Newspaper Articles

Here you will find numerous articles collected regarding Jeff and his ongoing career as an accomplished dancer, singer and actor. If you have any clippings you'd like to add, please
e-mail me. Thank you to Jeff's sister for her large contribution to what you see below!

   And Pippin is� now that's a little more difficult. A celebration of life, this Broadway musical certainly is. More accurately it's one grand death defying magic trick. A medieval commedia and soft rock opera at the same time, with music by Stephen Schwartz of Godspell fame. And a dance spectacular, choreographed on Broadway by Bob "All That Jazz" Fosse. What's Pippin? The perfect summer show.
      It opens July 4 at the Arts Club Theatre on Granville Island, and director Bill Millerd counts it as one of the most ambitious shows he has ever tackled. A soft sculpture set has been designed to evoke the medieval period, this being the tale of the exploits and foibles of the first-born son of Charlemagne � Pippin. Multi-level staging, trap doors and a variety of special effects are used to evoke a magical atmosphere, including a smoke-and-light screen which allows passage through what appears to be a solid wall.    
     "I would like people to use their imaginations when they enter the theatre," says Millerd. "We're playing with the relationship of fantasy and reality."
     Choreographer James Hibbard, a Los Angeles native with a wealth of experience in film and musical theatre, has assembled a strong chorus of dancers by selecting the top talent from CBC shows like The Raes and Rene Simard which he directs.
     There are two husband-and-wife teams involved in Pippin. Hibbard's multi-talented wife Charlene Brandolmi plays Pippin's evil stepmother and Ruth Nichol plays the romantic Catherine who wins the heart of Pippin, played by her high-stepping husband Jeff Hyslop, above photographed in flight over Granville Island. (More on Nichol and Hyslop, page 8.)
Summer is... Pippin!
Taken from:
Granville Island Times
Volume One, Number Six, July/Aug. 1980

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