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As a courtesy to these institutions, make advance arrangements by letter or phone call to confirm open hours and policies regarding the use of their materials. . Institutions with Collections of Restoration Movement Materials Collections of Restoration Movement Materials The information contained in this area is designed to assist researchers in locating institutions with holdings of Restoration Movement materials. In order to use the materials held by these institutions, interested parties must contact them directly. Special collections such as these listed normally have restricted hours and limited access to the materials.
Gabo lived in Munich and Norway until the end of the revolution, when he returned to Russia. With Pevsner he wrote the Realist Manifesto (1920), which proposed that new concepts of time and space be incorporated into works of art and that dynamic form replace static mass. His sculptural experiments with constructivism, a movement he helped found, were often transparent, geometrical abstractions composed of plastics and other materials. In 1922 he left Moscow for Berlin where he taught at the Bauhaus, later moving to England and then to the United States. In 1957 he executed a huge public monument in Rotterdam.
Gabo lived in Munich and Norway until the end of the revolution, when he returned to Russia. With Pevsner he wrote the Realist Manifesto (1920), which proposed that new concepts of time and space be incorporated into works of art and that dynamic form replace static mass. His sculptural experiments with constructivism, a movement he helped found, were often transparent, geometrical abstractions composed of plastics and other materials. In 1922 he left Moscow for Berlin where he taught at the Bauhaus, later moving to England and then to the United States. In 1957 he executed a huge public monument in Rotterdam.
Gabo lived in Munich and Norway until the end of the revolution, when he returned to Russia. With Pevsner he wrote the Realist Manifesto (1920), which proposed that new concepts of time and space be incorporated into works of art and that dynamic form replace static mass. His sculptural experiments with constructivism, a movement he helped found, were often transparent, geometrical abstractions composed of plastics and other materials. In 1922 he left Moscow for Berlin where he taught at the Bauhaus, later moving to England and then to the United States. In 1957 he executed a huge public monument in Rotterdam.

another materials site: http://www.a-ten.com/art/stuff.htm

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