TIME HAS GONE BY FAST
WHY WOULD I GET EXCITED ABOUT SOMEONE SENDING ME A A COPY OF A RUSSIAN UNIFICATION OF ALL INTERACTIONS IN ENERGY AND MATTER THEORY, NOT YET RELEASED IN ENGLISH. WELL, ALWAYS INTO COSMOLOGY, HAVING READ EINSTEIN AND NEWTON, THOUGH AND ECONOMICS AND ART MAJOR, I HAD WRITTEN A 10 PAGE MONOGRAPH, USING A SELF REFERENTIAL SYSTEM, RANDOM THEOREM AND RELATIVISTIC PERSPECTIVE, COMPLETE WITH DIAGRAM OF A PAPER THAT CAME TO BE KNOWN AS
A PARTIAL PROOF OF PURPOSE IN THE UNIVERSE
BY JDC, WRITTEN IN 1977, PUBLISHED LTD, 1979
HAD SENT IT TO SOME FRIENDS WITH ACTUAL PHYSICS CREDENTIALS, MATH DEGREES, AND WAS ENCOURAGED TO WORK ON MY SECRET HOBBY. COPY LIKELY AT UCR
1/3/06 I HAVE THE AUTHORIZATION LETTER FOR GERLOVIN'S MANUSCRIPT, INSTRUCTIONS IN MARKETING. BESIDES THE GPPAP SEND OUT, WE DID PRESENT IT TO STANFORD, CAL TECH, AND OTHER UNIVERSITIES AND RESEARCH GROUPS, INCLUDING THE ELECTRICAL POWER RESEARCH INSTITUTE, WITH NO TAKERS FOR GERLOVIN'S TRIP OVER TO PRESENT THE VACUUM GENERATOR PARADIGMN, ONLY A SMALL PART OF THE THEORY MANUSCRIPT, BUT THOUGHT MARKETABLE.
GERLOVIN'S INITIAL RUSSIAN EDITION, RELEASED IN 1990. I HAD JUST REVISED THE PARTIAL PROOF, TO A PROOF OF PURPOSE IN THE UNIVERSE ESSAY IN 1989
SENT OUT TO SAME FRIENDS IN WOOMERA, CAL TECH, UCR, MIT, OSLO, NORWAY, ETC, AS I HAD AND TOLD TO STAY WITH IT, PAPER AGAIN HAS MERIT, SO SENT ON SNIPPETS OF THE GERLOVIN PAPER.
INCLUDING A NOTE BACK TO LENINGRAD THAT I HAD SOME DIFFERENCES IN SOME OF THE MATH PROOFS IN THEIR PARADIGMN, I THOUGHT MIGHT BE USEFUL IN SOME OF THE DIFFICULT SPOTS ENCOUNTERED.
I'D JUST FINISHED READING UP ON CHAOS THEORY, FAUCAULT, REREAD GOEDEL, ESCHER, BACH, AND HAD APPLIED GOEDEL'S EQUATION IN AN APPLICTION TO ZERO VALUES, CANDY HAD BEEN BY WITH HER WORK FROM UC SANTA CRUZ, A NUMBER OF THE WID, OTHER NOTED NAMES ON THE WEBSITE ARE INVOLVED IN WOOMERA, AUSTRAILIA THE SETI PROJECT AND SATELITE TRACKING STATION, OTHERS IN MATH OR PHYSICS, SOME IN INTERNET APPLICATIONS, SO THIS IS NOT JUST THE LOCAL DRUM CIRCLE, BUT WENT OUT TO SOME OF MY FRIENDS OUTSIDE MODESTO I LIKELY FIRST MET AT UCR, WHERE MY STAT PROFESSOR WAS F.N. DAVID, JR, EXPERT IN RANDOM.
I ALSO FOUND I STILL HAVE SOME OF THE KEY NOTES ON RANDOM RACES, NINE RANDOMLY PLACED POINTS, JOINED INTERSTITIALLY FORM A KIND OF
VECTORIAL LENS.
2 TURNS LEFT, OR NINE TURNS RIGHT ESTABLISHES DIRECTION
ORIGIN IS ACTUALLY POINT TWO, THE MOST DEFINED POINT IN A START UP FROM DISCRETES.
