what he intended, he had subjected Miss
Cardwell to what, among slavers, is known as the Whip Caress Ideally it
is done, as Kamchak had, unexpectedly, taking the girl unaware. Elizabeth
suddenly cried out throwing her head to one side. I observed to my amazement
the sudden, involuntary, uncontrollable response to the touch. The Whip
Caress is commonly used among Slavers to force a girl to betray herself."
When chained at a stake the with this command the slave lies down and is not permitted to rise even to her knees. "Amina and Rimice," he said, "I have been using as rent
slaves." "I see", I said. "Stake position," said
Ephialtes to the two women. Immediately they both lay down, with a sound
of chain. It is not unusual to forbid a rent slave, during her use times,
when chained at a stake,to rise even to her knees. Common Command "He looked me over. I blushed, under Gorean appraisal, I only wore
my tether. "Stand as a slave," he said. I stood beautifully,
back straight, head high, belly sucked in, hip turned. No woman can stand
more beautifully than as a gorean slave girl. "Excellent," said
Ladletender, smacking his lips. "Master is pleased," I said.
"Yes," he said. "The slave too, is then pleased,"
I said." "Veck" Command meaning "Stand" I felt myself being rolled roughly on my back. "Veck, Kajira,"
said a voice, harshly. "Veck, Kajira." It was not a patient
voice... I felt the point of his dagger beneath my chin. It hurt. It thrust
up. I cried out, rising almost to my toes. I then stood straight before
them. I stood straighter than I had ever stood in my life. Common Command "Standard binding position," he said. I was prone. When a girl
is prone, the standard binding position is to cross the wrists behind
the back and to cross the ankles. I took this position instantaneously.
To speak as slave is a command that is used to girls who were normally permitted to speak in first.... `Who!' she demanded. `I did,' I cried. `I did!' `Speak as a slave!' demanded
Ute. `El-in-or betrayed Ute!' I cried. `El-in-nor betrayed Ute!' This informs the slave that they are to remian where they are and maintain
the position they are currently assuming until moved or given permission
to move In this position a slave lays upon her back her hands at her sides palms upward her legs widely spread to await her Master's pleasure "Sula, Kajira!" he said. She slid her legs from under her and
lay on her back, her hands at her sides, palms up, her legs open. Common Position. This position is not specifically named in the books, but the following position is generally accepted as correct. "Then she lay on her back, her knees drawn up, before me. She arched
her back. Her breasts were lifted beautifully. I observed their lovely
rise and fall, correlated with the respiratory cycle of her small lungs.
Then she lay back, her shoulders in the dirt, and pressing against the
earth with her small feet, piteously lifted before me, for my examination,
and seizure, if I pleased, the deep belly of her, the sweet cradle of
her slave's heat." "On your back," he said, "knees raised, heels on the floor."
I then lay before him, in a standard, supine capture position. ~ quickly rising, pulling legs to a right angle, flexing them tight.. straightening back so bottom to shoulders makes a flat surface.. gracefully straightening arms and locking elbows.. and lowering head slightly until level... strawberry tresses dangle out of the way When a slave unbidden wears talenders in her hair it is a silent plea from her to be raped/ravished. Alternately 'slave girls, having been subdued, but fearing to speak,
will fix talenders in their hair, that their master may know that they
have at last surrendered themselves to him as helpless love slaves' The talender, fixed in her hair, is a slave girls's wordless confession,
which, commonnly, she dares not speak, that she cares for her master The Girl is placed on her hands and knees and crawls under the table, from there she is locked into position.. In such a fashion the men of Torvaldsland sometimes secure their bondmaids. They have them at hand and may use them to some extent to please them under the table. They can also be fed by hand and thrown scraps of meat. I put her over the ring, in the midst of the chains. I clasped the ankle
rings about her ankles, locking them. I thrust the short, attached chain,
attached to the ankle-ring chain at one end, and the wrist-ring chain
at the other, and the wrist rings, on their short chain, between her legs
and through the sturdy floor ring. I then close to the floor, locked her
wrists snugly into the wrist rings. She was no held helplessly in place
beneath the table This command might be given to a female or to the Free person with a female, who is not identified. It essentially means, show your brand. The slave is tied by the thumbs with the hands behind the back, virtually
any material can be used (including hair), the two large toes are similiarly
bound. Mostly used on a slave to make them aware of its existance - cane
be used as a restraint or punishment. A position used frequently by domestic slaves with thighs closed and hands resting with wrists crossed on legs. "The position of the Tower Slave, in which Vika knelt, differs from
that of a free woman only in the position of the wrists which are held
before her and, when not occupied, crossed as though for binding. A free
woman's wrists are never so placed." Example of a Tower Kneel ~ a willowy form gracefully kneels, the soft touch of the learning furs tickling her thighs that rest joined together, delicate kisses from palms that no longer tremble balanced against them, arching a twig like spine pulls in toned tummy, and chest pressed out, fragile form held stiff with chin checking the heavens in pride and eyes watching the ground. |
|||