THE CHARLES NICOLS LETTER
February
09, 2007
This is
a brief essay sent in to my e-mail by Charles Nicols
in January of 2003. Without affirmation, I will risk the posting for
those interested in perspectives. It is an example of history used to
deflate many myths regarding culture and modernity. Nonetheless, he
retains an optimistic tone about the future. Further discovery is
possible on the Basil Davidson Webpage. Mind you, there is the general
question whether this school of thought is inherently negative and depressing
when placed outside the confines of music; a former teacher (if such
sabbaticals do exist), I believe younger people or those grappling with such
responses might find this quite helpful.
Mr. Gbujama:
It may
have been Davidson's The African Slave Trade: Pre-colonial History
1450-1850, Little, Brown and Co., 1961? But indeed, before Rambo-scious
In the
British view of the world, for example, the Irish occupied a position way below
themselves, but just above the Africans. The two were often compared, as
in these verses from the British magazine Punch in 1848:
Six
Foot Paddy are you no bigger?
You
who cozening friars dish
Mentally
than the poorest nigger
Groveling
before fetish
You
to Sambo I compare
Under
superstitions rule
Prostrate
like an abject fool
In 1849, British historian
Thomas Carlyle published Occasional Discourse on the Nigger Question.
Dr. Eric Williams, former Prime Minister of Trinidad, and a historian,
called it the most offensive document in the entire world literature on
slavery and the
Carlyle argued
that the recently emancipated slaves should be forced to work for the whites: Decidedly
you will have to be servants to those who are born wiser
than you, that are born lords of you; servants to the Whites, if they are (as
what mortal can doubt they are?) born wiser than you. (15.)
But, Sir,
there are more encouraging lessons to be learned from the prehistory of racism.
Basil
Davidson says this: What did Europeans think about black people before the
rise of racism? How did they estimate the values of black humanity? There are
countless indications in the pictorial arts. Think only of the noble portraits
of the black monarch among the three kings who journeyed to salute the birth of
Christ. Think of the work of the great masters of the Renaissance who painted
black persons. Think of Rembrandt, Velasquez, many more. Each of them, without
exception, painted black persons from the same standpoint as they painted white
persons, whether either of these, white or black, were kings or merchants or
ambassadors or servants'
Davidson
makes these observations in the context of favorably reviewing Black
Athena: The Afro-asiatic Roots of Classical Civilization by Martin Bernal
(1987), in which the author draws on a wide range of classes of evidence to
show that the very notion of Aryan purity contained in the western idea of the
classical Greeks was a social construct, created by late-eighteenth and
nineteenth-century scholars to provide a pedigree for their notions of European
racial superiority.
In fact,
he argues, ancient Greek society was contributed to by numerous African and
Asiatic strains and was far from 'pure'.
The bloody
human fuel that The Industrial Revolution and corollary, global Colonial Era,
drew from sub-Saharan
The cyber
revolution will hopefully see a return to some balance, some set of bench-marks
less damaging and soul destroying to vast sections of the human race.
CN