Cinema Paradiso
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Directed by Giuseppe Tornatore
Cinematography by Blasco Giurato
Philippe Noiret
Salvatore Cascio
Marco Leonardi
Jacques Perrin
Agnese Nano
Enzo Cannavale
Leo Gullotta
Leopoldo Trieste
This was a very interesting film; definitely European.  Like most famous European films, it is filled with fabulous visuals.  Like most famous European films, it doesn�t necessarily feel the need to go from anywhere to anywhere.  And, like most famous European films, it is probably too long.  The version that I saw was already 25 minutes shorter than the original version.  And it was nearly 50 minutes shorter than the version the director intended.  From some pictures that I have found, I can tell that the longer version makes explicit some things that I only surmised from the international version.  And that makes it a much better story, although 50 minutes seems like a pretty long time to say a single thing.  Philippe Noiret is wonderful as the crusty, loveable projectionist, but it is Salvatore Cascio who really makes the film work.  His wide-eyed innocence and enthusiasm is contagious.  It is impossible not to laugh at him, and � more importantly � to laugh with him.  The young adult and aging Salvatores are not even in the same league, and that damages the movie as a whole.  Once he becomes a young man, the emotional attachment is really lessened.  The film strives to tell a tale of love throughout the young man�s life, although (as is so often true of modern film romances) no real importance is placed on marriage.  The film boasts a wonderfully symbolic ending, and some wonderfully touching moments, but is never really able to overcome the loss of its young star.
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