LESSON DAY 3

TITLE: Creating Character – Paint a Character from Eight Perspectives

SUBJECT: American Literature and Composition

GRADE: 10th

QCC(s): 18, 26, 27, 28, 41

 

GENERAL OBJECTIVES: (IRA/NCTE standards for the English Language Arts)

Students will:

• Students apply a wide range of strategies to comprehend, interpret, evaluate, and appreciate text. They draw on their prior experience, their interactions with other readers and writers, their knowledge of word meaning and of other texts, their word identification strategies, and their understanding of textual features (e.g., sound-letter correspondence, sentence structure, context, graphics). (No. 3)

• Students employ a wide range of strategies as they write and use different process elements appropriately to communicate effectively with a variety of audiences and for different purposes. (No. 5)

• Students participate as knowledgeable, reflective, creative, and critical members of a variety of literary communities. (No. 11)

 

SPECIFIC OBJECTIVES: (Georgia’s Quality Core Curriculum)

Students will:

• Participate in the writing process: prewriting, drafting, revising, editing, proofreading, and publishing. (Topic: Core Skills – L.A. 9-12 No. 18)

• Adapt writing style to various audiences. (Topic: Writing/Usage/Grammar – L.A. 9-12 No. 26)

• Develop imaginative expression in writing (fresh ideas, diction, and voice). (Topic: Writing/Usage/Grammar – L.A. 9-12 No. 27)

• Use techniques appropriate to different stages of the writing process to achieve fluency, control, and proficiency. (Topic: Writing/Usage/Grammar Grammar – L.A. 9-12 No. 28)

• Write in narrative, descriptive, persuasive, and expository modes with emphasis on exposition. (Topic: Writing/Usage/Grammar – L.A. 9-12 No. 41)

 

PROCEDURES/TEARCHER NOTES:

Daily Writing Prompt: [10 minutes]

As students enter the class each day they will be given a new expository prompt either in a handout, written on the board or projected by an overhead. Students will respond to the text by writing a paragraph.

 

Prompt:

Quotes:

“All that is needed for the triumph of evil is that good people be silent.”

Lord Acton

 

“Prejudice is the child of ignorance.”

William Hazlitt

 

Question the students will answer: Think about what you have just read. Write an expository paragraph to turn in explaining your response to the text.

 

Quick Write: Students will create a fast response paragraph as quickly as possible. When the students have finished their fast response, they should place it in their class folder, put their pen/pencil down and remain quiet.

 

Overview of main lesson:

In introducing the writing activity Paint a Character from Eight Perspectives, the teacher will explain to the class the day’s writing activity.

 

Step 1: [5 minutes]

Introduction

Example of starter comments that may be used in the introduction for the day’s lesson:

a)     Characters are the persons presented in works of narrative or drama who convey their personal qualities through dialogue and action by which the reader or audience understands their thoughts, feelings, intentions and motives.

b)     Stock characters are types of characters, which have become conventional in particular genres through repeated use.

c)      Today you will be developing a character description for a stock character. Take a look at the list on this overhead. Your group will pick a character to develop.

 

Step 2: [5 minutes]

Directions

To help students understand the activity for building characters and later character scenes, the teacher will:

a)     Divide the class into pairs. With those students remaining, make one more group of three.

b)     Distribute copies of Campbell's eight devices for characterization so that each member in the group has a set.

c)      Assign three of Campbell's techniques to each group member.

 

Step 3: [5 minutes]

Examples

Two examples of character sketches will be projected for the students to view prior to the activity as a model.

 

Step 4: [15 minutes]

The student pairs will build their characters using their assigned Campbell Methods.

 

Step 5: [20 minutes]

Once time is called the pairs then following the direction sheet and the teacher’s prompt, will create a scene that has the two characters interacting.

 

CLOSING: [25 minutes]

Each pair will present their scene for the class either through one representative reading or by taking turns. The groups will be using their experiences in creating a character when they examine the use of character in The Crucible.

 

 

MATERIALS:

a)     The students will be given a copy of Walter Campbell's Methods for Painting Characters.  (They will keep it as a resource in the CLASSWORK section of their notebooks).

b)     The students will also be given written directions (to reinforce the oral directions) on how to complete the writing exercise.

c)      Each group will be given a notepad to write their collaborative characterizations on.

d)     A list of sock characters will be projected via an overhead from which each group will pick their characters.

e)     Overhead projector

 

 

ADDITIONAL TEACHER NOTES:

While students are painting their characters, the teacher will walk around the room monitoring the students’ activities and assisting students when appropriate or needed.

 

SUPPLEMENTARY MATERIALS: Students will need to have paper, pen/pencil.

 

EVALUATION:

The teacher will know that the students understand the concept of character, its importance as an element of fiction, and how to create a character by reviewing the group’s depiction of their characters.