IN THE ALL SET OF IS, ARE (is, is not) IN ORDER TO KNOW WHAT IS, YOU NEED NOT KNOW WHAT ISN'T, BUT IN DEFINING ALL THERE IS, YOU DEFINE WHAT IS NOT.
YOU KNOW WHAT YOU DON'T KNOW. YOU KNOW YOU DON'T KNOW IT WHEN SOMETHING ARRIVES YOU DO NOT KNOW, AND KNOW IT FOR CERTAIN, BUT YOU ALREADY DIDN'T KNOW IT.
SCOTT CAMPBELL NOTICED NON-DEPTH PERCEPTION WAS ONE OF THOSE ITEMS IN BUNDLING THAT WASN'T TAKEN CARE OF. YOU HAVE SURFACE TENSION, YOU HAVE DEPTH, BUT NON DEPTH PERCEPTION OF IT IS THERE, NOT SURFACE PER SE, OR DEEP, NOT APPARTION OR GHOST, AND ALSO NOT TANGENT. GOT US TO THINKING ABOUT PERMEABLE AND OSMOTIC BUNDLED DIMENSIONAL WALLS.
INDEX
MAIN
GERLOVIN
DRUM CIRC
HIDING FROM CARS
PICTURES
PAGE
DIRECTORY
THE STORE
ONE OF THE DRAWINGS, ILLUSTRATION FOR ANOTHER MS THAT I WANTED TO GET BACK FROM JEN IN COURT CASE, HAD TO DO WITH THE "UNSEEN CELESTIAL CATHEDRAL" FROM EITHER THE DOVER BOOK EDITION VOL. ONE OR TWO OF LEONARDO'S NOTEBOOKS OF A CATHEDRAL DESCRIBED, BUT NOT ILLUSTRATED.
USING THE METAPHORIC LANGUAGE AND SOME RANKING OF THE COLUMNS, PLACEMENT OF STRUCTURES IN OTHER LEONARDO FLOORPLANS, I WAS ABLE TO OUTLINE A BASE, USING NUMBERS IN VALUES PER TYPE OF CLASS, AND THEN, ADDING ARITHMETICALLY, CAME ABOUT 20 OR SO COLUMNS OUT, (HAVE TO CHECK THE DOUBLING RULES ON THAT) TO A POINT THE NUMBERS DOUBLE IN VALUE, AND THEN NOTED THE INTERVALS OF SEQUENCE, CONNECTED THE NUMBERS THAT MATCHED, AND THE PARAMETERS DEVELOPED ESTABLISHED SHAPES, THEN COLOR IN THE NUMBER VALUES, LIKE PIXEL VALUES, AND YOU GET A VERY
INTERESTING STUDY OF TWO FIGURES, MALE AND FEMALE, CHAKRA AREAS ABOUT RIGHT, TREELIKE BRANCHING FROM THE CATHEDRAL FLOORPLAN TO THE FIGURES, AND OTHER SHAPES.
WITHOUT THE GRID I STARTED WITH, AND GOING BACK TO THE PASSAGE IN THE NOTEBOOKS, I HAVE A HARD TIME STARTING AGAIN TO SEE IF A CHANGE IN ATTITUDE OF THE PLAN, CHANGES THE OUTLINE OR COMES OUT AS DETAILESD.
I CHECKED A TRANSLATION OF REVEALATIONS, AND THE POINTS AS LEONARDO RANKED THE CATHEDRAL COMPONENTS ARE SIMILAR. FOR PEOPLE INTERESTED IN THE DA VINCI CODE, THE NOVEL WASN'T PUBLISHED WHEN I DID THIS IN 1993, AND YOUR DAMNED NOVEL COMPETES WITH EVERY DA VINCI GOOGLE SEARCH YOU RUN SINCE IT CAME OUT, SUCH IT IS EASIER TO GO TO THE LIBRARY, LOOK UP THE BOOK, UNFORTUNATELY I AM IN MODESTO, NOT AT UCR OR STANFORD.
AND MAPPING. THAT'S WHERE I LEFT OFF IN 1996, NEAR END OF PROJECT