A Tale of Morality

by: Josh Marks

“In Good Company” is an old-fashioned morality tale set in the age of global corporations and hostile takeovers. Writer-director Paul Weitz and brother/producer Chris Weitz (“About a Boy,” “American Pie”) have taken this seemingly vapid environment and filled it with an excellent cast and a character-driven story. The movie is at its best when it focuses on the sometimes awkward, hilarious and poignant interactions between the characters and how they deal on a larger scale with the principals the film attempts to convey.

Dan Foreman (Dennis Quaid) has a great life. He has been the head of advertising sales at Sports America magazine for the past 20 years, has a great wife, Ann (Marg Helgenberger), and a smart and beautiful daughter, Alex (Scarlett Johansson), who is transferring to NYU.

Everything is going smooth until a large multimedia company takes over his magazine and demands more ad revenue and less employees. His sudden job insecurity is intensified when 26-year-old Carter Duryea (Topher Grace) is assigned to clean house. Duryea waltzes into both Foreman’s professional life as his new boss and personal life when he sleeps with his daughter Alex.

While Foreman’s initial reaction to the situation is humiliation and anger, he eventually sees through Duryea’s confident façade and forms a father-son bond. He notices that underneath it all Duryea is a scared kid with enormous doubts about his identity and what he wants to do with his life. Foreman teaches Duryea some important lessons about family and how to be ethical and honest in the business world.

The working title of “In Good Company” was “Synergy,” which is a term that is cynically used in a speech by the head of the multimedia company to justify the corporate merger and downsizing of Sports America. In a more genuine sense however, it has to do with mutual effort or teamwork – something both Duryea and Foreman learn in the end. It is one of the central messages in this modern day morality tale, which stays focused on how the characters work out their professional and personal dilemmas in spite of themselves.

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