 

ACCOMMODATIONS: See accommodation sheet

 

REFERENCES:

Adapted from: Chapter 7, Strategy 1: Paint a Character from Eight Perspectives

Noden, Harry R. Image Grammar; Using Grammatical Structures to Teach

Writing. Portsmouth, NH: Heinemann, 1999.

 


HANDOUT

 

Creating Character - Paint a Character from Eight Perspectives

 

DIRECTIONS:

 

You will be working as pairs to create a group character sketch. Your first task is for both of you to each pick a stock character from the list projected on the overhead – you and your partner will write about this character.

 

Once you and your partner have each chosen your character, you will each be assigned three of Walter Campbell's devices (see handout). You will use these devices to describe the characters in your writing.

 

Now begin writing using your three devices (ex. By action of the character & By the character’s own reactions to persons, things, and surrounding circumstances, By explaining the traits and motives of the character).

 

Write three to five sentences that characterize your character’s stereotype. You will have eight minutes to work. After that time, you should pass the passage to your partner, who will continue the characterization of that character using his or her three devices, while you do the same.

         

Once you have finished with a full rotation on your group’s characters continue the writing rotation until time is called.

 

Now review what you have written on your characters. You and your partner will now create a scene in which your two characters interact. In this scene you will combine your assigned Campbell's Methods for Painting Characters with elements of action, setting and most importantly dialogue.

 


HANDOUT

Walter Campbell's

Methods for Painting Characters

 

1. By action of the character:

Pete slunk out of the battle.

 

2. By speech of the character:

"Hiya, pardner!"

 

3. By effect of the character upon other characters:

Her loveliness was breath-taking.

 

4. By the character’s own reactions to persons, things, and surrounding circumstances:

John adored her, especially in blue.

 

5. By reporting what other characters say about the character:

Said Tom, "Of course Sam is a heel!"

 

6. By explaining the traits and motives of the character:

He loved good food.

 

7. By describing the character (in terms of the five senses):

He had blue eyes, spoke with a Southern accent, smelled of the smokehouse, and his muscles were hard as nails.

 

8. By analyzing the psychological processes of the character:

He was unable to overcome his shyness, which was the result of his being the son of a famous and terribly egotistical father.

 


OVERHEAD

 

Narrator’s Grandmother – From Caleb Carr's The Alienest

          Back in the hallway I ran headlong into my grandmother, her silver hair perfectly coifed, her gray and black dress unimpeachably neat, and her gray eyes, which I had inherited, glaring. "John!" she said in surprise, as if ten other men were staying in her house. "Who in the world was on the telephone?"

          "Dr. Kreizler, Grandmother," I said, bounding up the stairs.

          "Dr. Kreizler!" she called after me. "Well, dear! I’ve had about enough of that Dr. Kreizler for one day!" As I closed the door of my bedroom and began to dress, I could still hear her: "If you ask me, he’s awfully peculiar! And I don’t put much stock in his being a doctor, either. That Holmes man was a doctor, too!" She stayed in that vein while I washed, shaved, and scrubbed my teeth with Sozodont.

 

 

Excerpt from "Life at Granny’s" – by Katie Price

          Granny lived alone until she was well in her 90’s, and every day took the local bus down to Santa Cruz to attend the Santa Cruz Board of Supervisors meetings, which were public, and to criticize everything said. She slept on a carved wooden Chinese headrest. She didn’t believe in baths or showers, and only took sponge and foot baths. (She had a sink installed on the floor of her bathroom for that special purpose.)

          Once she went to an auction, and on the spur of a moment, purchased 35 marble sinks. Her crowning achievement, however, was Louella’s Diary. Louella was the town lady who was, to put it politely, very popular with the men, and after she died suddenly, her estate went up for auction. It had hideous imitation French furniture, which Granny promptly bought, and hidden in one piece were Louella’s collected diaries. The greatest delight of her life was to go up to businessmen in the Bubble Bakery downtown at lunch, shake her finger at them, and cackle, "I read about you in Louella’s Diary!"

 


OVERHEAD

Stock Characters

School-Related Conventional Characters:

• the class cut-up, the ladies' man

• the impatient secretary

• the deranged school cook

• the hard-of-hearing custodian

• the gullible girl

• the computer nerd

• the popularity seeker

• a humorless teacher

• the loner

• the school's burn-out

• a quick-tempered athlete

• the constantly suspicious assistant principal

• the complainer

• the ultimate rule-follower

• the sports fanatic

• the star football lineman

• the outstanding gymnast

 

Society-Related Conventional Characters:

• the rumor-spreading hairdresser

• the pious reverend

• the gum-chewing waitress

• the talkative cab driver

• the fanatical environmentalist

• the exotic fortune teller

• the always-excited disc jockey

• the smiling news anchor

• the bigoted red neck

• the hand-shaking politician

• the introverted accountant

• the professional wrestler

• the rock musician

• the cold-blooded hit man

• the sleepy all-night security guard

• the union-supporting truck driver

• the eccentric artist

• the TV addict

 

 

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