LEATHERHEADS

By Josh Marks

 

Like so many Super Bowls that fall as flat as the two-liter bottle of Coke in the living room, “Leatherheads” fails to live up to the pre-movie hype.

 

George Clooney directs and stars in this romantic/sports comedy, marking his third time behind the camera (“Good Night, and Good Luck” and “Confessions of a Dangerous Mind”) and his first film that has opened in wide release. Audiences expecting gridiron glory would be wise to stay home -- this football flick simply fumbles too often to be recommended.

 

“Leatherheads” would have worked fine as a period piece about the nascent professional football league in 1925 and the scrappy characters who took the field, however Clooney rewrote the script to turn it into a screwball romance and thus it is a movie that never really finds its footing. The story is unevenly divided between the on-field and off-field antics, neither of which really works on any dramatic or comedic level.

 

Dodge Connelly (Clooney) is the star of the Duluth Bulldogs, a motley crew of blue-collar guys who played pigskin before the era of luxury suites, multi-million dollar contracts and, well, rules. The league is disorganized and in financial straits and that means Duluth is disposed of. Along comes Clooney to the rescue. He successfully hatches a scheme to lure college football star and World War I hero Carter Rutherford (John Krasinski) in order to revive his team and jumpstart professional football in America. Introduce pesky and ambitious Chicago Tribune reporter Lexie Littleton (Renee Zellweger) to investigate Rutherford’s wartime claims and unintentionally spark a romantic rivalry between Rutherford and Connelly.

 

 The start of the love triangle is the point in which the movie starts to falter. The realization sets in that football is merely a backdrop to the romantic comedy angle and what could have been a meaningful story about the humble origins of the National Football League becomes a silly attempt to win the girl’s heart. There is little chemistry between the characters and the slapstick comes across as more contrived than clever.

 

“Leatherheads” does get the look and feel of the Roaring Twenties right. The football uniforms look authentic for the time and old Chicago is beautifully rendered in all its glory. The final mud bowl scene in Chicago (actually filmed at Memorial Stadium in Charlotte, North Carolina) transports viewers to an exciting time in American and football history, if only the action on the field were as thrilling.      

 

 

 

 

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